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#bfisouthbank — Public Fediverse posts

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  1. The Flower Is Watching

    Near South Bank in London you’ll find a CCTV camera disguised as a pixelated flower in a pot. Surely nobody would notice, right? Well, photographers notice! The pixel art was created by Invader, here’s more about it. ...

    inphotos.org/2026/09/17/the-fl

    #BFISouthbank #brutalism #CCTV #London #mosaic #Photo #Photography #PixelArt #SouthBank #StreetArt #StreetPhotography #surveillance #UnitedKingdom

  2. The Flower Is Watching

    Near South Bank in London you'll find a CCTV camera disguised as a pixelated flower in a pot. Surely nobody would notice, right? Well, photographers notice! The pixel art was created by Invader, here's more about it.

    inphotos.org/2026/09/17/the-fl

  3. Saw at #bfiSouthbank back in January, w fab piano accompaniment; this online review has clips! Uncanny precognition - Canada is part of the United States of Europe, in conflict w Empire of the Atlantic States
    (oh, and drones, and TV... shades of Mitford sisters in there too...)
    #1929 #fascism #movie #geopolitics #peacemovement
    youtu.be/mpeg2IpSTTk

  4. BFI Film on Film Festival: Original release print of Star Wars to be screened

    #BFIIMAX #StarWars #FanthaTracks #BFIImax #BFISouthbank 

    The second BFI Film on Film Festival will screen an original 1977 print of Star wars on opening night.

    Read the whole story at the below link:

    fantha.news/87b6l

  5. We had a great time at the Red Shoes exhibition at the #BFISouthbank and snuck in a screening of the film in the Studio there yesterday.

    For any fans, here's a beautiful plate of Moira Shearer from the 1953 Girl Annual that I happen to have by the sofa here.

  6. Cult centre: Ali Catterall & Jane Giles' SCALA!!! is "a vibrant, suitably punkish doc, full of crazy anecdotes and pulsing to a bombastic score from Barry Adamson (himself a regular Scala attendee)". 5.50pm today at #BFISouthbank for #BFILondonFilmFestival #LFF bfi.org.uk/london-film-festiva

  7. "Aki Kaurismäki’s proletarian romance has two ageing underdogs deadpanning their way through modernity’s oppressions": FALLEN LEAVES (Kuolleet lehdet) (2023) screens 6.30pm tonight at #BFISouthbank, NFT2 for #BFILondonFilmFestival #LFF projectedfigures.com/2023/09/2

  8. "a retrofuturist lo-fi sci-fi romantic comedy satirising the here and now": Michael Lukk Litwak’s feature debut MOLLI AND MAX IN THE FUTURE (2023) screens 8.45pm tonight at #BFISouthbank, NFT3 for #BFILondonFilmFestival #LFF projectedfigures.com/2023/03/1

  9. "Pascal Plante’s courtroom drama/cyberthriller cross-examines the identity and motives of a woman obsessively observing a horrific murder trial": RED ROOMS (2023) catches us in the ambiguous ends of our own voyeurism. 3pm #BFISouthbank NFT3 for #BFILondonFilmFestival #LFF projectedfigures.com/2023/10/0

  10. In Amanda Nell Eu’s vibrant coming-of-age feature debut TIGER STRIPES (2003), "menarche is also monstrous metamorphosis into a wilder, freer femininity": screens 3.10pm today at #BFISouthbank, NFT2, for the #BFILondonFilmFestival #LFF projectedfigures.com/2023/10/0

  11. Romanian road movie: Radu Jude’s satirical DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD (2023) "sends two Angelas down parallel Bucharest timelines to expose apocalyptic, if endless, exploitation". Screens 2.15pm today at #BFISouthbank for #LFF

    projectedfigures.com/2023/10/0

  12. In Amanda Nell Eu’s vibrant coming-of-age feature debut TIGER STRIPES (2003), "menarche is also monstrous metamorphosis into a wilder, freer femininity": screens 8.25pm tonight at #BFISouthbank, NFT3, for #BFILondonFilmFestival #LFF projectedfigures.com/2023/10/0

  13. "Dario Argento’s belated ‘Three Mothers’ trilogy closer disinters a past with which it cannot compete, while ushering in a new, ambiguous dawn": MOTHER OF TEARS (2007) screens 6.40pm NFT2 at #BFISouthbank #ArgentoSeason projectedfigures.com/2015/06/2

  14. Adolescents, insects, and the evolution of the giallo form: PHENOMENA (CREEPERS) (1985), Dario Argento's favourite of his own films, is "a phantasmagorical horror headtrip truly worth going ape about". 3.50pm at NFT2, #BFISouthbank #ArgentoSeason projectedfigures.com/2015/06/2

  15. "Dario Argento's late-era, high-stakes, subpar giallo brings a poker face to its murderous (world wide) web of intrigue": THE CARD PLAYER (IL CARTAIO, 2004) screens 6.20pm tonight at NFT3, #BFISouthbank #ArgentoSeason projectedfigures.com/2023/05/2

  16. "Dario Argento's late-era, high-stakes, subpar giallo brings a poker face to its murderous (world wide) web of intrigue": THE CARD PLAYER (IL CARTAIO, 2004) screens 8.30pm tonight at NFT2, #BFISouthbank #ArgentoSeason projectedfigures.com/2023/05/2

  17. "Dario Argento’s belated ‘Three Mothers’ trilogy closer disinters a past with which it cannot compete, while ushering in a new, ambiguous dawn": MOTHER OF TEARS (2007) screens 8.40pm at NFT3, #BFISouthbank #ArgentoSeason projectedfigures.com/2015/06/2

  18. "Dario Argento’s return to giallo was also a sophisticated staging of both the genre and his part in it as atrocity artist": TENEBRAE (1982) screens 8.50pm at NFT1, #BFISouthbank #ArgentoSeason projectedfigures.com/2021/04/1

  19. "Maybe a bit too good. Too clean, yes, too precise. Too… formal. It should be more trashy." Dario Argento's giallo hall of mirrors DEEP RED (1975) comes painted in many colours. Screens 6.10pm at NFT1, #BFISouthbank for #ArgentoSeason
    projectedfigures.com/2022/12/2

  20. "a Marienbad-like labyrinth of winding corridors, false paths, hidden chambers and fragmentary narratives designed to entrap us in a web of confusion and contradiction": Suspiria's sequel INFERNO (1980) screens 8.45pm NFT1, #BFISouthbank #ArgentoSeason projectedfigures.com/2015/06/2

  21. "a mesmerising, if confounding, danse macabre that treads that strange terrain between the psychological and the magical": Dario Argento's SUSPIRIA (1977), screens 6.10pm this evening, NFT1, #BFISouthbank #ArgentoSeason projectedfigures.com/2018/04/1

  22. Adolescents, insects, and the evolution of the giallo form: PHENOMENA (CREEPERS) (1985), Dario Argento's favourite of his own films, is "a phantasmagorical horror headtrip truly worth going ape about". 8.45pm at NFT1, #BFISouthbank #ArgentoSeason projectedfigures.com/2015/06/2

  23. Nine disparate leads, and lots of blind alleys: Dario Argento's THE CAT O' NINE TAILS (1971) screens 8.45pm today at NFT1, #BFISouthbank #ArgentoSeason projectedfigures.com/2018/04/2

  24. "Dario Argento’s return to giallo was also a sophisticated staging of both the genre and his part in it as atrocity artist": TENEBRAE (1982) screens 8.45pm at NFT1, #BFISouthbank #ArgentoSeason
    projectedfigures.com/2021/04/1

  25. "a Marienbad-like labyrinth of winding corridors, false paths, hidden chambers and fragmentary narratives designed to entrap us in a web of confusion and contradiction": Dario Argento's Suspiria sequel INFERNO (1980) screens 8.45pm NFT1, #BFISouthbank #ArgentoSeason projectedfigures.com/2015/06/2

  26. "naïve, but macabre at the same time": Dario Argento's directorial debut THE BIRD WITH THE CRYSTAL PLUMAGE (1970) takes a reflexive look at violent art and its effects. Screens 8.45pm NFT1, #BFISouthbank #ArgentoSeason projectedfigures.com/2018/06/0

  27. "all at once a twist-heavy giallo and a sophisticated meta-giallo": in Dario Argento's TENEBRAE (1982), art is the ultimate killer. Screens 6.20pm NFT1, #BFISouthbank, with director's live intro! #ArgentoSeason projectedfigures.com/2021/04/1

  28. "Dario Argento’s artful giallo pits a chauvinistic pianist against a psychotic killer, as both race to the primal scene of trauma": DEEP RED (1975) screens 3pm NFT1, #BFISouthbank, with a director's Q&A! #ArgentoSeason projectedfigures.com/2022/12/2

  29. Nine disparate leads, and lots of blind alleys: Dario Argento's THE CAT O' NINE TAILS (1971) screens
    11.20am today at NFT3, #BFISouthbank #ArgentoSeason projectedfigures.com/2018/04/2

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