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#cavepaintings — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #cavepaintings, aggregated by home.social.

  1. “Let us leave a splendid legacy for our children… guard it well, for it is far more precious than money… and once destroyed, nature’s beauty cannot be repurchased at any price.”*…

    View of Valley from Mountain, “Canyon de Chelly” National Monument, Arizona.

    From the National Archives, an extraordinary collection of Ansel Adams‘ photos of National Parks in the U.S…

    In 1941 the National Park Service commissioned noted photographer Ansel Adams to create a photo mural for the Department of the Interior Building in Washington, DC. The theme was to be nature as exemplified and protected in the U.S. National Parks. The mural project was halted because of World War II and never resumed, however the photographs remained.

    Much later in 1962 the photographs were accessioned into the holdings of the Still Picture Branch at the National Archives and Records Administration. The original prints created for the project now reside within the series 79-AA: Ansel Adams Photographs of National Parks and Monuments, 1941 – 1942, while the negatives were originally retained by Adams at the time. Ansel Adams would later visit the Still Picture Branch and review his photographic prints in 1979.

    The holdings of the National Archives’ Still Picture Branch include 226 photographs taken for this project, most of them signed and captioned by Adams. They were taken between 1941 and 1942 at the Grand Canyon, Grand Teton, Kings Canyon, Mesa Verde, Rocky Mountain, Yellowstone, Yosemite, Carlsbad Caverns, Glacier, and Zion National Parks; Death Valley, Saguaro, and Canyon de Chelly National Monuments. Other pictures were taken at the Boulder Dam; Acoma Pueblo, NM; San Idelfonso, NM; Taos Pueblo, NM; Tuba City, AZ; Walpi, AZ; and Owens Valley, CA. Many of the latter locations show Navajo and Pueblo Indians, their homes and activities.

    The Kings Canyon photographs were taken in 1936 when the establishment of the park was being proposed. These prints were added by Adams to the mural project. The one photograph of Yosemite (79-AAU-1) was a gift from Adams to the head of the Park Service, Horace Albright, in 1933.

    In addition, there are eight photographs taken by Adams of Yosemite in the General Photographic Files of the National Park Service (79-G)

    Many, many more at: “Ansel Adams Photographs of National Parks.”

    “It is horrifying that we have to fight our own government to save the environment” – Ansel Adams

    ###

    As we wonder, we might recall that it was on this date in 1940 that an ancestor of the art featured above was discovered: a teenager named Marcel Ravidat found the entrance to cs in southwest France when his dog investigated a hole left by an uprooted tree. Ravidat collected three friends, then followed his dog down what turned out to be the narrow entrance into a cavern, where they came upon (part of) the now-storied collection of wall markings— 15,000- to 17,000-year-old paintings, consisting mostly of animal representations– that are among the world’s finest examples of art from the Upper Paleolithic period.

    See also: “To practice any art, no matter how well or how badly, is a way to make your soul grow.”

     source

    #anselAdams #art #cavePaintings #culture #history #Lascaux #MarcelRavidat #NationalArchives #nationalParks #photographs #photography
  2. “Let us leave a splendid legacy for our children… guard it well, for it is far more precious than money… and once destroyed, nature’s beauty cannot be repurchased at any price.”*…

    View of Valley from Mountain, “Canyon de Chelly” National Monument, Arizona.

    From the National Archives, an extraordinary collection of Ansel Adams‘ photos of National Parks in the U.S…

    In 1941 the National Park Service commissioned noted photographer Ansel Adams to create a photo mural for the Department of the Interior Building in Washington, DC. The theme was to be nature as exemplified and protected in the U.S. National Parks. The mural project was halted because of World War II and never resumed, however the photographs remained.

    Much later in 1962 the photographs were accessioned into the holdings of the Still Picture Branch at the National Archives and Records Administration. The original prints created for the project now reside within the series 79-AA: Ansel Adams Photographs of National Parks and Monuments, 1941 – 1942, while the negatives were originally retained by Adams at the time. Ansel Adams would later visit the Still Picture Branch and review his photographic prints in 1979.

    The holdings of the National Archives’ Still Picture Branch include 226 photographs taken for this project, most of them signed and captioned by Adams. They were taken between 1941 and 1942 at the Grand Canyon, Grand Teton, Kings Canyon, Mesa Verde, Rocky Mountain, Yellowstone, Yosemite, Carlsbad Caverns, Glacier, and Zion National Parks; Death Valley, Saguaro, and Canyon de Chelly National Monuments. Other pictures were taken at the Boulder Dam; Acoma Pueblo, NM; San Idelfonso, NM; Taos Pueblo, NM; Tuba City, AZ; Walpi, AZ; and Owens Valley, CA. Many of the latter locations show Navajo and Pueblo Indians, their homes and activities.

    The Kings Canyon photographs were taken in 1936 when the establishment of the park was being proposed. These prints were added by Adams to the mural project. The one photograph of Yosemite (79-AAU-1) was a gift from Adams to the head of the Park Service, Horace Albright, in 1933.

    In addition, there are eight photographs taken by Adams of Yosemite in the General Photographic Files of the National Park Service (79-G)

    Many, many more at: “Ansel Adams Photographs of National Parks.”

    “It is horrifying that we have to fight our own government to save the environment” – Ansel Adams

    ###

    As we wonder, we might recall that it was on this date in 1940 that an ancestor of the art featured above was discovered: a teenager named Marcel Ravidat found the entrance to cs in southwest France when his dog investigated a hole left by an uprooted tree. Ravidat collected three friends, then followed his dog down what turned out to be the narrow entrance into a cavern, where they came upon (part of) the now-storied collection of wall markings— 15,000- to 17,000-year-old paintings, consisting mostly of animal representations– that are among the world’s finest examples of art from the Upper Paleolithic period.

    See also: “To practice any art, no matter how well or how badly, is a way to make your soul grow.”

     source

    #anselAdams #art #cavePaintings #culture #history #Lascaux #MarcelRavidat #NationalArchives #nationalParks #photographs #photography
  3. “Let us leave a splendid legacy for our children… guard it well, for it is far more precious than money… and once destroyed, nature’s beauty cannot be repurchased at any price.”*…

    View of Valley from Mountain, “Canyon de Chelly” National Monument, Arizona.

    From the National Archives, an extraordinary collection of Ansel Adams‘ photos of National Parks in the U.S…

    In 1941 the National Park Service commissioned noted photographer Ansel Adams to create a photo mural for the Department of the Interior Building in Washington, DC. The theme was to be nature as exemplified and protected in the U.S. National Parks. The mural project was halted because of World War II and never resumed, however the photographs remained.

    Much later in 1962 the photographs were accessioned into the holdings of the Still Picture Branch at the National Archives and Records Administration. The original prints created for the project now reside within the series 79-AA: Ansel Adams Photographs of National Parks and Monuments, 1941 – 1942, while the negatives were originally retained by Adams at the time. Ansel Adams would later visit the Still Picture Branch and review his photographic prints in 1979.

    The holdings of the National Archives’ Still Picture Branch include 226 photographs taken for this project, most of them signed and captioned by Adams. They were taken between 1941 and 1942 at the Grand Canyon, Grand Teton, Kings Canyon, Mesa Verde, Rocky Mountain, Yellowstone, Yosemite, Carlsbad Caverns, Glacier, and Zion National Parks; Death Valley, Saguaro, and Canyon de Chelly National Monuments. Other pictures were taken at the Boulder Dam; Acoma Pueblo, NM; San Idelfonso, NM; Taos Pueblo, NM; Tuba City, AZ; Walpi, AZ; and Owens Valley, CA. Many of the latter locations show Navajo and Pueblo Indians, their homes and activities.

    The Kings Canyon photographs were taken in 1936 when the establishment of the park was being proposed. These prints were added by Adams to the mural project. The one photograph of Yosemite (79-AAU-1) was a gift from Adams to the head of the Park Service, Horace Albright, in 1933.

    In addition, there are eight photographs taken by Adams of Yosemite in the General Photographic Files of the National Park Service (79-G)

    Many, many more at: “Ansel Adams Photographs of National Parks.”

    “It is horrifying that we have to fight our own government to save the environment” – Ansel Adams

    ###

    As we wonder, we might recall that it was on this date in 1940 that an ancestor of the art featured above was discovered: a teenager named Marcel Ravidat found the entrance to cs in southwest France when his dog investigated a hole left by an uprooted tree. Ravidat collected three friends, then followed his dog down what turned out to be the narrow entrance into a cavern, where they came upon (part of) the now-storied collection of wall markings— 15,000- to 17,000-year-old paintings, consisting mostly of animal representations– that are among the world’s finest examples of art from the Upper Paleolithic period.

    See also: “To practice any art, no matter how well or how badly, is a way to make your soul grow.”

     source

    #anselAdams #art #cavePaintings #culture #history #Lascaux #MarcelRavidat #NationalArchives #nationalParks #photographs #photography