#bfisouthbank — Public Fediverse posts

Saw at #bfiSouthbank back in January, w fab piano accompaniment; this online review has clips! Uncanny precognition - Canada is part of the United States of Europe, in conflict w Empire of the Atlantic States
(oh, and drones, and TV... shades of Mitford sisters in there too...)
#1929 #fascism #movie #geopolitics #peacemovement
https://youtu.be/mpeg2IpSTTk

Eve Myles Talks Reuniting With David Tennant & Working With Robert Carlyle on ‘The Hack’ https://www.byteseu.com/1377291/ #AcornTV #BFISouthbank #DavidTennant #DILouStanley #DougrayScott #England #Entertainment #EveMyles #JeanetteKilburn #london #PsychologicalThriller #RobertCarlyle #WorldPremiere

"polymorphous in its perversity," Brian Yuzan's class satire cum body horror nails "something rich and strange – about the rich and strange – where incest, Oedipal appetites and errant appropriation are right at home." Screens 8.50pm this evening in NFT2, #BFISouthbank #InDreamsAreMonsters #Horror #Class https://projectedfigures.com/2015/06/08/society-1989/

Period movie: John Fawcett's GINGER SNAPS (2000) regenders the werewolf myth as a smalltown satire of the monstrous feminine. 3.10pm NFT3, #BFISouthbank #Horror #InDreamsAreMonsters https://projectedfigures.com/2017/08/20/ginger-snaps-2000/

"Rationalism and superstition collide in this compelling genre experiment from the early 1920s that exposes the medieval mentalities that persists in us all": Benjamin Christensen's HÄXAN (1922) 11.45am today at NFT1, #BFISouthbank #InDreamsAreMonsters #Horror #Witchcraft https://projectedfigures.com/2020/12/28/haxan-haxan-witchcraft-through-the-ages-1922-1968/

The more amateurish Shin’ichirô Ueda’s gonzo meta zom com ONE CUT OF THE DEAD (2017) seems, the more sophisticated it gets. Screens 6.15pm in NFT2, #BFISouthbank #InDreamsAreMonsters
#Horror #Comedy #Meta
https://projectedfigures.com/2018/10/11/one-cut-of-the-dead-kamera-o-tomeru-na-2017/

Ghost artistry: Masaki Kobayashi's spookily stylised KWAIDAN (1964) is "a film of a rare, hermetic beauty, full of ethereal images and errant ideas that will haunt the mind." Screens 5.40pm today, at NFT3 #BFISouthbank #InDreamsAreMonsters
https://projectedfigures.com/2021/04/11/kwaidan-1964/

"Rationalism and superstition collide in this compelling genre experiment from the early 1920s that exposes the medieval mentalities that persists in us all": Benjamin Christensen's HÄXAN (1922) + live score by The Begotten, this evening 6.10pm at NFT3, #BFISouthbank - and also on #BFIPlayer #Horror #SilentCinema #InDreamsAreMonsters https://projectedfigures.com/2020/12/28/haxan-haxan-witchcraft-through-the-ages-1922-1968

Cold war, warm blood: Tomas Alfredson's disturbing coming-of-age saga LET THE RIGHT ONE IN (2008) screens today, 8.45pm, at NFT1, #BFISouthbank #InDreamsAreMonsters #Horror #Sweden #ColdWar #Vampires https://projectedfigures.com/2020/03/09/let-the-right-one-in-lat-den-ratte-komma-in-2008/

"shot mostly on sound stages in constructed sets with highly mannered backdrops, this is a film of a rare, hermetic beauty, full of ethereal images and errant ideas that will haunt the mind."
Masaki Kobayashi's KWAIDAN (1964), 8pm in NFT1, #BFISouthbank #InDreamsAreMonsters #Horror #JHorror #Ghosts #HoichiTheEarless
https://projectedfigures.com/2021/04/11/kwaidan-1964

Sometimes you have to go back to move forward, and Flanaganned prequel OUIJA: ORIGIN OF EVIL (2016) magically makes an excellent, thoughtful, resonant follow-up to a blandly conventional original. Screens 6.10pm NFT2 #BFISouthbank #InDreamsAreMonsters #Horror #ProblemOfEvil #Séance #Bullying #Trauma #MikeFlanagan https://projectedfigures.com/2017/05/08/ouija-origin-evil-2016/

"a Marienbad-like labyrinth of winding corridors, false paths, hidden chambers and fragmentary narratives designed to entrap us in a web of confusion and contradiction": Dario Argento's Suspiria-sequel INFERNO (1980) screens 6.20pm this evening at NFT1 #BFISouthbank #InDreamsAreMonsters #Horror #Argento #Architecture #Witches https://projectedfigures.com/2015/06/29/inferno-1980