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#cavaleraconspiracy — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #cavaleraconspiracy, aggregated by home.social.

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  1. 2/ The last day of #southofheaven 2026 ended with #nola veterans #corrosionofconformity (seen too seldom on this side of the world) #cavaleraconspiracy (revisiting #chaosad for most people’s delight) and headliners #BlackLabelSociety (as heavy as a heavy thing). Good times. Let’s hope the 2027 edition will rock as hard.

  2. 2/ The last day of #southofheaven 2026 ended with #nola veterans #corrosionofconformity (seen too seldom on this side of the world) #cavaleraconspiracy (revisiting #chaosad for most people’s delight) and headliners #BlackLabelSociety (as heavy as a heavy thing). Good times. Let’s hope the 2027 edition will rock as hard.

  3. 2/ The last day of #southofheaven 2026 ended with #nola veterans #corrosionofconformity (seen too seldom on this side of the world) #cavaleraconspiracy (revisiting #chaosad for most people’s delight) and headliners #BlackLabelSociety (as heavy as a heavy thing). Good times. Let’s hope the 2027 edition will rock as hard.

  4. Cavalera Conspiracy expand their ‘Chaos A.D.’ anniversary celebration to UK/Europe

    Cavalera Conspiracy have announced plans to take their Chaos A.D. celebration overseas this summer. The band will bring…
    #Europe #EU #cavaleraconspiracy #hardcore #IggorCavalera #Lambgoat #MaxCavalera #metal #News
    europesays.com/europe/28960/

  5. Cavalera Conspiracy Confirm “Chaos A.D.” Spring/Summer European/UK Tour

    Cavalera Conspiracy will bring their celebratory live shows for Sepultura‘s gold-certified fifth studio album “Chaos A.D.” overseas in…
    #Europe #EU #cavaleraconspiracy #European
    europesays.com/europe/28796/

  6. CAVALERA CONSPIRACY Return To Europe For Summer Festival Run

    Cavalera Conspiracy bring their literal Chaos A.D. to fans all over Europe this summer. Along with several festival…
    #Europe #EU #cavaleraconspiracy
    europesays.com/europe/28590/

  7. Cavalera Conspiracy’s 2008 ‘Pinkpop’ Festival Set Released In Full

    The annual ‘Pinkpop‘ festival in Landgraaf, NET continues to plunder its archives, having newly unearthed the below pro-shot…
    #NewsBeep #News #Music #AU #Australia #CavaleraConspiracy #Entertainment #MaxCavalera
    newsbeep.com/au/418707/

  8. In Dakhma – He Who Sows the Ground Review

    Written By: Nameless_N00b_89

    The band In Dakhma, formed in 2022, hails from Croatia and comprises two “seasoned metal fans” who purportedly play death metal. What a dakhma is, on the other hand, is slightly more interesting. Known in Persian as a tower of silence, the dakhma is a circular Zoroastrian structure used for excarnation, which is accomplished by exposing dead bodies to the elements and various carrion critters, primarily vultures. This small fact adds gravity to the album’s cover, which intrigues me. And so these were the answers to my questions after Steel shoved this fifth, and possibly last, promo through the slop slot of my skull pit cell. The first was who is In Dakhma? The second was, what the hell is a dakhma? With my curiosity sated then, I settled in to see what kind of death metal In Dakhma had to offer on its debut album, He Who Sows the Ground.

    In Dakhma moves in so many different musical directions that it makes nailing down the sound of He Who Sows the Ground difficult. From death, black and doom to sludge, hardcore and grind, a lot is happening here. Yet, despite having no resume beyond that of seasoned fandom, guitarist, bassist, and vocalist Vedran Nor has an unexpectedly firm grasp on instrumentation. He capably grinds, chugs, sludges and shreds through the songs, his low-tuned guitar imbuing the album with an almost Roots-like quality.1 His bass work shines brightly, whether slapping, rumbling, leading, or snaking through mid-song interludes. Nor’s vocals, primarily a discernible mix of Tom Warrior and Max Cavelera, possess an impressive black metal scream, while his deathliest growls have a Deicidedly Glen Benton-ish timbre. Drummer and lyricist Matko Podobnik has more than a passing mastery of the kit and provides a substantial foundation for Nor’s work to build on. Dispelling lack of talent as an issue, and with influences ranging from Entombed and Cannibal Corpse to Gojira and Opeth, He Who Sows the Ground presents a young band battling identity versus diversity.

    When In Dakhma decides who they are, a more focused approach should yield positive results, for seeds of a successful harvest are planted throughout He Who Sows’ eleven tracks. Opener “Ona kraljuje sama,” minus its irrelevant sixty-second intro, gives off Cavalera Conspiracy energy, featuring punchy, punk-fueled guitar riffs and some of Nor’s better lead work. The chunky, juicily moist riffs of “Nothing but Filth” satisfy like a hot sludge sundae, while the chug-a-lug hooks and galloping pace of “Aeshma” lash out like a truncheon to the temple. Further success is found when In Dakhma bask in deathlier climes. The tremolodically picked riffing, ploddingly pummeling chugs and Bentonistic vocals of “Sacrum” wrap deathly tendencies in a cozy black metal blanket. Meanwhile, the Morbidly Angelic “Siblicide” scratches the death itch nicely, with a near Alkaloidal bass interlude thrown in for good measure.

    In Dakhma’s diversity on He Who Sows the Ground spells the death of their identity. Be it the erroneously ominous grind of “Black Mat” or the mandolin-plucked, unoriginally titled instrumental “…,”2 these tracks drag the album back more than propel it forward. Even the doomy goodness of “Sentinel Hill,” reliant on guest vocals and lead guitars for intrigue, belies In Dakhma’s true strengths. This leaves tracks “In Dogma” and “Tower of Silence” to try and clean up the album’s identity crisis. The former’s hardcore-tinged riffs, gang-chanted chorus’, sludge-ridden midpoints and slam-inspired bass drops fall flat, while the latter’s Monotheistic sludge and bongo-infused Celtic Frostian-weirdness offer nothing redemptive.

    He Who Sows the Ground is In Dakhma’s love letter to death metal. Nor and Podobnik were so committed to this ode that they started Tower of Silence Records to release this debut effort. With a modicum of focus, this duo has the chops to release a decent slab of metal. Here, they let their fandom get the best of them, sowing the seeds of an overly diverse album that reaps mixed rewards. While I can’t recommend He Who Sows the Ground wholly, there’s playlist-worthy music here. Hopefully, with a more focused approach, In Dakhma will return to laugh over my vulture-picked bones.

    Rating: 2.5/5.0
    DR: 6 | Format Reviewed: 320 kb/s mp3
    Label: Tower of Silence Records
    Websites: indakhma.com | facebook.com/in.dakhma
    Releases Worldwide: November 8th, 2024

    #25 #2024 #Alkaloid #CannibalCorpse #CavaleraConspiracy #CelticFrost #CroatianMetal #DeathMetal #Entombed #Gojira #HeWhoSowsTheGround #InDakhma #Monotheist #MorbidAngel #Nov24 #Opeth #ProgressiveDeathMetal #Review #Reviews #Sepultura #Sludge #TowerOfSilenceRecords

  9. In Dakhma – He Who Sows the Ground Review

    Written By: Nameless_N00b_89

    The band In Dakhma, formed in 2022, hails from Croatia and comprises two “seasoned metal fans” who purportedly play death metal. What a dakhma is, on the other hand, is slightly more interesting. Known in Persian as a tower of silence, the dakhma is a circular Zoroastrian structure used for excarnation, which is accomplished by exposing dead bodies to the elements and various carrion critters, primarily vultures. This small fact adds gravity to the album’s cover, which intrigues me. And so these were the answers to my questions after Steel shoved this fifth, and possibly last, promo through the slop slot of my skull pit cell. The first was who is In Dakhma? The second was, what the hell is a dakhma? With my curiosity sated then, I settled in to see what kind of death metal In Dakhma had to offer on its debut album, He Who Sows the Ground.

    In Dakhma moves in so many different musical directions that it makes nailing down the sound of He Who Sows the Ground difficult. From death, black and doom to sludge, hardcore and grind, a lot is happening here. Yet, despite having no resume beyond that of seasoned fandom, guitarist, bassist, and vocalist Vedran Nor has an unexpectedly firm grasp on instrumentation. He capably grinds, chugs, sludges and shreds through the songs, his low-tuned guitar imbuing the album with an almost Roots-like quality.1 His bass work shines brightly, whether slapping, rumbling, leading, or snaking through mid-song interludes. Nor’s vocals, primarily a discernible mix of Tom Warrior and Max Cavelera, possess an impressive black metal scream, while his deathliest growls have a Deicidedly Glen Benton-ish timbre. Drummer and lyricist Matko Podobnik has more than a passing mastery of the kit and provides a substantial foundation for Nor’s work to build on. Dispelling lack of talent as an issue, and with influences ranging from Entombed and Cannibal Corpse to Gojira and Opeth, He Who Sows the Ground presents a young band battling identity versus diversity.

    When In Dakhma decides who they are, a more focused approach should yield positive results, for seeds of a successful harvest are planted throughout He Who Sows’ eleven tracks. Opener “Ona kraljuje sama,” minus its irrelevant sixty-second intro, gives off Cavalera Conspiracy energy, featuring punchy, punk-fueled guitar riffs and some of Nor’s better lead work. The chunky, juicily moist riffs of “Nothing but Filth” satisfy like a hot sludge sundae, while the chug-a-lug hooks and galloping pace of “Aeshma” lash out like a truncheon to the temple. Further success is found when In Dakhma bask in deathlier climes. The tremolodically picked riffing, ploddingly pummeling chugs and Bentonistic vocals of “Sacrum” wrap deathly tendencies in a cozy black metal blanket. Meanwhile, the Morbidly Angelic “Siblicide” scratches the death itch nicely, with a near Alkaloidal bass interlude thrown in for good measure.

    In Dakhma’s diversity on He Who Sows the Ground spells the death of their identity. Be it the erroneously ominous grind of “Black Mat” or the mandolin-plucked, unoriginally titled instrumental “…,”2 these tracks drag the album back more than propel it forward. Even the doomy goodness of “Sentinel Hill,” reliant on guest vocals and lead guitars for intrigue, belies In Dakhma’s true strengths. This leaves tracks “In Dogma” and “Tower of Silence” to try and clean up the album’s identity crisis. The former’s hardcore-tinged riffs, gang-chanted chorus’, sludge-ridden midpoints and slam-inspired bass drops fall flat, while the latter’s Monotheistic sludge and bongo-infused Celtic Frostian-weirdness offer nothing redemptive.

    He Who Sows the Ground is In Dakhma’s love letter to death metal. Nor and Podobnik were so committed to this ode that they started Tower of Silence Records to release this debut effort. With a modicum of focus, this duo has the chops to release a decent slab of metal. Here, they let their fandom get the best of them, sowing the seeds of an overly diverse album that reaps mixed rewards. While I can’t recommend He Who Sows the Ground wholly, there’s playlist-worthy music here. Hopefully, with a more focused approach, In Dakhma will return to laugh over my vulture-picked bones.

    Rating: 2.5/5.0
    DR: 6 | Format Reviewed: 320 kb/s mp3
    Label: Tower of Silence Records
    Websites: indakhma.com | facebook.com/in.dakhma
    Releases Worldwide: November 8th, 2024

    #25 #2024 #Alkaloid #CannibalCorpse #CavaleraConspiracy #CelticFrost #CroatianMetal #DeathMetal #Entombed #Gojira #HeWhoSowsTheGround #InDakhma #Monotheist #MorbidAngel #Nov24 #Opeth #ProgressiveDeathMetal #Review #Reviews #Sepultura #Sludge #TowerOfSilenceRecords

  10. In Dakhma – He Who Sows the Ground Review

    Written By: Nameless_N00b_89

    The band In Dakhma, formed in 2022, hails from Croatia and comprises two “seasoned metal fans” who purportedly play death metal. What a dakhma is, on the other hand, is slightly more interesting. Known in Persian as a tower of silence, the dakhma is a circular Zoroastrian structure used for excarnation, which is accomplished by exposing dead bodies to the elements and various carrion critters, primarily vultures. This small fact adds gravity to the album’s cover, which intrigues me. And so these were the answers to my questions after Steel shoved this fifth, and possibly last, promo through the slop slot of my skull pit cell. The first was who is In Dakhma? The second was, what the hell is a dakhma? With my curiosity sated then, I settled in to see what kind of death metal In Dakhma had to offer on its debut album, He Who Sows the Ground.

    In Dakhma moves in so many different musical directions that it makes nailing down the sound of He Who Sows the Ground difficult. From death, black and doom to sludge, hardcore and grind, a lot is happening here. Yet, despite having no resume beyond that of seasoned fandom, guitarist, bassist, and vocalist Vedran Nor has an unexpectedly firm grasp on instrumentation. He capably grinds, chugs, sludges and shreds through the songs, his low-tuned guitar imbuing the album with an almost Roots-like quality.1 His bass work shines brightly, whether slapping, rumbling, leading, or snaking through mid-song interludes. Nor’s vocals, primarily a discernible mix of Tom Warrior and Max Cavelera, possess an impressive black metal scream, while his deathliest growls have a Deicidedly Glen Benton-ish timbre. Drummer and lyricist Matko Podobnik has more than a passing mastery of the kit and provides a substantial foundation for Nor’s work to build on. Dispelling lack of talent as an issue, and with influences ranging from Entombed and Cannibal Corpse to Gojira and Opeth, He Who Sows the Ground presents a young band battling identity versus diversity.

    When In Dakhma decides who they are, a more focused approach should yield positive results, for seeds of a successful harvest are planted throughout He Who Sows’ eleven tracks. Opener “Ona kraljuje sama,” minus its irrelevant sixty-second intro, gives off Cavalera Conspiracy energy, featuring punchy, punk-fueled guitar riffs and some of Nor’s better lead work. The chunky, juicily moist riffs of “Nothing but Filth” satisfy like a hot sludge sundae, while the chug-a-lug hooks and galloping pace of “Aeshma” lash out like a truncheon to the temple. Further success is found when In Dakhma bask in deathlier climes. The tremolodically picked riffing, ploddingly pummeling chugs and Bentonistic vocals of “Sacrum” wrap deathly tendencies in a cozy black metal blanket. Meanwhile, the Morbidly Angelic “Siblicide” scratches the death itch nicely, with a near Alkaloidal bass interlude thrown in for good measure.

    In Dakhma’s diversity on He Who Sows the Ground spells the death of their identity. Be it the erroneously ominous grind of “Black Mat” or the mandolin-plucked, unoriginally titled instrumental “…,”2 these tracks drag the album back more than propel it forward. Even the doomy goodness of “Sentinel Hill,” reliant on guest vocals and lead guitars for intrigue, belies In Dakhma’s true strengths. This leaves tracks “In Dogma” and “Tower of Silence” to try and clean up the album’s identity crisis. The former’s hardcore-tinged riffs, gang-chanted chorus’, sludge-ridden midpoints and slam-inspired bass drops fall flat, while the latter’s Monotheistic sludge and bongo-infused Celtic Frostian-weirdness offer nothing redemptive.

    He Who Sows the Ground is In Dakhma’s love letter to death metal. Nor and Podobnik were so committed to this ode that they started Tower of Silence Records to release this debut effort. With a modicum of focus, this duo has the chops to release a decent slab of metal. Here, they let their fandom get the best of them, sowing the seeds of an overly diverse album that reaps mixed rewards. While I can’t recommend He Who Sows the Ground wholly, there’s playlist-worthy music here. Hopefully, with a more focused approach, In Dakhma will return to laugh over my vulture-picked bones.

    Rating: 2.5/5.0
    DR: 6 | Format Reviewed: 320 kb/s mp3
    Label: Tower of Silence Records
    Websites: indakhma.com | facebook.com/in.dakhma
    Releases Worldwide: November 8th, 2024

    #25 #2024 #Alkaloid #CannibalCorpse #CavaleraConspiracy #CelticFrost #CroatianMetal #DeathMetal #Entombed #Gojira #HeWhoSowsTheGround #InDakhma #Monotheist #MorbidAngel #Nov24 #Opeth #ProgressiveDeathMetal #Review #Reviews #Sepultura #Sludge #TowerOfSilenceRecords

  11. Festival Review: Tons of Rock 2024 – Day 4

    I always have mixed emotions on the final day of a festival - sad that it is coming to an end, but also a little relieved not to have further days of carrying around heavy photography gear! I honestly can highly recommend a litt

    moshville.co.uk/reviews/gig-re

    #GigReviews #Asinhell #Avantasia #Batushka #Bokassa #CavaleraConspiracy #Kreator #Seigmen #Thundermother #TonsOfRock

  12. Festival Review: Tons of Rock 2024 – Day 4

    I always have mixed emotions on the final day of a festival - sad that it is coming to an end, but also a little relieved not to have further days of carrying around heavy photography gear! I honestly can highly recommend a litt

    moshville.co.uk/reviews/gig-re

    #GigReviews #Asinhell #Avantasia #Batushka #Bokassa #CavaleraConspiracy #Kreator #Seigmen #Thundermother #TonsOfRock

  13. Festival Review: Tons of Rock 2024 – Day 4

    I always have mixed emotions on the final day of a festival - sad that it is coming to an end, but also a little relieved not to have further days of carrying around heavy photography gear! I honestly can highly recommend a litt

    moshville.co.uk/reviews/gig-re

    #GigReviews #Asinhell #Avantasia #Batushka #Bokassa #CavaleraConspiracy #Kreator #Seigmen #Thundermother #TonsOfRock