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#azulejo — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #azulejo, aggregated by home.social.

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  1. Los servicios.. los baños.. los sanitarios... los WC... en el estadio mundialista y olímpico de #Vancouver en la #ColumbiaBritánica en #Canadá ... con azulejos.. mosaicos.. baldosas.. loseta..

    #foto #azulejo #mosaico #DistintosCastellanos #EspañolIberoamericano

  2. Los servicios.. los baños.. los sanitarios... los WC... en el estadio mundialista y olímpico de #Vancouver en la #ColumbiaBritánica en #Canadá ... con azulejos.. mosaicos.. baldosas.. loseta..

    #foto #azulejo #mosaico #DistintosCastellanos #EspañolIberoamericano

  3. Los servicios.. los baños.. los sanitarios... los WC... en el estadio mundialista y olímpico de en la en ... con azulejos.. mosaicos.. baldosas.. loseta..

  4. Los servicios.. los baños.. los sanitarios... los WC... en el estadio mundialista y olímpico de #Vancouver en la #ColumbiaBritánica en #Canadá ... con azulejos.. mosaicos.. baldosas.. loseta..

    #foto #azulejo #mosaico #DistintosCastellanos #EspañolIberoamericano

  5. ・ Tiles in Buçaco Palace Hotel, Mealhada, Portugal. ・

    👤 Jorge Colaço
    🏛️ The Portuguese Task Force for the Commemorations of the V Centenary of Circumnavigation ・ Algés, Portugal

    The ignorance of the oceans fed the imagination of medieval man. If the sea was filled with monsters, the coastline also frightened. The limit of known waters ended at Cape Bojador - the cape of fear.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  6. ・ Tiles in Buçaco Palace Hotel, Mealhada, Portugal. ・

    👤 Jorge Colaço
    🏛️ The Portuguese Task Force for the Commemorations of the V Centenary of Circumnavigation ・ Algés, Portugal

    The ignorance of the oceans fed the imagination of medieval man. If the sea was filled with monsters, the coastline also frightened. The limit of known waters ended at Cape Bojador - the cape of fear.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  7. ・ Tiles in Buçaco Palace Hotel, Mealhada, Portugal. ・

    👤 Jorge Colaço
    🏛️ The Portuguese Task Force for the Commemorations of the V Centenary of Circumnavigation ・ Algés, Portugal

    The ignorance of the oceans fed the imagination of medieval man. If the sea was filled with monsters, the coastline also frightened. The limit of known waters ended at Cape Bojador - the cape of fear.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  8. ・ Tiles in Buçaco Palace Hotel, Mealhada, Portugal. ・

    👤 Jorge Colaço
    🏛️ The Portuguese Task Force for the Commemorations of the V Centenary of Circumnavigation ・ Algés, Portugal

    The ignorance of the oceans fed the imagination of medieval man. If the sea was filled with monsters, the coastline also frightened. The limit of known waters ended at Cape Bojador - the cape of fear.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  9. ・ Tiles in Buçaco Palace Hotel, Mealhada, Portugal. ・

    👤 Jorge Colaço
    🏛️ The Portuguese Task Force for the Commemorations of the V Centenary of Circumnavigation ・ Algés, Portugal

    The ignorance of the oceans fed the imagination of medieval man. If the sea was filled with monsters, the coastline also frightened. The limit of known waters ended at Cape Bojador - the cape of fear.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  10. ・ Chequered and cut out panel ・

    👤 Querubim Lapa, 1991
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    Querubim Lapa (b. 1925 – d. 2016) belongs to that generation of artists that was responsible for the modern renewal of artistic ceramics in Portugal. In Lisbon he attended Afonso Domingues Industrial School and António Arroio School, where he b(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  11. ・ Chequered and cut out panel ・

    👤 Querubim Lapa, 1991
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    Querubim Lapa (b. 1925 – d. 2016) belongs to that generation of artists that was responsible for the modern renewal of artistic ceramics in Portugal. In Lisbon he attended Afonso Domingues Industrial School and António Arroio School, where he b(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  12. ・ Chequered and cut out panel ・

    👤 Querubim Lapa, 1991
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    Querubim Lapa (b. 1925 – d. 2016) belongs to that generation of artists that was responsible for the modern renewal of artistic ceramics in Portugal. In Lisbon he attended Afonso Domingues Industrial School and António Arroio School, where he b(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  13. ・ Chequered and cut out panel ・

    👤 Querubim Lapa, 1991
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    Querubim Lapa (b. 1925 – d. 2016) belongs to that generation of artists that was responsible for the modern renewal of artistic ceramics in Portugal. In Lisbon he attended Afonso Domingues Industrial School and António Arroio School, where he b(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  14. ・ Chequered and cut out panel ・

    👤 Querubim Lapa, 1991
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    Querubim Lapa (b. 1925 – d. 2016) belongs to that generation of artists that was responsible for the modern renewal of artistic ceramics in Portugal. In Lisbon he attended Afonso Domingues Industrial School and António Arroio School, where he b(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  15. ・ The shepherds ・

    👤 Maria Keil, 1955
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    Maria Keil (b. 1914 – d. 2012) developed a vast oeuvre in painting, illustration, engraving, tapestry and azulejos. As far these last are concerned she made a name by being the first Portuguese artist to give azulejos a modern look, based on th(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  16. ・ The shepherds ・

    👤 Maria Keil, 1955
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    Maria Keil (b. 1914 – d. 2012) developed a vast oeuvre in painting, illustration, engraving, tapestry and azulejos. As far these last are concerned she made a name by being the first Portuguese artist to give azulejos a modern look, based on th(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  17. ・ The shepherds ・

    👤 Maria Keil, 1955
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    Maria Keil (b. 1914 – d. 2012) developed a vast oeuvre in painting, illustration, engraving, tapestry and azulejos. As far these last are concerned she made a name by being the first Portuguese artist to give azulejos a modern look, based on th(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  18. ・ The shepherds ・

    👤 Maria Keil, 1955
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    Maria Keil (b. 1914 – d. 2012) developed a vast oeuvre in painting, illustration, engraving, tapestry and azulejos. As far these last are concerned she made a name by being the first Portuguese artist to give azulejos a modern look, based on th(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  19. ・ The shepherds ・

    👤 Maria Keil, 1955
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    Maria Keil (b. 1914 – d. 2012) developed a vast oeuvre in painting, illustration, engraving, tapestry and azulejos. As far these last are concerned she made a name by being the first Portuguese artist to give azulejos a modern look, based on th(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  20. ・ Façade azulejo panel with roses pattern ・

    👤 Massarelos Factory, 1890/1900
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    The semi-industrial and industrial production of pattern azulejos for façade revetment in urban buildings had its main production centres in Lisbon, Porto and Gaia. Few of the factories of the second half of the 19th century, which were respons(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  21. ・ Façade azulejo panel with roses pattern ・

    👤 Massarelos Factory, 1890/1900
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    The semi-industrial and industrial production of pattern azulejos for façade revetment in urban buildings had its main production centres in Lisbon, Porto and Gaia. Few of the factories of the second half of the 19th century, which were respons(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  22. ・ Façade azulejo panel with roses pattern ・

    👤 Massarelos Factory, 1890/1900
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    The semi-industrial and industrial production of pattern azulejos for façade revetment in urban buildings had its main production centres in Lisbon, Porto and Gaia. Few of the factories of the second half of the 19th century, which were respons(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  23. ・ Façade azulejo panel with roses pattern ・

    👤 Massarelos Factory, 1890/1900
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    The semi-industrial and industrial production of pattern azulejos for façade revetment in urban buildings had its main production centres in Lisbon, Porto and Gaia. Few of the factories of the second half of the 19th century, which were respons(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  24. ・ Façade azulejo panel with roses pattern ・

    👤 Massarelos Factory, 1890/1900
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    The semi-industrial and industrial production of pattern azulejos for façade revetment in urban buildings had its main production centres in Lisbon, Porto and Gaia. Few of the factories of the second half of the 19th century, which were respons(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  25. This week's Ericeira, Portugal doors: azulejo checkerboard tile, a scrollwork door under São Miguel the Archangel, and cobalt doors guarded by a ceramic dolphin.

    Vote: doors.sidewalksafari.com/vote-

    #DoorsGloriousDoors #DailyDoor #Azulejo

  26. This week's Ericeira, Portugal doors: azulejo checkerboard tile, a scrollwork door under São Miguel the Archangel, and cobalt doors guarded by a ceramic dolphin.

    Vote: doors.sidewalksafari.com/vote-

    #DoorsGloriousDoors #DailyDoor #Azulejo

  27. This week's Ericeira, Portugal doors: azulejo checkerboard tile, a scrollwork door under São Miguel the Archangel, and cobalt doors guarded by a ceramic dolphin.

    Vote: doors.sidewalksafari.com/vote-

    #DoorsGloriousDoors #DailyDoor #Azulejo

  28. This week's Ericeira, Portugal doors: azulejo checkerboard tile, a scrollwork door under São Miguel the Archangel, and cobalt doors guarded by a ceramic dolphin.

    Vote: doors.sidewalksafari.com/vote-

    #DoorsGloriousDoors #DailyDoor #Azulejo

  29. This week's Ericeira, Portugal doors: azulejo checkerboard tile, a scrollwork door under São Miguel the Archangel, and cobalt doors guarded by a ceramic dolphin.

    Vote: doors.sidewalksafari.com/vote-

    #DoorsGloriousDoors #DailyDoor #Azulejo

  30. Three doors from one afternoon in Ericeira, Portugal, all the same shade of blue but nothing else alike. One sits under a checkerboard wall of azulejo tile. One has a devotional tile of São Miguel, Saint Michael the Archangel, spearing the dragon above the frame. One is watched over by a small ceramic dolphin, a nod to this surf town's relationship with the Atlantic. Same paint can, three different stories.
    #PhotoMonday #FotoMontag #Azulejo

  31. Three doors from one afternoon in Ericeira, Portugal, all the same shade of blue but nothing else alike. One sits under a checkerboard wall of azulejo tile. One has a devotional tile of São Miguel, Saint Michael the Archangel, spearing the dragon above the frame. One is watched over by a small ceramic dolphin, a nod to this surf town's relationship with the Atlantic. Same paint can, three different stories.
    #PhotoMonday #FotoMontag #Azulejo

  32. Three doors from one afternoon in Ericeira, Portugal, all the same shade of blue but nothing else alike. One sits under a checkerboard wall of azulejo tile. One has a devotional tile of São Miguel, Saint Michael the Archangel, spearing the dragon above the frame. One is watched over by a small ceramic dolphin, a nod to this surf town's relationship with the Atlantic. Same paint can, three different stories.
    #PhotoMonday #FotoMontag #Azulejo

  33. Three doors from one afternoon in Ericeira, Portugal, all the same shade of blue but nothing else alike. One sits under a checkerboard wall of azulejo tile. One has a devotional tile of São Miguel, Saint Michael the Archangel, spearing the dragon above the frame. One is watched over by a small ceramic dolphin, a nod to this surf town's relationship with the Atlantic. Same paint can, three different stories.
    #PhotoMonday #FotoMontag #Azulejo

  34. Three doors from one afternoon in Ericeira, Portugal, all the same shade of blue but nothing else alike. One sits under a checkerboard wall of azulejo tile. One has a devotional tile of São Miguel, Saint Michael the Archangel, spearing the dragon above the frame. One is watched over by a small ceramic dolphin, a nod to this surf town's relationship with the Atlantic. Same paint can, three different stories.
    #PhotoMonday #FotoMontag #Azulejo

  35. 🎨 Oh, #Azulejo, the masterpiece of #web etiquette! Apparently, all it takes to access the holy grail of content is understanding an obscure error message and jumping through hoops of links as if we're in the Olympics of User-Agent gymnastics. 🏆 Who knew respecting robot policies could be this exhilarating? 🚀
    en.wikipedia.org/wiki/Azulejo #Etiquette #UserAgent #ErrorMessages #RobotPolicies #Olympiad #HackerNews #ngated

  36. 🎨 Oh, #Azulejo, the masterpiece of #web etiquette! Apparently, all it takes to access the holy grail of content is understanding an obscure error message and jumping through hoops of links as if we're in the Olympics of User-Agent gymnastics. 🏆 Who knew respecting robot policies could be this exhilarating? 🚀
    en.wikipedia.org/wiki/Azulejo #Etiquette #UserAgent #ErrorMessages #RobotPolicies #Olympiad #HackerNews #ngated

  37. 🎨 Oh, #Azulejo, the masterpiece of #web etiquette! Apparently, all it takes to access the holy grail of content is understanding an obscure error message and jumping through hoops of links as if we're in the Olympics of User-Agent gymnastics. 🏆 Who knew respecting robot policies could be this exhilarating? 🚀
    en.wikipedia.org/wiki/Azulejo #Etiquette #UserAgent #ErrorMessages #RobotPolicies #Olympiad #HackerNews #ngated

  38. 🎨 Oh, #Azulejo, the masterpiece of #web etiquette! Apparently, all it takes to access the holy grail of content is understanding an obscure error message and jumping through hoops of links as if we're in the Olympics of User-Agent gymnastics. 🏆 Who knew respecting robot policies could be this exhilarating? 🚀
    en.wikipedia.org/wiki/Azulejo #Etiquette #UserAgent #ErrorMessages #RobotPolicies #Olympiad #HackerNews #ngated

  39. 🎨 Oh, #Azulejo, the masterpiece of #web etiquette! Apparently, all it takes to access the holy grail of content is understanding an obscure error message and jumping through hoops of links as if we're in the Olympics of User-Agent gymnastics. 🏆 Who knew respecting robot policies could be this exhilarating? 🚀
    en.wikipedia.org/wiki/Azulejo #Etiquette #UserAgent #ErrorMessages #RobotPolicies #Olympiad #HackerNews #ngated

  40. ・ Corda-seca tiles with geometrical knotwork motifs ・

    👤 Unknown, 15th-16th century -
    🏛️ National Palace of Sintra ・ Sintra, Portugal

    Wall covering of the Sala das Pegas (Magpie Room) at the National Palace of Sintra, with a Mudejar pattern of a star-shaped motif with a powerful chromatic effect. This room was used to receive the realm’s most notable figures and foreign ambas(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  41. ・ Corda-seca tiles with geometrical knotwork motifs ・

    👤 Unknown, 15th-16th century -
    🏛️ National Palace of Sintra ・ Sintra, Portugal

    Wall covering of the Sala das Pegas (Magpie Room) at the National Palace of Sintra, with a Mudejar pattern of a star-shaped motif with a powerful chromatic effect. This room was used to receive the realm’s most notable figures and foreign ambas(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  42. ・ Corda-seca tiles with geometrical knotwork motifs ・

    👤 Unknown, 15th-16th century -
    🏛️ National Palace of Sintra ・ Sintra, Portugal

    Wall covering of the Sala das Pegas (Magpie Room) at the National Palace of Sintra, with a Mudejar pattern of a star-shaped motif with a powerful chromatic effect. This room was used to receive the realm’s most notable figures and foreign ambas(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  43. ・ Corda-seca tiles with geometrical knotwork motifs ・

    👤 Unknown, 15th-16th century -
    🏛️ National Palace of Sintra ・ Sintra, Portugal

    Wall covering of the Sala das Pegas (Magpie Room) at the National Palace of Sintra, with a Mudejar pattern of a star-shaped motif with a powerful chromatic effect. This room was used to receive the realm’s most notable figures and foreign ambas(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  44. ・ Corda-seca tiles with geometrical knotwork motifs ・

    👤 Unknown, 15th-16th century -
    🏛️ National Palace of Sintra ・ Sintra, Portugal

    Wall covering of the Sala das Pegas (Magpie Room) at the National Palace of Sintra, with a Mudejar pattern of a star-shaped motif with a powerful chromatic effect. This room was used to receive the realm’s most notable figures and foreign ambas(...)
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  45. ・ Tiles panel of the "single figure" ・

    👤 Unknown author, 17th - 18th century
    🏛️ Museu Nacional de Machado de Castro ・ Coimbra, Portugal

    Tiles of the "single figure" pattern, so typical of Coimbra production, are notable for their decorative effect. They had their origins in the Delft tiles imported from 1675.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  46. ・ Tiles panel of the "single figure" ・

    👤 Unknown author, 17th - 18th century
    🏛️ Museu Nacional de Machado de Castro ・ Coimbra, Portugal

    Tiles of the "single figure" pattern, so typical of Coimbra production, are notable for their decorative effect. They had their origins in the Delft tiles imported from 1675.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  47. ・ Tiles panel of the "single figure" ・

    👤 Unknown author, 17th - 18th century
    🏛️ Museu Nacional de Machado de Castro ・ Coimbra, Portugal

    Tiles of the "single figure" pattern, so typical of Coimbra production, are notable for their decorative effect. They had their origins in the Delft tiles imported from 1675.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  48. ・ Tiles panel of the "single figure" ・

    👤 Unknown author, 17th - 18th century
    🏛️ Museu Nacional de Machado de Castro ・ Coimbra, Portugal

    Tiles of the "single figure" pattern, so typical of Coimbra production, are notable for their decorative effect. They had their origins in the Delft tiles imported from 1675.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  49. ・ Tiles panel of the "single figure" ・

    👤 Unknown author, 17th - 18th century
    🏛️ Museu Nacional de Machado de Castro ・ Coimbra, Portugal

    Tiles of the "single figure" pattern, so typical of Coimbra production, are notable for their decorative effect. They had their origins in the Delft tiles imported from 1675.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  50. ・ Pattern azulejos, Fabrica Roseira ・

    👤 Fabrica Roseira, 1833/1880
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    From the mid-19th century onwards the taste for covering the façades of buildings in azulejos lent colour and rhythm to the austere urban landscape of Portugal. Fábrica Roseira in Lisbon produced a large part of these stamped faience azulejos.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  51. ・ Pattern azulejos, Fabrica Roseira ・

    👤 Fabrica Roseira, 1833/1880
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    From the mid-19th century onwards the taste for covering the façades of buildings in azulejos lent colour and rhythm to the austere urban landscape of Portugal. Fábrica Roseira in Lisbon produced a large part of these stamped faience azulejos.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  52. ・ Pattern azulejos, Fabrica Roseira ・

    👤 Fabrica Roseira, 1833/1880
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    From the mid-19th century onwards the taste for covering the façades of buildings in azulejos lent colour and rhythm to the austere urban landscape of Portugal. Fábrica Roseira in Lisbon produced a large part of these stamped faience azulejos.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  53. ・ Pattern azulejos, Fabrica Roseira ・

    👤 Fabrica Roseira, 1833/1880
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    From the mid-19th century onwards the taste for covering the façades of buildings in azulejos lent colour and rhythm to the austere urban landscape of Portugal. Fábrica Roseira in Lisbon produced a large part of these stamped faience azulejos.
    #portugal #museum #azulejo

    artsandculture.google.com/asse

  54. ・ Pattern azulejos, Fabrica Roseira ・

    👤 Fabrica Roseira, 1833/1880
    🏛️ National Azulejo Museum ・ Lisbon, Portugal

    From the mid-19th century onwards the taste for covering the façades of buildings in azulejos lent colour and rhythm to the austere urban landscape of Portugal. Fábrica Roseira in Lisbon produced a large part of these stamped faience azulejos.
    #portugal #museum #azulejo

    artsandculture.google.com/asse