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  1. CF Signals: Cerato & Hunab – Macario [Behind The Noise]

    Behind The Noise returns to CF Signals with Macario, a collaboration between Mexican producers Cerato and Hunab, bringing together two artists whose trajectories have moved through different corners of electronic music while maintaining a strong connection to the dancefloor. Born in Mérida, Yucatán, Cerato has developed a sound rooted in dark and powerful Techno and House, while remaining open to the possibilities of Indie Dance, G House and Electro. His productions have appeared on labels including Logia Records, Stardust Records, Jump to This and Holographic Musik, alongside a long history of performances shared with artists from different generations and scenes.

    https://clubfuries.com.mx/2026/09/01/cfs-anomali-imaginarium-nightmare-btn/

    With 19 years of experience behind the decks and in the studio, Hunab (HNBK) approaches electronic music from a more openly eclectic perspective. His work moves between ambient and downtempo territories, House, Disco and Indie Dance, as well as a progressive form of Techno marked by organic, hypnotic and exploratory textures. His catalogue includes releases on Holographic Musik, Get It On Records, Logia Records, Bakelite and Wateke Uaychivo Records, while his parallel project Kuxtal Seeb, developed with Dirty Ganesh, takes his sound toward a more aggressive and experimental territory. His work as a DJ has also taken him beyond the club circuit, including collaborations with Mexican fashion designer Vero Díaz for several editions of Fashion Week.

    https://soundcloud.com/clubfuriess/cfs-cerato-hunab-macario-behind-the-noise

    That range of references makes Macario an interesting meeting point between two approaches that, despite their differences, share an interest in music as a physical and immersive experience. Rather than trying to pin the collaboration down to a single stylistic category, the track leaves room for both artists’ sensibilities to coexist, building its identity through atmosphere, repetition and movement. For this CF Signals premiere, Macario is the focus, offering a direct encounter with the darker and more hypnotic side of their respective practices.

    Macario will be released by Behind The Noise on October 16, 2026. Until then, we are bringing you the track in full for this premiere—another signal from the Mexican electronic underground, and a new collaboration between two producers with very different routes through the same restless territory.

    Title: Macario
    Artist: Cerato, Hunab
    Label: Behind The Noise
    Catalogue: 482026BTN

    Release Date: October 16, 2026
    Support & Buy: Beatport

    Cerato

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    Hunab

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    Behind The Noise

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    Club Furies

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    #482026BTN #BehindTheNoise #Cerato #CFPremiere #clubFuries #ClubFuriesPremiere #Electrónica #Electronic #Electronica #Hunab #IndieDance #Macario #Mérida #México #Mexico #Premiere #premiereCF #PremiereClubFuries #Rock #techno #Yucatán
  2. CF Signals: Luis Puga – Tengo la Clave [Behind The Noise]

    The Mexican electronic music map decentralizes its focus to find new narratives on the periphery. Based in the State of Mexico, the Behind The Noise imprint and platform consolidates itself as a supportive network open to experimentation without geographic boundaries. For its latest release, the label enlists the talent of Luis Puga, a DJ and producer from Toluca who, since launching his project in 2021, has stood out for his hybrid versatility. On this occasion, he delivers Tengo la Clave, a track where the night pulse of the dancefloor gets contaminated with provocation and unpredictable dynamics.

    https://clubfuries.com.mx/2026/06/06/cfs-taff-sanjo-behind-the-noise/

    The track waives solemn introductions. Right from the start, its vocals unfold performatively, injecting a dose of energy and Mexican playfulness that twists the rigidity of the genre. Far from remaining on the surface, the piece rapidly spikes into a dark and electric energy, morphing into a dense, liquid, highly synthetic texture that extends as the backbone of the release.

    The topography of the composition is rugged—a succession of valleys and ridges that complexify the listening experience through wide and versatile structures. There is no room for monotony: every time the sound threatens to stabilize, the producer introduces a break, achieving a constant destabilization of stabilization that works flawlessly in its physical evolution. Latent synths and expansive movement reanimate the rhythm right at the edge of tension, forcing the body to stay in an uninterrupted state of alert.

    https://soundcloud.com/clubfuriess/cfs-luis-puga-tengo-la-clave-behind-the-noise

    Towards the close, the sonic architecture seeks neither a summary nor a gentle descent; it cuts off abruptly, leaving electric frequencies vibrating in mid-air like a suspended echo. With Tengo la Clave, Luis Puga and Behind The Noise sign a clear editorial stance on the present local scene: a hybrid techno that understands that today’s dancefloor is conquered by breaking its own rules of symmetry.

    Label: Behind The Noise
    Artist: Luis Puga
    Title: Tengo la Clave
    Catalogue:
    Genre: Indie Dance

    Release Date: July 10, 2026
    Support & Buy: Bandcamp

    Luis Puga

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    Behind The Noise

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    Club Furies

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    #BehindTheNoise #CFPremiere #clubFuries #ClubFuriesPremiere #Electrónica #Electronic #Electronica #house #IndieDance #LuisPuga #Mexico #MinimalDeep #Premiere #premiereCF #PremiereClubFuries #Tech #techno #Toluca
  3. CF Signals: TAFF – Sanjo [Behind The Noise]

    DJ TAFF, the artistic alias of Taejung Shin, belongs to a new generation emerging from Seoul’s independent club scene, where rave culture continues to evolve through uniquely local interpretations. Her sets are defined by intense and emotionally direct energy, built through intuitive selections that connect hard dance, hard trance, and contemporary dancefloor-focused electronics. Throughout her work, there is a constant effort to balance physical impact with emotional depth, intensity with narrative development.

    Her approach to DJing prioritises atmosphere and gradual progression. Rather than simply mixing tracks together, DJ TAFF crafts journeys in which anticipation, euphoria, and release unfold as part of a continuous movement. This ability to engage the emotional dimensions of rave culture without sacrificing momentum has helped establish a distinctive identity within South Korea’s evolving underground landscape.

    https://soundcloud.com/clubfuriess/cfs-taff-sanjo-behind-the-noise

    That same sensibility carries into this release on Mexican label Behind The Noise, a piece built around the expressive melodies of sanjo for gayageum, one of the most iconic forms within Korean traditional music. Through sampling and electronic reinterpretation, the composition creates a compelling dialogue between cultural heritage and contemporary sonic language. These elements never feel decorative. Instead, they remain fully active participants within the track’s structure.

    https://clubfuries.com.mx/2026/05/27/cfs-surmillo-behind-the-noise/

    Set against an elastic and dynamic rhythmic framework, the melodic lines of the traditional instrument retain much of their evocative power. Their resonance drifts through the composition like echoes from another era, while the electronic elements continuously propel the music forward. The resulting tension is subtle yet deeply effective, creating a space where past and present remain in constant conversation without either one dominating the narrative.

    The result achieves a remarkable balance between delicacy and movement. The expressive qualities of the gayageum integrate naturally into a structure designed for both body and dancefloor, producing an experience where tradition and modernity appear as complementary dimensions of the same sonic flow. Rather than presenting a forced fusion, the piece proposes an organic coexistence of different temporalities, expanding the emotional and narrative possibilities of contemporary electronic music.

    Label: Behind The Noise
    Artist: TAFF
    Title: Sanjo
    Catalogue: 272026BTN
    Genre: Indie Dance

    Release Date: June 11, 2026
    Support & Buy: Bandcamp

    TAFF

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    Behind The Noise

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    Club Furies

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    #BehindTheNoise #CFPremiere #clubFuries #ClubFuriesPremiere #Electrónica #Electronic #Electronica #HardTechno #Mexico #Premiere #premiereCF #PremiereClubFuries #rave #SouthKorea #TAFF #techno #Trance
  4. CF Signals: Giorgio Brindesi – On My Mind [Behind The Noise]

    Behind The Noise, the Mexican electronic music label focused on underground and crossover-oriented sounds, continues strengthening an identity built around openness and sonic exploration. More than simply functioning as a record label, the project operates as a support network for both emerging and established artists interested in developing music with a clear sense of personality, whether through experimental structures or direct dancefloor functionality. Across its catalog, one element remains constant: releases where groove and sonic identity converge without sacrificing freshness or direction.

    https://clubfuries.com.mx/2026/05/05/cfp-youthindrvgs-darkness-behind-the-noise/

    For one of its latest releases, the label introduces Giorgio Brindesi, presenting “Love and Frequencies”, a project rooted in Indie Dance, Dark Disco, and Italo Disco aesthetics. Within that framework emerges ‘On My Mind’, a double-tracker driven by electric energy, nocturnal propulsion, and a sensual tension sustained from beginning to end. The release unfolds through luminous darkness — wet neon surfaces, reflective textures, and rhythms that gradually acquire a physical dimension of their own.

    https://soundcloud.com/clubfuriess/cfs-giorgio-brindesi-on-my-mind-behind-the-noise

    The title track immediately establishes its dancefloor-oriented force. Built around 128 BPM in F Major, “On My Mind” combines deep, highly mobile basslines with textures drawing from minimal bass and bass house, while a sharply constructed groove maintains constant momentum throughout the track. Female vocals move through the center of the mix like hypnotic transmissions, carrying emotional tones that fluctuate between desire, chemical euphoria, and psychological tension. Conceptually, the track revolves around substances, altered perception, and the lingering sensory residue left behind after the rave itself — the moment when the body leaves the space while the mind remains trapped inside the pulse.

    From the very beginning, the sound feels electric, piercing, and physically overwhelming. Neon darkness slowly floods the atmosphere while purple flashes and metallic frequencies spread across the body like synchronized voltage. The vocals emerge through dense synthetic layers, breathing against the groove with an almost ritualistic intensity. Everything unfolds like a carefully engineered sonic spell: movement takes control immediately, and the body gradually dissolves into a current where rhythm, desire, and perception collapse into the same frequency.

    Label: Behind The Noise
    Artist: Giorgio Brindesi
    Title: On My Mind
    Catalogue: 112026BTN

    Release Date: May 15, 2026
    Support & Buy: Beatport

    Tracklist
    1. On My Mind 05:33
    2. I Wanna Taste It 05:58

    Giorgio Brindesi

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    Behind The Noise

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    Club Furies

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    #BassHouse #BehindTheNoise #CFPremiere #clubFuries #ClubFuriesPremiere #DarkDisco #Electrónica #Electronic #Electronica #GiorgioBrindesi #IndieDance #Mexico #MexicoCity #MinimalBass #Premiere #premiereCF #PremiereClubFuries #techno #Toluca
  5. CF Premiere: Cuba Campechana – Todo el Spot Reventé [Behind the Noise]

    Born from an irreverent accumulation of the collective subconscious, Cuba Campechana emerges from Toluca with a proposal that moves fluidly across genres and references. Rooted in indie dance, his sound expands into territories where rock, disco, techno, house, punk, and metal coexist without hierarchy, forming a language driven by energy and identity. The result shifts between euphoria and darkness, creating an atmosphere that engages both body and perception.

    There’s a clear connection to the rockstar figure in his approach, not as nostalgia but as an attitude translated into sonic intensity. The dancefloor becomes a space of release where excess, aesthetics, and presence merge into a direct experience. Each set and production channels this tension between overflow and control, shaping a narrative sustained by emotional precision.

    https://clubfuries.com.mx/2025/02/17/cfr-2025-4-cuba-campechana-drugs-and-roll-ep-wax-on-tracks/

    Within this framework, “Todo el Spot Reventé”, released on Mexican label Behind The Noise, unfolds with dense, immediate energy. The structure is anchored by heavy basslines that strike with persistence, while upper layers introduce a darker edge that sharpens the overall experience. A distinct attitude runs through the track—forward-moving, unapologetic, fully present on the floor.

    The sonic construction maintains constant tension, blending dark disco elements with a rawness drawn from rock. The groove moves with sustained cadence, while the texture thickens progressively, creating a sense of controlled saturation. The space fills, compresses, and expands, keeping the body engaged within a continuous flow.

    https://soundcloud.com/clubfuriess/cfp-cuba-campechana-todo-el-spot-revente-btn

    In its progression, the track becomes a chronicle of a night pushed to its limits, where euphoria and exhaustion coexist. There’s no separation between experience and representation: sound captures that moment when collective energy peaks, when every gesture amplifies and every impulse resonates through the crowd.

    On a sensory level, the piece triggers an immediate physical response. The bass hits the chest, mid frequencies generate constant friction, and higher elements cut through the mix like brief flashes. Listening becomes embodied, immersive—aligned with a logic where sound is not only heard, but inhabited.

    https://clubfuries.com.mx/2026/05/05/cfp-youthindrvgs-darkness-behind-the-noise/

    Within the current indie dance landscape, projects like Cuba Campechana’s reaffirm a move away from excessive polish toward a more textured expressiveness. There’s an intent to roughen the sound, to charge it with character and place it in a zone where the dancefloor becomes more than a site of consumption—a space of collective friction. That sustained tension leaves a trace that lingers long after the sound fades.

    Artist: Cuba Campechana
    Title: Todo el Spot Reventé
    Label: Behind the Noise
    Catalogue:

    Release Date:
    Support & Buy:

    Cuba Campechana

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    Behind The Noise

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    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #BehindTheNoise #CFPremiere #clubFuries #ClubFuriesPremiere #CubaCampechana #DarkDisco #Electrónica #Electronic #Electronica #IndieDance #México #Mexico #Premiere #premiereCF #PremiereClubFuries #techno
  6. CF Signals: Melina Genchi – Fuego [Behind The Noise]

    Behind The Noise, based in Mexico, operates beyond the traditional idea of a label. Its catalog unfolds as an expanding network, bringing together underground explorations and more open dancefloor readings, guided by a sense of sonic clarity and curatorial openness. There’s a sense of movement within its structure—artists from different contexts converge here, shaping and projecting their sound.

    From Necochea, Melina Genchi develops a trajectory that moves across various electronic territories before settling into a refined balance. Her language is built on the coexistence of melody and drive, a tension that remains active rather than resolved. Darkness within her sound doesn’t weigh down; it circulates, becoming rhythm.

    https://clubfuries.com.mx/2026/04/09/cfp-badwolf-see-my-eyes-btn/

    Her approach blends deep melodic layers with dense atmospheres and a groove that moves with steady magnetism. Positioned between Indie Dance, Melodic Techno, and Peak Time, her sound creates an enveloping field, where vocals—filtered, almost mechanical—thread through the structure. The dancefloor becomes a continuous space, sustained by an energy that persists.

    With releases across labels in Italy, Romania, and Brazil, her production work reinforces an identity rooted in melodic tension and rhythmic clarity. Each track unfolds as a moving surface, where elements align with precision and a dark tonal core remains present.

    https://soundcloud.com/clubfuriess/cfp-melina-genchi-fuego-202026btn

    On Behind The Noise, she presents Fuego, a two-tracker that condenses this direction. The title track unfolds in a space where Indie Dance and Dark Disco intertwine, with a techno pulse running through its core. The groove establishes itself firmly, anchoring the body early on.

    The vocal line carries a direct presence, infused with a sensual tone that integrates seamlessly into the rhythm. Its repetition builds familiarity, grounding the listener as surrounding layers expand outward. There’s an incandescent warmth within the texture, a vibration that sustains and spreads across the dancefloor.

    The track finds its strength in this combination: a clear structure, a steady rhythm, and an atmosphere that envelops without excess. Fuego stands as a piece designed for movement, where the body aligns with an energy that remains active, circling within its own continuous flow.

    Club Furies Signals 1794

    Label: Behind The Noise
    Artist: Melina Genchi
    Title: Fuego
    Catalogue: 202026BTN

    Release Date: May 1, 2026
    Support & Buy: Bandcamp

    Tracklist
    1. Fuego
    2. Tormenta Exótica

    Melina Genchi

    SoundCloud | Instagram | Threads | TikTok | Beatport | Linktree

    Behind The Noise

    SoundCloud | Instagram | Bandcamp | Beatport | YouTube

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #Argentina #BehindTheNoise #CFPremiere #clubFuries #ClubFuriesPremiere #DarkDisco #Electrónica #Electronic #Electronica #Fuego #IndieDance #MelinaGenchi #MelodicTechno #Mexico #PeakTimeTechno #Premiere #premiereCF #PremiereClubFuries #techno
  7. CF Premiere: BadWolf – See My Eyes [Behind The Noise]

    Behind The Noise doesn’t operate as a traditional label —and that’s precisely what makes it interesting. It functions as a platform and a network: from Mexico, it articulates a space where underground and floor-oriented music coexist, leaving room for both experimental proposals and more direct structures. There’s no single aesthetic line defining the catalog: there’s a criterion —quality, clarity, and controlled risk. The approach is deliberately open: new and established artists, with no geographic restriction, under a shared logic of drive and support. A label that doesn’t tell you what sound to expect, but does tell you what level of rigor you can anticipate.

    BadWolf‘s trajectory is not recent, but it is consistent —and in this world, that distinction matters. After breaking into the international scene with tracks like «Dame Más», «After Todo», and «B3so» that found their place on Beatport, his presence has extended to key circuits across Europe and the Americas. EDC México, Fusion Festival, Ushuaïa Ibiza, KitKatClub, Sisyphos, Kater Blau, Fünk: different contexts, same direction. His sound moves between dark disco, indie dance, techno, dark wave, and post-punk —not as an arbitrary blend of references, but as a language of his own in expansion, one that has been defining itself with each release, each set, each new room.

    https://soundcloud.com/clubfuriess/cfp-badwolf-see-my-eyes-btn

    Within that framework arrives «See My Eyes», a new cut from BadWolf that settles naturally at the crossroads of indie dance, techno, and house, built at 126 BPM and in a tonality that sustains tension without fully resolving it. The piece unfolds from a contained darkness: whispered voices repeating the title like a mantra, enveloping percussion, atmospheric pads, and piano accents that provide contrast at exactly the right moment.

    The development doesn’t reach for immediate impact but for progressive accumulation —a patient construction that moves toward a breaking point where chaos becomes form, where everything that had been held back finally finds its channel. Hypnosis, elegance, and friction in equilibrium: three forces that in the wrong hands cancel each other out, and here coexist with a fluency that speaks of years of craft.

    Label: Behind The Noise
    Artist: BadWolf
    Title: See My Eyes
    Catalogue: 182026BTN

    Release Date: April 13th, 2026
    Support & Buy: Bandcamp

    BadWolf

    SoundCloud | Instagram | Beatport

    Behind The Noise

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    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #BadWolf #BehindTheNoise #CFPremiere #clubFuries #ClubFuriesPremiere #DarkElectronics #Electronic #Electronica #IndieDance #México #Mexico #Premiere #premiereCF #PremiereClubFuries #SeeMyEyes #Slow #techno #Trippy
  8. #TheMetalDogArticleList
    #BraveWords
    FROM ASHES TO NEW - Behind The Noise: The Filming Of "Hate Me Too" Video
    From Ashes To New recently released their new album, Blackout. The album features the single, "Hate Me Too", and Better Noise Music has released a new episode of Behind The Noise, focusing on the filming of the video. Watch the new footage, as well as the music video, below: Blackout...

    bravewords.com/news/from-ashes

    #FromAshesToNew #BehindTheNoise #HateMeToo

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