#brutaltruth — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #brutaltruth, aggregated by home.social.
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There are some brutal truths all employees need to know about at any stage of their career. When to know what the right situation looks like and when it might be time to exit their current position. #career #job #business #life #brutaltruth
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There are some brutal truths all employees need to know about at any stage of their career. When to know what the right situation looks like and when it might be time to exit their current position. #career #job #business #life #brutaltruth
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Libenter homines id quod volunt credunt. (Men willingly believe what they wish).
The greatest band in the world is back on planet Earth.
#brutaltruth #grindcore #grind #musichttps://www.instagram.com/p/DWljtuDFoaf/?igsh=MTZicmY3d2w3ejNncw==
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Libenter homines id quod volunt credunt. (Men willingly believe what they wish).
The greatest band in the world is back on planet Earth.
#brutaltruth #grindcore #grind #musichttps://www.instagram.com/p/DWljtuDFoaf/?igsh=MTZicmY3d2w3ejNncw==
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Brutal Truth / Extreme Conditions Demand Extreme Responses, le jeudi c'est permis. #brutaltruth #extremeconditionsdemandextremeresponses #transatrecordshop #confortmoderne #poitiers
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Chairmaker – Leviathan Carcass Review
By Andy-War-Hall
Shit’s gone to the dogs, man. I don’t need to justify this claim. I know it, you know it, and multi-instrumentalist/university lecturer/UK extreme metal devotee Neil Erskine sure knows it, confirmed thoroughly by his new grind outfit Chairmaker and their debut record Leviathan Carcass. A solo effort outside of mixing and mastering,1 Chairmaker is Erskine’s newest conduit for the condemnation of malignant societal forces and the “reactionism and lack of critical thinking that occupies the online political landscape.” This is grind. This all checks out. Chairmaker’s blood is boiling on Leviathan Carcass, but can they get the listener’s boiling, too?
Leviathan Carcass is made of small pieces that all embody the grind spirit: nasty, brutish and short. Chairmaker rages with the pointed hostility of acts like Brutal Truth, describing extreme conditions via scathing lyrics and throat-eviscerating screams while prescribing extreme responses by way of belligerent speed and riffcraft. Songs like “Ratlicker” and “Good Art by Shit People” begin and end with little or no to-do, and every track hovers around a minute long except the two-and-a-half-minute “Dead Optimists.”2 Chairmaker are economic on Leviathan Carcass, filling every second with riffs and beats of deathly (“Making Nails”), scronky (“Leviathan Carcass”) and chugging natures (“Half a Puppy”), recorded with caustic tones and a suffocating production sure to sandpaper the sides of your brain smooth. The emotional needle of Leviathan Carcass sits motionless at the far end of pissed-off, reaching rancorous fever pitches on the blast beat bonanzas of “Pigfucker” and “Loud, Confident and Wrong.” For almost fifteen minutes, Chairmaker states in certain terms just how Erskine feels about our current socio-political landscape on Leviathan Carcass.
Amidst the flash-in-the-pan bursts of pure aggression, Chairmaker display sneaky depth in Leviathan Carcass. Despite the breakneck business of Leviathan Carcass, its riffs are discernible and technical. From the dissonant and squeal-filled “Dead Optimists,” to the one-string ascending “Powdered Nostalgia,” to the math-y chops of “Others’ Interest,” Leviathan Carcass lives in chaotic intentionality. Further, though Chairmaker’s songs flow together so seamlessly that it’s easy to miss where they start and end, Leviathan Carcass contains personality within individual tracks. Even in simple riffs there’s identity: “Making Nails” has a more vintage death metal sound, “Pigfucker” goes off with hammer-offs and “Hagiographers” sees Chairmaker make quick stops that gives the song a jerky, off-balance feel. Naturally, being grind, there are samples throughout Leviathan Carcass, and the ones here either introduce the songs effectively and amusingly (“Micron-Thick Skin,” “Half a Puppy”) or are incorporated in the middle of songs naturally and unobtrusively (“Leviathan Carcass,” “Dead Optimists”). Bundle it all with well-written, inflamed lyricism,3 and you got yourself an album with legs.
This being said, Chairmaker still don’t rise above some of the things that make grind a hard sell for many. For one, I wonder how effective Erskine’s lyrics can be to most listeners when delivered in such an indecipherable, monotonous manner. Whether railing against ideologically-driven historical revisionism on “Powdered Nostalgia,” the bottomless greed of the 1% on “Others’ Interest,” or any number of other topics on Leviathan Carcass, Chairmaker use the same language of relentless noise to communicate it vocally. I think some of the individual nuances of the messaging are lost as a result. Further, though many of its songs are fully baked despite their runtimes, some songs like “Ratlicker” or “Micron-Thick Skin” feel somewhat incomplete, like they’re missing a section or two needed to really bring it home. The relentless energy of Leviathan Carcass also means the album is mostly one-note, meaning it’s both easy to lose focus and hard to get in if you aren’t already bought in on grind. Chairmaker is a more than competent grind outfit, but Leviathan Carcass likely won’t change too many minds about the genre, either.
But Leviathan Carcass was not assembled while senselessly incensed, but instead incensed by senselessness, and that makes all the difference for Chairmaker’s success. Leviathan Carcass is a vicious record, and while specific details of its listening experience might not stick easily, the overall impact of it lasts well after its conclusion. At Leviathan Carcass’s worst, Chairmaker is still an entertaining and thoughtful entity. At its best, Leviathan Carcass is the kind of teeth-gritting, knuckle-whitening ragestorm everyone needs once in a while. I have no idea why he went with “Chairmaker,” though. It’s a bit befuddling.
Rating: Good
DR: 4 | Format Reviewed: ~260 kb/s VBR mp3
Label: Self-Released
Websites: chairmakerblast.bandcamp.com
Releases Worldwide: November 14th, 2025#2025 #30 #brutalTruth #chairmaker #deathMetal #grind #leviathanCarcass #nov25 #review #reviews #selfReleased #ukMetal
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Chairmaker – Leviathan Carcass Review
By Andy-War-Hall
Shit’s gone to the dogs, man. I don’t need to justify this claim. I know it, you know it, and multi-instrumentalist/university lecturer/UK extreme metal devotee Neil Erskine sure knows it, confirmed thoroughly by his new grind outfit Chairmaker and their debut record Leviathan Carcass. A solo effort outside of mixing and mastering,1 Chairmaker is Erskine’s newest conduit for the condemnation of malignant societal forces and the “reactionism and lack of critical thinking that occupies the online political landscape.” This is grind. This all checks out. Chairmaker’s blood is boiling on Leviathan Carcass, but can they get the listener’s boiling, too?
Leviathan Carcass is made of small pieces that all embody the grind spirit: nasty, brutish and short. Chairmaker rages with the pointed hostility of acts like Brutal Truth, describing extreme conditions via scathing lyrics and throat-eviscerating screams while prescribing extreme responses by way of belligerent speed and riffcraft. Songs like “Ratlicker” and “Good Art by Shit People” begin and end with little or no to-do, and every track hovers around a minute long except the two-and-a-half-minute “Dead Optimists.”2 Chairmaker are economic on Leviathan Carcass, filling every second with riffs and beats of deathly (“Making Nails”), scronky (“Leviathan Carcass”) and chugging natures (“Half a Puppy”), recorded with caustic tones and a suffocating production sure to sandpaper the sides of your brain smooth. The emotional needle of Leviathan Carcass sits motionless at the far end of pissed-off, reaching rancorous fever pitches on the blast beat bonanzas of “Pigfucker” and “Loud, Confident and Wrong.” For almost fifteen minutes, Chairmaker states in certain terms just how Erskine feels about our current socio-political landscape on Leviathan Carcass.
Amidst the flash-in-the-pan bursts of pure aggression, Chairmaker display sneaky depth in Leviathan Carcass. Despite the breakneck business of Leviathan Carcass, its riffs are discernible and technical. From the dissonant and squeal-filled “Dead Optimists,” to the one-string ascending “Powdered Nostalgia,” to the math-y chops of “Others’ Interest,” Leviathan Carcass lives in chaotic intentionality. Further, though Chairmaker’s songs flow together so seamlessly that it’s easy to miss where they start and end, Leviathan Carcass contains personality within individual tracks. Even in simple riffs there’s identity: “Making Nails” has a more vintage death metal sound, “Pigfucker” goes off with hammer-offs and “Hagiographers” sees Chairmaker make quick stops that gives the song a jerky, off-balance feel. Naturally, being grind, there are samples throughout Leviathan Carcass, and the ones here either introduce the songs effectively and amusingly (“Micron-Thick Skin,” “Half a Puppy”) or are incorporated in the middle of songs naturally and unobtrusively (“Leviathan Carcass,” “Dead Optimists”). Bundle it all with well-written, inflamed lyricism,3 and you got yourself an album with legs.
This being said, Chairmaker still don’t rise above some of the things that make grind a hard sell for many. For one, I wonder how effective Erskine’s lyrics can be to most listeners when delivered in such an indecipherable, monotonous manner. Whether railing against ideologically-driven historical revisionism on “Powdered Nostalgia,” the bottomless greed of the 1% on “Others’ Interest,” or any number of other topics on Leviathan Carcass, Chairmaker use the same language of relentless noise to communicate it vocally. I think some of the individual nuances of the messaging are lost as a result. Further, though many of its songs are fully baked despite their runtimes, some songs like “Ratlicker” or “Micron-Thick Skin” feel somewhat incomplete, like they’re missing a section or two needed to really bring it home. The relentless energy of Leviathan Carcass also means the album is mostly one-note, meaning it’s both easy to lose focus and hard to get in if you aren’t already bought in on grind. Chairmaker is a more than competent grind outfit, but Leviathan Carcass likely won’t change too many minds about the genre, either.
But Leviathan Carcass was not assembled while senselessly incensed, but instead incensed by senselessness, and that makes all the difference for Chairmaker’s success. Leviathan Carcass is a vicious record, and while specific details of its listening experience might not stick easily, the overall impact of it lasts well after its conclusion. At Leviathan Carcass’s worst, Chairmaker is still an entertaining and thoughtful entity. At its best, Leviathan Carcass is the kind of teeth-gritting, knuckle-whitening ragestorm everyone needs once in a while. I have no idea why he went with “Chairmaker,” though. It’s a bit befuddling.
Rating: Good
DR: 4 | Format Reviewed: ~260 kb/s VBR mp3
Label: Self-Released
Websites: chairmakerblast.bandcamp.com
Releases Worldwide: November 14th, 2025#2025 #30 #brutalTruth #chairmaker #deathMetal #grind #leviathanCarcass #nov25 #review #reviews #selfReleased #ukMetal
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Back to the Grindstone: Brutal Truth – Need to Control
By Saunders
Back to the Grindstone is a love letter feature dedicated to the appreciation of all things grindcore. This most extreme of extreme niche genres has been kicking since the late ’80s, growing in underground stature as the years march on. The rule of thumb to this feature is simple; spotlight will be on grind albums old and new, though will not include releases from the past five years, or albums previously covered on this website. Genre classics, underappreciated gems, old school and nu school will be covered, highlighting albums aimed at established fans and curious listeners interested in diving into the cesspool of the grind scene.
Despite being a big name in the history of grindcore, arguably New York’s legendary Brutal Truth is a touch underrated. While the band split in 2014, they left behind an excellent catalog of game-changing grind, highlighted by their first two LPs, 1992’s stone-cold classic, Extreme Conditions Demand Extreme Responses, and the subject of this feature piece, their experimental, wildly innovative sophomore album, 1994’s Need to Control. Already boasting an early grind classic under their belts courtesy of the nasty, precision slice of death powered grind of the debut, Brutal Truth turned the genre on its head with Need to Control. Originally, I planned to write this piece as a double whammy, Yer Metal is Olde/Grindstone feature in 2024. Unfortunately, after chasing my tail again, it didn’t eventuate. Nevertheless, seems the time is right to dust off Back to the Grindstone to applaud and unpack the grind masterwork well ahead of its time.
Need to Control both encompasses and rejects grindcore conventions. Daringly expanding on the genre’s early groundwork, while spitting jagged shards of noise, industrial, death, and punk into a brutally violent, nuanced, and thoroughly demented mutation of grind’s core values. The line-up of Kevin Sharp (vocals), Rich Hoak (drums), Brent McCarty (guitars), and legendary bass slinger Dan Lilker (ex-Anthrax, Nuclear Assault, S.O.D., Venomous Concept) captured a lightning in a bottle moment. Kicking off a bold sophomore effort with a decidedly non-grind song was a ballsy move that paid off. “Collapse” illustrates Brutal Truth’s bold adventurism outside grind parameters, its clanking industrial death stomp, dual powered vox, and ominous mid-paced grooves striking with an iron fist. Deviations from the out-and-out gold-plated grind blasters (“Black Door Mine,” “I See Red,” “Bite the Hand,” ‘Brain Trust,” etc) dominating the album fail to compromise cohesive flow or blunt the band’s visceral attacks. The atmosphere is intense, the energy electric, while the varied pacing and experimental flourishes serve to add increased potency and creativity to the finished package.
Featuring brighter melodies, hooky riffs, and groovier accessibility, the didgeridoo-adorned “Godplayer” is the closest thing to a metal hit the Brutal Truth boys ever approached. And it works a treat, still packing a heavy wallop atop a typically unhinged vocal performance from Sharp. It’s another fine example of the album’s ahead of its time class, nestled amongst the album’s overarching grindy chaos, which also includes an overdrawn noise experiment (“Ironlung”), fun punk cover (The Germs “Media Blitz”), and crust punk-grind crossovers (“Choice of the New Generation”). The album is a non-stop blast, deftly balancing the
Need to Control holds up remarkably well, remaining a cutting-edge example of the genre some thirty-plus years later. Brutal Truth continued to carve a unique pathway in the grind field during the subsequent years of their career. However, the blunt force thrust of energy and precision death-influenced grind of their debut and infectious genre-scrambling innovation of Need to Control remain the band’s greatest achievements.
#1994 #AmericanMetal #BackToTheGrindstone #BrutalTruth #DeathMetal #Grindcore #NeedToControl #Review #Reviews
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On 25 October 1994, Brutal Truth released their second album, 'Need to Control', further establishing themselves as one of the most exciting and unique grindcore acts of their time.
"Brutal Truth's crushing follow-up to 'Extreme Conditions Demand Extreme Responses' pushed the boundaries of what grindcore could be.
Almost 30 years on, the album doesn't just hold up, but remains a benchmark that very few have ever come close to reaching."
04. Godplayer
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On 25 October 1994, Brutal Truth released their second album, 'Need to Control', further establishing themselves as one of the most exciting and unique grindcore acts of their time.
"Brutal Truth's crushing follow-up to 'Extreme Conditions Demand Extreme Responses' pushed the boundaries of what grindcore could be.
Almost 30 years on, the album doesn't just hold up, but remains a benchmark that very few have ever come close to reaching."
04. Godplayer
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#BraveWords
SULLY Feat. BRUTAL TRUTH, NUCLEAR ASSAULT Members To Release Debut Album In September; "DeadPan" Single Streaming -
#TheMetalDogArticleList
#BraveWords
SULLY Feat. BRUTAL TRUTH, NUCLEAR ASSAULT Members To Release Debut Album In September; "DeadPan" Single Streaming -
NEW MASHUP VIDEO!
Life is short and full of woe.
So you have yourself a blast.
(Parental Advisory Warning)
https://www.youtube.com/watch?v=4tCqQDN7uQ8#MashupMonday #music #video #mashup #grindcore #deathcore #heavymetal #rock #Brojob #BrutalTruth #PrideMonth
Be sure to tune in Mondays for more mashup fun!Do remember, I am open to some mashup requests! So if you got an idea, lemme know!
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I love when my boss adds me to bullshit meetings in Teams. I put my small Bluetooth headphones under the work headphones and time to relax. Today I picked #BrutalTruth to listen 😂🤘🤘
https://songwhip.com/brutal-truth/sounds-of-the-animal-kingdom-kill-trend-suicide
#thursdeath #grindcore #deathmetal -
Just caught myself typing “need to control” as part of a comment and couldn’t resist posting something from the album😂
Lucky for me, it’s the goof-off hours🤪