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  1. "Portrait of a Woman," Berthe Morisot, 1872-5.

    Morisot (1841-95) was a pioneering member of the Impressionists, and one of the "grandes dames" of the movement. While not as admired in this country as her friend Mary Cassatt is, she is still a very respected artist.

    The sitter for this portrait is unknown, but many feel it's Morisot's sister Edma (1839-1921), herself an artist and very close to Berthe. Edma and Berthe were trained together and had a studio together, but Edma married and decided to scale back her painting. She did sit for her sister multiple times.

    Sadly, only two known paintings by Edma survive; for unknown reasons, she destroyed most of her work after her marriage.

    Happy Portrait Monday!

    From the Courtauld Gallery, London.

    #Art #BertheMorisot #Impressionism #WomenArtists #WomenInArt #WomensHistory

  2. "Portrait of a Woman," Berthe Morisot, 1872-5.

    Morisot (1841-95) was a pioneering member of the Impressionists, and one of the "grandes dames" of the movement. While not as admired in this country as her friend Mary Cassatt is, she is still a very respected artist.

    The sitter for this portrait is unknown, but many feel it's Morisot's sister Edma (1839-1921), herself an artist and very close to Berthe. Edma and Berthe were trained together and had a studio together, but Edma married and decided to scale back her painting. She did sit for her sister multiple times.

    Sadly, only two known paintings by Edma survive; for unknown reasons, she destroyed most of her work after her marriage.

    Happy Portrait Monday!

    From the Courtauld Gallery, London.

    #Art #BertheMorisot #Impressionism #WomenArtists #WomenInArt #WomensHistory

  3. "Portrait of a Woman," Berthe Morisot, 1872-5.

    Morisot (1841-95) was a pioneering member of the Impressionists, and one of the "grandes dames" of the movement. While not as admired in this country as her friend Mary Cassatt is, she is still a very respected artist.

    The sitter for this portrait is unknown, but many feel it's Morisot's sister Edma (1839-1921), herself an artist and very close to Berthe. Edma and Berthe were trained together and had a studio together, but Edma married and decided to scale back her painting. She did sit for her sister multiple times.

    Sadly, only two known paintings by Edma survive; for unknown reasons, she destroyed most of her work after her marriage.

    Happy Portrait Monday!

    From the Courtauld Gallery, London.

    #Art #BertheMorisot #Impressionism #WomenArtists #WomenInArt #WomensHistory

  4. "Portrait of a Woman," Berthe Morisot, 1872-5.

    Morisot (1841-95) was a pioneering member of the Impressionists, and one of the "grandes dames" of the movement. While not as admired in this country as her friend Mary Cassatt is, she is still a very respected artist.

    The sitter for this portrait is unknown, but many feel it's Morisot's sister Edma (1839-1921), herself an artist and very close to Berthe. Edma and Berthe were trained together and had a studio together, but Edma married and decided to scale back her painting. She did sit for her sister multiple times.

    Sadly, only two known paintings by Edma survive; for unknown reasons, she destroyed most of her work after her marriage.

    Happy Portrait Monday!

    From the Courtauld Gallery, London.

    #Art #BertheMorisot #Impressionism #WomenArtists #WomenInArt #WomensHistory

  5. "Portrait of a Woman," Berthe Morisot, 1872-5.

    Morisot (1841-95) was a pioneering member of the Impressionists, and one of the "grandes dames" of the movement. While not as admired in this country as her friend Mary Cassatt is, she is still a very respected artist.

    The sitter for this portrait is unknown, but many feel it's Morisot's sister Edma (1839-1921), herself an artist and very close to Berthe. Edma and Berthe were trained together and had a studio together, but Edma married and decided to scale back her painting. She did sit for her sister multiple times.

    Sadly, only two known paintings by Edma survive; for unknown reasons, she destroyed most of her work after her marriage.

    Happy Portrait Monday!

    From the Courtauld Gallery, London.

    #Art #BertheMorisot #Impressionism #WomenArtists #WomenInArt #WomensHistory

  6. (3/3)
    - Naissance des peintres #BertheMorisot (cf 1895) et Nélie Jacquemart (cf 1850 1870 1872 1894 1902) #art de parents voyageur de commerce/modiste + naissance de Georges Hayem #science piaille.fr/@monparisalphabetiq

    #year1841 #histoire

  7. (3/3)
    - Naissance des peintres #BertheMorisot (cf 1895) et Nélie Jacquemart (cf 1850 1870 1872 1894 1902) #art de parents voyageur de commerce/modiste + naissance de Georges Hayem #science piaille.fr/@monparisalphabetiq

    #year1841 #histoire

  8. (3/3)
    - Naissance des peintres #BertheMorisot (cf 1895) et Nélie Jacquemart (cf 1850 1870 1872 1894 1902) #art de parents voyageur de commerce/modiste + naissance de Georges Hayem #science piaille.fr/@monparisalphabetiq

    #year1841 #histoire

  9. (3/3)
    - Naissance des peintres #BertheMorisot (cf 1895) et Nélie Jacquemart (cf 1850 1870 1872 1894 1902) #art de parents voyageur de commerce/modiste + naissance de Georges Hayem #science piaille.fr/@monparisalphabetiq

    #year1841 #histoire

  10. Suite 1841 mastodon.social/@cobrate/11482

    - Naissance des peintres #BertheMorisot (cf 1895) et Nélie Jacquemart (cf 1850 1870 1872 1894 1902) #art de parents voyageur de commerce/modiste + naissance de Georges Hayem #science piaille.fr/@monparisalphabetiq

    #year1841 #histoire

  11. Detrás de “La cuna”: Lo que el episodio sobre Berthe Morisot no pudo contar

    #podcast #ElSueñodelArtistaBlog #Impresionismo #Arte #MujeresArtistas #DiadelaMujer #HistoriadelArte #BertheMorisot Estamos de vuelta esta vez con la primera entrega de la serie del podcast "Madre, Mujer, Artista" La cuna (1892 ) por Berthe Morisot Cada 8 de marzo se celebra el día internacional de la mujer para honrar este día publicamos el primer episodio de Madre, Mujer, Artista, donde…

    polotman.wordpress.com/2026/03

  12. Detrás de “La cuna”: Lo que el episodio sobre Berthe Morisot no pudo contar

    #podcast #ElSueñodelArtistaBlog #Impresionismo #Arte #MujeresArtistas #DiadelaMujer #HistoriadelArte #BertheMorisot Estamos de vuelta esta vez con la primera entrega de la serie del podcast "Madre, Mujer, Artista" La cuna (1892 ) por Berthe Morisot Cada 8 de marzo se celebra el día internacional de la mujer para honrar este día publicamos el primer episodio de Madre, Mujer, Artista, donde…

    polotman.wordpress.com/2026/03

  13. 14 stycznia urodziła się Berthe Morisot (1841–1895), jedna z czołowych postaci impresjonizmu. Była jedyną malarką na pierwszej wystawie grupy impresjonistów i zrewolucjonizowała sposoby przedstawiania codzienności na płótnie. (fot. Wikipedia) #BertheMorisot #sztuka #kobietawsztuce #malarstwo #francjasztuka

  14. 14 stycznia urodziła się Berthe Morisot (1841–1895), jedna z czołowych postaci impresjonizmu. Była jedyną malarką na pierwszej wystawie grupy impresjonistów i zrewolucjonizowała sposoby przedstawiania codzienności na płótnie. (fot. Wikipedia) #BertheMorisot #sztuka #kobietawsztuce #malarstwo #francjasztuka

  15. 14 stycznia urodziła się Berthe Morisot (1841–1895), jedna z czołowych postaci impresjonizmu. Była jedyną malarką na pierwszej wystawie grupy impresjonistów i zrewolucjonizowała sposoby przedstawiania codzienności na płótnie. (fot. Wikipedia) #BertheMorisot #sztuka #kobietawsztuce #malarstwo #francjasztuka

  16. 14 stycznia urodziła się Berthe Morisot (1841–1895), jedna z czołowych postaci impresjonizmu. Była jedyną malarką na pierwszej wystawie grupy impresjonistów i zrewolucjonizowała sposoby przedstawiania codzienności na płótnie. (fot. Wikipedia) #BertheMorisot #sztuka #kobietawsztuce #malarstwo #francjasztuka

  17. 14 stycznia urodziła się Berthe Morisot (1841–1895), jedna z czołowych postaci impresjonizmu. Była jedyną malarką na pierwszej wystawie grupy impresjonistów i zrewolucjonizowała sposoby przedstawiania codzienności na płótnie. (fot. Wikipedia) #BertheMorisot #sztuka #kobietawsztuce #malarstwo #francjasztuka

  18. (6/7) ... dès le départ (cf 1900) + Gare Montparnasse + #Severine soutien indéfectible de Dreyfus (cf 1855 1888 1914) + centenaire de la technique d’impression #lithographie qui a transformé la diffusion des images et investit l’espace urbain #consommation #economie #publicite + Naissance de #PaulEluard (cf 1942 1944 1952) et Pierre Louis Dulong piaille.fr/@monparisalphabetiq + décès de #LouisPasteur (cf 1885) et de #BertheMorisot (cf 1841) ...

    #year1895 #anthropocene #climat #climate #climatechange

  19. (6/7) ... dès le départ (cf 1900) + Gare Montparnasse + #Severine soutien indéfectible de Dreyfus (cf 1855 1888 1914) + centenaire de la technique d’impression #lithographie qui a transformé la diffusion des images et investit l’espace urbain #consommation #economie #publicite + Naissance de #PaulEluard (cf 1942 1944 1952) et Pierre Louis Dulong piaille.fr/@monparisalphabetiq + décès de #LouisPasteur (cf 1885) et de #BertheMorisot (cf 1841) ...

    #year1895 #anthropocene #climat #climate #climatechange

  20. (6/7) ... dès le départ (cf 1900) + Gare Montparnasse + #Severine soutien indéfectible de Dreyfus (cf 1855 1888 1914) + centenaire de la technique d’impression #lithographie qui a transformé la diffusion des images et investit l’espace urbain #consommation #economie #publicite + Naissance de #PaulEluard (cf 1942 1944 1952) et Pierre Louis Dulong piaille.fr/@monparisalphabetiq + décès de #LouisPasteur (cf 1885) et de #BertheMorisot (cf 1841) ...

    #year1895 #anthropocene #climat #climate #climatechange

  21. (6/7) ... dès le départ (cf 1900) + Gare Montparnasse + #Severine soutien indéfectible de Dreyfus (cf 1855 1888 1914) + centenaire de la technique d’impression #lithographie qui a transformé la diffusion des images et investit l’espace urbain #consommation #economie #publicite + Naissance de #PaulEluard (cf 1942 1944 1952) et Pierre Louis Dulong piaille.fr/@monparisalphabetiq + décès de #LouisPasteur (cf 1885) et de #BertheMorisot (cf 1841) ...

    #year1895 #anthropocene #climat #climate #climatechange

  22. "The Bowl of Milk," Berthe Morisot, 1890.

    Morisot (1841-95) was one of the founding female Impressionists, along with American Mary Cassatt. As is sadly frequent with female painters of the time, she was denied the same opportunities as the male painters but turned them to her advantage, by depicting scenes of everyday life and female subjects, but with a then avent-garde style.

    The subject is young Gabrielle Dufour, a girl she knew in the village of Mézy, where Morisot and her family stayed for a while. She did a number of pictures of Dufour; sadly, nothing is known of the girl's life after this. One assumes she had the life of any other village girl.

    Morisot was very close to Edouard Manet and married his brother, Eugene; her daughter Julie's diaries, published as "Growing Up with the Impressionists," give a behind-the-scenes look into the lives of these treasured painters.

    Happy Portrait Monday!

    From a private collection.

    #Art #WomenArtists #BertheMorisot #WomenInArt #Impressionism

  23. "The Bowl of Milk," Berthe Morisot, 1890.

    Morisot (1841-95) was one of the founding female Impressionists, along with American Mary Cassatt. As is sadly frequent with female painters of the time, she was denied the same opportunities as the male painters but turned them to her advantage, by depicting scenes of everyday life and female subjects, but with a then avent-garde style.

    The subject is young Gabrielle Dufour, a girl she knew in the village of Mézy, where Morisot and her family stayed for a while. She did a number of pictures of Dufour; sadly, nothing is known of the girl's life after this. One assumes she had the life of any other village girl.

    Morisot was very close to Edouard Manet and married his brother, Eugene; her daughter Julie's diaries, published as "Growing Up with the Impressionists," give a behind-the-scenes look into the lives of these treasured painters.

    Happy Portrait Monday!

    From a private collection.

    #Art #WomenArtists #BertheMorisot #WomenInArt #Impressionism

  24. "The Bowl of Milk," Berthe Morisot, 1890.

    Morisot (1841-95) was one of the founding female Impressionists, along with American Mary Cassatt. As is sadly frequent with female painters of the time, she was denied the same opportunities as the male painters but turned them to her advantage, by depicting scenes of everyday life and female subjects, but with a then avent-garde style.

    The subject is young Gabrielle Dufour, a girl she knew in the village of Mézy, where Morisot and her family stayed for a while. She did a number of pictures of Dufour; sadly, nothing is known of the girl's life after this. One assumes she had the life of any other village girl.

    Morisot was very close to Edouard Manet and married his brother, Eugene; her daughter Julie's diaries, published as "Growing Up with the Impressionists," give a behind-the-scenes look into the lives of these treasured painters.

    Happy Portrait Monday!

    From a private collection.

    #Art #WomenArtists #BertheMorisot #WomenInArt #Impressionism

  25. "The Bowl of Milk," Berthe Morisot, 1890.

    Morisot (1841-95) was one of the founding female Impressionists, along with American Mary Cassatt. As is sadly frequent with female painters of the time, she was denied the same opportunities as the male painters but turned them to her advantage, by depicting scenes of everyday life and female subjects, but with a then avent-garde style.

    The subject is young Gabrielle Dufour, a girl she knew in the village of Mézy, where Morisot and her family stayed for a while. She did a number of pictures of Dufour; sadly, nothing is known of the girl's life after this. One assumes she had the life of any other village girl.

    Morisot was very close to Edouard Manet and married his brother, Eugene; her daughter Julie's diaries, published as "Growing Up with the Impressionists," give a behind-the-scenes look into the lives of these treasured painters.

    Happy Portrait Monday!

    From a private collection.

    #Art #WomenArtists #BertheMorisot #WomenInArt #Impressionism

  26. "The Bowl of Milk," Berthe Morisot, 1890.

    Morisot (1841-95) was one of the founding female Impressionists, along with American Mary Cassatt. As is sadly frequent with female painters of the time, she was denied the same opportunities as the male painters but turned them to her advantage, by depicting scenes of everyday life and female subjects, but with a then avent-garde style.

    The subject is young Gabrielle Dufour, a girl she knew in the village of Mézy, where Morisot and her family stayed for a while. She did a number of pictures of Dufour; sadly, nothing is known of the girl's life after this. One assumes she had the life of any other village girl.

    Morisot was very close to Edouard Manet and married his brother, Eugene; her daughter Julie's diaries, published as "Growing Up with the Impressionists," give a behind-the-scenes look into the lives of these treasured painters.

    Happy Portrait Monday!

    From a private collection.

    #Art #WomenArtists #BertheMorisot #WomenInArt #Impressionism

  27. Berthe Morisot war eine der ersten Impressionistinnen – ausgestellt, erfolgreich.

    Und doch: Nach ihrem frühen Tod geriet sie fast in Vergessenheit.

    In Frauengeschichten erzählt Anja Weinberger von Morisot und anderen Künstlerinnen, deren Stimmen, Werke und Leben es verdienen, wieder sichtbar zu werden.

    📖 Ein Buch über Kultur, Erinnerung und Gerechtigkeit.

    shop.der-leiermann.com/produkt

    #Frauengeschichte #Kunstgeschichte #BertheMorisot #Frauengeschichten #Literatur #GegenDasVergessen

  28. Berthe Morisot war eine der ersten Impressionistinnen – ausgestellt, erfolgreich.

    Und doch: Nach ihrem frühen Tod geriet sie fast in Vergessenheit.

    In Frauengeschichten erzählt Anja Weinberger von Morisot und anderen Künstlerinnen, deren Stimmen, Werke und Leben es verdienen, wieder sichtbar zu werden.

    📖 Ein Buch über Kultur, Erinnerung und Gerechtigkeit.

    shop.der-leiermann.com/produkt

    #Frauengeschichte #Kunstgeschichte #BertheMorisot #Frauengeschichten #Literatur #GegenDasVergessen

  29. Berthe Morisot war eine der ersten Impressionistinnen – ausgestellt, erfolgreich.

    Und doch: Nach ihrem frühen Tod geriet sie fast in Vergessenheit.

    In Frauengeschichten erzählt Anja Weinberger von Morisot und anderen Künstlerinnen, deren Stimmen, Werke und Leben es verdienen, wieder sichtbar zu werden.

    📖 Ein Buch über Kultur, Erinnerung und Gerechtigkeit.

    shop.der-leiermann.com/produkt

    #Frauengeschichte #Kunstgeschichte #BertheMorisot #Frauengeschichten #Literatur #GegenDasVergessen

  30. Berthe Morisot war eine der ersten Impressionistinnen – ausgestellt, erfolgreich.

    Und doch: Nach ihrem frühen Tod geriet sie fast in Vergessenheit.

    In Frauengeschichten erzählt Anja Weinberger von Morisot und anderen Künstlerinnen, deren Stimmen, Werke und Leben es verdienen, wieder sichtbar zu werden.

    📖 Ein Buch über Kultur, Erinnerung und Gerechtigkeit.

    shop.der-leiermann.com/produkt

    #Frauengeschichte #Kunstgeschichte #BertheMorisot #Frauengeschichten #Literatur #GegenDasVergessen

  31. Berthe Morisot war eine der ersten Impressionistinnen – ausgestellt, erfolgreich.

    Und doch: Nach ihrem frühen Tod geriet sie fast in Vergessenheit.

    In Frauengeschichten erzählt Anja Weinberger von Morisot und anderen Künstlerinnen, deren Stimmen, Werke und Leben es verdienen, wieder sichtbar zu werden.

    📖 Ein Buch über Kultur, Erinnerung und Gerechtigkeit.

    shop.der-leiermann.com/produkt

    #Frauengeschichte #Kunstgeschichte #BertheMorisot #Frauengeschichten #Literatur #GegenDasVergessen

  32. "Lucie Leon at the Piano," Bertha Morisot, 1892.

    Morisot (1841-95) was, along with Mary Cassatt, one of the great female Impressionists. She was a close friend and student of Edouard Manet (and some claim a love affair, but evidence is scant), and married his brother. His influence can be seen in her work, especially here.

    Although she did a number of landscapes, Morisot's great interest, like Cassatt, was in private, intimate scenes, often painting families at home. Here we feel some pity for poor Lucie Leon, so bored-looking, sitting at her piano.

    Leon herself was to become a successful pianist as an adult, so while she looks like she wishes she was doing ANYTHING else, at least she came to embrace music as a career.

    Morisot sadly died young, of pneumonia contracted while nursing her daughter, but during her lifetime she was a very successful artist. Today her work fetches record prices at auctions.

    From a private collection.

    #Art #WomenArtists #WomenInArt #Portrait #BertheMorisot #LucieLeon #PortraitMonday

  33. "Lucie Leon at the Piano," Bertha Morisot, 1892.

    Morisot (1841-95) was, along with Mary Cassatt, one of the great female Impressionists. She was a close friend and student of Edouard Manet (and some claim a love affair, but evidence is scant), and married his brother. His influence can be seen in her work, especially here.

    Although she did a number of landscapes, Morisot's great interest, like Cassatt, was in private, intimate scenes, often painting families at home. Here we feel some pity for poor Lucie Leon, so bored-looking, sitting at her piano.

    Leon herself was to become a successful pianist as an adult, so while she looks like she wishes she was doing ANYTHING else, at least she came to embrace music as a career.

    Morisot sadly died young, of pneumonia contracted while nursing her daughter, but during her lifetime she was a very successful artist. Today her work fetches record prices at auctions.

    From a private collection.

    #Art #WomenArtists #WomenInArt #Portrait #BertheMorisot #LucieLeon #PortraitMonday

  34. "Lucie Leon at the Piano," Bertha Morisot, 1892.

    Morisot (1841-95) was, along with Mary Cassatt, one of the great female Impressionists. She was a close friend and student of Edouard Manet (and some claim a love affair, but evidence is scant), and married his brother. His influence can be seen in her work, especially here.

    Although she did a number of landscapes, Morisot's great interest, like Cassatt, was in private, intimate scenes, often painting families at home. Here we feel some pity for poor Lucie Leon, so bored-looking, sitting at her piano.

    Leon herself was to become a successful pianist as an adult, so while she looks like she wishes she was doing ANYTHING else, at least she came to embrace music as a career.

    Morisot sadly died young, of pneumonia contracted while nursing her daughter, but during her lifetime she was a very successful artist. Today her work fetches record prices at auctions.

    From a private collection.

    #Art #WomenArtists #WomenInArt #Portrait #BertheMorisot #LucieLeon #PortraitMonday

  35. "Lucie Leon at the Piano," Bertha Morisot, 1892.

    Morisot (1841-95) was, along with Mary Cassatt, one of the great female Impressionists. She was a close friend and student of Edouard Manet (and some claim a love affair, but evidence is scant), and married his brother. His influence can be seen in her work, especially here.

    Although she did a number of landscapes, Morisot's great interest, like Cassatt, was in private, intimate scenes, often painting families at home. Here we feel some pity for poor Lucie Leon, so bored-looking, sitting at her piano.

    Leon herself was to become a successful pianist as an adult, so while she looks like she wishes she was doing ANYTHING else, at least she came to embrace music as a career.

    Morisot sadly died young, of pneumonia contracted while nursing her daughter, but during her lifetime she was a very successful artist. Today her work fetches record prices at auctions.

    From a private collection.

    #Art #WomenArtists #WomenInArt #Portrait #BertheMorisot #LucieLeon #PortraitMonday

  36. "Lucie Leon at the Piano," Bertha Morisot, 1892.

    Morisot (1841-95) was, along with Mary Cassatt, one of the great female Impressionists. She was a close friend and student of Edouard Manet (and some claim a love affair, but evidence is scant), and married his brother. His influence can be seen in her work, especially here.

    Although she did a number of landscapes, Morisot's great interest, like Cassatt, was in private, intimate scenes, often painting families at home. Here we feel some pity for poor Lucie Leon, so bored-looking, sitting at her piano.

    Leon herself was to become a successful pianist as an adult, so while she looks like she wishes she was doing ANYTHING else, at least she came to embrace music as a career.

    Morisot sadly died young, of pneumonia contracted while nursing her daughter, but during her lifetime she was a very successful artist. Today her work fetches record prices at auctions.

    From a private collection.

    #Art #WomenArtists #WomenInArt #Portrait #BertheMorisot #LucieLeon #PortraitMonday

  37. Lost #WomenArt

    odgeomdr-a.akamaihd.net/mp4dyn

    Lost Women Art:

    Vom Impressionismus bis zur Abstraktion (1)

    Seit jeher schreiben #Frauen #Kunstgeschichte
    und
    arbeiten auf Augenhöhe mit ihren männlichen #Kollegen, gemeinsam erobern sie neue Wege und sorgen für Furore - doch die Kunstgeschichtsschreibung erinnert nur die Männer.

    Der Blick auf den europäischen #Kunstkanon des 19. und 20. Jahrhunderts ist erschütternd,
    denn
    bis heute treten Frauen als stilprägende Ikonen der Kunstgeschichte kaum in Erscheinung,
    sind
    unterrepräsentiert in den #Sammlungen der #Museen und unterbezahlt auf dem #Kunstmarkt.

    Längst überfällig ist ein anderer Blick auf vermeintlich bekannte #Kunstepochen,
    die
    mit den immer gleichen Künstlernamen assoziiert werden,
    und dabei viele Künstlerinnen verkennen. "#LostWomenArt" fragt
    nach den Mechanismen des Erinnerns
    sowie
    des systematischen Vergessens
    und
    erzählt in zwei Teilen von visionären Frauen, die kühn und kompromisslos die #Kunst ihrer Zeit entscheidend gestaltet haben. Gemeinsam mit Kunsthistorikern, #Kuratoren und wegweisenden Institutionen, die für mehr #Wahrnehmung der Künstlerinnen kämpfen, erzählt "Lost Women Art" berührende #Frauenporträts und damit die #Kunstgeschichte neu. Der erste Teil erzählt vom weiblichen Aufbruch in der Kunstgeschichte. Von den #Kunsthochschulen ausgeschlossen, erobern Künstlerinnen eigensinnig die Pariser Malsalons, organisieren sich in Künstlerinnenverbänden und emanzipieren sich gar vom Modell zur Künstlerin selbst. Über
    inspirierende Künstlerinnen wie
    #BertheMorisot, #SuzanneValadon, #JulieWolfthorn, #HeleneFunke, #NataljaGontscharowa und #HilmaafKlint wird die Kunstgeschichte vom #Impressionismus bis zur #Abstraktion neu erzählt.

    Video : bis 06.09.2025

    ardmediathek.de/video/Y3JpZDov

  38. Lost #WomenArt

    odgeomdr-a.akamaihd.net/mp4dyn

    Lost Women Art:

    Vom Impressionismus bis zur Abstraktion (1)

    Seit jeher schreiben #Frauen #Kunstgeschichte
    und
    arbeiten auf Augenhöhe mit ihren männlichen #Kollegen, gemeinsam erobern sie neue Wege und sorgen für Furore - doch die Kunstgeschichtsschreibung erinnert nur die Männer.

    Der Blick auf den europäischen #Kunstkanon des 19. und 20. Jahrhunderts ist erschütternd,
    denn
    bis heute treten Frauen als stilprägende Ikonen der Kunstgeschichte kaum in Erscheinung,
    sind
    unterrepräsentiert in den #Sammlungen der #Museen und unterbezahlt auf dem #Kunstmarkt.

    Längst überfällig ist ein anderer Blick auf vermeintlich bekannte #Kunstepochen,
    die
    mit den immer gleichen Künstlernamen assoziiert werden,
    und dabei viele Künstlerinnen verkennen. "#LostWomenArt" fragt
    nach den Mechanismen des Erinnerns
    sowie
    des systematischen Vergessens
    und
    erzählt in zwei Teilen von visionären Frauen, die kühn und kompromisslos die #Kunst ihrer Zeit entscheidend gestaltet haben. Gemeinsam mit Kunsthistorikern, #Kuratoren und wegweisenden Institutionen, die für mehr #Wahrnehmung der Künstlerinnen kämpfen, erzählt "Lost Women Art" berührende #Frauenporträts und damit die #Kunstgeschichte neu. Der erste Teil erzählt vom weiblichen Aufbruch in der Kunstgeschichte. Von den #Kunsthochschulen ausgeschlossen, erobern Künstlerinnen eigensinnig die Pariser Malsalons, organisieren sich in Künstlerinnenverbänden und emanzipieren sich gar vom Modell zur Künstlerin selbst. Über
    inspirierende Künstlerinnen wie
    #BertheMorisot, #SuzanneValadon, #JulieWolfthorn, #HeleneFunke, #NataljaGontscharowa und #HilmaafKlint wird die Kunstgeschichte vom #Impressionismus bis zur #Abstraktion neu erzählt.

    Video : bis 06.09.2025

    ardmediathek.de/video/Y3JpZDov

  39. Lost #WomenArt

    odgeomdr-a.akamaihd.net/mp4dyn

    Lost Women Art:

    Vom Impressionismus bis zur Abstraktion (1)

    Seit jeher schreiben #Frauen #Kunstgeschichte
    und
    arbeiten auf Augenhöhe mit ihren männlichen #Kollegen, gemeinsam erobern sie neue Wege und sorgen für Furore - doch die Kunstgeschichtsschreibung erinnert nur die Männer.

    Der Blick auf den europäischen #Kunstkanon des 19. und 20. Jahrhunderts ist erschütternd,
    denn
    bis heute treten Frauen als stilprägende Ikonen der Kunstgeschichte kaum in Erscheinung,
    sind
    unterrepräsentiert in den #Sammlungen der #Museen und unterbezahlt auf dem #Kunstmarkt.

    Längst überfällig ist ein anderer Blick auf vermeintlich bekannte #Kunstepochen,
    die
    mit den immer gleichen Künstlernamen assoziiert werden,
    und dabei viele Künstlerinnen verkennen. "#LostWomenArt" fragt
    nach den Mechanismen des Erinnerns
    sowie
    des systematischen Vergessens
    und
    erzählt in zwei Teilen von visionären Frauen, die kühn und kompromisslos die #Kunst ihrer Zeit entscheidend gestaltet haben. Gemeinsam mit Kunsthistorikern, #Kuratoren und wegweisenden Institutionen, die für mehr #Wahrnehmung der Künstlerinnen kämpfen, erzählt "Lost Women Art" berührende #Frauenporträts und damit die #Kunstgeschichte neu. Der erste Teil erzählt vom weiblichen Aufbruch in der Kunstgeschichte. Von den #Kunsthochschulen ausgeschlossen, erobern Künstlerinnen eigensinnig die Pariser Malsalons, organisieren sich in Künstlerinnenverbänden und emanzipieren sich gar vom Modell zur Künstlerin selbst. Über
    inspirierende Künstlerinnen wie
    #BertheMorisot, #SuzanneValadon, #JulieWolfthorn, #HeleneFunke, #NataljaGontscharowa und #HilmaafKlint wird die Kunstgeschichte vom #Impressionismus bis zur #Abstraktion neu erzählt.

    Video : bis 06.09.2025

    ardmediathek.de/video/Y3JpZDov

  40. “A leitura” ou “Marie-Joséphine & Edma“, de Berthe Morisot (14 de Janeiro de 1841 – 2 de Março de 1895), pintora francesa.

    Trata-se do retrato da sua mãe e da sua irmã.

    #art #berthemorisot

  41. “A leitura” ou “Marie-Joséphine & Edma“, de Berthe Morisot (14 de Janeiro de 1841 – 2 de Março de 1895), pintora francesa.

    Trata-se do retrato da sua mãe e da sua irmã.

    #art #berthemorisot