#black-midi — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #black-midi, aggregated by home.social.
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Black Midi’den Cameron Picton Yeni Albümünü Duyurdu
https://los-endos.com/black-mididen-cameron-picton-yeni-albumunu-duyurdu/
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Black Midi Guitarist Matt Kwasniewski-Kelvin Dies at 26
#Variety #News #BlackMidi #MattKwasniewskiKelvinhttps://variety.com/2026/music/news/black-midi-guitarist-dead-matt-kwasniewski-kelvin-1236629649/
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🇺🇦 #NowPlaying on #BBC6Music's #6MusicsIndieForever
black midi:
🎵 Jingle Bell Rockhttps://windmillbrixton.bandcamp.com/track/jingle-bell-rock
Please 🔁 BOOST to share what you like
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Geese – Getting Killed [Things You Might Have Missed 2025]
By Dear Hollow
When a non-metal album is this good, the Great Ape mandates that we write about it – it’s unclear if it’s for posterity or humiliation. But when you have a band called Geese, the latter seems more likely. New York City fowl collective owe just as much of their attack to Bruce Springsteen and Television as to Swans and The Velvet Underground, as its drawling and honkin’ blend of roots rock, noise rock, blues, country, funk, and post-punk is a clusterfuck that feels distinctly like something a band called Geese would make. Mastermind Cameron Winter’s warbling drawls, Emily Green’s smooth bluesy plucking and jagged shutters, Dominic Digesu’s groovy bass undercurrent, and Max Bassin’s rock-solid drumming collide – all in the service of the sonic incarnation of the uncanny. Geese offers another slab of rock’s fringe movements that builds upon critically acclaimed predecessor 4D Country. Like its cover, Getting Killed is both angelic and violent, smooth and jagged – and undeniably American.
While its openers serve to showcase Geese’s two extreme sides in explosively screamy noise rock (“Trinidad”1) and bluesy pop-country (“Cobra”), the uncanniness of Getting Killed is much more nuanced. Beneath each guitar riff and yearning melody, just as much with its more jagged movements, is a dedication to deterioration. Most tracks begin with a solid funk groove or a predictable chord progression, an undercurrent of dissolution growing over the course of its three-to-six minutes. Unlike the improvised randomness so many artists claim as a reflection of group chemistry, Geese’s movements feel calculated to the minutest detail in the service of a parodied and uncanny version of rock music, such as maddeningly repetitive riffs (“Husbands,” “Islands of Man,” “100 Horses”), repetitive cliche lyrics drawled with irony and apathy (“Cobra,” “Half Real”), and splattered movements guided by heart and hate (“Trinidad,” “Getting Killed”).
The blend of tones that exist here is noteworthy, as the sunny country, groovy punk, and jagged noise movements feel anachronistic on paper yet somehow feel exactly what Geese ought to be doing. Noisier tracks move seamlessly into the more melodic and vice versa (the brooding “100 Horses” to the ethereal “Half Real”; the smooth ballad “Au Pays du Cocaine” to the chaotic and arrhythmic “Bow Down” and explosive “Taxes”), highlighting the intentionality behind the curtain of Getting Killed. Winter’s vocals are initially jarringly loud and off-kilter, but just as the twinkling quality that emerges from asynchronous guitar/piano noodles (“Getting Killed,” “Islands of Man”) or the brass emerges in short bursts like gusts of wind (“Trinidad,” “Husbands”), the drawling baritone stumbles upon vocal lines that get seared into the mind, catchy and seamless in their delivery – although initially feared lazy (“Cobra,” “Half Real,” “Long Island City Here I Come”). Geese, while embodying much more than just noise rock, nonetheless captures lightning in the bottle with its layers of intensity giving way to an uncanny catchiness.
Geese’s more intense moments recall the noise rock/post-punk misanthropy of White Suns or the quirky squonks of Black Midi, but its uncanny country twang recalls the clouded and colloquial conversations of Mark Z. Danielewski’s book Tom’s Crossing: yes, it’s a western, but a caricature of it with a bleak heart beating at its core. Geese embodies rock’s most extreme peripheries in a breed of music that is as alienating as it is catchy, unique and on-brand for a band whose caliber of sound feels uncanny, otherworldly, and delightfully apeshit. Sure, it ain’t metal, but Geese offers some of the most intriguing music of the year regardless.
Tracks to Check Out: “Trinidad,” “Cobra,” “Getting Killed,” “100 Horses,” “Long Island City Here I Come”2
#2025 #AmericanMetal #BlackMidi #Blues #bruceSpringsteen #Country #FunkMetal #Geese #GettingKilled #JPEGMAFIA #NoiseRock #NonMetal #PartisanRecords #postPunk #Rock #Swans #Television #TheVelvetUnderground #ThingsYouMightHaveMissed2025 #WhiteSuns
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Geordie Greep (ex Black Midi) fija concierto en Club Chocolate
🔗 https://www.larata.cl/noticias/2025/06/11/geordie-greep-club-chocolate/103597/ @musica
« A casi dos años de sacudirnos junto a Black Midi, Geordie Greep aterrizará en nuestro país para presentar su proyecto solista, que dio que hablar con su disco “The New Sound”.»
Se presenta el 13 de noviembre en el local de Barrio Bellavista. Las entradas ya están a la venta por punto ticket.
#GeordieGreep #BlackMidi #ClubChocolate #Conciertos #Conciertos2025 #ConciertosEnChile #nx
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🇺🇦 #NowPlaying on #BBC6Music's #StuartMaconiesFreakZone
black midi:
🎵 Moonlight On Vermont -
I am really excited for this video to come out. This is my very first attempt to use my art in a music video. The song I selected is a piano track from my drawing collection.
I tried my best to tell a story with the drawings that matched the title of the song and music itself. I hope if you watch this, it inspires you to fight to the very end no matter what~ :trans_rain_kanji_heart:
https://youtu.be/ChU1UOocQw8
#art #drawing #anime #youtube #music #midi #blackmidi #graphitesketch #artistsonfedi #artistsonsharkey #drawnbyhand #animeart #animegirl #drawingchallenge #piano #graphitesketch #graphitedrawing #graphiteillustration -
🔊 #NowPlaying on #KEXP's #AfternoonShow
Black Midi:
🎵 Speedwayhttps://bmblackmidi.bandcamp.com/track/speedway
https://open.spotify.com/track/4ncXLUcIbgwp2Bm9rGzohd
🎶 show playlist 👇
https://open.spotify.com/playlist/2Ivj2i9BbyMoJmb0ZucUM2🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg -
#MarvisProForgotten
Of Schlagenheim par black midi
https://song.link/fr/i/1463963215
#NowPlaying #Musique #blackmidi -
Gran debut como solista del ex vocalista de Black Midi, Geordie Greep.
Si te gusta el rock progresivo moderno bien experimental, el math-rock y esa musica con esencia rock que se va bien en la volada a ratos, entonces esto es para tí.
«The New Sound»
https://open.spotify.com/album/07YS7ooqYtvPZLlW59MHY5#GeordieGreep #TheNewSound #Lanzamientos2024 #AlbumReleases #BlackMidi #ProgRock #MathRock #cdfda24 #Rock #Música
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Geordie Greep (formerly of black midi) Announces Debut Solo Album, Single and Tour Dates
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I am sad to hear this, as I think Black Midi did interesting and forward-looking work. Had the good fortune to see them in 2021. Also saw Cameron Picton open for Black Country, New Road. A ridiculously talented group of people, and I wish them well!
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Black Midi Are “Indefinitely Over”
https://www.stereogum.com/2275652/black-midi-are-indefinitely-over/news/
