#ceram — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #ceram, aggregated by home.social.
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#ceram
quite secret at the time, it was an important trade item.
question about the firing techniques, they used to fire the pots once before they applied patterns and fired again.
the chinese earth is quite exceptional, it makes it possible to make very thin pots, which is not possible in okinawa or japan.
in time, the price of the blue pigment fluctuates, when it's high, the blue is very diluted.
＊the end＊ -
#ceram
quite secret at the time, it was an important trade item.
question about the firing techniques, they used to fire the pots once before they applied patterns and fired again.
the chinese earth is quite exceptional, it makes it possible to make very thin pots, which is not possible in okinawa or japan.
in time, the price of the blue pigment fluctuates, when it's high, the blue is very diluted.
＊the end＊ -
#ceram
quite secret at the time, it was an important trade item.
question about the firing techniques, they used to fire the pots once before they applied patterns and fired again.
the chinese earth is quite exceptional, it makes it possible to make very thin pots, which is not possible in okinawa or japan.
in time, the price of the blue pigment fluctuates, when it's high, the blue is very diluted.
＊the end＊ -
#ceram
quite secret at the time, it was an important trade item.
question about the firing techniques, they used to fire the pots once before they applied patterns and fired again.
the chinese earth is quite exceptional, it makes it possible to make very thin pots, which is not possible in okinawa or japan.
in time, the price of the blue pigment fluctuates, when it's high, the blue is very diluted.
＊the end＊ -
#ceram
quite secret at the time, it was an important trade item.
question about the firing techniques, they used to fire the pots once before they applied patterns and fired again.
the chinese earth is quite exceptional, it makes it possible to make very thin pots, which is not possible in okinawa or japan.
in time, the price of the blue pigment fluctuates, when it's high, the blue is very diluted.
＊the end＊ -
#ceram
in okinawa too as soon as the early modern period they copy the chinese and other southern asia patterns.
in the modern period, the patterns are original, flowers, more and more geometric flowers, that look like nowadays tsuboya.
there is a period when the potters abandon the traditional patterns to create strange 「exotic」ceram for the tourists.
this is the end of the lecture, question time.
concerning the stamps, why don't we know of what they were made ?
ceram techniques were -
#ceram
in okinawa too as soon as the early modern period they copy the chinese and other southern asia patterns.
in the modern period, the patterns are original, flowers, more and more geometric flowers, that look like nowadays tsuboya.
there is a period when the potters abandon the traditional patterns to create strange 「exotic」ceram for the tourists.
this is the end of the lecture, question time.
concerning the stamps, why don't we know of what they were made ?
ceram techniques were -
#ceram
in okinawa too as soon as the early modern period they copy the chinese and other southern asia patterns.
in the modern period, the patterns are original, flowers, more and more geometric flowers, that look like nowadays tsuboya.
there is a period when the potters abandon the traditional patterns to create strange 「exotic」ceram for the tourists.
this is the end of the lecture, question time.
concerning the stamps, why don't we know of what they were made ?
ceram techniques were -
#ceram
in okinawa too as soon as the early modern period they copy the chinese and other southern asia patterns.
in the modern period, the patterns are original, flowers, more and more geometric flowers, that look like nowadays tsuboya.
there is a period when the potters abandon the traditional patterns to create strange 「exotic」ceram for the tourists.
this is the end of the lecture, question time.
concerning the stamps, why don't we know of what they were made ?
ceram techniques were -
#ceram
in okinawa too as soon as the early modern period they copy the chinese and other southern asia patterns.
in the modern period, the patterns are original, flowers, more and more geometric flowers, that look like nowadays tsuboya.
there is a period when the potters abandon the traditional patterns to create strange 「exotic」ceram for the tourists.
this is the end of the lecture, question time.
concerning the stamps, why don't we know of what they were made ?
ceram techniques were -
#ceram
that were produced during the war and have kiln numbers on them.
there are also the small sake cups given to the soldiers as souvenirs, with japanese flags inside and propaganda written.
cherry blossom are very popular on those cups (soldiers are supposed to let their lives end for their country as cherry blossoms fall as soon as they bloom) -
#ceram
that were produced during the war and have kiln numbers on them.
there are also the small sake cups given to the soldiers as souvenirs, with japanese flags inside and propaganda written.
cherry blossom are very popular on those cups (soldiers are supposed to let their lives end for their country as cherry blossoms fall as soon as they bloom) -
#ceram
that were produced during the war and have kiln numbers on them.
there are also the small sake cups given to the soldiers as souvenirs, with japanese flags inside and propaganda written.
cherry blossom are very popular on those cups (soldiers are supposed to let their lives end for their country as cherry blossoms fall as soon as they bloom) -
#ceram
that were produced during the war and have kiln numbers on them.
there are also the small sake cups given to the soldiers as souvenirs, with japanese flags inside and propaganda written.
cherry blossom are very popular on those cups (soldiers are supposed to let their lives end for their country as cherry blossoms fall as soon as they bloom) -
#ceram
that were produced during the war and have kiln numbers on them.
there are also the small sake cups given to the soldiers as souvenirs, with japanese flags inside and propaganda written.
cherry blossom are very popular on those cups (soldiers are supposed to let their lives end for their country as cherry blossoms fall as soon as they bloom) -
#ceram
in the modern period, they have no time to draw the patterns anymore, they use stamps and patterns, such as on what is called in okinawa sunkanmakai, japanese bowls that are very popular in okinawa until ww2.
the copper impression also appear. that permit more detailed patterns.
there are also rubber stamps.
all those japanese ceram types are found in war period sites on okinawa., with the kokumin shokki, the 「citizens' vessels」, simple vessels with blue or green lines, -
#ceram
in the modern period, they have no time to draw the patterns anymore, they use stamps and patterns, such as on what is called in okinawa sunkanmakai, japanese bowls that are very popular in okinawa until ww2.
the copper impression also appear. that permit more detailed patterns.
there are also rubber stamps.
all those japanese ceram types are found in war period sites on okinawa., with the kokumin shokki, the 「citizens' vessels」, simple vessels with blue or green lines, -
#ceram
in the modern period, they have no time to draw the patterns anymore, they use stamps and patterns, such as on what is called in okinawa sunkanmakai, japanese bowls that are very popular in okinawa until ww2.
the copper impression also appear. that permit more detailed patterns.
there are also rubber stamps.
all those japanese ceram types are found in war period sites on okinawa., with the kokumin shokki, the 「citizens' vessels」, simple vessels with blue or green lines, -
#ceram
in the modern period, they have no time to draw the patterns anymore, they use stamps and patterns, such as on what is called in okinawa sunkanmakai, japanese bowls that are very popular in okinawa until ww2.
the copper impression also appear. that permit more detailed patterns.
there are also rubber stamps.
all those japanese ceram types are found in war period sites on okinawa., with the kokumin shokki, the 「citizens' vessels」, simple vessels with blue or green lines, -
#ceram
in the modern period, they have no time to draw the patterns anymore, they use stamps and patterns, such as on what is called in okinawa sunkanmakai, japanese bowls that are very popular in okinawa until ww2.
the copper impression also appear. that permit more detailed patterns.
there are also rubber stamps.
all those japanese ceram types are found in war period sites on okinawa., with the kokumin shokki, the 「citizens' vessels」, simple vessels with blue or green lines, -
#ceram
by the 17-18th c. there are very rough patterns with the words kiyomizu on the foot.
the copies of chinese patterns are exactly the same landscapes, animals… but the quality is lower.
the geometric patterns that are nowadays still used in japanese arts start to appear. the pine, plum, bamboo patterns, really simple and hastily made, are really popular.
they write chinese dynasty names on the bottoms, although they are made in japan and in recent times… -
#ceram
by the 17-18th c. there are very rough patterns with the words kiyomizu on the foot.
the copies of chinese patterns are exactly the same landscapes, animals… but the quality is lower.
the geometric patterns that are nowadays still used in japanese arts start to appear. the pine, plum, bamboo patterns, really simple and hastily made, are really popular.
they write chinese dynasty names on the bottoms, although they are made in japan and in recent times… -
#ceram
by the 17-18th c. there are very rough patterns with the words kiyomizu on the foot.
the copies of chinese patterns are exactly the same landscapes, animals… but the quality is lower.
the geometric patterns that are nowadays still used in japanese arts start to appear. the pine, plum, bamboo patterns, really simple and hastily made, are really popular.
they write chinese dynasty names on the bottoms, although they are made in japan and in recent times… -
#ceram
by the 17-18th c. there are very rough patterns with the words kiyomizu on the foot.
the copies of chinese patterns are exactly the same landscapes, animals… but the quality is lower.
the geometric patterns that are nowadays still used in japanese arts start to appear. the pine, plum, bamboo patterns, really simple and hastily made, are really popular.
they write chinese dynasty names on the bottoms, although they are made in japan and in recent times… -
#ceram
by the 17-18th c. there are very rough patterns with the words kiyomizu on the foot.
the copies of chinese patterns are exactly the same landscapes, animals… but the quality is lower.
the geometric patterns that are nowadays still used in japanese arts start to appear. the pine, plum, bamboo patterns, really simple and hastily made, are really popular.
they write chinese dynasty names on the bottoms, although they are made in japan and in recent times… -
#ceram
after the satsuma invasion, ceram from kyushu becomes more numerous in okinawa. at that time, the japanese learn to make blue-and-white porcelain, copying the chinese patterns. everyone
wanted chinese porcelain, but there were not enough of them so japanese copied them.
by the 18th c., japan and china have bad relations and the japanese stop copying chinese patterns.
later, since finally, the world wants chinese patterns, the japanese re-start copying. they tend to simplify the patterns -
#ceram
after the satsuma invasion, ceram from kyushu becomes more numerous in okinawa. at that time, the japanese learn to make blue-and-white porcelain, copying the chinese patterns. everyone
wanted chinese porcelain, but there were not enough of them so japanese copied them.
by the 18th c., japan and china have bad relations and the japanese stop copying chinese patterns.
later, since finally, the world wants chinese patterns, the japanese re-start copying. they tend to simplify the patterns -
#ceram
after the satsuma invasion, ceram from kyushu becomes more numerous in okinawa. at that time, the japanese learn to make blue-and-white porcelain, copying the chinese patterns. everyone
wanted chinese porcelain, but there were not enough of them so japanese copied them.
by the 18th c., japan and china have bad relations and the japanese stop copying chinese patterns.
later, since finally, the world wants chinese patterns, the japanese re-start copying. they tend to simplify the patterns -
#ceram
after the satsuma invasion, ceram from kyushu becomes more numerous in okinawa. at that time, the japanese learn to make blue-and-white porcelain, copying the chinese patterns. everyone
wanted chinese porcelain, but there were not enough of them so japanese copied them.
by the 18th c., japan and china have bad relations and the japanese stop copying chinese patterns.
later, since finally, the world wants chinese patterns, the japanese re-start copying. they tend to simplify the patterns -
#ceram
after the satsuma invasion, ceram from kyushu becomes more numerous in okinawa. at that time, the japanese learn to make blue-and-white porcelain, copying the chinese patterns. everyone
wanted chinese porcelain, but there were not enough of them so japanese copied them.
by the 18th c., japan and china have bad relations and the japanese stop copying chinese patterns.
later, since finally, the world wants chinese patterns, the japanese re-start copying. they tend to simplify the patterns -
#ceram
there are arabesques inspired by arabian patterns.
by the 17th century, the European traders become more important and ryukyu looses its traditional 「power」in trade. it is also the period when it is invaded by satsuma, which does not help… -
#ceram
there are arabesques inspired by arabian patterns.
by the 17th century, the European traders become more important and ryukyu looses its traditional 「power」in trade. it is also the period when it is invaded by satsuma, which does not help… -
#ceram
there are arabesques inspired by arabian patterns.
by the 17th century, the European traders become more important and ryukyu looses its traditional 「power」in trade. it is also the period when it is invaded by satsuma, which does not help… -
#ceram
there are arabesques inspired by arabian patterns.
by the 17th century, the European traders become more important and ryukyu looses its traditional 「power」in trade. it is also the period when it is invaded by satsuma, which does not help… -
#ceram
there are arabesques inspired by arabian patterns.
by the 17th century, the European traders become more important and ryukyu looses its traditional 「power」in trade. it is also the period when it is invaded by satsuma, which does not help… -
#ceram
blue-and-white porcelain, patterns are more numerous, but often the same 「karakusa」leaf patterns are really popular, letters are written too, some have the date (era) written on the bottom.
chrysanthemum are still popular 😁
bats are also popular, because, apparently, in chinese, bat is pronounced as the word 「lucky」
phoenix is a popular pattern too.
letters are sometimes not readable: there have become just decorative patterns.
geometric patterns are also popular. -
#ceram
blue-and-white porcelain, patterns are more numerous, but often the same 「karakusa」leaf patterns are really popular, letters are written too, some have the date (era) written on the bottom.
chrysanthemum are still popular 😁
bats are also popular, because, apparently, in chinese, bat is pronounced as the word 「lucky」
phoenix is a popular pattern too.
letters are sometimes not readable: there have become just decorative patterns.
geometric patterns are also popular. -
#ceram
blue-and-white porcelain, patterns are more numerous, but often the same 「karakusa」leaf patterns are really popular, letters are written too, some have the date (era) written on the bottom.
chrysanthemum are still popular 😁
bats are also popular, because, apparently, in chinese, bat is pronounced as the word 「lucky」
phoenix is a popular pattern too.
letters are sometimes not readable: there have become just decorative patterns.
geometric patterns are also popular. -
#ceram
blue-and-white porcelain, patterns are more numerous, but often the same 「karakusa」leaf patterns are really popular, letters are written too, some have the date (era) written on the bottom.
chrysanthemum are still popular 😁
bats are also popular, because, apparently, in chinese, bat is pronounced as the word 「lucky」
phoenix is a popular pattern too.
letters are sometimes not readable: there have become just decorative patterns.
geometric patterns are also popular. -
#ceram
blue-and-white porcelain, patterns are more numerous, but often the same 「karakusa」leaf patterns are really popular, letters are written too, some have the date (era) written on the bottom.
chrysanthemum are still popular 😁
bats are also popular, because, apparently, in chinese, bat is pronounced as the word 「lucky」
phoenix is a popular pattern too.
letters are sometimes not readable: there have become just decorative patterns.
geometric patterns are also popular. -
#ceram
celadon have more patterns and it's easier to see with the green engobe. there are for instance fishes, and the always popular chrysanthemum. the petals change with time, becoming thinner, more numerous and not very nicely drawn.
there are also wave patterns, geometric patterns, human patterns made by hand or stamps.
the bowls with dragon patterns with 5 fingers were probably gifts from the emperor to kings / chiefs. -
#ceram
celadon have more patterns and it's easier to see with the green engobe. there are for instance fishes, and the always popular chrysanthemum. the petals change with time, becoming thinner, more numerous and not very nicely drawn.
there are also wave patterns, geometric patterns, human patterns made by hand or stamps.
the bowls with dragon patterns with 5 fingers were probably gifts from the emperor to kings / chiefs. -
#ceram
celadon have more patterns and it's easier to see with the green engobe. there are for instance fishes, and the always popular chrysanthemum. the petals change with time, becoming thinner, more numerous and not very nicely drawn.
there are also wave patterns, geometric patterns, human patterns made by hand or stamps.
the bowls with dragon patterns with 5 fingers were probably gifts from the emperor to kings / chiefs. -
#ceram
celadon have more patterns and it's easier to see with the green engobe. there are for instance fishes, and the always popular chrysanthemum. the petals change with time, becoming thinner, more numerous and not very nicely drawn.
there are also wave patterns, geometric patterns, human patterns made by hand or stamps.
the bowls with dragon patterns with 5 fingers were probably gifts from the emperor to kings / chiefs. -
#ceram
celadon have more patterns and it's easier to see with the green engobe. there are for instance fishes, and the always popular chrysanthemum. the petals change with time, becoming thinner, more numerous and not very nicely drawn.
there are also wave patterns, geometric patterns, human patterns made by hand or stamps.
the bowls with dragon patterns with 5 fingers were probably gifts from the emperor to kings / chiefs. -
#ceram
blue-and-white is more recent, 14th century. white porcelain and celadon are older.
each have evolution in patterns as well that makes typochronologies.
the tools used are very different, there are stamps.
in white porcelain the patterns are quite simple, and difficult to see due to the engobe. small flowers, petals to make the whole bowl 「be」a flower. especially chrysanthemum are popular. -
#ceram
blue-and-white is more recent, 14th century. white porcelain and celadon are older.
each have evolution in patterns as well that makes typochronologies.
the tools used are very different, there are stamps.
in white porcelain the patterns are quite simple, and difficult to see due to the engobe. small flowers, petals to make the whole bowl 「be」a flower. especially chrysanthemum are popular. -
#ceram
blue-and-white is more recent, 14th century. white porcelain and celadon are older.
each have evolution in patterns as well that makes typochronologies.
the tools used are very different, there are stamps.
in white porcelain the patterns are quite simple, and difficult to see due to the engobe. small flowers, petals to make the whole bowl 「be」a flower. especially chrysanthemum are popular. -
#ceram
blue-and-white is more recent, 14th century. white porcelain and celadon are older.
each have evolution in patterns as well that makes typochronologies.
the tools used are very different, there are stamps.
in white porcelain the patterns are quite simple, and difficult to see due to the engobe. small flowers, petals to make the whole bowl 「be」a flower. especially chrysanthemum are popular. -
#ceram
blue-and-white is more recent, 14th century. white porcelain and celadon are older.
each have evolution in patterns as well that makes typochronologies.
the tools used are very different, there are stamps.
in white porcelain the patterns are quite simple, and difficult to see due to the engobe. small flowers, petals to make the whole bowl 「be」a flower. especially chrysanthemum are popular. -
#ceram
iha and ogido potteries, from okinawa, have patterns only on top part, their openings present waves (they are ＊my＊favourites 😁)
the patterns that you found on the famous 「bone amulets」in okinawa are quite similar.
later, the patterns get simpler, and then disappear.
at the end of the kaizuka period and during the gusuku period, there is no patterns. but ! we start to have other fashionable ceramics: imported chinese ! white porcelain, celadon, blue-and-white porcelain… -
#ceram
iha and ogido potteries, from okinawa, have patterns only on top part, their openings present waves (they are ＊my＊favourites 😁)
the patterns that you found on the famous 「bone amulets」in okinawa are quite similar.
later, the patterns get simpler, and then disappear.
at the end of the kaizuka period and during the gusuku period, there is no patterns. but ! we start to have other fashionable ceramics: imported chinese ! white porcelain, celadon, blue-and-white porcelain… -
#ceram
iha and ogido potteries, from okinawa, have patterns only on top part, their openings present waves (they are ＊my＊favourites 😁)
the patterns that you found on the famous 「bone amulets」in okinawa are quite similar.
later, the patterns get simpler, and then disappear.
at the end of the kaizuka period and during the gusuku period, there is no patterns. but ! we start to have other fashionable ceramics: imported chinese ! white porcelain, celadon, blue-and-white porcelain… -
#ceram
iha and ogido potteries, from okinawa, have patterns only on top part, their openings present waves (they are ＊my＊favourites 😁)
the patterns that you found on the famous 「bone amulets」in okinawa are quite similar.
later, the patterns get simpler, and then disappear.
at the end of the kaizuka period and during the gusuku period, there is no patterns. but ! we start to have other fashionable ceramics: imported chinese ! white porcelain, celadon, blue-and-white porcelain… -
#ceram
iha and ogido potteries, from okinawa, have patterns only on top part, their openings present waves (they are ＊my＊favourites 😁)
the patterns that you found on the famous 「bone amulets」in okinawa are quite similar.
later, the patterns get simpler, and then disappear.
at the end of the kaizuka period and during the gusuku period, there is no patterns. but ! we start to have other fashionable ceramics: imported chinese ! white porcelain, celadon, blue-and-white porcelain… -
#ceram
the sobata pottery is similar to japanese sobata, with pots brought from kyushu and other made on okinawa.
the murokawa-kaso (from murokawa shellmound) has patterns of very small points and incisions, made with bamboo and shells, that are really cute.
the omonawa-zentei pottery is apparently aya's favourite, with patterns applied on relief belts.
the ichiki pottery comes from kyushu too, very plastic and with different decorative techniques on same pot. -
#ceram
the sobata pottery is similar to japanese sobata, with pots brought from kyushu and other made on okinawa.
the murokawa-kaso (from murokawa shellmound) has patterns of very small points and incisions, made with bamboo and shells, that are really cute.
the omonawa-zentei pottery is apparently aya's favourite, with patterns applied on relief belts.
the ichiki pottery comes from kyushu too, very plastic and with different decorative techniques on same pot. -
#ceram
the sobata pottery is similar to japanese sobata, with pots brought from kyushu and other made on okinawa.
the murokawa-kaso (from murokawa shellmound) has patterns of very small points and incisions, made with bamboo and shells, that are really cute.
the omonawa-zentei pottery is apparently aya's favourite, with patterns applied on relief belts.
the ichiki pottery comes from kyushu too, very plastic and with different decorative techniques on same pot. -
#ceram
the sobata pottery is similar to japanese sobata, with pots brought from kyushu and other made on okinawa.
the murokawa-kaso (from murokawa shellmound) has patterns of very small points and incisions, made with bamboo and shells, that are really cute.
the omonawa-zentei pottery is apparently aya's favourite, with patterns applied on relief belts.
the ichiki pottery comes from kyushu too, very plastic and with different decorative techniques on same pot. -
#ceram
the sobata pottery is similar to japanese sobata, with pots brought from kyushu and other made on okinawa.
the murokawa-kaso (from murokawa shellmound) has patterns of very small points and incisions, made with bamboo and shells, that are really cute.
the omonawa-zentei pottery is apparently aya's favourite, with patterns applied on relief belts.
the ichiki pottery comes from kyushu too, very plastic and with different decorative techniques on same pot.