#aviana — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #aviana, aggregated by home.social.
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https://youtu.be/_3eOL62jciw?si=Bi5OkMF7HvSmVREw
La meva #CançóDelDia per al diumenge 21 de desembre és aquesta dels #Aviana #Göteborg #Djent #Metalcore 🦾!
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https://youtu.be/_3eOL62jciw?si=Bi5OkMF7HvSmVREw
La meva #CançóDelDia per al diumenge 21 de desembre és aquesta dels #Aviana #Göteborg #Djent #Metalcore 🦾!
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https://youtu.be/_3eOL62jciw?si=Bi5OkMF7HvSmVREw
La meva #CançóDelDia per al diumenge 21 de desembre és aquesta dels #Aviana #Göteborg #Djent #Metalcore 🦾!
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https://youtu.be/_3eOL62jciw?si=Bi5OkMF7HvSmVREw
La meva #CançóDelDia per al diumenge 21 de desembre és aquesta dels #Aviana #Göteborg #Djent #Metalcore 🦾!
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https://youtu.be/_3eOL62jciw?si=Bi5OkMF7HvSmVREw
La meva #CançóDelDia per al diumenge 21 de desembre és aquesta dels #Aviana #Göteborg #Djent #Metalcore 🦾!
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AVERIUM und Erdling
09.01.2026 BerlinAviana
19.11.2025 Berlin / Hole 44Brand Of Sacrifice und We Came As Romans
06.10.2025 Berlin / Festsaal KreuzbergDefecto
08.02.2026 Berlin / LidoFaun
24.10.2025 Berlin / AdmiralspalastNoisemaker, Revnoir und Coldrain
10.12.2025 Berlin / Lido#AVERIUM #Admiralspalast #Aviana #Berlin #Br #Defecto #Faun #FestsaalKreuzberg #Hole44 #Lido #Noisemaker #SteelFeed
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Cabal – Everything Rots Review
By Dear Hollow
The struggle between viciousness and velocity is a storied one in the realm of deathcore, and Cabal is no exception in its battle between tone-abusing slogs and blazing blastbeats. Enacting a blackened deathcore attack that neglects orchestral atmospheres and paper-thin symphonics in favor of thick filth that covers every surface lead and fills every chugging crevice, it flaunts an arsenal of blackened chord progressions that lend a horror appropriate to its occult theme. The band has nevertheless toiled between the trenches of stagnation and devastation. Four albums in, expect filthy chugging aplenty, dark electronic flourishes abound, and a tasteful array of guest vocalists, all in service of a darker power. Business as usual.
In spite of its unmistakable filth that separates it from the likes of Lorna Shore, Worm Shepherd, or any of the other Deathcore Borgirs of the world, Denmark’s Cabal has a bit of a rollercoaster of a discography since 2018. Debut Mark of Rot was a simultaneously too-clean and too-dirty blend of down-tempo deathcore with blackened flourishes and a sterile djent guitar tone. 2020’s Drag Me Down amped the tempo with an unfuckwithable cutthroat quality that kept things fresh and brutal with spotlights of guests from Polaris, Møl, and Trivium. 2022’s Magno Interitus amped the tone with a lightless and mammoth foray into dark electronics that kept things interesting, although its more experimental pieces damaged its consistency. In this way, Everything Rots more seamlessly incorporates it into an over-the-top and absolutely relentless deathcore romp caked with Cabal’s suffocating trademark filth.
Like “Tongues” or “Demagogue” from Drag Me Down, Cabal manages to balance its absolutely crushing weight with a tasteful novelty in Everything Rots. While you’re guaranteed to be bludgeoned by breakdowns infused with the weight of Magno Interitus and pulverized by Andreas Bjulver’s husky roars, a heavier usage of blastbeats adds to the frenzy and the guest vocals add a dosage of well-placed freshness, not unlike Aborted’s latest. Injecting a hardcore call-out badassery (Viscera’s Jamie Graham in “No Peace;” Nasty’s Matthi Odysseus in “Unveiled”), rapid-fire groove (ten56.’s Aaron Matts in “Still Cursed”), and thick brutality (Aviana’s Joel Holmqvist in “Stuck;” Distant’s Alan Grnja in “Beneath Blackened Skies”). “Sort Sommer” (featuring hip-hop/punk duo Fabräk) has the same feel as “Blod af Mit” from Magno Interitus in its sudden embarrassment of nu-metal riches, but has been safely relegated to bonus track this time around. Cabal utilizes novelty as a reprieve to the relentless density that comprises its more straightforward pieces.
What’s consistently refreshing about Cabal is that their deathcore novelty is bolstered by a smart songwriting style that balances the meatheaded and the menacing. The best songs are those that are securely Cabal’s – in spite of the army of guests elsewhere – from the sweet placements of icy blackened chord progressions to mammoth breakdowns (“Everything Rots,” “Hell Hounds”). Compared to its predecessor, Everything Rots returns to what the band does best: being completely unhinged. It’s all about adrenaline-pumping intensity, pure gym-core, unshakeable groove populating its digestible tracks with a cold and intense melodic template (“Redemption Denied,” “End Times”). The electronic influence is far less jarring, adding a surreal pulse in addition to (instead of in replacement of) the deathcore intensity (“Forever Marked,” “Snake Tongues”).
Everything Rots will not sway your opinion on deathcore. It’s a meatheaded foray with enough chuggy breakdowns, brickwalled production, and vomitous vocals to kill an adult horse:1 A faster Black Tongue perhaps or a more blackened Humanity’s Last Breath. But armed with a blackened filth and a vocalist who could pass as his own arsenal of guest vocalists, Cabal’s got a trademark sound and a great interpretation of it. It’s a return to form for a band known for its balance, thanks to a cutthroat intensity that recalls the grandiosity of Drag Me Down. Dwelling in hell-scraping tone worship and tempo ignorance only when it benefits its occult aims, Everything Rots is a suffocating listen, smartly designed with necessary reprieves, with a must more tasteful electronic presence. It’s a brutal blackened deathcore album without all the symphonic bullshit. Deathcore fans rejoice!
Rating: 3.5/5.0
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Nuclear Blast Records
Websites: cabalcph.bandcamp.com | cabalcult.com | facebook.com/@cabalcph
Releases Worldwide: April 11th, 2025#2025 #35 #Aborted #Apr25 #Aviana #BlackTongue #BlackenedDeathcore #CABAL #DanishMetal #Deathcore #DimmuBorgir #Distant #Electronic #EverythingRots #Fabräk #Hardcore #HumanitySLastBreath #LornaShore #Møl #Nasty #NuclearBlastRecords #Polaris #Review #Reviews #ten56_ #Trivium #Viscera #WormShepherd
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Cabal – Everything Rots Review
By Dear Hollow
The struggle between viciousness and velocity is a storied one in the realm of deathcore, and Cabal is no exception in its battle between tone-abusing slogs and blazing blastbeats. Enacting a blackened deathcore attack that neglects orchestral atmospheres and paper-thin symphonics in favor of thick filth that covers every surface lead and fills every chugging crevice, it flaunts an arsenal of blackened chord progressions that lend a horror appropriate to its occult theme. The band has nevertheless toiled between the trenches of stagnation and devastation. Four albums in, expect filthy chugging aplenty, dark electronic flourishes abound, and a tasteful array of guest vocalists, all in service of a darker power. Business as usual.
In spite of its unmistakable filth that separates it from the likes of Lorna Shore, Worm Shepherd, or any of the other Deathcore Borgirs of the world, Denmark’s Cabal has a bit of a rollercoaster of a discography since 2018. Debut Mark of Rot was a simultaneously too-clean and too-dirty blend of down-tempo deathcore with blackened flourishes and a sterile djent guitar tone. 2020’s Drag Me Down amped the tempo with an unfuckwithable cutthroat quality that kept things fresh and brutal with spotlights of guests from Polaris, Møl, and Trivium. 2022’s Magno Interitus amped the tone with a lightless and mammoth foray into dark electronics that kept things interesting, although its more experimental pieces damaged its consistency. In this way, Everything Rots more seamlessly incorporates it into an over-the-top and absolutely relentless deathcore romp caked with Cabal’s suffocating trademark filth.
Like “Tongues” or “Demagogue” from Drag Me Down, Cabal manages to balance its absolutely crushing weight with a tasteful novelty in Everything Rots. While you’re guaranteed to be bludgeoned by breakdowns infused with the weight of Magno Interitus and pulverized by Andreas Bjulver’s husky roars, a heavier usage of blastbeats adds to the frenzy and the guest vocals add a dosage of well-placed freshness, not unlike Aborted’s latest. Injecting a hardcore call-out badassery (Viscera’s Jamie Graham in “No Peace;” Nasty’s Matthi Odysseus in “Unveiled”), rapid-fire groove (ten56.’s Aaron Matts in “Still Cursed”), and thick brutality (Aviana’s Joel Holmqvist in “Stuck;” Distant’s Alan Grnja in “Beneath Blackened Skies”). “Sort Sommer” (featuring hip-hop/punk duo Fabräk) has the same feel as “Blod af Mit” from Magno Interitus in its sudden embarrassment of nu-metal riches, but has been safely relegated to bonus track this time around. Cabal utilizes novelty as a reprieve to the relentless density that comprises its more straightforward pieces.
What’s consistently refreshing about Cabal is that their deathcore novelty is bolstered by a smart songwriting style that balances the meatheaded and the menacing. The best songs are those that are securely Cabal’s – in spite of the army of guests elsewhere – from the sweet placements of icy blackened chord progressions to mammoth breakdowns (“Everything Rots,” “Hell Hounds”). Compared to its predecessor, Everything Rots returns to what the band does best: being completely unhinged. It’s all about adrenaline-pumping intensity, pure gym-core, unshakeable groove populating its digestible tracks with a cold and intense melodic template (“Redemption Denied,” “End Times”). The electronic influence is far less jarring, adding a surreal pulse in addition to (instead of in replacement of) the deathcore intensity (“Forever Marked,” “Snake Tongues”).
Everything Rots will not sway your opinion on deathcore. It’s a meatheaded foray with enough chuggy breakdowns, brickwalled production, and vomitous vocals to kill an adult horse:1 A faster Black Tongue perhaps or a more blackened Humanity’s Last Breath. But armed with a blackened filth and a vocalist who could pass as his own arsenal of guest vocalists, Cabal’s got a trademark sound and a great interpretation of it. It’s a return to form for a band known for its balance, thanks to a cutthroat intensity that recalls the grandiosity of Drag Me Down. Dwelling in hell-scraping tone worship and tempo ignorance only when it benefits its occult aims, Everything Rots is a suffocating listen, smartly designed with necessary reprieves, with a must more tasteful electronic presence. It’s a brutal blackened deathcore album without all the symphonic bullshit. Deathcore fans rejoice!
Rating: 3.5/5.0
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Nuclear Blast Records
Websites: cabalcph.bandcamp.com | cabalcult.com | facebook.com/@cabalcph
Releases Worldwide: April 11th, 2025#2025 #35 #Aborted #Apr25 #Aviana #BlackTongue #BlackenedDeathcore #CABAL #DanishMetal #Deathcore #DimmuBorgir #Distant #Electronic #EverythingRots #Fabräk #Hardcore #HumanitySLastBreath #LornaShore #Møl #Nasty #NuclearBlastRecords #Polaris #Review #Reviews #ten56_ #Trivium #Viscera #WormShepherd
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Cabal – Everything Rots Review
By Dear Hollow
The struggle between viciousness and velocity is a storied one in the realm of deathcore, and Cabal is no exception in its battle between tone-abusing slogs and blazing blastbeats. Enacting a blackened deathcore attack that neglects orchestral atmospheres and paper-thin symphonics in favor of thick filth that covers every surface lead and fills every chugging crevice, it flaunts an arsenal of blackened chord progressions that lend a horror appropriate to its occult theme. The band has nevertheless toiled between the trenches of stagnation and devastation. Four albums in, expect filthy chugging aplenty, dark electronic flourishes abound, and a tasteful array of guest vocalists, all in service of a darker power. Business as usual.
In spite of its unmistakable filth that separates it from the likes of Lorna Shore, Worm Shepherd, or any of the other Deathcore Borgirs of the world, Denmark’s Cabal has a bit of a rollercoaster of a discography since 2018. Debut Mark of Rot was a simultaneously too-clean and too-dirty blend of down-tempo deathcore with blackened flourishes and a sterile djent guitar tone. 2020’s Drag Me Down amped the tempo with an unfuckwithable cutthroat quality that kept things fresh and brutal with spotlights of guests from Polaris, Møl, and Trivium. 2022’s Magno Interitus amped the tone with a lightless and mammoth foray into dark electronics that kept things interesting, although its more experimental pieces damaged its consistency. In this way, Everything Rots more seamlessly incorporates it into an over-the-top and absolutely relentless deathcore romp caked with Cabal’s suffocating trademark filth.
Like “Tongues” or “Demagogue” from Drag Me Down, Cabal manages to balance its absolutely crushing weight with a tasteful novelty in Everything Rots. While you’re guaranteed to be bludgeoned by breakdowns infused with the weight of Magno Interitus and pulverized by Andreas Bjulver’s husky roars, a heavier usage of blastbeats adds to the frenzy and the guest vocals add a dosage of well-placed freshness, not unlike Aborted’s latest. Injecting a hardcore call-out badassery (Viscera’s Jamie Graham in “No Peace;” Nasty’s Matthi Odysseus in “Unveiled”), rapid-fire groove (ten56.’s Aaron Matts in “Still Cursed”), and thick brutality (Aviana’s Joel Holmqvist in “Stuck;” Distant’s Alan Grnja in “Beneath Blackened Skies”). “Sort Sommer” (featuring hip-hop/punk duo Fabräk) has the same feel as “Blod af Mit” from Magno Interitus in its sudden embarrassment of nu-metal riches, but has been safely relegated to bonus track this time around. Cabal utilizes novelty as a reprieve to the relentless density that comprises its more straightforward pieces.
What’s consistently refreshing about Cabal is that their deathcore novelty is bolstered by a smart songwriting style that balances the meatheaded and the menacing. The best songs are those that are securely Cabal’s – in spite of the army of guests elsewhere – from the sweet placements of icy blackened chord progressions to mammoth breakdowns (“Everything Rots,” “Hell Hounds”). Compared to its predecessor, Everything Rots returns to what the band does best: being completely unhinged. It’s all about adrenaline-pumping intensity, pure gym-core, unshakeable groove populating its digestible tracks with a cold and intense melodic template (“Redemption Denied,” “End Times”). The electronic influence is far less jarring, adding a surreal pulse in addition to (instead of in replacement of) the deathcore intensity (“Forever Marked,” “Snake Tongues”).
Everything Rots will not sway your opinion on deathcore. It’s a meatheaded foray with enough chuggy breakdowns, brickwalled production, and vomitous vocals to kill an adult horse:1 A faster Black Tongue perhaps or a more blackened Humanity’s Last Breath. But armed with a blackened filth and a vocalist who could pass as his own arsenal of guest vocalists, Cabal’s got a trademark sound and a great interpretation of it. It’s a return to form for a band known for its balance, thanks to a cutthroat intensity that recalls the grandiosity of Drag Me Down. Dwelling in hell-scraping tone worship and tempo ignorance only when it benefits its occult aims, Everything Rots is a suffocating listen, smartly designed with necessary reprieves, with a must more tasteful electronic presence. It’s a brutal blackened deathcore album without all the symphonic bullshit. Deathcore fans rejoice!
Rating: 3.5/5.0
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Nuclear Blast Records
Websites: cabalcph.bandcamp.com | cabalcult.com | facebook.com/@cabalcph
Releases Worldwide: April 11th, 2025#2025 #35 #Aborted #Apr25 #Aviana #BlackTongue #BlackenedDeathcore #CABAL #DanishMetal #Deathcore #DimmuBorgir #Distant #Electronic #EverythingRots #Fabräk #Hardcore #HumanitySLastBreath #LornaShore #Møl #Nasty #NuclearBlastRecords #Polaris #Review #Reviews #ten56_ #Trivium #Viscera #WormShepherd
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Cabal – Everything Rots Review
By Dear Hollow
The struggle between viciousness and velocity is a storied one in the realm of deathcore, and Cabal is no exception in its battle between tone-abusing slogs and blazing blastbeats. Enacting a blackened deathcore attack that neglects orchestral atmospheres and paper-thin symphonics in favor of thick filth that covers every surface lead and fills every chugging crevice, it flaunts an arsenal of blackened chord progressions that lend a horror appropriate to its occult theme. The band has nevertheless toiled between the trenches of stagnation and devastation. Four albums in, expect filthy chugging aplenty, dark electronic flourishes abound, and a tasteful array of guest vocalists, all in service of a darker power. Business as usual.
In spite of its unmistakable filth that separates it from the likes of Lorna Shore, Worm Shepherd, or any of the other Deathcore Borgirs of the world, Denmark’s Cabal has a bit of a rollercoaster of a discography since 2018. Debut Mark of Rot was a simultaneously too-clean and too-dirty blend of down-tempo deathcore with blackened flourishes and a sterile djent guitar tone. 2020’s Drag Me Down amped the tempo with an unfuckwithable cutthroat quality that kept things fresh and brutal with spotlights of guests from Polaris, Møl, and Trivium. 2022’s Magno Interitus amped the tone with a lightless and mammoth foray into dark electronics that kept things interesting, although its more experimental pieces damaged its consistency. In this way, Everything Rots more seamlessly incorporates it into an over-the-top and absolutely relentless deathcore romp caked with Cabal’s suffocating trademark filth.
Like “Tongues” or “Demagogue” from Drag Me Down, Cabal manages to balance its absolutely crushing weight with a tasteful novelty in Everything Rots. While you’re guaranteed to be bludgeoned by breakdowns infused with the weight of Magno Interitus and pulverized by Andreas Bjulver’s husky roars, a heavier usage of blastbeats adds to the frenzy and the guest vocals add a dosage of well-placed freshness, not unlike Aborted’s latest. Injecting a hardcore call-out badassery (Viscera’s Jamie Graham in “No Peace;” Nasty’s Matthi Odysseus in “Unveiled”), rapid-fire groove (ten56.’s Aaron Matts in “Still Cursed”), and thick brutality (Aviana’s Joel Holmqvist in “Stuck;” Distant’s Alan Grnja in “Beneath Blackened Skies”). “Sort Sommer” (featuring hip-hop/punk duo Fabräk) has the same feel as “Blod af Mit” from Magno Interitus in its sudden embarrassment of nu-metal riches, but has been safely relegated to bonus track this time around. Cabal utilizes novelty as a reprieve to the relentless density that comprises its more straightforward pieces.
What’s consistently refreshing about Cabal is that their deathcore novelty is bolstered by a smart songwriting style that balances the meatheaded and the menacing. The best songs are those that are securely Cabal’s – in spite of the army of guests elsewhere – from the sweet placements of icy blackened chord progressions to mammoth breakdowns (“Everything Rots,” “Hell Hounds”). Compared to its predecessor, Everything Rots returns to what the band does best: being completely unhinged. It’s all about adrenaline-pumping intensity, pure gym-core, unshakeable groove populating its digestible tracks with a cold and intense melodic template (“Redemption Denied,” “End Times”). The electronic influence is far less jarring, adding a surreal pulse in addition to (instead of in replacement of) the deathcore intensity (“Forever Marked,” “Snake Tongues”).
Everything Rots will not sway your opinion on deathcore. It’s a meatheaded foray with enough chuggy breakdowns, brickwalled production, and vomitous vocals to kill an adult horse:1 A faster Black Tongue perhaps or a more blackened Humanity’s Last Breath. But armed with a blackened filth and a vocalist who could pass as his own arsenal of guest vocalists, Cabal’s got a trademark sound and a great interpretation of it. It’s a return to form for a band known for its balance, thanks to a cutthroat intensity that recalls the grandiosity of Drag Me Down. Dwelling in hell-scraping tone worship and tempo ignorance only when it benefits its occult aims, Everything Rots is a suffocating listen, smartly designed with necessary reprieves, with a must more tasteful electronic presence. It’s a brutal blackened deathcore album without all the symphonic bullshit. Deathcore fans rejoice!
Rating: 3.5/5.0
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Nuclear Blast Records
Websites: cabalcph.bandcamp.com | cabalcult.com | facebook.com/@cabalcph
Releases Worldwide: April 11th, 2025#2025 #35 #Aborted #Apr25 #Aviana #BlackTongue #BlackenedDeathcore #CABAL #DanishMetal #Deathcore #DimmuBorgir #Distant #Electronic #EverythingRots #Fabräk #Hardcore #HumanitySLastBreath #LornaShore #Møl #Nasty #NuclearBlastRecords #Polaris #Review #Reviews #ten56_ #Trivium #Viscera #WormShepherd
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New Artist announced for Sweden Rock Festival 2025: 🔥 Aviana 🔥
🎶 Listen to the current LineUp on YouTube and Spotify: https://fyrefestivals.co
🎟️ Get your Tickets now: https://prf.hn/l/EJnYMdO#Sweden_Rock_Festival_2025 #Aviana #fyre_festivals #livemusic #youtube #spotify #music #musicfestivals #playlist #tickets #announcement
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New Artist announced for Sweden Rock Festival 2025: 🔥 Aviana 🔥
🎶 Listen to the current LineUp on YouTube and Spotify: https://fyrefestivals.co
🎟️ Get your Tickets now: https://prf.hn/l/EJnYMdO#Sweden_Rock_Festival_2025 #Aviana #fyre_festivals #livemusic #youtube #spotify #music #musicfestivals #playlist #tickets #announcement
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New Artist announced for Sweden Rock Festival 2025: 🔥 Aviana 🔥
🎶 Listen to the current LineUp on YouTube and Spotify: https://fyrefestivals.co
🎟️ Get your Tickets now: https://prf.hn/l/EJnYMdO#Sweden_Rock_Festival_2025 #Aviana #fyre_festivals #livemusic #youtube #spotify #music #musicfestivals #playlist #tickets #announcement
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New Artist announced for Sweden Rock Festival 2025: 🔥 Aviana 🔥
🎶 Listen to the current LineUp on YouTube and Spotify: https://fyrefestivals.co
🎟️ Get your Tickets now: https://prf.hn/l/EJnYMdO#Sweden_Rock_Festival_2025 #Aviana #fyre_festivals #livemusic #youtube #spotify #music #musicfestivals #playlist #tickets #announcement
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Today's #BeReal post
Oh, by the way: #Altt is going on tour with #Imminence & #AvianaGet your tickets* via: 🎟️ https://www.songkick.com/artists/8012233-imminence
*Non paid band support
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Today's #BeReal post
Oh, by the way: #Altt is going on tour with #Imminence & #AvianaGet your tickets* via: 🎟️ https://www.songkick.com/artists/8012233-imminence
*Non paid band support
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Today's #BeReal post
Oh, by the way: #Altt is going on tour with #Imminence & #AvianaGet your tickets* via: 🎟️ https://www.songkick.com/artists/8012233-imminence
*Non paid band support
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Today's #BeReal post
Oh, by the way: #Altt is going on tour with #Imminence & #AvianaGet your tickets* via: 🎟️ https://www.songkick.com/artists/8012233-imminence
*Non paid band support
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#Allt will be on tour with #Imminence & #Aviana
🫶 Tickets* are selling out fast, so get yours via: https://www.songkick.com/artists/8012233-imminence
* Non paid band support
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#Allt will be on tour with #Imminence & #Aviana
🫶 Tickets* are selling out fast, so get yours via: https://www.songkick.com/artists/8012233-imminence
* Non paid band support
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#Allt will be on tour with #Imminence & #Aviana
🫶 Tickets* are selling out fast, so get yours via: https://www.songkick.com/artists/8012233-imminence
* Non paid band support
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#Allt will be on tour with #Imminence & #Aviana
🫶 Tickets* are selling out fast, so get yours via: https://www.songkick.com/artists/8012233-imminence
* Non paid band support
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Festival Review: Nova Rock 2024 – Day 2 (Friday 14th June)
With the temperature constantly climbing throughout the day, the infamous Nova Rock dust began to make an appearance. Walking through the festival grounds just before the masses
#GigReviews #AvengedSevenfold #Aviana #DeadByApril #FitForAKing #Ghstkid #NeckDeep #NovaRock #OfMiceMen #ParkwayDrive #Pendulum #Wargasm
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Festival Review: Nova Rock 2024 – Day 2 (Friday 14th June)
With the temperature constantly climbing throughout the day, the infamous Nova Rock dust began to make an appearance. Walking through the festival grounds just before the masses
#GigReviews #AvengedSevenfold #Aviana #DeadByApril #FitForAKing #Ghstkid #NeckDeep #NovaRock #OfMiceMen #ParkwayDrive #Pendulum #Wargasm
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Festival Review: Nova Rock 2024 – Day 2 (Friday 14th June)
With the temperature constantly climbing throughout the day, the infamous Nova Rock dust began to make an appearance. Walking through the festival grounds just before the masses
#GigReviews #AvengedSevenfold #Aviana #DeadByApril #FitForAKing #Ghstkid #NeckDeep #NovaRock #OfMiceMen #ParkwayDrive #Pendulum #Wargasm
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#InventAnimate, #VoidOfVision, #Aviana and #Thrown Tour has been announced for 2023
#Metal #Music #Tour #ProgressiveMetal #DJent #Metalcore #HeavenerTour
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#InventAnimate, #VoidOfVision, #Aviana and #Thrown Tour has been announced for 2023
#Metal #Music #Tour #ProgressiveMetal #DJent #Metalcore #HeavenerTour
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#InventAnimate, #VoidOfVision, #Aviana and #Thrown Tour has been announced for 2023
#Metal #Music #Tour #ProgressiveMetal #DJent #Metalcore #HeavenerTour
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#InventAnimate, #VoidOfVision, #Aviana and #Thrown Tour has been announced for 2023
#Metal #Music #Tour #ProgressiveMetal #DJent #Metalcore #HeavenerTour
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Metal bands or songs that have had an impact on me 2022. In no particular order (and thus not a ranking).
Aviana (SWE) - Obsession https://songwhip.com/aviana/obsession2022
(6/12)
