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#boijmans — Public Fediverse posts

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  1. @legendarybassoon

    Je laisse béton la carte.

    D'autant qu'entre temps, le #Mauritshuis annonce une fermeture en septembre quand j'y suis !! Je suis à peu près sûr que je le voyais ouvert à ces dates y a qq jours.

    Le #Boijmans Depot tu as visité ? J'arrive pas à comprendre quelles oeuvres sont visibles : "Visible" y en a ... quatre. Environ 50000 sont marquées "In storage", comme c'est le dépot qu'on visite, on les voit ?? Mais ils disent en posséder 150k, oùquessont ?

  2. @legendarybassoon

    Je laisse béton la carte.

    D'autant qu'entre temps, le #Mauritshuis annonce une fermeture en septembre quand j'y suis !! Je suis à peu près sûr que je le voyais ouvert à ces dates y a qq jours.

    Le #Boijmans Depot tu as visité ? J'arrive pas à comprendre quelles oeuvres sont visibles : "Visible" y en a ... quatre. Environ 50000 sont marquées "In storage", comme c'est le dépot qu'on visite, on les voit ?? Mais ils disent en posséder 150k, oùquessont ?

  3. @legendarybassoon

    Je laisse béton la carte.

    D'autant qu'entre temps, le #Mauritshuis annonce une fermeture en septembre quand j'y suis !! Je suis à peu près sûr que je le voyais ouvert à ces dates y a qq jours.

    Le #Boijmans Depot tu as visité ? J'arrive pas à comprendre quelles oeuvres sont visibles : "Visible" y en a ... quatre. Environ 50000 sont marquées "In storage", comme c'est le dépot qu'on visite, on les voit ?? Mais ils disent en posséder 150k, oùquessont ?

  4. @legendarybassoon

    Je laisse béton la carte.

    D'autant qu'entre temps, le #Mauritshuis annonce une fermeture en septembre quand j'y suis !! Je suis à peu près sûr que je le voyais ouvert à ces dates y a qq jours.

    Le #Boijmans Depot tu as visité ? J'arrive pas à comprendre quelles oeuvres sont visibles : "Visible" y en a ... quatre. Environ 50000 sont marquées "In storage", comme c'est le dépot qu'on visite, on les voit ?? Mais ils disent en posséder 150k, oùquessont ?

  5. @legendarybassoon

    Je laisse béton la carte.

    D'autant qu'entre temps, le #Mauritshuis annonce une fermeture en septembre quand j'y suis !! Je suis à peu près sûr que je le voyais ouvert à ces dates y a qq jours.

    Le #Boijmans Depot tu as visité ? J'arrive pas à comprendre quelles oeuvres sont visibles : "Visible" y en a ... quatre. Environ 50000 sont marquées "In storage", comme c'est le dépot qu'on visite, on les voit ?? Mais ils disent en posséder 150k, oùquessont ?

  6. Artificial “intelligence”…

    Oké, het kost de energie waar ik mee op en neer had kunnen rijden naar Rotterdam en het watergebruik van heel Stiphout van vandaag, maar nu weet ik het eindelijk: 2030-2019=7.
    🤷‍♂️
    #ai #museum #boijmans #verbouwing #artificialstupidity

  7. Artificial “intelligence”…

    Oké, het kost de energie waar ik mee op en neer had kunnen rijden naar Rotterdam en het watergebruik van heel Stiphout van vandaag, maar nu weet ik het eindelijk: 2030-2019=7.
    🤷‍♂️
    #ai #museum #boijmans #verbouwing #artificialstupidity

  8. Artificial “intelligence”…

    Oké, het kost de energie waar ik mee op en neer had kunnen rijden naar Rotterdam en het watergebruik van heel Stiphout van vandaag, maar nu weet ik het eindelijk: 2030-2019=7.
    🤷‍♂️
    #ai #museum #boijmans #verbouwing #artificialstupidity

  9. Artificial “intelligence”…

    Oké, het kost de energie waar ik mee op en neer had kunnen rijden naar Rotterdam en het watergebruik van heel Stiphout van vandaag, maar nu weet ik het eindelijk: 2030-2019=7.
    🤷‍♂️
    #ai #museum #boijmans #verbouwing #artificialstupidity

  10. Jan Frans van Dael, known as a traditional painter of flower and fruit still lifes in Paris, creates something completely different here. He probably did this for fun, because the result is an image of his own house. In retrospect, the registration of such an everyday scene turns out to have become a highlight. Has Van Dael explored and exceeded his artistic boundaries?

    Jan Frans van Dael
    The Painter's Residence
    1828
    #boijmans #art #culture #museum

  11. Jan Frans van Dael, known as a traditional painter of flower and fruit still lifes in Paris, creates something completely different here. He probably did this for fun, because the result is an image of his own house. In retrospect, the registration of such an everyday scene turns out to have become a highlight. Has Van Dael explored and exceeded his artistic boundaries?

    Jan Frans van Dael
    The Painter's Residence
    1828
    #boijmans #art #culture #museum

  12. Jan Frans van Dael, known as a traditional painter of flower and fruit still lifes in Paris, creates something completely different here. He probably did this for fun, because the result is an image of his own house. In retrospect, the registration of such an everyday scene turns out to have become a highlight. Has Van Dael explored and exceeded his artistic boundaries?

    Jan Frans van Dael
    The Painter's Residence
    1828
    #boijmans #art #culture #museum

  13. Jan Frans van Dael, known as a traditional painter of flower and fruit still lifes in Paris, creates something completely different here. He probably did this for fun, because the result is an image of his own house. In retrospect, the registration of such an everyday scene turns out to have become a highlight. Has Van Dael explored and exceeded his artistic boundaries?

    Jan Frans van Dael
    The Painter's Residence
    1828
    #boijmans #art #culture #museum

  14. Jan Frans van Dael, known as a traditional painter of flower and fruit still lifes in Paris, creates something completely different here. He probably did this for fun, because the result is an image of his own house. In retrospect, the registration of such an everyday scene turns out to have become a highlight. Has Van Dael explored and exceeded his artistic boundaries?

    Jan Frans van Dael
    The Painter's Residence
    1828
    #boijmans #art #culture #museum

  15. This drawing depicts the famous Egyptian queen Cleopatra, who committed suicide in 30 BC after the defeat of her troops by Octavian. She attempted to seduce the Roman ruler, but was rejected. Cleopatra then let herself be bitten by an adder to escape his rule. Michelangelo's original drawing is in Casa Buonarroti, Florence.

    Giulio Clovio
    Copy after Michelangelo's drawing of Cleopatra
    1562
    #boijmans #art #culture #museum

  16. This drawing depicts the famous Egyptian queen Cleopatra, who committed suicide in 30 BC after the defeat of her troops by Octavian. She attempted to seduce the Roman ruler, but was rejected. Cleopatra then let herself be bitten by an adder to escape his rule. Michelangelo's original drawing is in Casa Buonarroti, Florence.

    Giulio Clovio
    Copy after Michelangelo's drawing of Cleopatra
    1562
    #boijmans #art #culture #museum

  17. This drawing depicts the famous Egyptian queen Cleopatra, who committed suicide in 30 BC after the defeat of her troops by Octavian. She attempted to seduce the Roman ruler, but was rejected. Cleopatra then let herself be bitten by an adder to escape his rule. Michelangelo's original drawing is in Casa Buonarroti, Florence.

    Giulio Clovio
    Copy after Michelangelo's drawing of Cleopatra
    1562
    #boijmans #art #culture #museum

  18. This drawing depicts the famous Egyptian queen Cleopatra, who committed suicide in 30 BC after the defeat of her troops by Octavian. She attempted to seduce the Roman ruler, but was rejected. Cleopatra then let herself be bitten by an adder to escape his rule. Michelangelo's original drawing is in Casa Buonarroti, Florence.

    Giulio Clovio
    Copy after Michelangelo's drawing of Cleopatra
    1562
    #boijmans #art #culture #museum

  19. This drawing depicts the famous Egyptian queen Cleopatra, who committed suicide in 30 BC after the defeat of her troops by Octavian. She attempted to seduce the Roman ruler, but was rejected. Cleopatra then let herself be bitten by an adder to escape his rule. Michelangelo's original drawing is in Casa Buonarroti, Florence.

    Giulio Clovio
    Copy after Michelangelo's drawing of Cleopatra
    1562
    #boijmans #art #culture #museum

  20. Did you know that this sketch may be a preliminary study for a painting by Delacroix with the same subject from 1846? That painting is now in the Walters Art Gallery in Baltimore. Both the dramatic, moving composition and the painting style of the oil sketch are reminiscent of the works of the 17th-century artist Rubens, whom Delacroix greatly admired.

    Eugène Delacroix
    Crucifixion
    1846
    #boijmans #art #culture #museum

  21. Did you know that this sketch may be a preliminary study for a painting by Delacroix with the same subject from 1846? That painting is now in the Walters Art Gallery in Baltimore. Both the dramatic, moving composition and the painting style of the oil sketch are reminiscent of the works of the 17th-century artist Rubens, whom Delacroix greatly admired.

    Eugène Delacroix
    Crucifixion
    1846
    #boijmans #art #culture #museum

  22. Did you know that this sketch may be a preliminary study for a painting by Delacroix with the same subject from 1846? That painting is now in the Walters Art Gallery in Baltimore. Both the dramatic, moving composition and the painting style of the oil sketch are reminiscent of the works of the 17th-century artist Rubens, whom Delacroix greatly admired.

    Eugène Delacroix
    Crucifixion
    1846
    #boijmans #art #culture #museum

  23. Did you know that this sketch may be a preliminary study for a painting by Delacroix with the same subject from 1846? That painting is now in the Walters Art Gallery in Baltimore. Both the dramatic, moving composition and the painting style of the oil sketch are reminiscent of the works of the 17th-century artist Rubens, whom Delacroix greatly admired.

    Eugène Delacroix
    Crucifixion
    1846
    #boijmans #art #culture #museum

  24. Did you know that this sketch may be a preliminary study for a painting by Delacroix with the same subject from 1846? That painting is now in the Walters Art Gallery in Baltimore. Both the dramatic, moving composition and the painting style of the oil sketch are reminiscent of the works of the 17th-century artist Rubens, whom Delacroix greatly admired.

    Eugène Delacroix
    Crucifixion
    1846
    #boijmans #art #culture #museum

  25. On her birthday: a characteristic work by Charley Toorop. Her portraits are known for their psychological depth and emotional intensity. She knows how to capture her subjects in an intimate manner. During her career she worked in various Dutch and European cities, and exhibited with well-known artists at a young age.

    Charley Toorop
    Homework (portrait of my children)
    1922
    #boijmans #art #culture #museum

  26. On her birthday: a characteristic work by Charley Toorop. Her portraits are known for their psychological depth and emotional intensity. She knows how to capture her subjects in an intimate manner. During her career she worked in various Dutch and European cities, and exhibited with well-known artists at a young age.

    Charley Toorop
    Homework (portrait of my children)
    1922
    #boijmans #art #culture #museum

  27. On her birthday: a characteristic work by Charley Toorop. Her portraits are known for their psychological depth and emotional intensity. She knows how to capture her subjects in an intimate manner. During her career she worked in various Dutch and European cities, and exhibited with well-known artists at a young age.

    Charley Toorop
    Homework (portrait of my children)
    1922
    #boijmans #art #culture #museum

  28. On her birthday: a characteristic work by Charley Toorop. Her portraits are known for their psychological depth and emotional intensity. She knows how to capture her subjects in an intimate manner. During her career she worked in various Dutch and European cities, and exhibited with well-known artists at a young age.

    Charley Toorop
    Homework (portrait of my children)
    1922
    #boijmans #art #culture #museum

  29. On her birthday: a characteristic work by Charley Toorop. Her portraits are known for their psychological depth and emotional intensity. She knows how to capture her subjects in an intimate manner. During her career she worked in various Dutch and European cities, and exhibited with well-known artists at a young age.

    Charley Toorop
    Homework (portrait of my children)
    1922
    #boijmans #art #culture #museum

  30. Colour coordination across 2 by 6 metres. Mimmo Paladino’s style is characterised by bright colour blocks, stylised figures, and human elements. He loves to use different materials, because of their expressive quality. Aside from paint, Palladino used sand and papier-mâché to add texture and three-dimensionality.

    The work is on view at the Depot, as part of the exhibition 'Beloved XL'.

    Mimmo Paladino
    Senza titolo
    1980

    boijmans.nl/tentoonstellingen/

    #boijmans #art #culture #museum

  31. Colour coordination across 2 by 6 metres. Mimmo Paladino’s style is characterised by bright colour blocks, stylised figures, and human elements. He loves to use different materials, because of their expressive quality. Aside from paint, Palladino used sand and papier-mâché to add texture and three-dimensionality.

    The work is on view at the Depot, as part of the exhibition 'Beloved XL'.

    Mimmo Paladino
    Senza titolo
    1980

    boijmans.nl/tentoonstellingen/

    #boijmans #art #culture #museum

  32. Colour coordination across 2 by 6 metres. Mimmo Paladino’s style is characterised by bright colour blocks, stylised figures, and human elements. He loves to use different materials, because of their expressive quality. Aside from paint, Palladino used sand and papier-mâché to add texture and three-dimensionality.

    The work is on view at the Depot, as part of the exhibition 'Beloved XL'.

    Mimmo Paladino
    Senza titolo
    1980

    boijmans.nl/tentoonstellingen/

    #boijmans #art #culture #museum

  33. Colour coordination across 2 by 6 metres. Mimmo Paladino’s style is characterised by bright colour blocks, stylised figures, and human elements. He loves to use different materials, because of their expressive quality. Aside from paint, Palladino used sand and papier-mâché to add texture and three-dimensionality.

    The work is on view at the Depot, as part of the exhibition 'Beloved XL'.

    Mimmo Paladino
    Senza titolo
    1980

    boijmans.nl/tentoonstellingen/

    #boijmans #art #culture #museum

  34. Colour coordination across 2 by 6 metres. Mimmo Paladino’s style is characterised by bright colour blocks, stylised figures, and human elements. He loves to use different materials, because of their expressive quality. Aside from paint, Palladino used sand and papier-mâché to add texture and three-dimensionality.

    The work is on view at the Depot, as part of the exhibition 'Beloved XL'.

    Mimmo Paladino
    Senza titolo
    1980

    boijmans.nl/tentoonstellingen/

    #boijmans #art #culture #museum

  35. Sunday oysters! In addition to sculptures, Van der Gaag made drawings and the occasional painting. This work’s title refers to a place in Italy where mysterious, prehistoric rock carvings have been found that resemble a four-petalled flower with dots on and around it. The undulating contour is recognisable in the painting, and apparently the dots have become oyster shells.

    Lotti van der Gaag
    Rosacamuna (Sunday oysters)
    1961
    #boijmans #art #culture #museum

  36. Sunday oysters! In addition to sculptures, Van der Gaag made drawings and the occasional painting. This work’s title refers to a place in Italy where mysterious, prehistoric rock carvings have been found that resemble a four-petalled flower with dots on and around it. The undulating contour is recognisable in the painting, and apparently the dots have become oyster shells.

    Lotti van der Gaag
    Rosacamuna (Sunday oysters)
    1961
    #boijmans #art #culture #museum

  37. Sunday oysters! In addition to sculptures, Van der Gaag made drawings and the occasional painting. This work’s title refers to a place in Italy where mysterious, prehistoric rock carvings have been found that resemble a four-petalled flower with dots on and around it. The undulating contour is recognisable in the painting, and apparently the dots have become oyster shells.

    Lotti van der Gaag
    Rosacamuna (Sunday oysters)
    1961
    #boijmans #art #culture #museum

  38. Sunday oysters! In addition to sculptures, Van der Gaag made drawings and the occasional painting. This work’s title refers to a place in Italy where mysterious, prehistoric rock carvings have been found that resemble a four-petalled flower with dots on and around it. The undulating contour is recognisable in the painting, and apparently the dots have become oyster shells.

    Lotti van der Gaag
    Rosacamuna (Sunday oysters)
    1961
    #boijmans #art #culture #museum

  39. Sunday oysters! In addition to sculptures, Van der Gaag made drawings and the occasional painting. This work’s title refers to a place in Italy where mysterious, prehistoric rock carvings have been found that resemble a four-petalled flower with dots on and around it. The undulating contour is recognisable in the painting, and apparently the dots have become oyster shells.

    Lotti van der Gaag
    Rosacamuna (Sunday oysters)
    1961
    #boijmans #art #culture #museum

  40. “Art is pure feeling”

    Two lovers or just ordinary friends? Kokoschka expresses the duo's personalities through colour and treatment. The introvert Mardersteig, in dreamy blues with yellow accents to symbolise his inner glow. The extrovert Heise, in lively greens with busy hands. The separate portraits have been brought together in a large frame.

    Oskar Kokoschka
    Double Portrait of Hans Mardersteig and Carl Georg Heise
    1919
    #boijmans #art #culture #museum

  41. “Art is pure feeling”

    Two lovers or just ordinary friends? Kokoschka expresses the duo's personalities through colour and treatment. The introvert Mardersteig, in dreamy blues with yellow accents to symbolise his inner glow. The extrovert Heise, in lively greens with busy hands. The separate portraits have been brought together in a large frame.

    Oskar Kokoschka
    Double Portrait of Hans Mardersteig and Carl Georg Heise
    1919
    #boijmans #art #culture #museum

  42. “Art is pure feeling”

    Two lovers or just ordinary friends? Kokoschka expresses the duo's personalities through colour and treatment. The introvert Mardersteig, in dreamy blues with yellow accents to symbolise his inner glow. The extrovert Heise, in lively greens with busy hands. The separate portraits have been brought together in a large frame.

    Oskar Kokoschka
    Double Portrait of Hans Mardersteig and Carl Georg Heise
    1919
    #boijmans #art #culture #museum

  43. “Art is pure feeling”

    Two lovers or just ordinary friends? Kokoschka expresses the duo's personalities through colour and treatment. The introvert Mardersteig, in dreamy blues with yellow accents to symbolise his inner glow. The extrovert Heise, in lively greens with busy hands. The separate portraits have been brought together in a large frame.

    Oskar Kokoschka
    Double Portrait of Hans Mardersteig and Carl Georg Heise
    1919
    #boijmans #art #culture #museum

  44. “Art is pure feeling”

    Two lovers or just ordinary friends? Kokoschka expresses the duo's personalities through colour and treatment. The introvert Mardersteig, in dreamy blues with yellow accents to symbolise his inner glow. The extrovert Heise, in lively greens with busy hands. The separate portraits have been brought together in a large frame.

    Oskar Kokoschka
    Double Portrait of Hans Mardersteig and Carl Georg Heise
    1919
    #boijmans #art #culture #museum

  45. A machine from the future? In 1964 Tajiri decided to make a series of machines inspired by Formula 1 cars, jet planes and space travel. He meant them to be a protest against the large amounts of money spent by governments to wage wars. Unfortunately, due to their elegance they were often misinterpreted as glorification of the military.

    'Number 8' is currently on view in Bonnefanten, Maastricht.

    Shinkichi Tajiri
    Number 8
    1968
    #boijmans #art #culture #museum

  46. A machine from the future? In 1964 Tajiri decided to make a series of machines inspired by Formula 1 cars, jet planes and space travel. He meant them to be a protest against the large amounts of money spent by governments to wage wars. Unfortunately, due to their elegance they were often misinterpreted as glorification of the military.

    'Number 8' is currently on view in Bonnefanten, Maastricht.

    Shinkichi Tajiri
    Number 8
    1968
    #boijmans #art #culture #museum