#awardsbtl — Public Fediverse posts

‘Kokuho’ Makeup Dept. Head Kyoko Toyakawa & Kabuki Makeup Artist Naomi Hibino On Telling The 50-Year Story Of A Kabuki Actor Through Makeup
#BelowTheLine #News #Awardsbtl #GKIDS #HairMakeup #Kokuho #KyokoToyokawa #NaomiHibino

https://deadline.com/2026/02/kokuho-makeup-kyoko-toyakawa-naomi-hibino-interview-1236736351/

‘Sentimental Value’ Editor Olivier Butte Coutté On Balancing A Multi-Character Film So Every Character “Drives The Film”
#BelowTheLine #News #Awardsbtl #Editing #OlivierButteCoutté #SentimentalValue

https://deadline.com/2026/02/sentimental-value-editor-olivier-butte-coutte-interview-1236729752/

‘After The Hunt’ Production Designer Stefano Baisi On Creating “Layers Of History” To Match The Apartment Of An “Academic Elite”
#BelowTheLine #News #AfterTheHunt #Awardsbtl #ProductionDesign #StefanoBaisi

https://deadline.com/2025/12/after-the-hunt-production-designer-stefano-baisi-interview-1236655364/

‘After The Hunt’ Production Designer Stefano Baisi On Creating “Layers Of History” To Match The Apartment Of An “Academic Elite”
#BelowTheLine #News #AfterTheHunt #Awardsbtl #ProductionDesign #StefanoBaisi

https://deadline.com/2025/12/after-the-hunt-production-designer-stefano-baisi-interview-1236655364/

‘After The Hunt’ Production Designer Stefano Baisi On Creating “Layers Of History” To Match The Apartment Of An “Academic Elite”
#BelowTheLine #News #AfterTheHunt #Awardsbtl #ProductionDesign #StefanoBaisi

https://deadline.com/2025/12/after-the-hunt-production-designer-stefano-baisi-interview-1236655364/

‘After The Hunt’ Production Designer Stefano Baisi On Creating “Layers Of History” To Match The Apartment Of An “Academic Elite”
#BelowTheLine #News #AfterTheHunt #Awardsbtl #ProductionDesign #StefanoBaisi

https://deadline.com/2025/12/after-the-hunt-production-designer-stefano-baisi-interview-1236655364/

How Production Designer Fiona Crombie Recreated Shakespeare’s Iconic Theater With A “Rough And Rustic” Aesthetic For ‘Hamnet’
#BelowTheLine #News #Awardsbtl #FionaCrombie #FocusFeatures #Hamnet #ProductionDesign

https://deadline.com/2025/12/hamnet-fiona-crombie-production-design-globe-interview-1236654653/

Chloé Zhao & Affonso Gonçalves On Editing The Play To “Weave Towards A Catharsis” For The Ending Of ‘Hamnet’
#BelowTheLine #News #AffonsoGonçalves #Awardsbtl #ChloéZhao #Editing #Hamnet

https://deadline.com/2025/12/chloe-zhao-affonso-goncalves-hamnet-editing-video-feature-1236654378/

How Production Designer Nathan Crowley Wove Together Trees And Made A Castle Float To Expand The World Of Oz In ‘Wicked: For Good’
#BelowTheLine #News #Awardsbtl #NathanCrowley #ProductionDesign #UniversalPictures #WickedForGood

https://deadline.com/2025/12/wicked-for-good-production-design-nathan-crowley-interview-1236647948/

How Writer-Director Rian Johnson & Cinematographer Steve Yedlin Went “Theatrical With Natural Light Shifts” For ‘Wake Up Dead Man’
#BelowTheLine #News #Awardsbtl #Netflix #RianJohnson #SteveYedlin #WakeUpDeadMan

https://deadline.com/2025/12/rian-johnson-steve-yedlin-wake-up-dead-man-cinematography-1236644906/

‘One Battle After Another’ Editor Andy Jurgensen On Balancing Genres & Being “Fluid” In The Edit
#BelowTheLine #News #AndyJurgensen #Awardsbtl #Editing #OneBattleAfterAnother

https://deadline.com/2025/10/one-battle-after-another-andy-jurgensen-editing-interview-1236600480/

‘Hacks’ Production Designer Rob Tokarz On Bringing A Touch Of “Weirdness” To The Late Night Set & Highlighting Deborah’s Vegas Roots
#BelowTheLine #News #Awardsbtl #Hacks #Max #ProductionDesign #RobTokarz

https://deadline.com/2025/08/hacks-production-design-rob-tokarz-interview-max-1236494430/

‘Adolescence’ Production Designer Adam Tomlinson On Building To “Keep The Flow” For A One Shot
#BelowTheLine #News #AdamTomlinson #Adolescence #Awardsbtl #Netflix #ProductionDesign

https://deadline.com/2025/06/adolescence-production-designer-adam-tomlinson-interview-1236438570/

Cinematographer Christopher Ross On Capturing “The Gray Area Of The Human Condition” In ‘The Day Of The Jackal’
#BelowTheLine #News #Awardsbtl #ChristopherRoss #Cinematography #Peacock #TheDayoftheJackal

https://deadline.com/2025/06/the-day-of-the-jackal-dp-christopher-ross-interview-1236438067/

How ‘Agatha All Along’ Songwriters Kristen Anderson-Lopez & Robert Lopez Built A History For “The Ballad of the Witches’ Road”
#BelowTheLine #News #Agathaallalong #Awardsbtl #KristenAndersonLopez #RobertLopez #Songwriter

https://deadline.com/2025/06/agatha-all-along-song-kristen-anderson-lopez-robert-lopez-1236437163/

‘The Residence’ Composer Mark Mothersbaugh On Using Both The “Scholarly Right-Brain” & “Crazy Left-Brain” Sides Of Creativity
#BelowTheLine #News #Awardsbtl #MarkMothersbaugh #Netflix #TheResidence

https://deadline.com/2025/06/the-residence-mark-mothersbaugh-composer-netflix-interview-1236428717/

‘A Different Man’ Makeup Designer Mike Marino On The Prosthetic Stages Of Sebastian Stan’s “Metamorphosis”
#BelowTheLine #News #ADifferentMan #Awardsbtl #MikeMarino

https://deadline.com/2025/02/a-different-man-makeup-designer-mike-marino-interview-1236286054/

‘Emilia Pérez’ Songwriters Clément Ducol & Camille On Crafting A “Catalyst For Narrative And Emotions” Through Music
#BelowTheLine #News #Awardsbtl #Camille #ClémentDucol #EmiliaPerez #Netflix #Songwriter

https://deadline.com/2025/02/emilia-perez-songwriters-clement-ducol-camille-interview-1236285934/

‘The Room Next Door’ Production Designer Inbal Weinberg On Blending NYC Themes With The Almodóvar Aesthetic
#BelowTheLine #News #Awardsbtl #InbalWeinberg #ProductionDesign #TheRoomNextDoor

https://deadline.com/2024/12/the-room-next-door-interview-production-design-craft-1236243313/

The Craft of ‘September 5’: How Director Tim Fehlbaum & Craft Team Used A “Limitation Of Space” To Increase The “Nail-Biting Tension”
#BelowTheLine #News #Awardsbtl #Cinematography #Composer #Editing #MoritzBinder #ProductionDesign #September5 #TimFehlbaum

https://deadline.com/2024/12/september-5-tim-fehlbaum-craft-team-interview-1236240199/

‘Wicked’ Cinematographer Alice Brooks On The Interplay Of Light And Darkness In New Featurette
#BelowTheLine #News #AliceBrooks #Awardsbtl #Cinematography #JonMChu #Wicked

https://deadline.com/2024/12/wicked-alice-brooks-jon-m-chu-cinematographer-craft-featurette-1236201760/

‘The Wild Robot’ Composer Kris Bowers & Songwriter Maren Morris On Recreating The “Diegetic Sounds In Nature” & The “Bitter-Sweetness” Of Writing “Kiss The Sky”
#BelowTheLine #News #Awardsbtl #Composer #DreamWorksAnimation #KrisBowers #MarenMorris #TheWildRobot

https://deadline.com/2024/12/the-wild-robot-kris-bowers-maren-morris-composer-songwriter-animation-dialogue-craft-1236199933/

‘Sing Sing’ Composer Bryce Dessner On Defying Expectations By “Responding To The Poetry Under The Heartbeat Of The Film”
#BelowTheLine #News #A24 #Awardsbtl #BryceDessner #Composer #SingSing

https://deadline.com/2024/12/sing-sing-bryce-dessner-composer-score-craft-dialogue-awards-1236198865/

‘Wicked’ Editor Myron Kerstein On The “Human Moments” Between Elphaba And Glinda In New Editing Featurette
#BelowTheLine #News #Awardsbtl #Editing #MyronKerstein #Wicked

https://deadline.com/2024/12/wicked-myron-kerstein-editing-featurette-video-1236195918/

‘Wicked’, ‘Emilia Perez’ & ‘Joker: Folie A Deux’ Cinematographers On Capturing Musical Magic
#BelowTheLine #News #AliceBrooks #Awardsbtl #Cinematography #EmiliaPérez #JokerFolieàDeux #LawrenceSher #PaulGuilhaume #Wicked

https://deadline.com/2024/11/wicked-emilia-perez-joker-folie-a-deux-musical-cinematography-feature-1236174534/