Movie TV Tech Geeks #MovieNews #BenHur #CharltonHeston #Religious One of the Greatest Historical Epics Ever Made Officially Lands on Free Streaming http://dlvr.it/TVfYz4
#charltonheston — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #charltonheston, aggregated by home.social.
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#BehindTheScenes
#TheTenCommandments (1956)
Moses, raised as a prince of Egypt in the Pharaoh's household, learns of his true heritage as a Hebrew and his divine mission as the deliverer of his people from slavery.#CharltonHeston parting The Red Sea
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August 28, 1963 March on Washington for Jobs & Freedom
Advocating for civil & economic rights for Black Americans. Attending were Diahann Carroll, Marlon Brando, James Garner, Charlton Heston, Paul Newman, Sidney Poitier, Sammy Davis Jr, Burt Lancaster, James Baldwin & Harry Belafonte.
#civilrights #diahanncarroll #paulnewman #charltonheston #marlonbrando #jamesbaldwin #harrybelafonte #jamesgarner #burtlancaster #sidneypoitier #sammydavisjr #marchonwashington #1963marchonwashington #africanamericanhistory #americanhistory #history #civilrightshistory
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August 28, 1963 March on Washington for Jobs & Freedom
Advocating for civil & economic rights for Black Americans. Attending were Diahann Carroll, Marlon Brando, Charlton Heston, Paul Newman, Sidney Poitier, Sammy Davis Jr, Burt Lancaster, James Baldwin & Harry Belafonte.
#civilrights #paulnewman #charltonheston #marlonbrando #harrybelafonte #burtlancaster #sidneypoitier #marchonwashington #1963marchonwashington #africanamericanhistory #americanhistory #history #civilrightshistory
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August 28, 1963 March on Washington for Jobs & Freedom
Advocating for civil & economic rights for Black Americans. Attending were Diahann Carroll, Marlon Brando, James Garner, Charlton Heston, Paul Newman, Sidney Poitier, Sammy Davis Jr, Burt Lancaster, James Baldwin & Harry Belafonte
#civilrights #charltonheston #jamesbaldwin #harrybelafonte #burtlancaster #sidneypoitier #marchonwashington #1963marchonwashington #africanamericanhistory #americanhistory #history #civilrightshistory
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" SED DE MAL ": LA OBRA MAESTRA QUE HOLLYWOOD NO SUPO ENTENDER
Algunas películas necesitan tiempo para encontrar su lugar en la historia. Sed de mal fue una de ellas. Cuando Orson Welles estrenó en 1958 esta oscura y febril historia de corrupción policial, violencia y obsesiones en la frontera entre Estados Unidos y México, la película no recibió la acogida que merecía...
#cine #cinema #charltonheston #orsonwelles
https://nuevoimagenesdeactualidad.blogspot.com/2026/07/sed-de-mal-la-obra-maestra-que.html#more -
The NEW Soylent Green
A Moses-like figure stands before the mic at an NRA convention and thunders, “I will give you my gun when you pry it from my cold, dead fingers.”
At the end of the sci-fi film Soylent Green, that same actor implores his detective boss to spread the news, “Soylent Green is people!”
In the movie, as the corpses pile up from an overcrowded, miserable earth, they are carted away in garbage trucks, secretly converted to Soylent Green, and fed back to the living. Soylent Green is better than the old Red and Yellow varieties, but it is scarce, so there are riots. A detective played by Charlton Heston discovers the deception. In a word, humanity has become cannibals, feeding upon itself, in a state-sanctioned system of cyclical violence.
Such is the world created by the NRA. It plays upon the irrational fears of a few to continue to thwart common sense gun legislation. Its largely successful lobbying over the years has distorted the original intention of the Second Amendment so much so that it has become almost impossible to pass laws more in keeping with the Founders’ intent.
When the bodies continue to pile up as a result of gun violence, and there is no legislative change primarily due to the lobbying of the NRA and the like, we are in every sense of the word disrespecting the dead and feeding upon ourselves.
In a state-sanctioned system of cyclical violence.
Like in Soylent Green.
And like the movie, the end result is not very pretty.
But go ahead. Watch the news.
Take another bite.
June 23, 2014
#2ndAmmendment #AmericanGunCulture #cannibalisticSociety #CharltonHeston #commonSenseGunLaws #cultureOfFear #cyclicalViolence #deathAndPolitics #Dystopia #Film #gunControl #GunViolence #legislativeParalysis #massShootings #moralOutrage #newsCommentary #NRA #politicalLobbying #propheticWriting #publicPolicy #Satire #SecondAmendment #socialCritique #socialDecay #SoylentGreen #stateSanctionedViolence #Violence #violenceInAmerica -
HORIZONTES DE GRANDEZA, LA TRAGEDIA OCULTA DEL OESTE
Durante mucho tiempo, el wéstern fue contemplado como un simple espectáculo popular. Caballos, revólveres, duelos al sol y héroes de moral inquebrantable parecían suficientes para definir un género que muchos consideraban destinado únicamente al entretenimiento. Sin embargo, bajo esa superficie de polvo y leyenda se escondían…
#cine #cinema #williamwyler #gregorypeck #charltonheston
https://nuevoimagenesdeactualidad.blogspot.com/2026/06/horizontes-de-grandeza-la-tragedia.html -
Movie TV Tech Geeks #MovieFeatures #BenHur #Western #CharltonHeston Hollywood's Greatest Epic Has Surprising Roots in the Wild West http://dlvr.it/TSvf1c
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The True Story of the Soviet Scientist Who Tried to Breed a ‘Human-Ape’ Hybrid
Here’s what you’ll learn when you read this story: Russian zoologist Ilia Ivanov was determined to find a…
#NewsBeep #News #Headlines #CharltonHeston #FrenchGuinea #humansperm #IliaIvanov #Ivanov #Sovietwomen #World
https://www.newsbeep.com/512912/ -
LA COSTUMBRE DE CHARLTON HESTON QUE HOMENAJEO LA SERIE "FRIENDS".
Mucho antes de que Hollywood convirtiera el físico musculado en requisito para las grandes franquicias, Charlton Heston ya había levantado una filmografía donde la presencia corporal formaba parte inseparable de su leyenda. No era solo una cuestión de porte —aunque aquel metro noventa de estatura, los hombros de estatua clásica y ese perfil…
https://nuevoimagenesdeactualidad.blogspot.com/2026/04/la-costumbre-de-charlton-heston-que.html
#cine #cinema #charltonheston -
CURIOSIDADES DE CINE… EL PRINCIPE Y EL MENDIGO de Richard Fleischer.
La película El príncipe y el mendigo de 1977, dirigida por Richard Fleischer, destaca por su elenco estelar, incluyendo a Oliver Reed, Raquel Welch y Charlton Heston, y fue rodada en Budapest para recrear la Inglaterra Tudor. Marcó el fin de la carrera infantil de Mark Lester y cuenta con una aclamada banda sonora de Maurice Jarre. Logrando reunir a…
https://nuevoimagenesdeactualidad.blogspot.com/2026/04/curiosidades-de-cine-el-principe-y-el_01185080363.html
#cine #cinema #charltonheston #marklester -
CURIOSIDADES DE CINE… EL TORMENTO Y EL ÉXTASIS DE CAROL REED.
Ante la imposibilidad de rodar en el Vaticano, se construyó una réplica exacta de la Capilla Sixtina en los estudios Cinecittà de Roma. Para simular el progreso de Miguel Ángel, los frescos se cubrieron inicialmente con papel pintado que se iba retirando poco a poco para mostrar la obra terminada. Las escenas de las canteras se filmaron en Carrara, el…
https://nuevoimagenesdeactualidad.blogspot.com/2026/04/curiosidades-de-cine-el-tormento-y-el.html
#carolreed #cine #cinema #charltonheston #rexharrison -
La familia de Charlton Heston cada vez que llega Semana Santa.
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Good luck to the Artemis II crew.
#PlanetOfTheApes #RetroSciFi #ClassicSciFi #Astronauts #CharltonHeston
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Robert Hinkle, Who Taught Rock Hudson and Paul Newman to Talk Like a Texan, Dies at 95
#MovieNews #Movies #CharltonHeston #ElizabethTaylor #EvelKnievel #JamesDean #JohnWayne #Obituaries #PaulNewman #RockHudson -
‘Dallas’ Actress, 80s Fashion Icon Was 62
Annabel Schofield, who went from being a defining face of 1980s London fashion to playing Laurel Ellis opposite…
#NewsBeep #News #Celebrities #AngelinaJolie #CharltonHeston #Dallas #Entertainment #fashion #London #Obituaries #UK #UnitedKingdom
https://www.newsbeep.com/uk/456419/ -
Annabel Schofield, ‘Dallas’ Actress and ‘80s Fashion Icon, Dies at 62
#TV #TVNews #AngelinaJolie #CharltonHeston #Dallas #Fashion #London #Obituaries -
EL CINE DE LOS AÑOS 70
CUANDO EL DESTINO NOS ALCANCE (1973)
Dentro de la ciencia ficción más sombría, Soylent Green ocupa un lugar privilegiado. Es una de esas películas que utilizan el futuro como espejo deformante del presente, un ejercicio distópico donde el mundo se desmorona no por una invasión alienígena ni por avances tecnológicos fuera de control, sino por algo mucho más…
https://nuevoimagenesdeactualidad.blogspot.com/2026/01/cuando-el-destino-nos-alcance-1973.html
#cine #cinema #charltonheston #edwardgrobinson #richardfleischer -
Movie TV Tech Geeks #MovieFeatures #TheBigCountry #CharltonHeston Gregory Peck and Charlton Heston Faced Off in This Oscar-Winning Western on Prime Video http://dlvr.it/TQ8dn1
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EL CINE DE LOS AÑOS 50
BEN-HUR (1959)
William Wyler es uno de los directores más entregados al cine, un realizador capaz de transformar emociones y pensamientos abstractos en imágenes memorables. Su talento para crear melodramas de intensidad prodigiosa le ha granjeado un lugar indiscutible en la historia del séptimo arte. Y, sin embargo, Ben-Hur representa…
https://nuevoimagenesdeactualidad.blogspot.com/2026/01/ben-hur-1959.html
#cine #cinema #charltonheston #williamwyler #finalycurrie #hughgriffith #hayaharareet #jackhawkins -
CURIOSIDADES… CUANDO EL DESTINO NOS ALCANCE DE RICHARD FLEISCHER
https://nuevoimagenesdeactualidad.blogspot.com/2025/12/curiosidades-cuando-el-destino-nos.html
#cine #cinema #richardfleischer #edwardgrobinson #charltonheston -
Cubs BCB After Dark: Should the Cubs sign Pete Fairbanks? https://www.rawchili.com/mlb/448238/ #AndrewKittredge #Baseball #Brad Keller #CalebThielbar #CharltonHeston #Chicago #ChicagoCubs #ChicagoCubs #Cubs #DanielPalencia #DevinWilliams #DrewPomeranz #FantasticPlanet #MLB #PeteFairbanks #PhilMaton #PlanetOfTheApes #Yankees
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#BostonWeekend 8x Thu NOIR The Brattle has the Orson Welles classic A Touch of Evil 😈 at 830p tonight, presented in a nice 4K restoration. https://www.youtube.com/watch?v=V-Oqn2hMp1M https://brattlefilm.org/film-series/noirvember-50s/ #BostonFilm #OrsonWelles #CharltonHeston
#ATouchOf Evil #CambridgeMA -
“That’s the artist’s job, really: continually setting yourself free, and giving yourself new options and new ways of thinking about things”*…
Further, in a fashion, to last week’s post on literacy (and post-literacy), Nathan Gardels alerts us to a conversation between Ken Liu and Nils Gilman, in which Liu suggests that, in a way analogous to the the camera’s ability to capture motion (and thus, transform storytelling), AI is emerging as a new artistic medium for capturing subjective experience…
For the celebrated novelist Ken Liu, whose works include “The Paper Menagerie” and Chinese-to-English translation of “The Three-Body Problem,” science fiction is a way to plumb the anxieties, hopes and abiding myths of the collective unconscious.
In this pursuit, he argues in a Futurology podcast, AI should not be regarded as a threat to the distinctive human capacity to organize our reality or imagine alternative worlds through storytelling. On the contrary, the technology should be seen as an entirely new way to access that elusive realm beneath the surface and deepen our self-knowledge.
As a window into the interiority of others, and indeed, of ourselves, Liu believes the communal mirror of Large Language Models opens the horizons of how we experience and situate our presence in the world.
“It’s fascinating to me to think about AI as a potential new artistic medium in the same way that the camera was a new artistic medium,” he muses. What the roving aperture enabled was the cinematic art form of capturing motion, “so you can splice movement around … and can break all kinds of rules about narrative art that used to be true.
“In the dramatic arts, it was just assumed that because you had to perform in front of an audience on the stage, that you had to follow certain unities to make your story comprehensible. The unity of action, of place, of time. You can’t just randomly jump around, or the audience wouldn’t be able to follow you.
But with this motion-capturing machine, you can in fact do that. That’s why an actual movie is very different from a play.
You can do the reaction shots, you can do the montages, you can do the cuts, you can do the swipes, you can do all sorts of things in the language of cinema.
You can put audiences in perspectives that they normally can never be in. So it’s such a transformation of the understanding of presence, of how a subject can be present in a dramatic narrative story.”
He continues: “Rather than thinking about AI as a cheap way to replace filmmakers, to replace writers, to replace artists, think of [it] as a new kind of machine that captures something and plays back something. What is the thing that it captures and plays back? The content of thought, or subjectivity.”
The ancient Greeks called the content, or object of a person’s thought, “noema,” which is why this publication bears that name.
Liu thus invents the term “Noematograph” as analogous to “the cinematograph not for motion, but for thought … AI is really a subjectivity capturing machine, because by being trained on the products of human thinking, it has captured the subjectivities, the consciousnesses, that were involved in the creation of those things.”
Liu sees value in what some regard as the worst qualities of generative AI.
“This is a machine that allows people to play with subjectivities and to craft their own fictions, to engage in their own narrative self-construction in the process of working with an AI,” he observes. “The fact that AI is sycophantic and shapeable by you is the point. It’s not another human being. It’s a simulation. It’s a construction. It’s a fictional thing.
You can ask the AI to explain, to interpret. You can role-play with AI. You can explore a world that you construct together.
You can also share these things with other humans. One of the great, fun trends on the internet involving using AI, in fact, is about people crafting their own versions of prompts with models and then sharing the results with other humans.
And then a large group, a large community, comes together to collaboratively play with AI. So I think it’s the playfulness, it’s that interactivity, that I think is going to be really, really determinative of the future of AI as an art form.”
So, what will the product of this new art form look like?
“As a medium for art, what will come out of it won’t look anything like movies or novels …They’re going to be much more like conversations with friends. They’re going to be more like a meal you share with people. They are much more ephemeral in the moment. They’re about the participation. They’re about the consumer being also the creator.
They’re much more personalized. They’re about you looking into the strange mirror and sort of examining your own subjectivity.”
Much of what Liu posits echoes the views of the philosopher of technology, Tobias Rees, in a previous conversation with Noema.
As Rees describes it, “AI has much more information available than we do, and it can access and work through this information faster than we can. It also can discover logical structures in data — patterns — where we see nothing.
AI can literally give us access to spaces that we, on our own, qua human, cannot discover and cannot access.”
He goes on: “Imagine an AI model … that has access to all your data. Your emails, your messages, your documents, your voice memos, your photos, your songs, etc.
Such an AI system can make me visible to myself … it literally can lift me above me. It can show me myself from outside of myself, show me the patterns of thoughts and behaviors that have come to define me. It can help me understand these patterns, and it can discuss with me whether they are constraining me, and if so, then how. What is more, it can help me work on those patterns and, where appropriate, enable me to break from them and be set free.”
Philosophically put, says Rees, invoking the meaning of “noema” as Liu does, “AI can help me transform myself into an ‘object of thought’ to which I can relate and on which I can work.
“The work of the self on the self has formed the core of what Greek philosophers called meletē and Roman philosophers meditatio. And the kind of AI system I evoke here would be a philosopher’s dream. It could make us humans visible to ourselves from outside of us.”
Liu’s insight as a writer of science fiction realism is to see what Rees describes in the social context of interactive connectivity.
The arrival of new technologies is always disruptive to familiar ways of seeing that were cultivated from within established capacities. Letting go of those comforting narratives that guide our inner world is existentially disorienting. It is here that art’s vocation comes into play as the medium that helps move the human condition along. To see technology as an art form, as Liu does, is to capture the epochal moment of transformation that we are presently living through…
Is AI birthing a new art form? “From Cinema To The Noematograph,” @kyliu99.bsky.social and @nilsgilman.bsky.social in @futurologypod.bsky.social.
See/her the full conversation:
https://youtu.be/q8ZR9-y4ik8?si=gqRnE4ppMic6K7zb
See also: “O brave new world, that has such people in ‘t!“
* Miranda July
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As we observe, with William Gibson, that the street finds its own uses for things, we might recall that it was on this date in 1959 that perhaps the pinnacle of cinema’s ability to capture motion was released: the most famous the the six films of Ben Hur, “the Charlton Heston version.”
At the time, Ben Hur had the largest budget ($15.175 million), the largest sets, a wardrobe staff of 100, over 200 artists, about 200 camels and 2,500 horses and about 10,000 extras.
Filming began on May 18, 1958, and didn’t wrap up until January 7, 1959. The film crew worked between 12 to 14 hours a day, six days a week.
The chariot race scene lasts for nine minutes in the finished film and Miklos Rozsa’s film score is the longest ever composed for a film.
– source
https://youtu.be/1LVp4tvl5O4?si=jdb5fLkiRCJQQCgP
#ai #art #artifcialIntelligence #benHur #charltonHeston #cinema #culture #film #history #kenLiu #noematograph #subjectivity #technology #thought #tobiasRees
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Trailer The Awakening https://trailers.zouluvo.com/the-awakening-2/
#CharltonHeston #SusannahYork #StephanieZimbalist #JillTownsend #PatrickDrury #MikeNewell #RoyaumeUni #31octobre1980 #1980 #octobre1980 #horreur #fantastique #EMIFilms #OrionPictures #Solofilm #archéologue #momie #Égypte #possession #mystère #rituel #malédiction #famille #antique #tombeau #secret #danger #paranormal #esprit #rituel #peur #suspense #disparition
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My partner just used the word "shooketh" in jest, and now I'm picturing Brian Johnson with Charlton Heston's beard from "The Ten Commandments" (1956) singing "You Shooketh Me All Night Long".
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Aug 23 : Pirate(s)
#Bales2025FilmChallenge #FilmMastodon 📽️ 🎬
#TheBuccaneer (1958)
During the War of 1812, Louisiana buccaneer Jean Lafitte assists the Americans in defending New Orleans against the attacking British war fleet.
#YulBrynner #ClaireBloom #CharlesBoyer #CharltonHeston -
The Order promises a wild blend of historical farce, action, and religious satire but instead delivers JCVD in full schlock mode, missed comedic gold, and a baffling Hasidic disguise chase.
#JeanClaudeVanDamme #TheOrder #CultClassics #BadMovies #CinemaFails #ReligiousSatire #CharltonHeston #ActionMovies
https://ninetypercentcrapmoviereviews.wordpress.com/2022/11/10/the-order/ -
El Cid (1961) isn’t just a medieval epic—it’s a Cold War fantasy soaked in jingoism, linguistic imperialism, and toxic masculinity. Charlton Heston’s ‘hero’ crushes female agency while the film’s polished spectacle buries its hollow story.
#FilmCriticism #ElCid #CharltonHeston #HollywoodHistory #MisogynyInFilm #LinguisticImperialism #ColdWarCinema #AnthonyMann
https://ninetypercentcrapmoviereviews.wordpress.com/2022/11/10/el-cid/ -
June 22 : Fave Movie Kiss 💋
#Bales2025FilmChallenge #FilmMastodon 📽️ 🎬
#PlanetOfTheApes (1968)
Taylor kisses Zira goodbye much to the annoyance of Cornelius.
#CharltonHeston #KimHunter #RoddyMcDowallTaylor : Doctor, I'd like to kiss you goodbye.
Zira : All right, but you're so damned ugly. -
📢 AUJOURD’HUI,
au Forum des images, à 21h :La Planète des singes (1968) ★★★★
https://t.co/HGzyFI3X2D🎟️ Infos / Résa :
https://www.forumdesimages.fr/la-planete-des-singes-1#AuxFrontièresDeLhumain #LaPlanèteDesSinges #PlanetOfTheApes #FranklinJSchaffner #CharltonHeston #Cinema
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Nel 1954 #JerryHopper dirige #ilsegretodegliincas con #charltonheston nel ruolo del protagonista #harrysteele ignorando che quasi trent'anni dopo, #georgelucas e #stevenspielberg avrebbero creato #IndianaJones ispirandosi a questo #film... #unofilm #unocinema #cinema #filmastodon #recensioni
https://www.valeriotagliaferri.it/il-segreto-degli-incas-di-jerry-hopper/
ascolta gratis tutta la #recensione sul #podcast #lafogliadacanto
https://open.spotify.com/episode/3mJjqSbp6YpWsYw4JSKtag?si=qUCuQq9TTcip7JJJx0xZsg
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@MissingThePt Anyone else see the irony of far right, "from my cold dead hands" MAGA actor Charlton Heston being the one crying out, "You maniacs! You blew it all up! Damn you! God damn you all to hell!"
#planetoftheapes #maga #charltonheston #guns -
Relive the magic of Ben-Hur—the 11-time Oscar-winning epic that redefined cinema. Discover Charlton Heston’s thoughts on his iconic role and his favorite scene.
#BenHur #CharltonHeston #WilliamWyler #BenHurMovie #BenHur1959 #CharltonHestonInterview #50s #50sMovies #1950s #1950sMovies #Movies #MovieNews #Entertainment #EntertainmentNews #Celebrities #Celebrity #CelebrityNews #CelebrityInterviews
https://www.hollywoodoutbreak.com/2025/02/25/the-scene-that-moved-charlton-heston-most-in-ben-hur/
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#2022isopravvissuti di #RichardFleischer Tratto dal romanzo #largolargo pubblicato da ##HarryHarrison nel 1966, fra i primi autori di fantascienza a parlare di sovrappopolamento ed esaurimento delle risorse globali, questo “2022: i sopravvissuti” ci racconta... #cinema #film #unocinema #unofilm #filmastodon #charltonheston
https://www.valeriotagliaferri.it/2022-i-sopravvissuti-di-richard-fleischer/ascolta gratis la #recensione sul #podcast #lafogliadacanto su #spotify #amazonmusic #youtube
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~ 1970s Movies ~
Vote for the best movie of the bracket.The Godfather - 72
Black Sunday - 77
Earthquake - 74 -
Ice-T: ‘Anybody that thinks controversy is a way to make money, it’s not. You need lawyers!’ https://www.theguardian.com/culture/2024/oct/17/ice-t-anybody-that-thinks-controversy-is-a-way-to-make-money-its-not-you-need-lawyers #Television&radio #CharltonHeston #DavidGilmour #TVcrimedrama #HenryRollins #AbelFerrara #Popandrock #Television #Crimefilms #Hip-hop #Culture #Ice-T #Music #Metal #Lemmy #Drama #Film #Rap
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Trovo ingiusto che di #CharltonHeston, nato il 4 ottobre 1924, il primo ricordo che viene in mente a tanti sia l'intervista in Bowling a Columbine del 2002. Perché prima di presiedere l'Associazione nazionale fucili statunitense, era stato un attivista per i diritti civili e fianco di #MartinLutherKing e uno straordinario attore anche in pellicole cult come questa (che io ho scoperto durante il lockdown): Anno 2022 - I sopravvissuti - Recensione - Nocturno.it https://nocturno.it/movie/anno-2022-i-sopravvissuti/ #cinema
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Heute vor 101 Jahren wurde Charlton Heston geboren.
Charlton Heston ist ein Anagramm von
achtlos thronen#CharltonHeston #Geburtstagsanagramm #AnagrammTextperfekt #Anagramm #Anagramme #TeamAnagramm
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Oct 4 : Fav Performance #CharltonHeston
#Stonegasmovchallenge2024 #FilmMastodon 📽️ 🎬
#PlanetofTheApes (1968)
After being kept in hypersleep during a long expedition into deep space, an astronaut crew crash-lands in the 40th century on a planet where highly intelligent non-human ape species are dominant and humans are enslaved.
[1/3] -
Oct 4 : Fav Performance #CharltonHeston
#Stonegasmovchallenge2024 #FilmMastodon 📽️ 🎬
#PlanetofTheApes (1968)
After being kept in hypersleep during a long expedition into deep space, an astronaut crew crash-lands in the 40th century on a planet where highly intelligent non-human ape species are dominant and humans are enslaved.
[2/3] -
Oct 4 : Fav Performance #CharltonHeston
#Stonegasmovchallenge2024 #FilmMastodon 📽️ 🎬
#PlanetofTheApes (1968)
After being kept in hypersleep during a long expedition into deep space, an astronaut crew crash-lands in the 40th century on a planet where highly intelligent non-human ape species are dominant and humans are enslaved.
[3/3] -
#BehindTheScenes
#PlanetOfTheApes (1968)
After being kept in hypersleep during a long expedition into deep space, an astronaut crew crash-lands in the 40th century on a planet where highly intelligent non-human ape species are dominant and humans are enslaved.#CharltonHeston #LindaHarrison shaving scene.
#FilmMastodon 📽️ 🎬 -
#TakingABreakFromFilming
#EdwardGRobinson #CharltonHeston tug on each others beards at the Directors Guild Awards Dinner (1963). Both beards were in preparation for forthcoming film roles.
#FilmMastodon 📽️ 🎬 -
I just watched The Greatest Show on Earth (Cecil B. DeMille, 1952) and rated it 7/10 ~ https://en.wikipedia.org/wiki/The_Greatest_Show_on_Earth_%28film%29?wprov=sfla1 #films #cinema #cinemastodon #TheGreatestShowOnEarth #CecilBDeMille #BettyHutton #CharltonHeston #GloriaGrahame #CornelWilde #JamesStewart #DorothyLamour
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3 things about Jack Smight’s AIRPORT 1975 [1974]
1. Take a shot every time Charlton Heston calls her “honey.”
2. Her manuscript and tape recorder take the place of her jewels in the bomb-proof carrying case.
3. The only reason he’s on the plane is to watch the in-flight movie?!Did everything Jack Smight touch turn to crap? Or was it already crap and he just did what he had to do, but poorly?
#3things #movies #trash #disastermovies #charltonheston #karenblack #1970s #cinema
