home.social

#burroughs — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #burroughs, aggregated by home.social.

fetched live
  1. The first successful adding machine in the United States was patented OTD in 1888 by William Seward #Burroughs, grandfather of the author cromwell-intl.com/travel/usa/n #WSB #WSBurroughs #travel

  2. The first successful adding machine in the United States was patented OTD in 1888 by William Seward #Burroughs, grandfather of the author cromwell-intl.com/travel/usa/n #WSB #WSBurroughs #travel

  3. The first successful adding machine in the United States was patented OTD in 1888 by William Seward #Burroughs, grandfather of the author cromwell-intl.com/travel/usa/n #WSB #WSBurroughs #travel

  4. The first successful adding machine in the United States was patented OTD in 1888 by William Seward #Burroughs, grandfather of the author cromwell-intl.com/travel/usa/n #WSB #WSBurroughs #travel

  5. The first successful adding machine in the United States was patented OTD in 1888 by William Seward #Burroughs, grandfather of the author cromwell-intl.com/travel/usa/n #WSB #WSBurroughs #travel

  6. Sécurité décentralisée, niveau 1970. Pour injecter un triple zéro (000) dans la matrice de ce terminal Burroughs, il faut littéralement tourner une clé physique.
    C'est le protocole "Cold Storage" le plus stylé de l'histoire. Pas de hack possible sans crocheter du bronze. 💾🔐
    #RetroComputing #Burroughs #PhysicalSecurity #RootOfTrust #GeekHistory

  7. Sécurité décentralisée, niveau 1970. Pour injecter un triple zéro (000) dans la matrice de ce terminal Burroughs, il faut littéralement tourner une clé physique.
    C'est le protocole "Cold Storage" le plus stylé de l'histoire. Pas de hack possible sans crocheter du bronze. 💾🔐
    #RetroComputing #Burroughs #PhysicalSecurity #RootOfTrust #GeekHistory

  8. Sécurité décentralisée, niveau 1970. Pour injecter un triple zéro (000) dans la matrice de ce terminal Burroughs, il faut littéralement tourner une clé physique.
    C'est le protocole "Cold Storage" le plus stylé de l'histoire. Pas de hack possible sans crocheter du bronze. 💾🔐
    #RetroComputing #Burroughs #PhysicalSecurity #RootOfTrust #GeekHistory

  9. Sécurité décentralisée, niveau 1970. Pour injecter un triple zéro (000) dans la matrice de ce terminal Burroughs, il faut littéralement tourner une clé physique.
    C'est le protocole "Cold Storage" le plus stylé de l'histoire. Pas de hack possible sans crocheter du bronze. 💾🔐
    #RetroComputing #Burroughs #PhysicalSecurity #RootOfTrust #GeekHistory

  10. Sécurité décentralisée, niveau 1970. Pour injecter un triple zéro (000) dans la matrice de ce terminal Burroughs, il faut littéralement tourner une clé physique.
    C'est le protocole "Cold Storage" le plus stylé de l'histoire. Pas de hack possible sans crocheter du bronze. 💾🔐
    #RetroComputing #Burroughs #PhysicalSecurity #RootOfTrust #GeekHistory

  11. "The Center Street Cut-Ups"

    "The Center Street Cut-Ups" is the abbreviated title of the latest Third Mind Books original presentation, "HAVE A PLEASANT TRIP... 210 Center Street NYC 1965: the Cut-Up Life of William S. Burroughs," -- crafted with monocle at the ready by TMB founder & Ann Arbor eminence, Arthur S. Nusbaum with the assistance of Joe Provenzano (VP of Operations at Third Mind Books, and Nusbaum's protégé in life and literature).

    The focus, here as elsewhere is on WILLIAM S. BURROUGHS -- the Patron Saint-Demon of Third Mind Books -- and even more specifically, on a tranche of documents acquired at auction belonging to the painter, David Prentice. Prentice was a close, personal friend to Burroughs and his Papers document
    document a very key time in the development of the Cut-Ups as both a literary technique and original philosophic contribution.

    The presentation was first delivered at the European Beat Studies Network Conference (ebsn.eu) in Paris, France in September of 2023, and was re-recorded with narration by the author in December of that same year.

    soulvlog.blogspot.com/2026/03/

    #Burroughs #BeatGeneration #CutUps

  12. "The Center Street Cut-Ups"

    "The Center Street Cut-Ups" is the abbreviated title of the latest Third Mind Books original presentation, "HAVE A PLEASANT TRIP... 210 Center Street NYC 1965: the Cut-Up Life of William S. Burroughs," -- crafted with monocle at the ready by TMB founder & Ann Arbor eminence, Arthur S. Nusbaum with the assistance of Joe Provenzano (VP of Operations at Third Mind Books, and Nusbaum's protégé in life and literature).

    The focus, here as elsewhere is on WILLIAM S. BURROUGHS -- the Patron Saint-Demon of Third Mind Books -- and even more specifically, on a tranche of documents acquired at auction belonging to the painter, David Prentice. Prentice was a close, personal friend to Burroughs and his Papers document
    document a very key time in the development of the Cut-Ups as both a literary technique and original philosophic contribution.

    The presentation was first delivered at the European Beat Studies Network Conference (ebsn.eu) in Paris, France in September of 2023, and was re-recorded with narration by the author in December of that same year.

    soulvlog.blogspot.com/2026/03/

    #Burroughs #BeatGeneration #CutUps

  13. "The Center Street Cut-Ups"

    "The Center Street Cut-Ups" is the abbreviated title of the latest Third Mind Books original presentation, "HAVE A PLEASANT TRIP... 210 Center Street NYC 1965: the Cut-Up Life of William S. Burroughs," -- crafted with monocle at the ready by TMB founder & Ann Arbor eminence, Arthur S. Nusbaum with the assistance of Joe Provenzano (VP of Operations at Third Mind Books, and Nusbaum's protégé in life and literature).

    The focus, here as elsewhere is on WILLIAM S. BURROUGHS -- the Patron Saint-Demon of Third Mind Books -- and even more specifically, on a tranche of documents acquired at auction belonging to the painter, David Prentice. Prentice was a close, personal friend to Burroughs and his Papers document
    document a very key time in the development of the Cut-Ups as both a literary technique and original philosophic contribution.

    The presentation was first delivered at the European Beat Studies Network Conference (ebsn.eu) in Paris, France in September of 2023, and was re-recorded with narration by the author in December of that same year.

    soulvlog.blogspot.com/2026/03/

    #Burroughs #BeatGeneration #CutUps

  14. "The Center Street Cut-Ups"

    "The Center Street Cut-Ups" is the abbreviated title of the latest Third Mind Books original presentation, "HAVE A PLEASANT TRIP... 210 Center Street NYC 1965: the Cut-Up Life of William S. Burroughs," -- crafted with monocle at the ready by TMB founder & Ann Arbor eminence, Arthur S. Nusbaum with the assistance of Joe Provenzano (VP of Operations at Third Mind Books, and Nusbaum's protégé in life and literature).

    The focus, here as elsewhere is on WILLIAM S. BURROUGHS -- the Patron Saint-Demon of Third Mind Books -- and even more specifically, on a tranche of documents acquired at auction belonging to the painter, David Prentice. Prentice was a close, personal friend to Burroughs and his Papers document
    document a very key time in the development of the Cut-Ups as both a literary technique and original philosophic contribution.

    The presentation was first delivered at the European Beat Studies Network Conference (ebsn.eu) in Paris, France in September of 2023, and was re-recorded with narration by the author in December of that same year.

    soulvlog.blogspot.com/2026/03/

    #Burroughs #BeatGeneration #CutUps

  15. "The Center Street Cut-Ups"

    "The Center Street Cut-Ups" is the abbreviated title of the latest Third Mind Books original presentation, "HAVE A PLEASANT TRIP... 210 Center Street NYC 1965: the Cut-Up Life of William S. Burroughs," -- crafted with monocle at the ready by TMB founder & Ann Arbor eminence, Arthur S. Nusbaum with the assistance of Joe Provenzano (VP of Operations at Third Mind Books, and Nusbaum's protégé in life and literature).

    The focus, here as elsewhere is on WILLIAM S. BURROUGHS -- the Patron Saint-Demon of Third Mind Books -- and even more specifically, on a tranche of documents acquired at auction belonging to the painter, David Prentice. Prentice was a close, personal friend to Burroughs and his Papers document
    document a very key time in the development of the Cut-Ups as both a literary technique and original philosophic contribution.

    The presentation was first delivered at the European Beat Studies Network Conference (ebsn.eu) in Paris, France in September of 2023, and was re-recorded with narration by the author in December of that same year.

    soulvlog.blogspot.com/2026/03/

    #Burroughs #BeatGeneration #CutUps

  16. II° – Che cos’è la fantascienza?

    rizomatica.noblogs.org/2026/02

    Il testo analizza la fantascienza come dispositivo culturale nel senso foucaultiano, capace di intrecciare potere, sapere e immaginario collettivo. Riprendendo Caronia, Foucault e Deleuze, la fantasc

    #Rizoma #Varie #AHIDA #Burroughs #caronia #controllo #deleuze #dick #distopie #fantascienza #Foucault #GuidoCarboni #immaginazione #letteratura #narrazione #persuasione #zemrude

  17. II° – Che cos’è la fantascienza?

    rizomatica.noblogs.org/2026/02

    Il testo analizza la fantascienza come dispositivo culturale nel senso foucaultiano, capace di intrecciare potere, sapere e immaginario collettivo. Riprendendo Caronia, Foucault e Deleuze, la fantasc

    #Rizoma #Varie #AHIDA #Burroughs #caronia #controllo #deleuze #dick #distopie #fantascienza #Foucault #GuidoCarboni #immaginazione #letteratura #narrazione #persuasione #zemrude

  18. II° – Che cos’è la fantascienza?

    rizomatica.noblogs.org/2026/02

    Il testo analizza la fantascienza come dispositivo culturale nel senso foucaultiano, capace di intrecciare potere, sapere e immaginario collettivo. Riprendendo Caronia, Foucault e Deleuze, la fantasc

    #Rizoma #Varie #AHIDA #Burroughs #caronia #controllo #deleuze #dick #distopie #fantascienza #Foucault #GuidoCarboni #immaginazione #letteratura #narrazione #persuasione #zemrude

  19. oggetti sonori, testuali, teatrali, visivi
    dagli anni Quaranta alla fine dei Cinquanta, scrittori e artisti, musicisti e registi prelevano dalle più diverse fonti materiali decontestualizzati e riusati con gradi diversi di indifferenza alla loro identità. Schaeffer con i suoni
    differx.noblogs.org/2026/02/24
    #archivi #art #music #musica #ricostruzioni #sound #Bene #Burroughs #CarmeloBene #cb #CutUp #dada #Gysin #Schaeffer #ScritturaDiScena

  20. oggetti sonori, testuali, teatrali, visivi
    dagli anni Quaranta alla fine dei Cinquanta, scrittori e artisti, musicisti e registi prelevano dalle più diverse fonti materiali decontestualizzati e riusati con gradi diversi di indifferenza alla loro identità. Schaeffer con i suoni
    differx.noblogs.org/2026/02/24
    #archivi #art #music #musica #ricostruzioni #sound #Bene #Burroughs #CarmeloBene #cb #CutUp #dada #Gysin #Schaeffer #ScritturaDiScena

  21. cortàzar-aristotele, 1-0

    se, intorno ai quindici anni o poco prima o poco dopo, scoprendo i racconti di Cortàzar, e venendone disorientato anzi scosso, mi fossi fermato alla sorpresa e mi fossi fatto – diciamo così – disarcionare dalla singolarità del suo lavoro, se insomma avessi […] 
    continua qui: https://noblogo.org/differx/se-intorno-ai-quindici-anni-o-poco-prima-o-poco-dopo-scoprendo-i-racconti-di

    #Aristotele #Burroughs #Cortàzar #JulioCortázar #Michaux #nonContraddizione #spaziotempo #temporalità #Villa
  22. cortàzar-aristotele, 1-0

    se, intorno ai quindici anni o poco prima o poco dopo, scoprendo i racconti di Cortàzar, e venendone disorientato anzi scosso, mi fossi fermato alla sorpresa e mi fossi fatto – diciamo così – disarcionare dalla singolarità del suo lavoro, se insomma avessi […] 
    continua qui: https://noblogo.org/differx/se-intorno-ai-quindici-anni-o-poco-prima-o-poco-dopo-scoprendo-i-racconti-di

    #Aristotele #Burroughs #Cortàzar #JulioCortázar #Michaux #nonContraddizione #spaziotempo #temporalità #Villa
  23. Happy Birthday William Seward #Burroughs II
    February 5, 1914 – August 2, 1997

  24. Happy Birthday William Seward #Burroughs II
    February 5, 1914 – August 2, 1997

  25. Happy Birthday William Seward #Burroughs II
    February 5, 1914 – August 2, 1997

  26. Happy Birthday William Seward #Burroughs II
    February 5, 1914 – August 2, 1997

  27. Happy Birthday William Seward #Burroughs II
    February 5, 1914 – August 2, 1997

  28. William Seward #Burroughs, born OTD in 1857, grandfather of the author, invented the first successful adding machine in the United States, he did not leave a vast fortune to his descendants toilet-guru.com/wsb-sewers.htm #WSB #WSBurroughs #travel

  29. William Seward #Burroughs, born OTD in 1857, grandfather of the author, invented the first successful adding machine in the United States, he did not leave a vast fortune to his descendants toilet-guru.com/wsb-sewers.htm #WSB #WSBurroughs #travel

  30. William Seward #Burroughs, born OTD in 1857, grandfather of the author, invented the first successful adding machine in the United States, he did not leave a vast fortune to his descendants toilet-guru.com/wsb-sewers.htm #WSB #WSBurroughs #travel

  31. William Seward #Burroughs, born OTD in 1857, grandfather of the author, invented the first successful adding machine in the United States, he did not leave a vast fortune to his descendants toilet-guru.com/wsb-sewers.htm #WSB #WSBurroughs #travel

  32. William Seward #Burroughs, born OTD in 1857, grandfather of the author, invented the first successful adding machine in the United States, he did not leave a vast fortune to his descendants toilet-guru.com/wsb-sewers.htm #WSB #WSBurroughs #travel

  33. Does anyone in the #Mastodon #books hivemind know where one might find a *complete* collection of the #Barsoom novels of Edgar Rice #Burroughs?

  34. Does anyone in the #Mastodon #books hivemind know where one might find a *complete* collection of the #Barsoom novels of Edgar Rice #Burroughs?

  35. Does anyone in the #Mastodon #books hivemind know where one might find a *complete* collection of the #Barsoom novels of Edgar Rice #Burroughs?

  36. Does anyone in the #Mastodon #books hivemind know where one might find a *complete* collection of the #Barsoom novels of Edgar Rice #Burroughs?

  37. Does anyone in the #Mastodon #books hivemind know where one might find a *complete* collection of the #Barsoom novels of Edgar Rice #Burroughs?

  38. This track is the last from a CD compiled from the audio archive of Psychic TV, Genesis P-Orridge and the Transmedia Foundation. It is intended to be multi-functional and it is here to be re-abused through you. The raw materials, loops, sonic maps and trance routines included may be listened to as a Kaotic entertainment; as a navigational exploration of brain and expectation; or as a resource to be sampled, reworked, adjusted and processed by other individuals for their own personal works and their own ends. Any and all interpretations are valid. This NOT an indexed and formularised "Sampling CD". Rather, it is a description from a different perspective, of the eclectic and unique world which Psychic TV and their Closet Collaborators have inhabited in various media and incarnations from 1950 to the present. This is an Electric Newspaper, a speculative publication deprogrammed to preserve and make accessible to the maximum number of participating travellers, multiple brain-escapes, and audio-collisions in order to give the greatest potential stimulation and communication to all.

    The interview included at the end of this publication is an Electric Newspaper exclusive. Never before published anywhere as either text, or audio. In it Genesis P-Orridge questions Brion Gysin about his various interactions with legendary Rolling Stone Brian Jones in Morocco in the 1960's, as part of his extensive research prior to recording the classic PTV single "Godstar". The interview was conducted in Hackney, London on the 10th July 1985. To our knowledge this is the only authentic document stating exactly how Brion Gysin experienced these events, previously only mythologised in both the Astory of Jajouka, and books on The Rolling Stones. On the original cassette box Brion wrote afterwards...
    ...NIL BONUM MORIENDI DIC ERUNT.

    Psychic TV – Electric Newspaper Issue Three (1995)

    music.youtube.com/watch?v=eNCB

    #Burroughs #Tangier #BeatGeneration

  39. This track is the last from a CD compiled from the audio archive of Psychic TV, Genesis P-Orridge and the Transmedia Foundation. It is intended to be multi-functional and it is here to be re-abused through you. The raw materials, loops, sonic maps and trance routines included may be listened to as a Kaotic entertainment; as a navigational exploration of brain and expectation; or as a resource to be sampled, reworked, adjusted and processed by other individuals for their own personal works and their own ends. Any and all interpretations are valid. This NOT an indexed and formularised "Sampling CD". Rather, it is a description from a different perspective, of the eclectic and unique world which Psychic TV and their Closet Collaborators have inhabited in various media and incarnations from 1950 to the present. This is an Electric Newspaper, a speculative publication deprogrammed to preserve and make accessible to the maximum number of participating travellers, multiple brain-escapes, and audio-collisions in order to give the greatest potential stimulation and communication to all.

    The interview included at the end of this publication is an Electric Newspaper exclusive. Never before published anywhere as either text, or audio. In it Genesis P-Orridge questions Brion Gysin about his various interactions with legendary Rolling Stone Brian Jones in Morocco in the 1960's, as part of his extensive research prior to recording the classic PTV single "Godstar". The interview was conducted in Hackney, London on the 10th July 1985. To our knowledge this is the only authentic document stating exactly how Brion Gysin experienced these events, previously only mythologised in both the Astory of Jajouka, and books on The Rolling Stones. On the original cassette box Brion wrote afterwards...
    ...NIL BONUM MORIENDI DIC ERUNT.

    Psychic TV – Electric Newspaper Issue Three (1995)

    music.youtube.com/watch?v=eNCB

    #Burroughs #Tangier #BeatGeneration

  40. This track is the last from a CD compiled from the audio archive of Psychic TV, Genesis P-Orridge and the Transmedia Foundation. It is intended to be multi-functional and it is here to be re-abused through you. The raw materials, loops, sonic maps and trance routines included may be listened to as a Kaotic entertainment; as a navigational exploration of brain and expectation; or as a resource to be sampled, reworked, adjusted and processed by other individuals for their own personal works and their own ends. Any and all interpretations are valid. This NOT an indexed and formularised "Sampling CD". Rather, it is a description from a different perspective, of the eclectic and unique world which Psychic TV and their Closet Collaborators have inhabited in various media and incarnations from 1950 to the present. This is an Electric Newspaper, a speculative publication deprogrammed to preserve and make accessible to the maximum number of participating travellers, multiple brain-escapes, and audio-collisions in order to give the greatest potential stimulation and communication to all.

    The interview included at the end of this publication is an Electric Newspaper exclusive. Never before published anywhere as either text, or audio. In it Genesis P-Orridge questions Brion Gysin about his various interactions with legendary Rolling Stone Brian Jones in Morocco in the 1960's, as part of his extensive research prior to recording the classic PTV single "Godstar". The interview was conducted in Hackney, London on the 10th July 1985. To our knowledge this is the only authentic document stating exactly how Brion Gysin experienced these events, previously only mythologised in both the Astory of Jajouka, and books on The Rolling Stones. On the original cassette box Brion wrote afterwards...
    ...NIL BONUM MORIENDI DIC ERUNT.

    Psychic TV – Electric Newspaper Issue Three (1995)

    music.youtube.com/watch?v=eNCB

    #Burroughs #Tangier #BeatGeneration

  41. This track is the last from a CD compiled from the audio archive of Psychic TV, Genesis P-Orridge and the Transmedia Foundation. It is intended to be multi-functional and it is here to be re-abused through you. The raw materials, loops, sonic maps and trance routines included may be listened to as a Kaotic entertainment; as a navigational exploration of brain and expectation; or as a resource to be sampled, reworked, adjusted and processed by other individuals for their own personal works and their own ends. Any and all interpretations are valid. This NOT an indexed and formularised "Sampling CD". Rather, it is a description from a different perspective, of the eclectic and unique world which Psychic TV and their Closet Collaborators have inhabited in various media and incarnations from 1950 to the present. This is an Electric Newspaper, a speculative publication deprogrammed to preserve and make accessible to the maximum number of participating travellers, multiple brain-escapes, and audio-collisions in order to give the greatest potential stimulation and communication to all.

    The interview included at the end of this publication is an Electric Newspaper exclusive. Never before published anywhere as either text, or audio. In it Genesis P-Orridge questions Brion Gysin about his various interactions with legendary Rolling Stone Brian Jones in Morocco in the 1960's, as part of his extensive research prior to recording the classic PTV single "Godstar". The interview was conducted in Hackney, London on the 10th July 1985. To our knowledge this is the only authentic document stating exactly how Brion Gysin experienced these events, previously only mythologised in both the Astory of Jajouka, and books on The Rolling Stones. On the original cassette box Brion wrote afterwards...
    ...NIL BONUM MORIENDI DIC ERUNT.

    Psychic TV – Electric Newspaper Issue Three (1995)

    music.youtube.com/watch?v=eNCB

    #Burroughs #Tangier #BeatGeneration

  42. This track is the last from a CD compiled from the audio archive of Psychic TV, Genesis P-Orridge and the Transmedia Foundation. It is intended to be multi-functional and it is here to be re-abused through you. The raw materials, loops, sonic maps and trance routines included may be listened to as a Kaotic entertainment; as a navigational exploration of brain and expectation; or as a resource to be sampled, reworked, adjusted and processed by other individuals for their own personal works and their own ends. Any and all interpretations are valid. This NOT an indexed and formularised "Sampling CD". Rather, it is a description from a different perspective, of the eclectic and unique world which Psychic TV and their Closet Collaborators have inhabited in various media and incarnations from 1950 to the present. This is an Electric Newspaper, a speculative publication deprogrammed to preserve and make accessible to the maximum number of participating travellers, multiple brain-escapes, and audio-collisions in order to give the greatest potential stimulation and communication to all.

    The interview included at the end of this publication is an Electric Newspaper exclusive. Never before published anywhere as either text, or audio. In it Genesis P-Orridge questions Brion Gysin about his various interactions with legendary Rolling Stone Brian Jones in Morocco in the 1960's, as part of his extensive research prior to recording the classic PTV single "Godstar". The interview was conducted in Hackney, London on the 10th July 1985. To our knowledge this is the only authentic document stating exactly how Brion Gysin experienced these events, previously only mythologised in both the Astory of Jajouka, and books on The Rolling Stones. On the original cassette box Brion wrote afterwards...
    ...NIL BONUM MORIENDI DIC ERUNT.

    Psychic TV – Electric Newspaper Issue Three (1995)

    music.youtube.com/watch?v=eNCB

    #Burroughs #Tangier #BeatGeneration

  43. Horror Hospital (1973)

    Produced in 1973. Directed by Antony Balch (who worked extensively with William S. Burroughs). Starring Michael Gough, Robin Ask, Vanessa Shaw. A pair of friends on a british rail trip soon find themselves in a secluded mansion with a slew of bizarre characters and an even more bizarre secret.

    Robin Askwith (just prior to his shift into a sex comedy franchise) is a stressed out singer with a pop group. He decides to go for some R&R at a country retreat. He hooks up with Vanessa Shaw on the train journey in, and once they arrive at the retreat they find it's a bizarro world inhabited by mute bikers, lobotomised robots, a malignant dwarf and a mad doctor (Michael Gough) in a wheelchair!

    soulvlog.blogspot.com/2025/11/

    #CounterCulture #Burroughs

  44. Horror Hospital (1973)

    Produced in 1973. Directed by Antony Balch (who worked extensively with William S. Burroughs). Starring Michael Gough, Robin Ask, Vanessa Shaw. A pair of friends on a british rail trip soon find themselves in a secluded mansion with a slew of bizarre characters and an even more bizarre secret.

    Robin Askwith (just prior to his shift into a sex comedy franchise) is a stressed out singer with a pop group. He decides to go for some R&R at a country retreat. He hooks up with Vanessa Shaw on the train journey in, and once they arrive at the retreat they find it's a bizarro world inhabited by mute bikers, lobotomised robots, a malignant dwarf and a mad doctor (Michael Gough) in a wheelchair!

    soulvlog.blogspot.com/2025/11/

    #CounterCulture #Burroughs

  45. Horror Hospital (1973)

    Produced in 1973. Directed by Antony Balch (who worked extensively with William S. Burroughs). Starring Michael Gough, Robin Ask, Vanessa Shaw. A pair of friends on a british rail trip soon find themselves in a secluded mansion with a slew of bizarre characters and an even more bizarre secret.

    Robin Askwith (just prior to his shift into a sex comedy franchise) is a stressed out singer with a pop group. He decides to go for some R&R at a country retreat. He hooks up with Vanessa Shaw on the train journey in, and once they arrive at the retreat they find it's a bizarro world inhabited by mute bikers, lobotomised robots, a malignant dwarf and a mad doctor (Michael Gough) in a wheelchair!

    soulvlog.blogspot.com/2025/11/

    #CounterCulture #Burroughs

  46. Horror Hospital (1973)

    Produced in 1973. Directed by Antony Balch (who worked extensively with William S. Burroughs). Starring Michael Gough, Robin Ask, Vanessa Shaw. A pair of friends on a british rail trip soon find themselves in a secluded mansion with a slew of bizarre characters and an even more bizarre secret.

    Robin Askwith (just prior to his shift into a sex comedy franchise) is a stressed out singer with a pop group. He decides to go for some R&R at a country retreat. He hooks up with Vanessa Shaw on the train journey in, and once they arrive at the retreat they find it's a bizarro world inhabited by mute bikers, lobotomised robots, a malignant dwarf and a mad doctor (Michael Gough) in a wheelchair!

    soulvlog.blogspot.com/2025/11/

    #CounterCulture #Burroughs

  47. Horror Hospital (1973)

    Produced in 1973. Directed by Antony Balch (who worked extensively with William S. Burroughs). Starring Michael Gough, Robin Ask, Vanessa Shaw. A pair of friends on a british rail trip soon find themselves in a secluded mansion with a slew of bizarre characters and an even more bizarre secret.

    Robin Askwith (just prior to his shift into a sex comedy franchise) is a stressed out singer with a pop group. He decides to go for some R&R at a country retreat. He hooks up with Vanessa Shaw on the train journey in, and once they arrive at the retreat they find it's a bizarro world inhabited by mute bikers, lobotomised robots, a malignant dwarf and a mad doctor (Michael Gough) in a wheelchair!

    soulvlog.blogspot.com/2025/11/

    #CounterCulture #Burroughs