#azulejo — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #azulejo, aggregated by home.social.
-
Los servicios.. los baños.. los sanitarios... los WC... en el estadio mundialista y olímpico de #Vancouver en la #ColumbiaBritánica en #Canadá ... con azulejos.. mosaicos.. baldosas.. loseta..
#foto #azulejo #mosaico #DistintosCastellanos #EspañolIberoamericano
-
Los servicios.. los baños.. los sanitarios... los WC... en el estadio mundialista y olímpico de #Vancouver en la #ColumbiaBritánica en #Canadá ... con azulejos.. mosaicos.. baldosas.. loseta..
#foto #azulejo #mosaico #DistintosCastellanos #EspañolIberoamericano
-
Los servicios.. los baños.. los sanitarios... los WC... en el estadio mundialista y olímpico de #Vancouver en la #ColumbiaBritánica en #Canadá ... con azulejos.. mosaicos.. baldosas.. loseta..
#foto #azulejo #mosaico #DistintosCastellanos #EspañolIberoamericano
-
Los servicios.. los baños.. los sanitarios... los WC... en el estadio mundialista y olímpico de #Vancouver en la #ColumbiaBritánica en #Canadá ... con azulejos.. mosaicos.. baldosas.. loseta..
#foto #azulejo #mosaico #DistintosCastellanos #EspañolIberoamericano
-
・ Tiles in Buçaco Palace Hotel, Mealhada, Portugal. ・
👤 Jorge Colaço
🏛️ The Portuguese Task Force for the Commemorations of the V Centenary of Circumnavigation ・ Algés, PortugalThe ignorance of the oceans fed the imagination of medieval man. If the sea was filled with monsters, the coastline also frightened. The limit of known waters ended at Cape Bojador - the cape of fear.
#portugal #museum #azulejo -
・ Tiles in Buçaco Palace Hotel, Mealhada, Portugal. ・
👤 Jorge Colaço
🏛️ The Portuguese Task Force for the Commemorations of the V Centenary of Circumnavigation ・ Algés, PortugalThe ignorance of the oceans fed the imagination of medieval man. If the sea was filled with monsters, the coastline also frightened. The limit of known waters ended at Cape Bojador - the cape of fear.
#portugal #museum #azulejo -
・ Tiles in Buçaco Palace Hotel, Mealhada, Portugal. ・
👤 Jorge Colaço
🏛️ The Portuguese Task Force for the Commemorations of the V Centenary of Circumnavigation ・ Algés, PortugalThe ignorance of the oceans fed the imagination of medieval man. If the sea was filled with monsters, the coastline also frightened. The limit of known waters ended at Cape Bojador - the cape of fear.
#portugal #museum #azulejo -
・ Tiles in Buçaco Palace Hotel, Mealhada, Portugal. ・
👤 Jorge Colaço
🏛️ The Portuguese Task Force for the Commemorations of the V Centenary of Circumnavigation ・ Algés, PortugalThe ignorance of the oceans fed the imagination of medieval man. If the sea was filled with monsters, the coastline also frightened. The limit of known waters ended at Cape Bojador - the cape of fear.
#portugal #museum #azulejo -
・ Tiles in Buçaco Palace Hotel, Mealhada, Portugal. ・
👤 Jorge Colaço
🏛️ The Portuguese Task Force for the Commemorations of the V Centenary of Circumnavigation ・ Algés, PortugalThe ignorance of the oceans fed the imagination of medieval man. If the sea was filled with monsters, the coastline also frightened. The limit of known waters ended at Cape Bojador - the cape of fear.
#portugal #museum #azulejo -
・ Chequered and cut out panel ・
👤 Querubim Lapa, 1991
🏛️ National Azulejo Museum ・ Lisbon, PortugalQuerubim Lapa (b. 1925 – d. 2016) belongs to that generation of artists that was responsible for the modern renewal of artistic ceramics in Portugal. In Lisbon he attended Afonso Domingues Industrial School and António Arroio School, where he b(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/chequered-and-cut-out-panel/pAFW--PSjxM5_g
-
・ Chequered and cut out panel ・
👤 Querubim Lapa, 1991
🏛️ National Azulejo Museum ・ Lisbon, PortugalQuerubim Lapa (b. 1925 – d. 2016) belongs to that generation of artists that was responsible for the modern renewal of artistic ceramics in Portugal. In Lisbon he attended Afonso Domingues Industrial School and António Arroio School, where he b(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/chequered-and-cut-out-panel/pAFW--PSjxM5_g
-
・ Chequered and cut out panel ・
👤 Querubim Lapa, 1991
🏛️ National Azulejo Museum ・ Lisbon, PortugalQuerubim Lapa (b. 1925 – d. 2016) belongs to that generation of artists that was responsible for the modern renewal of artistic ceramics in Portugal. In Lisbon he attended Afonso Domingues Industrial School and António Arroio School, where he b(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/chequered-and-cut-out-panel/pAFW--PSjxM5_g
-
・ Chequered and cut out panel ・
👤 Querubim Lapa, 1991
🏛️ National Azulejo Museum ・ Lisbon, PortugalQuerubim Lapa (b. 1925 – d. 2016) belongs to that generation of artists that was responsible for the modern renewal of artistic ceramics in Portugal. In Lisbon he attended Afonso Domingues Industrial School and António Arroio School, where he b(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/chequered-and-cut-out-panel/pAFW--PSjxM5_g
-
・ Chequered and cut out panel ・
👤 Querubim Lapa, 1991
🏛️ National Azulejo Museum ・ Lisbon, PortugalQuerubim Lapa (b. 1925 – d. 2016) belongs to that generation of artists that was responsible for the modern renewal of artistic ceramics in Portugal. In Lisbon he attended Afonso Domingues Industrial School and António Arroio School, where he b(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/chequered-and-cut-out-panel/pAFW--PSjxM5_g
-
https://www.europesays.com/es/713451/ Un azulejo recordará a Ricardo Ortiz en La Malagueta #azulejo #Entertainment #Entretenimiento #ES #España #malagueta #ortiz #recordara #ricardo #Spain
-
・ The shepherds ・
👤 Maria Keil, 1955
🏛️ National Azulejo Museum ・ Lisbon, PortugalMaria Keil (b. 1914 – d. 2012) developed a vast oeuvre in painting, illustration, engraving, tapestry and azulejos. As far these last are concerned she made a name by being the first Portuguese artist to give azulejos a modern look, based on th(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/the-shepherds/1wHa13_pUUtmag
-
・ The shepherds ・
👤 Maria Keil, 1955
🏛️ National Azulejo Museum ・ Lisbon, PortugalMaria Keil (b. 1914 – d. 2012) developed a vast oeuvre in painting, illustration, engraving, tapestry and azulejos. As far these last are concerned she made a name by being the first Portuguese artist to give azulejos a modern look, based on th(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/the-shepherds/1wHa13_pUUtmag
-
・ The shepherds ・
👤 Maria Keil, 1955
🏛️ National Azulejo Museum ・ Lisbon, PortugalMaria Keil (b. 1914 – d. 2012) developed a vast oeuvre in painting, illustration, engraving, tapestry and azulejos. As far these last are concerned she made a name by being the first Portuguese artist to give azulejos a modern look, based on th(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/the-shepherds/1wHa13_pUUtmag
-
・ The shepherds ・
👤 Maria Keil, 1955
🏛️ National Azulejo Museum ・ Lisbon, PortugalMaria Keil (b. 1914 – d. 2012) developed a vast oeuvre in painting, illustration, engraving, tapestry and azulejos. As far these last are concerned she made a name by being the first Portuguese artist to give azulejos a modern look, based on th(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/the-shepherds/1wHa13_pUUtmag
-
・ The shepherds ・
👤 Maria Keil, 1955
🏛️ National Azulejo Museum ・ Lisbon, PortugalMaria Keil (b. 1914 – d. 2012) developed a vast oeuvre in painting, illustration, engraving, tapestry and azulejos. As far these last are concerned she made a name by being the first Portuguese artist to give azulejos a modern look, based on th(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/the-shepherds/1wHa13_pUUtmag
-
・ Façade azulejo panel with roses pattern ・
👤 Massarelos Factory, 1890/1900
🏛️ National Azulejo Museum ・ Lisbon, PortugalThe semi-industrial and industrial production of pattern azulejos for façade revetment in urban buildings had its main production centres in Lisbon, Porto and Gaia. Few of the factories of the second half of the 19th century, which were respons(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/faade-azulejo-panel-with-roses-pattern/KQFO786eiq7neg
-
・ Façade azulejo panel with roses pattern ・
👤 Massarelos Factory, 1890/1900
🏛️ National Azulejo Museum ・ Lisbon, PortugalThe semi-industrial and industrial production of pattern azulejos for façade revetment in urban buildings had its main production centres in Lisbon, Porto and Gaia. Few of the factories of the second half of the 19th century, which were respons(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/faade-azulejo-panel-with-roses-pattern/KQFO786eiq7neg
-
・ Façade azulejo panel with roses pattern ・
👤 Massarelos Factory, 1890/1900
🏛️ National Azulejo Museum ・ Lisbon, PortugalThe semi-industrial and industrial production of pattern azulejos for façade revetment in urban buildings had its main production centres in Lisbon, Porto and Gaia. Few of the factories of the second half of the 19th century, which were respons(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/faade-azulejo-panel-with-roses-pattern/KQFO786eiq7neg
-
・ Façade azulejo panel with roses pattern ・
👤 Massarelos Factory, 1890/1900
🏛️ National Azulejo Museum ・ Lisbon, PortugalThe semi-industrial and industrial production of pattern azulejos for façade revetment in urban buildings had its main production centres in Lisbon, Porto and Gaia. Few of the factories of the second half of the 19th century, which were respons(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/faade-azulejo-panel-with-roses-pattern/KQFO786eiq7neg
-
・ Façade azulejo panel with roses pattern ・
👤 Massarelos Factory, 1890/1900
🏛️ National Azulejo Museum ・ Lisbon, PortugalThe semi-industrial and industrial production of pattern azulejos for façade revetment in urban buildings had its main production centres in Lisbon, Porto and Gaia. Few of the factories of the second half of the 19th century, which were respons(...)
#portugal #museum #azulejohttps://artsandculture.google.com/asset/faade-azulejo-panel-with-roses-pattern/KQFO786eiq7neg
-
This week's Ericeira, Portugal doors: azulejo checkerboard tile, a scrollwork door under São Miguel the Archangel, and cobalt doors guarded by a ceramic dolphin.
Vote: https://doors.sidewalksafari.com/vote-for-the-best-blue-door-in-ericeira-portugal/
-
This week's Ericeira, Portugal doors: azulejo checkerboard tile, a scrollwork door under São Miguel the Archangel, and cobalt doors guarded by a ceramic dolphin.
Vote: https://doors.sidewalksafari.com/vote-for-the-best-blue-door-in-ericeira-portugal/
-
This week's Ericeira, Portugal doors: azulejo checkerboard tile, a scrollwork door under São Miguel the Archangel, and cobalt doors guarded by a ceramic dolphin.
Vote: https://doors.sidewalksafari.com/vote-for-the-best-blue-door-in-ericeira-portugal/
-
This week's Ericeira, Portugal doors: azulejo checkerboard tile, a scrollwork door under São Miguel the Archangel, and cobalt doors guarded by a ceramic dolphin.
Vote: https://doors.sidewalksafari.com/vote-for-the-best-blue-door-in-ericeira-portugal/
-
This week's Ericeira, Portugal doors: azulejo checkerboard tile, a scrollwork door under São Miguel the Archangel, and cobalt doors guarded by a ceramic dolphin.
Vote: https://doors.sidewalksafari.com/vote-for-the-best-blue-door-in-ericeira-portugal/
-
Three doors from one afternoon in Ericeira, Portugal, all the same shade of blue but nothing else alike. One sits under a checkerboard wall of azulejo tile. One has a devotional tile of São Miguel, Saint Michael the Archangel, spearing the dragon above the frame. One is watched over by a small ceramic dolphin, a nod to this surf town's relationship with the Atlantic. Same paint can, three different stories.
#PhotoMonday #FotoMontag #Azulejo -
Three doors from one afternoon in Ericeira, Portugal, all the same shade of blue but nothing else alike. One sits under a checkerboard wall of azulejo tile. One has a devotional tile of São Miguel, Saint Michael the Archangel, spearing the dragon above the frame. One is watched over by a small ceramic dolphin, a nod to this surf town's relationship with the Atlantic. Same paint can, three different stories.
#PhotoMonday #FotoMontag #Azulejo -
Three doors from one afternoon in Ericeira, Portugal, all the same shade of blue but nothing else alike. One sits under a checkerboard wall of azulejo tile. One has a devotional tile of São Miguel, Saint Michael the Archangel, spearing the dragon above the frame. One is watched over by a small ceramic dolphin, a nod to this surf town's relationship with the Atlantic. Same paint can, three different stories.
#PhotoMonday #FotoMontag #Azulejo -
Three doors from one afternoon in Ericeira, Portugal, all the same shade of blue but nothing else alike. One sits under a checkerboard wall of azulejo tile. One has a devotional tile of São Miguel, Saint Michael the Archangel, spearing the dragon above the frame. One is watched over by a small ceramic dolphin, a nod to this surf town's relationship with the Atlantic. Same paint can, three different stories.
#PhotoMonday #FotoMontag #Azulejo -
Three doors from one afternoon in Ericeira, Portugal, all the same shade of blue but nothing else alike. One sits under a checkerboard wall of azulejo tile. One has a devotional tile of São Miguel, Saint Michael the Archangel, spearing the dragon above the frame. One is watched over by a small ceramic dolphin, a nod to this surf town's relationship with the Atlantic. Same paint can, three different stories.
#PhotoMonday #FotoMontag #Azulejo -
🎨 Oh, #Azulejo, the masterpiece of #web etiquette! Apparently, all it takes to access the holy grail of content is understanding an obscure error message and jumping through hoops of links as if we're in the Olympics of User-Agent gymnastics. 🏆 Who knew respecting robot policies could be this exhilarating? 🚀
https://en.wikipedia.org/wiki/Azulejo #Etiquette #UserAgent #ErrorMessages #RobotPolicies #Olympiad #HackerNews #ngated -
🎨 Oh, #Azulejo, the masterpiece of #web etiquette! Apparently, all it takes to access the holy grail of content is understanding an obscure error message and jumping through hoops of links as if we're in the Olympics of User-Agent gymnastics. 🏆 Who knew respecting robot policies could be this exhilarating? 🚀
https://en.wikipedia.org/wiki/Azulejo #Etiquette #UserAgent #ErrorMessages #RobotPolicies #Olympiad #HackerNews #ngated -
🎨 Oh, #Azulejo, the masterpiece of #web etiquette! Apparently, all it takes to access the holy grail of content is understanding an obscure error message and jumping through hoops of links as if we're in the Olympics of User-Agent gymnastics. 🏆 Who knew respecting robot policies could be this exhilarating? 🚀
https://en.wikipedia.org/wiki/Azulejo #Etiquette #UserAgent #ErrorMessages #RobotPolicies #Olympiad #HackerNews #ngated -
🎨 Oh, #Azulejo, the masterpiece of #web etiquette! Apparently, all it takes to access the holy grail of content is understanding an obscure error message and jumping through hoops of links as if we're in the Olympics of User-Agent gymnastics. 🏆 Who knew respecting robot policies could be this exhilarating? 🚀
https://en.wikipedia.org/wiki/Azulejo #Etiquette #UserAgent #ErrorMessages #RobotPolicies #Olympiad #HackerNews #ngated -
🎨 Oh, #Azulejo, the masterpiece of #web etiquette! Apparently, all it takes to access the holy grail of content is understanding an obscure error message and jumping through hoops of links as if we're in the Olympics of User-Agent gymnastics. 🏆 Who knew respecting robot policies could be this exhilarating? 🚀
https://en.wikipedia.org/wiki/Azulejo #Etiquette #UserAgent #ErrorMessages #RobotPolicies #Olympiad #HackerNews #ngated -
・ Corda-seca tiles with geometrical knotwork motifs ・
👤 Unknown, 15th-16th century -
🏛️ National Palace of Sintra ・ Sintra, PortugalWall covering of the Sala das Pegas (Magpie Room) at the National Palace of Sintra, with a Mudejar pattern of a star-shaped motif with a powerful chromatic effect. This room was used to receive the realm’s most notable figures and foreign ambas(...)
#portugal #museum #azulejo -
・ Corda-seca tiles with geometrical knotwork motifs ・
👤 Unknown, 15th-16th century -
🏛️ National Palace of Sintra ・ Sintra, PortugalWall covering of the Sala das Pegas (Magpie Room) at the National Palace of Sintra, with a Mudejar pattern of a star-shaped motif with a powerful chromatic effect. This room was used to receive the realm’s most notable figures and foreign ambas(...)
#portugal #museum #azulejo -
・ Corda-seca tiles with geometrical knotwork motifs ・
👤 Unknown, 15th-16th century -
🏛️ National Palace of Sintra ・ Sintra, PortugalWall covering of the Sala das Pegas (Magpie Room) at the National Palace of Sintra, with a Mudejar pattern of a star-shaped motif with a powerful chromatic effect. This room was used to receive the realm’s most notable figures and foreign ambas(...)
#portugal #museum #azulejo -
・ Corda-seca tiles with geometrical knotwork motifs ・
👤 Unknown, 15th-16th century -
🏛️ National Palace of Sintra ・ Sintra, PortugalWall covering of the Sala das Pegas (Magpie Room) at the National Palace of Sintra, with a Mudejar pattern of a star-shaped motif with a powerful chromatic effect. This room was used to receive the realm’s most notable figures and foreign ambas(...)
#portugal #museum #azulejo -
・ Corda-seca tiles with geometrical knotwork motifs ・
👤 Unknown, 15th-16th century -
🏛️ National Palace of Sintra ・ Sintra, PortugalWall covering of the Sala das Pegas (Magpie Room) at the National Palace of Sintra, with a Mudejar pattern of a star-shaped motif with a powerful chromatic effect. This room was used to receive the realm’s most notable figures and foreign ambas(...)
#portugal #museum #azulejo -
・ Tiles panel of the "single figure" ・
👤 Unknown author, 17th - 18th century
🏛️ Museu Nacional de Machado de Castro ・ Coimbra, PortugalTiles of the "single figure" pattern, so typical of Coimbra production, are notable for their decorative effect. They had their origins in the Delft tiles imported from 1675.
#portugal #museum #azulejohttps://artsandculture.google.com/asset/tiles-panel-of-the-single-figure/MAHD3lLkcIsQkg
-
・ Tiles panel of the "single figure" ・
👤 Unknown author, 17th - 18th century
🏛️ Museu Nacional de Machado de Castro ・ Coimbra, PortugalTiles of the "single figure" pattern, so typical of Coimbra production, are notable for their decorative effect. They had their origins in the Delft tiles imported from 1675.
#portugal #museum #azulejohttps://artsandculture.google.com/asset/tiles-panel-of-the-single-figure/MAHD3lLkcIsQkg
-
・ Tiles panel of the "single figure" ・
👤 Unknown author, 17th - 18th century
🏛️ Museu Nacional de Machado de Castro ・ Coimbra, PortugalTiles of the "single figure" pattern, so typical of Coimbra production, are notable for their decorative effect. They had their origins in the Delft tiles imported from 1675.
#portugal #museum #azulejohttps://artsandculture.google.com/asset/tiles-panel-of-the-single-figure/MAHD3lLkcIsQkg
-
・ Tiles panel of the "single figure" ・
👤 Unknown author, 17th - 18th century
🏛️ Museu Nacional de Machado de Castro ・ Coimbra, PortugalTiles of the "single figure" pattern, so typical of Coimbra production, are notable for their decorative effect. They had their origins in the Delft tiles imported from 1675.
#portugal #museum #azulejohttps://artsandculture.google.com/asset/tiles-panel-of-the-single-figure/MAHD3lLkcIsQkg
-
・ Tiles panel of the "single figure" ・
👤 Unknown author, 17th - 18th century
🏛️ Museu Nacional de Machado de Castro ・ Coimbra, PortugalTiles of the "single figure" pattern, so typical of Coimbra production, are notable for their decorative effect. They had their origins in the Delft tiles imported from 1675.
#portugal #museum #azulejohttps://artsandculture.google.com/asset/tiles-panel-of-the-single-figure/MAHD3lLkcIsQkg
-
・ Pattern azulejos, Fabrica Roseira ・
👤 Fabrica Roseira, 1833/1880
🏛️ National Azulejo Museum ・ Lisbon, PortugalFrom the mid-19th century onwards the taste for covering the façades of buildings in azulejos lent colour and rhythm to the austere urban landscape of Portugal. Fábrica Roseira in Lisbon produced a large part of these stamped faience azulejos.
#portugal #museum #azulejohttps://artsandculture.google.com/asset/pattern-azulejos-fabrica-roseira/kQGgwvTalzg02Q
-
・ Pattern azulejos, Fabrica Roseira ・
👤 Fabrica Roseira, 1833/1880
🏛️ National Azulejo Museum ・ Lisbon, PortugalFrom the mid-19th century onwards the taste for covering the façades of buildings in azulejos lent colour and rhythm to the austere urban landscape of Portugal. Fábrica Roseira in Lisbon produced a large part of these stamped faience azulejos.
#portugal #museum #azulejohttps://artsandculture.google.com/asset/pattern-azulejos-fabrica-roseira/kQGgwvTalzg02Q
-
・ Pattern azulejos, Fabrica Roseira ・
👤 Fabrica Roseira, 1833/1880
🏛️ National Azulejo Museum ・ Lisbon, PortugalFrom the mid-19th century onwards the taste for covering the façades of buildings in azulejos lent colour and rhythm to the austere urban landscape of Portugal. Fábrica Roseira in Lisbon produced a large part of these stamped faience azulejos.
#portugal #museum #azulejohttps://artsandculture.google.com/asset/pattern-azulejos-fabrica-roseira/kQGgwvTalzg02Q
-
・ Pattern azulejos, Fabrica Roseira ・
👤 Fabrica Roseira, 1833/1880
🏛️ National Azulejo Museum ・ Lisbon, PortugalFrom the mid-19th century onwards the taste for covering the façades of buildings in azulejos lent colour and rhythm to the austere urban landscape of Portugal. Fábrica Roseira in Lisbon produced a large part of these stamped faience azulejos.
#portugal #museum #azulejohttps://artsandculture.google.com/asset/pattern-azulejos-fabrica-roseira/kQGgwvTalzg02Q
-
・ Pattern azulejos, Fabrica Roseira ・
👤 Fabrica Roseira, 1833/1880
🏛️ National Azulejo Museum ・ Lisbon, PortugalFrom the mid-19th century onwards the taste for covering the façades of buildings in azulejos lent colour and rhythm to the austere urban landscape of Portugal. Fábrica Roseira in Lisbon produced a large part of these stamped faience azulejos.
#portugal #museum #azulejohttps://artsandculture.google.com/asset/pattern-azulejos-fabrica-roseira/kQGgwvTalzg02Q
