home.social

#burzum — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #burzum, aggregated by home.social.

fetched live
  1. Бревенчатая церковь #Fantoft близ Бергена. В 92 году ее сжег дотла Варг, так что сейчас это реконструкция.
    #Норвегия #Burzum

  2. Бревенчатая церковь #Fantoft близ Бергена. В 92 году ее сжег дотла Варг, так что сейчас это реконструкция.
    #Норвегия #Burzum

  3. Бревенчатая церковь #Fantoft близ Бергена. В 92 году ее сжег дотла Варг, так что сейчас это реконструкция.
    #Норвегия #Burzum

  4. Бревенчатая церковь #Fantoft близ Бергена. В 92 году ее сжег дотла Варг, так что сейчас это реконструкция.
    #Норвегия #Burzum

  5. Trelldom – …By the Word… Review By Dr. A.N. Grier

    While most people would argue that “black metal” was founded by bands like Venom, Bathory, and Mercyful Fate, the scene didn’t really become what it is without the creation of Norwegian black metal. Which, in turn, people will argue was founded by Mayhem, Burzum, Darkthrone, Immortal, and the like. But people forget acts like Ulver, Urgehal, Satyricon, and Gorgoroth (and others) that helped form the genre. If you know Grier, you know how much Urgehal and Gorgoroth mean to his youthful, black metal development. They are also home to two of his favorite black metal raspers of all time: Trond Bråthen (Trondr Nefas) and Kristian Eivind Espedal (Gaahl), respectively. Before Gaahl made his mark on Gorgoroth classics like Twilight of the Idols – In Conspiracy with Satan and Ad Majorem Sathanas Gloriam, he already had his own band: Trelldom.

    Trelldom doesn’t get enough love. But Angry Metal Guy knew what was up when he went back in time to explore easily one of the genre’s greatest hits: Til et annet…. This record is a fucking masterpiece that shows a side of Gaahl you might not know. Those who have followed him throughout his various exploits know full well that Gaahl is a weird guy with some of the creepiest fucking vocals on the planet. But Trelldom’s trilogy of albums from 1992 to 2007 was untouchable. Fast forward to 2024, and the band returns with …By the Shadows…, an even weirder concoction of songs than ever before. Taking a darker direction with a new lineup of legends, …By the Shadows… represented an impressive comeback for the band, rebranded into something more diverse and heartfelt than before. Right on the coattails of that album comes this year’s …By the Word…. And it’s everything you’d expect from a follow-up.

    Returning with the mighty Stian Kårstad (ex-Djerv, ex-Gaahls Wyrd, ex-God Seed) and kit powerhouse Kenneth Kapstad (Thorns, Goat the Head, ex-God Seed, and a billion other bands), Gaahl rounds out his lineup with practitioners of the bass, saxophone, clarinet, organ, Dobro guitar, bass harmonica, mandolin, Shankar guitar, and even the fucking Optigan to deliver one of the most unique records of his life. “When This Was Young” opens the record with proggy bass and drums, matching perfectly with Gaahl’s soothing cleans. When the chuggery kicks in, Kapstad’s drums let loose, showing off his impressive skills and giving the song (A) Senile Animal-era Melvins vibes. As it progresses, the effects intensify, melding themselves into the guitars and creating unnecessary madness throughout.

    But the opener might be the “chillest” song on the record. By “I Speak Forgotten Voices,” you’ll know that …By the Word… is far more unhinged than its predecessor. The overlapping effects, unsettling vocals, and relentless, pounding drums remove any peace …By the Shadows… might have had. But it’s the mindfucking back-to-back closers, “The Word – Choose to Vanish” and “In There Outside,” that show just how far Trelldom has pushed their sound. Chock-full of all those different instruments mentioned before, “The Word – Choose to Vanish” doesn’t so much add layers as mold everything into the most grotesque monster I’ve heard in a long time. And when you think you’ve heard everything you could from Trelldom, “In There Outside” proves to be one of the more diverse on the album. Throwing you off immediately, the whining woodwinds are replaced with yet another alteration of Gaahl’s vox as the song builds on itself over and over again, resulting in more orchestral qualities than any other track.

    …By the Word… is batshit crazy and cerebrally damaging. Where …By the Shadows… at least had moments of relief, this new record does not. Beyond the weird combination of guitars, saxophone, and clarinet screaming at you from all directions, it’s the bass and drums that cause the most damage. Mixed far too the front, the drums, in particular, are ear-shattering. That sounds negative, but it does a hell of a job keeping you off balance. Specifically, when it comes to the devastating “Folding the Mind.” It’s almost as if the band decided it was time to let Kapstad off the leash. …By the Word… is an interesting album that pushes beyond anything the band has done before. It can never be Til et annet… but that’s OK because they aren’t going for it. This new era is worth exploring and …By the Word… is a new benchmark.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 320 kb/s mp3
    Label: Prophecy Productions
    Websites: trelldom.bandcamp.com | trelldom.no | facebook.com/trelldom1992
    Releases Worldwide: May 29th, 2026

    #ByTheWord #2026 #35 #AvanteGardeBlackMetal #Bathory #BlackMetal #Burzum #Darkthrone #Djerv #GaahlsWYRD #GoatTheHead #GodSeed #Gorgoroth #Immortal #May26 #Mayhem #Melvins #MercyfulFate #NorwegianMetal #ProphecyProductions #Review #Reviews #Satyricon #Thorns #Trelldom #Ulver #Urgehal #Venom
  6. Trelldom – …By the Word… Review By Dr. A.N. Grier

    While most people would argue that “black metal” was founded by bands like Venom, Bathory, and Mercyful Fate, the scene didn’t really become what it is without the creation of Norwegian black metal. Which, in turn, people will argue was founded by Mayhem, Burzum, Darkthrone, Immortal, and the like. But people forget acts like Ulver, Urgehal, Satyricon, and Gorgoroth (and others) that helped form the genre. If you know Grier, you know how much Urgehal and Gorgoroth mean to his youthful, black metal development. They are also home to two of his favorite black metal raspers of all time: Trond Bråthen (Trondr Nefas) and Kristian Eivind Espedal (Gaahl), respectively. Before Gaahl made his mark on Gorgoroth classics like Twilight of the Idols – In Conspiracy with Satan and Ad Majorem Sathanas Gloriam, he already had his own band: Trelldom.

    Trelldom doesn’t get enough love. But Angry Metal Guy knew what was up when he went back in time to explore easily one of the genre’s greatest hits: Til et annet…. This record is a fucking masterpiece that shows a side of Gaahl you might not know. Those who have followed him throughout his various exploits know full well that Gaahl is a weird guy with some of the creepiest fucking vocals on the planet. But Trelldom’s trilogy of albums from 1992 to 2007 was untouchable. Fast forward to 2024, and the band returns with …By the Shadows…, an even weirder concoction of songs than ever before. Taking a darker direction with a new lineup of legends, …By the Shadows… represented an impressive comeback for the band, rebranded into something more diverse and heartfelt than before. Right on the coattails of that album comes this year’s …By the Word…. And it’s everything you’d expect from a follow-up.

    Returning with the mighty Stian Kårstad (ex-Djerv, ex-Gaahls Wyrd, ex-God Seed) and kit powerhouse Kenneth Kapstad (Thorns, Goat the Head, ex-God Seed, and a billion other bands), Gaahl rounds out his lineup with practitioners of the bass, saxophone, clarinet, organ, Dobro guitar, bass harmonica, mandolin, Shankar guitar, and even the fucking Optigan to deliver one of the most unique records of his life. “When This Was Young” opens the record with proggy bass and drums, matching perfectly with Gaahl’s soothing cleans. When the chuggery kicks in, Kapstad’s drums let loose, showing off his impressive skills and giving the song (A) Senile Animal-era Melvins vibes. As it progresses, the effects intensify, melding themselves into the guitars and creating unnecessary madness throughout.

    But the opener might be the “chillest” song on the record. By “I Speak Forgotten Voices,” you’ll know that …By the Word… is far more unhinged than its predecessor. The overlapping effects, unsettling vocals, and relentless, pounding drums remove any peace …By the Shadows… might have had. But it’s the mindfucking back-to-back closers, “The Word – Choose to Vanish” and “In There Outside,” that show just how far Trelldom has pushed their sound. Chock-full of all those different instruments mentioned before, “The Word – Choose to Vanish” doesn’t so much add layers as mold everything into the most grotesque monster I’ve heard in a long time. And when you think you’ve heard everything you could from Trelldom, “In There Outside” proves to be one of the more diverse on the album. Throwing you off immediately, the whining woodwinds are replaced with yet another alteration of Gaahl’s vox as the song builds on itself over and over again, resulting in more orchestral qualities than any other track.

    …By the Word… is batshit crazy and cerebrally damaging. Where …By the Shadows… at least had moments of relief, this new record does not. Beyond the weird combination of guitars, saxophone, and clarinet screaming at you from all directions, it’s the bass and drums that cause the most damage. Mixed far too the front, the drums, in particular, are ear-shattering. That sounds negative, but it does a hell of a job keeping you off balance. Specifically, when it comes to the devastating “Folding the Mind.” It’s almost as if the band decided it was time to let Kapstad off the leash. …By the Word… is an interesting album that pushes beyond anything the band has done before. It can never be Til et annet… but that’s OK because they aren’t going for it. This new era is worth exploring and …By the Word… is a new benchmark.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 320 kb/s mp3
    Label: Prophecy Productions
    Websites: trelldom.bandcamp.com | trelldom.no | facebook.com/trelldom1992
    Releases Worldwide: May 29th, 2026

    #ByTheWord #2026 #35 #AvanteGardeBlackMetal #Bathory #BlackMetal #Burzum #Darkthrone #Djerv #GaahlsWYRD #GoatTheHead #GodSeed #Gorgoroth #Immortal #May26 #Mayhem #Melvins #MercyfulFate #NorwegianMetal #ProphecyProductions #Review #Reviews #Satyricon #Thorns #Trelldom #Ulver #Urgehal #Venom
  7. Trelldom – …By the Word… Review By Dr. A.N. Grier

    While most people would argue that “black metal” was founded by bands like Venom, Bathory, and Mercyful Fate, the scene didn’t really become what it is without the creation of Norwegian black metal. Which, in turn, people will argue was founded by Mayhem, Burzum, Darkthrone, Immortal, and the like. But people forget acts like Ulver, Urgehal, Satyricon, and Gorgoroth (and others) that helped form the genre. If you know Grier, you know how much Urgehal and Gorgoroth mean to his youthful, black metal development. They are also home to two of his favorite black metal raspers of all time: Trond Bråthen (Trondr Nefas) and Kristian Eivind Espedal (Gaahl), respectively. Before Gaahl made his mark on Gorgoroth classics like Twilight of the Idols – In Conspiracy with Satan and Ad Majorem Sathanas Gloriam, he already had his own band: Trelldom.

    Trelldom doesn’t get enough love. But Angry Metal Guy knew what was up when he went back in time to explore easily one of the genre’s greatest hits: Til et annet…. This record is a fucking masterpiece that shows a side of Gaahl you might not know. Those who have followed him throughout his various exploits know full well that Gaahl is a weird guy with some of the creepiest fucking vocals on the planet. But Trelldom’s trilogy of albums from 1992 to 2007 was untouchable. Fast forward to 2024, and the band returns with …By the Shadows…, an even weirder concoction of songs than ever before. Taking a darker direction with a new lineup of legends, …By the Shadows… represented an impressive comeback for the band, rebranded into something more diverse and heartfelt than before. Right on the coattails of that album comes this year’s …By the Word…. And it’s everything you’d expect from a follow-up.

    Returning with the mighty Stian Kårstad (ex-Djerv, ex-Gaahls Wyrd, ex-God Seed) and kit powerhouse Kenneth Kapstad (Thorns, Goat the Head, ex-God Seed, and a billion other bands), Gaahl rounds out his lineup with practitioners of the bass, saxophone, clarinet, organ, Dobro guitar, bass harmonica, mandolin, Shankar guitar, and even the fucking Optigan to deliver one of the most unique records of his life. “When This Was Young” opens the record with proggy bass and drums, matching perfectly with Gaahl’s soothing cleans. When the chuggery kicks in, Kapstad’s drums let loose, showing off his impressive skills and giving the song (A) Senile Animal-era Melvins vibes. As it progresses, the effects intensify, melding themselves into the guitars and creating unnecessary madness throughout.

    But the opener might be the “chillest” song on the record. By “I Speak Forgotten Voices,” you’ll know that …By the Word… is far more unhinged than its predecessor. The overlapping effects, unsettling vocals, and relentless, pounding drums remove any peace …By the Shadows… might have had. But it’s the mindfucking back-to-back closers, “The Word – Choose to Vanish” and “In There Outside,” that show just how far Trelldom has pushed their sound. Chock-full of all those different instruments mentioned before, “The Word – Choose to Vanish” doesn’t so much add layers as mold everything into the most grotesque monster I’ve heard in a long time. And when you think you’ve heard everything you could from Trelldom, “In There Outside” proves to be one of the more diverse on the album. Throwing you off immediately, the whining woodwinds are replaced with yet another alteration of Gaahl’s vox as the song builds on itself over and over again, resulting in more orchestral qualities than any other track.

    …By the Word… is batshit crazy and cerebrally damaging. Where …By the Shadows… at least had moments of relief, this new record does not. Beyond the weird combination of guitars, saxophone, and clarinet screaming at you from all directions, it’s the bass and drums that cause the most damage. Mixed far too the front, the drums, in particular, are ear-shattering. That sounds negative, but it does a hell of a job keeping you off balance. Specifically, when it comes to the devastating “Folding the Mind.” It’s almost as if the band decided it was time to let Kapstad off the leash. …By the Word… is an interesting album that pushes beyond anything the band has done before. It can never be Til et annet… but that’s OK because they aren’t going for it. This new era is worth exploring and …By the Word… is a new benchmark.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 320 kb/s mp3
    Label: Prophecy Productions
    Websites: trelldom.bandcamp.com | trelldom.no | facebook.com/trelldom1992
    Releases Worldwide: May 29th, 2026

    #ByTheWord #2026 #35 #AvanteGardeBlackMetal #Bathory #BlackMetal #Burzum #Darkthrone #Djerv #GaahlsWYRD #GoatTheHead #GodSeed #Gorgoroth #Immortal #May26 #Mayhem #Melvins #MercyfulFate #NorwegianMetal #ProphecyProductions #Review #Reviews #Satyricon #Thorns #Trelldom #Ulver #Urgehal #Venom
  8. Trelldom – …By the Word… Review By Dr. A.N. Grier

    While most people would argue that “black metal” was founded by bands like Venom, Bathory, and Mercyful Fate, the scene didn’t really become what it is without the creation of Norwegian black metal. Which, in turn, people will argue was founded by Mayhem, Burzum, Darkthrone, Immortal, and the like. But people forget acts like Ulver, Urgehal, Satyricon, and Gorgoroth (and others) that helped form the genre. If you know Grier, you know how much Urgehal and Gorgoroth mean to his youthful, black metal development. They are also home to two of his favorite black metal raspers of all time: Trond Bråthen (Trondr Nefas) and Kristian Eivind Espedal (Gaahl), respectively. Before Gaahl made his mark on Gorgoroth classics like Twilight of the Idols – In Conspiracy with Satan and Ad Majorem Sathanas Gloriam, he already had his own band: Trelldom.

    Trelldom doesn’t get enough love. But Angry Metal Guy knew what was up when he went back in time to explore easily one of the genre’s greatest hits: Til et annet…. This record is a fucking masterpiece that shows a side of Gaahl you might not know. Those who have followed him throughout his various exploits know full well that Gaahl is a weird guy with some of the creepiest fucking vocals on the planet. But Trelldom’s trilogy of albums from 1992 to 2007 was untouchable. Fast forward to 2024, and the band returns with …By the Shadows…, an even weirder concoction of songs than ever before. Taking a darker direction with a new lineup of legends, …By the Shadows… represented an impressive comeback for the band, rebranded into something more diverse and heartfelt than before. Right on the coattails of that album comes this year’s …By the Word…. And it’s everything you’d expect from a follow-up.

    Returning with the mighty Stian Kårstad (ex-Djerv, ex-Gaahls Wyrd, ex-God Seed) and kit powerhouse Kenneth Kapstad (Thorns, Goat the Head, ex-God Seed, and a billion other bands), Gaahl rounds out his lineup with practitioners of the bass, saxophone, clarinet, organ, Dobro guitar, bass harmonica, mandolin, Shankar guitar, and even the fucking Optigan to deliver one of the most unique records of his life. “When This Was Young” opens the record with proggy bass and drums, matching perfectly with Gaahl’s soothing cleans. When the chuggery kicks in, Kapstad’s drums let loose, showing off his impressive skills and giving the song (A) Senile Animal-era Melvins vibes. As it progresses, the effects intensify, melding themselves into the guitars and creating unnecessary madness throughout.

    But the opener might be the “chillest” song on the record. By “I Speak Forgotten Voices,” you’ll know that …By the Word… is far more unhinged than its predecessor. The overlapping effects, unsettling vocals, and relentless, pounding drums remove any peace …By the Shadows… might have had. But it’s the mindfucking back-to-back closers, “The Word – Choose to Vanish” and “In There Outside,” that show just how far Trelldom has pushed their sound. Chock-full of all those different instruments mentioned before, “The Word – Choose to Vanish” doesn’t so much add layers as mold everything into the most grotesque monster I’ve heard in a long time. And when you think you’ve heard everything you could from Trelldom, “In There Outside” proves to be one of the more diverse on the album. Throwing you off immediately, the whining woodwinds are replaced with yet another alteration of Gaahl’s vox as the song builds on itself over and over again, resulting in more orchestral qualities than any other track.

    …By the Word… is batshit crazy and cerebrally damaging. Where …By the Shadows… at least had moments of relief, this new record does not. Beyond the weird combination of guitars, saxophone, and clarinet screaming at you from all directions, it’s the bass and drums that cause the most damage. Mixed far too the front, the drums, in particular, are ear-shattering. That sounds negative, but it does a hell of a job keeping you off balance. Specifically, when it comes to the devastating “Folding the Mind.” It’s almost as if the band decided it was time to let Kapstad off the leash. …By the Word… is an interesting album that pushes beyond anything the band has done before. It can never be Til et annet… but that’s OK because they aren’t going for it. This new era is worth exploring and …By the Word… is a new benchmark.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 320 kb/s mp3
    Label: Prophecy Productions
    Websites: trelldom.bandcamp.com | trelldom.no | facebook.com/trelldom1992
    Releases Worldwide: May 29th, 2026

    #ByTheWord #2026 #35 #AvanteGardeBlackMetal #Bathory #BlackMetal #Burzum #Darkthrone #Djerv #GaahlsWYRD #GoatTheHead #GodSeed #Gorgoroth #Immortal #May26 #Mayhem #Melvins #MercyfulFate #NorwegianMetal #ProphecyProductions #Review #Reviews #Satyricon #Thorns #Trelldom #Ulver #Urgehal #Venom
  9. Trelldom – …By the Word… Review By Dr. A.N. Grier

    While most people would argue that “black metal” was founded by bands like Venom, Bathory, and Mercyful Fate, the scene didn’t really become what it is without the creation of Norwegian black metal. Which, in turn, people will argue was founded by Mayhem, Burzum, Darkthrone, Immortal, and the like. But people forget acts like Ulver, Urgehal, Satyricon, and Gorgoroth (and others) that helped form the genre. If you know Grier, you know how much Urgehal and Gorgoroth mean to his youthful, black metal development. They are also home to two of his favorite black metal raspers of all time: Trond Bråthen (Trondr Nefas) and Kristian Eivind Espedal (Gaahl), respectively. Before Gaahl made his mark on Gorgoroth classics like Twilight of the Idols – In Conspiracy with Satan and Ad Majorem Sathanas Gloriam, he already had his own band: Trelldom.

    Trelldom doesn’t get enough love. But Angry Metal Guy knew what was up when he went back in time to explore easily one of the genre’s greatest hits: Til et annet…. This record is a fucking masterpiece that shows a side of Gaahl you might not know. Those who have followed him throughout his various exploits know full well that Gaahl is a weird guy with some of the creepiest fucking vocals on the planet. But Trelldom’s trilogy of albums from 1992 to 2007 was untouchable. Fast forward to 2024, and the band returns with …By the Shadows…, an even weirder concoction of songs than ever before. Taking a darker direction with a new lineup of legends, …By the Shadows… represented an impressive comeback for the band, rebranded into something more diverse and heartfelt than before. Right on the coattails of that album comes this year’s …By the Word…. And it’s everything you’d expect from a follow-up.

    Returning with the mighty Stian Kårstad (ex-Djerv, ex-Gaahls Wyrd, ex-God Seed) and kit powerhouse Kenneth Kapstad (Thorns, Goat the Head, ex-God Seed, and a billion other bands), Gaahl rounds out his lineup with practitioners of the bass, saxophone, clarinet, organ, Dobro guitar, bass harmonica, mandolin, Shankar guitar, and even the fucking Optigan to deliver one of the most unique records of his life. “When This Was Young” opens the record with proggy bass and drums, matching perfectly with Gaahl’s soothing cleans. When the chuggery kicks in, Kapstad’s drums let loose, showing off his impressive skills and giving the song (A) Senile Animal-era Melvins vibes. As it progresses, the effects intensify, melding themselves into the guitars and creating unnecessary madness throughout.

    But the opener might be the “chillest” song on the record. By “I Speak Forgotten Voices,” you’ll know that …By the Word… is far more unhinged than its predecessor. The overlapping effects, unsettling vocals, and relentless, pounding drums remove any peace …By the Shadows… might have had. But it’s the mindfucking back-to-back closers, “The Word – Choose to Vanish” and “In There Outside,” that show just how far Trelldom has pushed their sound. Chock-full of all those different instruments mentioned before, “The Word – Choose to Vanish” doesn’t so much add layers as mold everything into the most grotesque monster I’ve heard in a long time. And when you think you’ve heard everything you could from Trelldom, “In There Outside” proves to be one of the more diverse on the album. Throwing you off immediately, the whining woodwinds are replaced with yet another alteration of Gaahl’s vox as the song builds on itself over and over again, resulting in more orchestral qualities than any other track.

    …By the Word… is batshit crazy and cerebrally damaging. Where …By the Shadows… at least had moments of relief, this new record does not. Beyond the weird combination of guitars, saxophone, and clarinet screaming at you from all directions, it’s the bass and drums that cause the most damage. Mixed far too the front, the drums, in particular, are ear-shattering. That sounds negative, but it does a hell of a job keeping you off balance. Specifically, when it comes to the devastating “Folding the Mind.” It’s almost as if the band decided it was time to let Kapstad off the leash. …By the Word… is an interesting album that pushes beyond anything the band has done before. It can never be Til et annet… but that’s OK because they aren’t going for it. This new era is worth exploring and …By the Word… is a new benchmark.

    Rating: 3.5/5.0
    DR: 7 | Format Reviewed: 320 kb/s mp3
    Label: Prophecy Productions
    Websites: trelldom.bandcamp.com | trelldom.no | facebook.com/trelldom1992
    Releases Worldwide: May 29th, 2026

    #ByTheWord #2026 #35 #AvanteGardeBlackMetal #Bathory #BlackMetal #Burzum #Darkthrone #Djerv #GaahlsWYRD #GoatTheHead #GodSeed #Gorgoroth #Immortal #May26 #Mayhem #Melvins #MercyfulFate #NorwegianMetal #ProphecyProductions #Review #Reviews #Satyricon #Thorns #Trelldom #Ulver #Urgehal #Venom
  10. Un’altra aggressione. Liceale accoltellato. A colpirlo un 17enne

    quotidiano.net/cronaca/unaltra

    Ed è boom televendite set di coltelli in acciaio inox o ceramica, anti metal detector! Spinta ai consumi, nuovi posti di lavoro, così l'Italia riparte! #eccellenzaitaliana #Burzum

  11. Un’altra aggressione. Liceale accoltellato. A colpirlo un 17enne

    quotidiano.net/cronaca/unaltra

    Ed è boom televendite set di coltelli in acciaio inox o ceramica, anti metal detector! Spinta ai consumi, nuovi posti di lavoro, così l'Italia riparte! #eccellenzaitaliana #Burzum

  12. Un’altra aggressione. Liceale accoltellato. A colpirlo un 17enne

    quotidiano.net/cronaca/unaltra

    Ed è boom televendite set di coltelli in acciaio inox o ceramica, anti metal detector! Spinta ai consumi, nuovi posti di lavoro, così l'Italia riparte! #eccellenzaitaliana #Burzum

  13. Un’altra aggressione. Liceale accoltellato. A colpirlo un 17enne

    quotidiano.net/cronaca/unaltra

    Ed è boom televendite set di coltelli in acciaio inox o ceramica, anti metal detector! Spinta ai consumi, nuovi posti di lavoro, così l'Italia riparte! #eccellenzaitaliana #Burzum

  14. europesays.com/es/332362/ Attila Csihar de MAYHEM recuerda su relación con Euronymous antes del crimen que marcó la historia del Black Metal #BlackMetal #burzum #Entertainment #Entretenimiento #ES #España #MAYHEM #Music #Música #Spain

  15. 🇺🇦 🔊
    microsong "Putins død (Zeitenwende Horror Noise)" by Annelieses Zerstörung unter gefrorenen Monden (AZugM)

    lyrics:
    Josef Stalin als Wiedergänger
    Putin ist tot
    🇬🇧
    Joseph Stalin as a revenant
    Putin is dead

    #Noise #HarshNoise #HorrorNoise #Noisevember #BlackMetal #DeathMetal #Metal #Weirdcore #Weird #Satire #Mystery #Horror #Burzum #Scholz #Putin #FckPtn #FckPutin #Russia #Ukraine #War #UkraineWar #UkraineRussiaWar #StandWithUkraine #FckNZS #Fascism #Audacity #ArtWolf

  16. [Commenting on an image of a phone with a broken screen]

    this brings back so many memories
    i used to have a phone that was even more cracked than this, the screen was black and white, grainy, and white stripes everywhere. Sometimes it would go black, and i'd hit the phone, and it works again. I had VLC on there, and i used it to listen to Gojira and Burzum.
    this was my alarm
    every time i listen to that song, i remember the sleep deprivation, the grogginess, the cold tickle of winter, the burning in my eyes.
    it's so interesting how music is stored in our brains, when i'm in a very good mood or situation, i play a song so i can "store the good vibes" in this song, and that association sticks to that specific song.

    this has been, reilyh's braindump


    #music #metal #heavy-metal #black-metal #burzum #reilyh's-brain-dump
  17. [Commenting on an image of a phone with a broken screen]

    this brings back so many memories
    i used to have a phone that was even more cracked than this, the screen was black and white, grainy, and white stripes everywhere. Sometimes it would go black, and i'd hit the phone, and it works again. I had VLC on there, and i used it to listen to Gojira and Burzum.
    this was my alarm
    every time i listen to that song, i remember the sleep deprivation, the grogginess, the cold tickle of winter, the burning in my eyes.
    it's so interesting how music is stored in our brains, when i'm in a very good mood or situation, i play a song so i can "store the good vibes" in this song, and that association sticks to that specific song.

    this has been, reilyh's braindump


    #music #metal #heavy-metal #black-metal #burzum #reilyh's-brain-dump
  18. [Commenting on an image of a phone with a broken screen]

    this brings back so many memories
    i used to have a phone that was even more cracked than this, the screen was black and white, grainy, and white stripes everywhere. Sometimes it would go black, and i'd hit the phone, and it works again. I had VLC on there, and i used it to listen to Gojira and Burzum.
    this was my alarm
    every time i listen to that song, i remember the sleep deprivation, the grogginess, the cold tickle of winter, the burning in my eyes.
    it's so interesting how music is stored in our brains, when i'm in a very good mood or situation, i play a song so i can "store the good vibes" in this song, and that association sticks to that specific song.

    this has been, reilyh's braindump


    #music #metal #heavy-metal #black-metal #burzum #reilyh's-brain-dump
  19. [Commenting on an image of a phone with a broken screen]

    this brings back so many memories
    i used to have a phone that was even more cracked than this, the screen was black and white, grainy, and white stripes everywhere. Sometimes it would go black, and i'd hit the phone, and it works again. I had VLC on there, and i used it to listen to Gojira and Burzum.
    this was my alarm
    every time i listen to that song, i remember the sleep deprivation, the grogginess, the cold tickle of winter, the burning in my eyes.
    it's so interesting how music is stored in our brains, when i'm in a very good mood or situation, i play a song so i can "store the good vibes" in this song, and that association sticks to that specific song.

    this has been, reilyh's braindump


    #music #metal #heavy-metal #black-metal #burzum #reilyh's-brain-dump
  20. What do you get if you mix Burzum with Bethlehem? The band Silencer, apparently, and the result is rather satisfying.

    silencer-swe.bandcamp.com/albu

    #Burzum #SIlencer #Bethlehem #DSBM #blackMetal

  21. What do you get if you mix Burzum with Bethlehem? The band Silencer, apparently, and the result is rather satisfying.

    silencer-swe.bandcamp.com/albu

    #Burzum #SIlencer #Bethlehem #DSBM #blackMetal

  22. What do you get if you mix Burzum with Bethlehem? The band Silencer, apparently, and the result is rather satisfying.

    silencer-swe.bandcamp.com/albu

    #Burzum #SIlencer #Bethlehem #DSBM #blackMetal

  23. What do you get if you mix Burzum with Bethlehem? The band Silencer, apparently, and the result is rather satisfying.

    silencer-swe.bandcamp.com/albu

    #Burzum #SIlencer #Bethlehem #DSBM #blackMetal

  24. Gerade vier #kassetten bestellt. Nachdem ich jetzt wieder ein #kassettendeck im #Auto habe will ich da auch etwas hören.

    Demnächst dann bei den Nachbarn, die Nix wegschmeißen, mal noch was abgreifen und bei den Schwiegereltern auf dem Dachboden suchen.

    #kassettenliebe #tape #mc #MusicCassette #burzum #lordvigo #morax #thewizard

  25. Gerade vier #kassetten bestellt. Nachdem ich jetzt wieder ein #kassettendeck im #Auto habe will ich da auch etwas hören.

    Demnächst dann bei den Nachbarn, die Nix wegschmeißen, mal noch was abgreifen und bei den Schwiegereltern auf dem Dachboden suchen.

    #kassettenliebe #tape #mc #MusicCassette #burzum #lordvigo #morax #thewizard

  26. Gerade vier #kassetten bestellt. Nachdem ich jetzt wieder ein #kassettendeck im #Auto habe will ich da auch etwas hören.

    Demnächst dann bei den Nachbarn, die Nix wegschmeißen, mal noch was abgreifen und bei den Schwiegereltern auf dem Dachboden suchen.

    #kassettenliebe #tape #mc #MusicCassette #burzum #lordvigo #morax #thewizard

  27. Habe sehr spät #burzum #filosofem für mich entdeckt.

    Leck fett ist das meins zu Zeit! 🖤

    #blackmetal #music

  28. Habe sehr spät #burzum #filosofem für mich entdeckt.

    Leck fett ist das meins zu Zeit! 🖤

    #blackmetal #music

  29. Habe sehr spät #burzum #filosofem für mich entdeckt.

    Leck fett ist das meins zu Zeit! 🖤

    #blackmetal #music

  30. Habe sehr spät #burzum #filosofem für mich entdeckt.

    Leck fett ist das meins zu Zeit! 🖤

    #blackmetal #music

  31. #introduction

    my project azugm (abortion, zip guns, unholy Gorefield #memes) creates audio #art based on #BlackMetal #DoomMetal #Grindcore #HarshNoise and #DungeonSynth

    Due to #schizophrenia I use the stage name Lobotomie

    I admire 90s #Burzum as well as Gallhammer's subgenre mishmash and of course the fat and ugly bastards from Primitive Man

    Songs about #Scientology and Xenu, #Asagraum aborting NSBM, Carola Rackete pegging #Salvini and songs about and by #cats

    #vegan #Neofolk coming soon

  32. #introduction

    my project azugm (abortion, zip guns, unholy Gorefield #memes) creates audio #art based on #BlackMetal #DoomMetal #Grindcore #HarshNoise and #DungeonSynth

    Due to #schizophrenia I use the stage name Lobotomie

    I admire 90s #Burzum as well as Gallhammer's subgenre mishmash and of course the fat and ugly bastards from Primitive Man

    Songs about #Scientology and Xenu, #Asagraum aborting NSBM, Carola Rackete pegging #Salvini and songs about and by #cats

    #vegan #Neofolk coming soon

  33. To say that the one-man band Wigrid was inspired by #Burzum when creating "Hoffnungstod" is almost an understatement. But it's very well executed and recommended.
    #blackMetal #blackMetalMonday #DSBM #metal #vinyl #nowPlaying #Wigrid

  34. To say that the one-man band Wigrid was inspired by #Burzum when creating "Hoffnungstod" is almost an understatement. But it's very well executed and recommended.
    #blackMetal #blackMetalMonday #DSBM #metal #vinyl #nowPlaying #Wigrid

  35. To say that the one-man band Wigrid was inspired by #Burzum when creating "Hoffnungstod" is almost an understatement. But it's very well executed and recommended.
    #blackMetal #blackMetalMonday #DSBM #metal #vinyl #nowPlaying #Wigrid

  36. To say that the one-man band Wigrid was inspired by #Burzum when creating "Hoffnungstod" is almost an understatement. But it's very well executed and recommended.
    #blackMetal #blackMetalMonday #DSBM #metal #vinyl #nowPlaying #Wigrid

  37. To say that the one-man band Wigrid was inspired by #Burzum when creating "Hoffnungstod" is almost an understatement. But it's very well executed and recommended.
    #blackMetal #blackMetalMonday #DSBM #metal #vinyl #nowPlaying #Wigrid

  38. One of the Outola dj’s plays one song on our riff themed programme. We publish the playlist on , as usual.

    We share the post to several groups, as usual.

    Facebook’s automatic filtering flags one of those shares, because Burzum is mentioned, and takes it down. Today I saw this ”Request Review” dialog (attached), and thought ”what the hell, maybe I should mention it was 1) just mentioned on a playlist, 2) was an instrumental anyway and 3) it was about the riff”. (1/2)

  39. One of the Outola dj’s plays one #Burzum song on our riff themed programme. We publish the playlist on #Facebook, as usual.

    We share the post to several groups, as usual.

    Facebook’s automatic #ai filtering flags one of those shares, because Burzum is mentioned, and takes it down. Today I saw this ”Request Review” dialog (attached), and thought ”what the hell, maybe I should mention it was 1) just mentioned on a playlist, 2) was an instrumental anyway and 3) it was about the riff”. (1/2)

  40. One of the Outola dj’s plays one #Burzum song on our riff themed programme. We publish the playlist on #Facebook, as usual.

    We share the post to several groups, as usual.

    Facebook’s automatic #ai filtering flags one of those shares, because Burzum is mentioned, and takes it down. Today I saw this ”Request Review” dialog (attached), and thought ”what the hell, maybe I should mention it was 1) just mentioned on a playlist, 2) was an instrumental anyway and 3) it was about the riff”. (1/2)