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#classical-music — Public Fediverse posts

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  1. 今日はヨーゼフ・シュトラウスの誕生日。1827年生まれ。来年が生誕200年のアニバーサリー。

    ヨハン・シュトラウス1世の次男。当時はウィーンのマリアヒルファー通り沿いの家に住んでいた。跡地にはプレートが設置されている。maps.app.goo.gl/7JxL8dvvkWoyGr viennatouristguide.at/Gedenkta なお、兄のヨハン・シュトラウス2世の生家は別の場所にある。つまり、親はウィーンの街中を時折引っ越していたことになる。

    #クラシック #ClassicalMusic

  2. 今日はヨーゼフ・シュトラウスの誕生日。1827年生まれ。来年が生誕200年のアニバーサリー。

    ヨハン・シュトラウス1世の次男。当時はウィーンのマリアヒルファー通り沿いの家に住んでいた。跡地にはプレートが設置されている。maps.app.goo.gl/7JxL8dvvkWoyGr viennatouristguide.at/Gedenkta なお、兄のヨハン・シュトラウス2世の生家は別の場所にある。つまり、親はウィーンの街中を時折引っ越していたことになる。

    #クラシック #ClassicalMusic

  3. 今日はヨーゼフ・シュトラウスの誕生日。1827年生まれ。来年が生誕200年のアニバーサリー。

    ヨハン・シュトラウス1世の次男。当時はウィーンのマリアヒルファー通り沿いの家に住んでいた。跡地にはプレートが設置されている。maps.app.goo.gl/7JxL8dvvkWoyGr viennatouristguide.at/Gedenkta なお、兄のヨハン・シュトラウス2世の生家は別の場所にある。つまり、親はウィーンの街中を時折引っ越していたことになる。

    #クラシック #ClassicalMusic

  4. In Verona’s Arena tonight, for an immersive performance of Vivaldi’s Four Seasons.
    Quite a performance; strongly recommended.

    #classicalmusic

  5. In Verona’s Arena tonight, for an immersive performance of Vivaldi’s Four Seasons.
    Quite a performance; strongly recommended.

    #classicalmusic

  6. In Verona’s Arena tonight, for an immersive performance of Vivaldi’s Four Seasons.
    Quite a performance; strongly recommended.

    #classicalmusic

  7. In Verona’s Arena tonight, for an immersive performance of Vivaldi’s Four Seasons.
    Quite a performance; strongly recommended.

    #classicalmusic

  8. María Dueñas y la Orquesta Filarmónica de Munich

    WAGNER: Obertura del “El holandés errante”
    BRUCH: Concierto para violín núm. 1 en sol menor, op. 26
    VECSEY: Valse Triste
    FELIX MENDELSSOHN: Sinfonía núm. 3 en la menor, op. 56, “Escocesa”
    FELIX MENDELSSOHN: Canción de Góndola veneciana

    Orquesta Filarmónica de Munich
    Lahav Shani, dirección
    María Dueñas, violín

    12 de julio de 2026, Odeonsplatz, Munich, Alemania

    @classicalmusic

    #classicalmusic #concert #violin
    rtve.es/play/audios/concierto-

  9. María Dueñas y la Orquesta Filarmónica de Munich

    WAGNER: Obertura del “El holandés errante”
    BRUCH: Concierto para violín núm. 1 en sol menor, op. 26
    VECSEY: Valse Triste
    FELIX MENDELSSOHN: Sinfonía núm. 3 en la menor, op. 56, “Escocesa”
    FELIX MENDELSSOHN: Canción de Góndola veneciana

    Orquesta Filarmónica de Munich
    Lahav Shani, dirección
    María Dueñas, violín

    12 de julio de 2026, Odeonsplatz, Munich, Alemania

    @classicalmusic

    #classicalmusic #concert #violin
    rtve.es/play/audios/concierto-

  10. María Dueñas y la Orquesta Filarmónica de Munich

    WAGNER: Obertura del “El holandés errante”
    BRUCH: Concierto para violín núm. 1 en sol menor, op. 26
    VECSEY: Valse Triste
    FELIX MENDELSSOHN: Sinfonía núm. 3 en la menor, op. 56, “Escocesa”
    FELIX MENDELSSOHN: Canción de Góndola veneciana

    Orquesta Filarmónica de Munich
    Lahav Shani, dirección
    María Dueñas, violín

    12 de julio de 2026, Odeonsplatz, Munich, Alemania

    @classicalmusic

    #classicalmusic #concert #violin
    rtve.es/play/audios/concierto-

  11. María Dueñas y la Orquesta Filarmónica de Munich

    WAGNER: Obertura del “El holandés errante”
    BRUCH: Concierto para violín núm. 1 en sol menor, op. 26
    VECSEY: Valse Triste
    FELIX MENDELSSOHN: Sinfonía núm. 3 en la menor, op. 56, “Escocesa”
    FELIX MENDELSSOHN: Canción de Góndola veneciana

    Orquesta Filarmónica de Munich
    Lahav Shani, dirección
    María Dueñas, violín

    12 de julio de 2026, Odeonsplatz, Munich, Alemania

    @classicalmusic

    #classicalmusic #concert #violin
    rtve.es/play/audios/concierto-

  12. María Dueñas y la Orquesta Filarmónica de Munich

    WAGNER: Obertura del “El holandés errante”
    BRUCH: Concierto para violín núm. 1 en sol menor, op. 26
    VECSEY: Valse Triste
    FELIX MENDELSSOHN: Sinfonía núm. 3 en la menor, op. 56, “Escocesa”
    FELIX MENDELSSOHN: Canción de Góndola veneciana

    Orquesta Filarmónica de Munich
    Lahav Shani, dirección
    María Dueñas, violín

    12 de julio de 2026, Odeonsplatz, Munich, Alemania

    @classicalmusic

    #classicalmusic #concert #violin
    rtve.es/play/audios/concierto-

  13. ‘You’ll be sorry you told me this!’: the 98-year-old composer who gets musicians – even bassoonists - on their feet
    By Tom Service

    Scotland’s Thea Musgrave is still writing radical music with perambulatory soloists and a message of hopefulness. Her latest work, for bassoonist Amy Harman, comes to the Proms this weekend

    theguardian.com/music/2026/aug

    #Music #Classicalmusic #Culture #Proms2026 #TheGuardian #TomService

  14. ‘You’ll be sorry you told me this!’: the 98-year-old composer who gets musicians – even bassoonists - on their feet
    By Tom Service

    Scotland’s Thea Musgrave is still writing radical music with perambulatory soloists and a message of hopefulness. Her latest work, for bassoonist Amy Harman, comes to the Proms this weekend

    theguardian.com/music/2026/aug

    #Music #Classicalmusic #Culture #Proms2026 #TheGuardian #TomService

  15. ‘You’ll be sorry you told me this!’: the 98-year-old composer who gets musicians – even bassoonists - on their feet
    By Tom Service

    Scotland’s Thea Musgrave is still writing radical music with perambulatory soloists and a message of hopefulness. Her latest work, for bassoonist Amy Harman, comes to the Proms this weekend

    theguardian.com/music/2026/aug

    #Music #Classicalmusic #Culture #Proms2026 #TheGuardian #TomService

  16. The Rake’s Progress review – a young cast packed with promise do Stravinsky’s dance with the devil proud
    By Alexandra Coghlan

    Battersea Arts Centre, LondonThe staging is awkward and balance is an issue at points, but the singers of British Youth Opera are consistently impressive

    theguardian.com/music/2026/aug

    #Opera #Classicalmusic #Culture #Music #BatterseaArtsCentre #Stage #TheGuardian #AlexandraCoghlan

  17. The Rake’s Progress review – a young cast packed with promise do Stravinsky’s dance with the devil proud
    By Alexandra Coghlan

    Battersea Arts Centre, LondonThe staging is awkward and balance is an issue at points, but the singers of British Youth Opera are consistently impressive

    theguardian.com/music/2026/aug

    #Opera #Classicalmusic #Culture #Music #BatterseaArtsCentre #Stage #TheGuardian #AlexandraCoghlan

  18. The Rake’s Progress review – a young cast packed with promise do Stravinsky’s dance with the devil proud
    By Alexandra Coghlan

    Battersea Arts Centre, LondonThe staging is awkward and balance is an issue at points, but the singers of British Youth Opera are consistently impressive

    theguardian.com/music/2026/aug

    #Opera #Classicalmusic #Culture #Music #BatterseaArtsCentre #Stage #TheGuardian #AlexandraCoghlan

  19. Ukrainian Freedom Orchestra/Wilson review – white-hot intensity as Verdi Reqiuem shakes St Paul’s vast dome
    By Flora Willson

    St Paul’s Cathedral, LondonElemental roars and full-frontal vocal expressivity as the UFO focuses on a mission bigger than a good performance

    theguardian.com/music/2026/aug

    #Classicalmusic #Culture #Music #Ukraine #TheGuardian #FloraWillson

  20. Ukrainian Freedom Orchestra/Wilson review – white-hot intensity as Verdi Reqiuem shakes St Paul’s vast dome
    By Flora Willson

    St Paul’s Cathedral, LondonElemental roars and full-frontal vocal expressivity as the UFO focuses on a mission bigger than a good performance

    theguardian.com/music/2026/aug

    #Classicalmusic #Culture #Music #Ukraine #TheGuardian #FloraWillson

  21. Ukrainian Freedom Orchestra/Wilson review – white-hot intensity as Verdi Reqiuem shakes St Paul’s vast dome
    By Flora Willson

    St Paul’s Cathedral, LondonElemental roars and full-frontal vocal expressivity as the UFO focuses on a mission bigger than a good performance

    theguardian.com/music/2026/aug

    #Classicalmusic #Culture #Music #Ukraine #TheGuardian #FloraWillson

  22. Came across a great composition quote:

    "Our society unfortunately doesn’t trust women’s talents yet, and our colleagues would rather not notice, or hear, the music [we write], even if it can equal or sometimes even excel in its ideas and
    originality some of their frequently poor productions… Someone told me I must die first in order to gain fame! But I don’t feel like dying yet. And I prefer to justify my posthumous fame by writing a
    greater number of compositions first."

    -- Anna Maria Klechniowska, as quoted in Lindstedt, “Why Are Our Women Composers So Little Known?" (2019).

    #composition #ClassicalMusic #Music #WomenAndMusic #Gender

  23. Came across a great composition quote:

    "Our society unfortunately doesn’t trust women’s talents yet, and our colleagues would rather not notice, or hear, the music [we write], even if it can equal or sometimes even excel in its ideas and
    originality some of their frequently poor productions… Someone told me I must die first in order to gain fame! But I don’t feel like dying yet. And I prefer to justify my posthumous fame by writing a
    greater number of compositions first."

    -- Anna Maria Klechniowska, as quoted in Lindstedt, “Why Are Our Women Composers So Little Known?" (2019).

    #composition #ClassicalMusic #Music #WomenAndMusic #Gender

  24. Came across a great composition quote:

    "Our society unfortunately doesn’t trust women’s talents yet, and our colleagues would rather not notice, or hear, the music [we write], even if it can equal or sometimes even excel in its ideas and
    originality some of their frequently poor productions… Someone told me I must die first in order to gain fame! But I don’t feel like dying yet. And I prefer to justify my posthumous fame by writing a
    greater number of compositions first."

    -- Anna Maria Klechniowska, as quoted in Lindstedt, “Why Are Our Women Composers So Little Known?" (2019).

    #composition #ClassicalMusic #Music #WomenAndMusic #Gender

  25. Came across a great composition quote:

    "Our society unfortunately doesn’t trust women’s talents yet, and our colleagues would rather not notice, or hear, the music [we write], even if it can equal or sometimes even excel in its ideas and
    originality some of their frequently poor productions… Someone told me I must die first in order to gain fame! But I don’t feel like dying yet. And I prefer to justify my posthumous fame by writing a
    greater number of compositions first."

    -- Anna Maria Klechniowska, as quoted in Lindstedt, “Why Are Our Women Composers So Little Known?" (2019).

    #composition #ClassicalMusic #Music #WomenAndMusic #Gender

  26. Came across a great composition quote:

    "Our society unfortunately doesn’t trust women’s talents yet, and our colleagues would rather not notice, or hear, the music [we write], even if it can equal or sometimes even excel in its ideas and
    originality some of their frequently poor productions… Someone told me I must die first in order to gain fame! But I don’t feel like dying yet. And I prefer to justify my posthumous fame by writing a
    greater number of compositions first."

    -- Anna Maria Klechniowska, as quoted in Lindstedt, “Why Are Our Women Composers So Little Known?" (2019).

    #composition #ClassicalMusic #Music #WomenAndMusic #Gender

  27. Opera for the Dead and ocean-inspired works shine at Art Music Awards
    By Ria Andriani

    The 2026 Art Music Awards has celebrated a culture of experimentation, collaboration and women composers in Australia. Here are all the winners.

    abc.net.au/news/2026-08-19/art

    #MusicAwards #AustralianComposers #ClassicalMusic #Jazz #OperaandMusicalTheatre #RiaAndriani

  28. Opera for the Dead and ocean-inspired works shine at Art Music Awards
    By Ria Andriani

    The 2026 Art Music Awards has celebrated a culture of experimentation, collaboration and women composers in Australia. Here are all the winners.

    abc.net.au/news/2026-08-19/art

    #MusicAwards #AustralianComposers #ClassicalMusic #Jazz #OperaandMusicalTheatre #RiaAndriani

  29. Opera for the Dead and ocean-inspired works shine at Art Music Awards
    By Ria Andriani

    The 2026 Art Music Awards has celebrated a culture of experimentation, collaboration and women composers in Australia. Here are all the winners.

    abc.net.au/news/2026-08-19/art

    #MusicAwards #AustralianComposers #ClassicalMusic #Jazz #OperaandMusicalTheatre #RiaAndriani

  30. Opera for the Dead and ocean-inspired works shine at Art Music Awards
    By Ria Andriani

    The 2026 Art Music Awards has celebrated a culture of experimentation, collaboration and women composers in Australia. Here are all the winners.

    abc.net.au/news/2026-08-19/art

    #MusicAwards #AustralianComposers #ClassicalMusic #Jazz #OperaandMusicalTheatre #RiaAndriani

  31. Opera for the Dead and ocean-inspired works shine at Art Music Awards
    By Ria Andriani

    The 2026 Art Music Awards has celebrated a culture of experimentation, collaboration and women composers in Australia. Here are all the winners.

    abc.net.au/news/2026-08-19/art

    #MusicAwards #AustralianComposers #ClassicalMusic #Jazz #OperaandMusicalTheatre #RiaAndriani

  32. 今日は早坂文雄の誕生日。1914年、仙台の東一番丁の生まれ。但し、4歳の頃に北海道に移住している。伊福部昭らと知り合って「新音楽連盟」を結成したのは札幌にて。

    音楽を志す様になったのは15歳の旧制中学時代から。しかし翌年中学を卒業すると働きに出る様になる。

    #クラシック #ClassicalMusic

  33. 今日は早坂文雄の誕生日。1914年、仙台の東一番丁の生まれ。但し、4歳の頃に北海道に移住している。伊福部昭らと知り合って「新音楽連盟」を結成したのは札幌にて。

    音楽を志す様になったのは15歳の旧制中学時代から。しかし翌年中学を卒業すると働きに出る様になる。

    #クラシック #ClassicalMusic

  34. 今日は早坂文雄の誕生日。1914年、仙台の東一番丁の生まれ。但し、4歳の頃に北海道に移住している。伊福部昭らと知り合って「新音楽連盟」を結成したのは札幌にて。

    音楽を志す様になったのは15歳の旧制中学時代から。しかし翌年中学を卒業すると働きに出る様になる。

    #クラシック #ClassicalMusic

  35. Wolfgang Amadeus Mozart (1756-1793)
    Violin Concerto No.5 in A-Major KV.219 "Turkish"

    Ilva Eigus, violin
    Kevin Griffiths, direction
    Empyrean Orchestra

    Tonhalle Zürich
    10.03.2026

    @classicalmusic

    #classicalmusic #concert #violin

    youtu.be/POaPRTL7fuM?is=J-IoAa