#audiorecording — Public Fediverse posts

Some time ago, I began this enormous thread about frequency restoration in acoustic recordings. (link for background/can be skipped)
https://www.reddit.com/r/OldOpera/comments/1oqgz2k/frequency_restoration_in_acoustic_recordings/
To make a very long story short, there is software that can do this, but ninety-nine percent of it is inaccessible with NVDA (my screen reader). The one program that is, Audacity, is far too complicated for me to understand. I found some sites with sliders, but even they didnt read out what they were, leaving me confused and annoyed. So after months of getting nowhere, I decided to write my own program. This is actually becoming quite popular in the blind community, so I thought why not try it? I named it Otello, both to honour Francesco Tamagno, the quality of whose recordings started me on this journey, and because I felt like some kind of a warrior while doing this. Below are some essential facts from the help file.

"***Important Notes
1. This program was made with Windows Forms and was written in C#. It was created with Perplexity. I myself am not a programmer and know nothing about code. However, I tested each and every feature before releasing this to you. So I know that it works and that it is safe.
2. This is a portable program. It will not be installed on your machine. Simply run Otello.exe and it will start. If you delete the folder, it's gone. However, it does require Microsoft .Net Framework 4.8, which can be downloaded from their site.
3. While this program was created with artificial intelligence, it is not used in the processing of the files. Otello is simply an equaliser. At best, it can help reveal features that exist in recordings which may be difficult to hear due to the original recording technology. It does not technically add anything to them. Therefore, it may work better on some types of recordings than others i.e. electric versus acoustic.***
===
System Requirements
This program works on Windows 7 and later, on both 32-bit and 64-bit systems. However, it was specifically made for Windows 7.
===
General Purpose
Otello is a simple, screen reader-accessible audio equaliser. It is designed so that anyone, including those with no knowledge of technical terms and frequency numbers (I'm among them), can use it to change the sound of recordings. If you've used the sliders on a stereo or the knobs on a mixer, this should be easy. If you're used to controling the sound on an original acoustic machine, you're a genius and this should be very easy!"

Downloads (if the link doesn't work, I will re-upload it)

Otello Light (program only)
https://wormhole.app/kAjKrW#svJ-YnuqYF4B0NFg9OabYg

Otello Full (program and source code)
https://wormhole.app/AyDX4b#2ce1rUnF8I15zUkoC5RxUA

#accessibility #AudioRecording #blind #C# #music #opera #programming #technology #ViveProgramming #Windows #Windows7

Some time ago, I began this enormous thread about frequency restoration in acoustic recordings. (link for background/can be skipped)
https://www.reddit.com/r/OldOpera/comments/1oqgz2k/frequency_restoration_in_acoustic_recordings/
To make a very long story short, there is software that can do this, but ninety-nine percent of it is inaccessible with NVDA (my screen reader). The one program that is, Audacity, is far too complicated for me to understand. I found some sites with sliders, but even they didnt read out what they were, leaving me confused and annoyed. So after months of getting nowhere, I decided to write my own program. This is actually becoming quite popular in the blind community, so I thought why not try it? I named it Otello, both to honour Francesco Tamagno, the quality of whose recordings started me on this journey, and because I felt like some kind of a warrior while doing this. Below are some essential facts from the help file.

"***Important Notes
1. This program was made with Windows Forms and was written in C#. It was created with Perplexity. I myself am not a programmer and know nothing about code. However, I tested each and every feature before releasing this to you. So I know that it works and that it is safe.
2. This is a portable program. It will not be installed on your machine. Simply run Otello.exe and it will start. If you delete the folder, it's gone. However, it does require Microsoft .Net Framework 4.8, which can be downloaded from their site.
3. While this program was created with artificial intelligence, it is not used in the processing of the files. Otello is simply an equaliser. At best, it can help reveal features that exist in recordings which may be difficult to hear due to the original recording technology. It does not technically add anything to them. Therefore, it may work better on some types of recordings than others i.e. electric versus acoustic.***
===
System Requirements
This program works on Windows 7 and later, on both 32-bit and 64-bit systems. However, it was specifically made for Windows 7.
===
General Purpose
Otello is a simple, screen reader-accessible audio equaliser. It is designed so that anyone, including those with no knowledge of technical terms and frequency numbers (I'm among them), can use it to change the sound of recordings. If you've used the sliders on a stereo or the knobs on a mixer, this should be easy. If you're used to controling the sound on an original acoustic machine, you're a genius and this should be very easy!"

Downloads (if the link doesn't work, I will re-upload it)

Otello Light (program only)
https://wormhole.app/kAjKrW#svJ-YnuqYF4B0NFg9OabYg

Otello Full (program and source code)
https://wormhole.app/AyDX4b#2ce1rUnF8I15zUkoC5RxUA

#accessibility #AudioRecording #blind #C# #music #opera #programming #technology #ViveProgramming #Windows #Windows7

Some time ago, I began this enormous thread about frequency restoration in acoustic recordings. (link for background/can be skipped)
https://www.reddit.com/r/OldOpera/comments/1oqgz2k/frequency_restoration_in_acoustic_recordings/
To make a very long story short, there is software that can do this, but ninety-nine percent of it is inaccessible with NVDA (my screen reader). The one program that is, Audacity, is far too complicated for me to understand. I found some sites with sliders, but even they didnt read out what they were, leaving me confused and annoyed. So after months of getting nowhere, I decided to write my own program. This is actually becoming quite popular in the blind community, so I thought why not try it? I named it Otello, both to honour Francesco Tamagno, the quality of whose recordings started me on this journey, and because I felt like some kind of a warrior while doing this. Below are some essential facts from the help file.

"***Important Notes
1. This program was made with Windows Forms and was written in C#. It was created with Perplexity. I myself am not a programmer and know nothing about code. However, I tested each and every feature before releasing this to you. So I know that it works and that it is safe.
2. This is a portable program. It will not be installed on your machine. Simply run Otello.exe and it will start. If you delete the folder, it's gone. However, it does require Microsoft .Net Framework 4.8, which can be downloaded from their site.
3. While this program was created with artificial intelligence, it is not used in the processing of the files. Otello is simply an equaliser. At best, it can help reveal features that exist in recordings which may be difficult to hear due to the original recording technology. It does not technically add anything to them. Therefore, it may work better on some types of recordings than others i.e. electric versus acoustic.***
===
System Requirements
This program works on Windows 7 and later, on both 32-bit and 64-bit systems. However, it was specifically made for Windows 7.
===
General Purpose
Otello is a simple, screen reader-accessible audio equaliser. It is designed so that anyone, including those with no knowledge of technical terms and frequency numbers (I'm among them), can use it to change the sound of recordings. If you've used the sliders on a stereo or the knobs on a mixer, this should be easy. If you're used to controling the sound on an original acoustic machine, you're a genius and this should be very easy!"

Downloads (if the link doesn't work, I will re-upload it)

Otello Light (program only)
https://wormhole.app/kAjKrW#svJ-YnuqYF4B0NFg9OabYg

Otello Full (program and source code)
https://wormhole.app/AyDX4b#2ce1rUnF8I15zUkoC5RxUA

#accessibility #AudioRecording #blind #C# #music #opera #programming #technology #ViveProgramming #Windows #Windows7

Some time ago, I began this enormous thread about frequency restoration in acoustic recordings. (link for background/can be skipped)
https://www.reddit.com/r/OldOpera/comments/1oqgz2k/frequency_restoration_in_acoustic_recordings/
To make a very long story short, there is software that can do this, but ninety-nine percent of it is inaccessible with NVDA (my screen reader). The one program that is, Audacity, is far too complicated for me to understand. I found some sites with sliders, but even they didnt read out what they were, leaving me confused and annoyed. So after months of getting nowhere, I decided to write my own program. This is actually becoming quite popular in the blind community, so I thought why not try it? I named it Otello, both to honour Francesco Tamagno, the quality of whose recordings started me on this journey, and because I felt like some kind of a warrior while doing this. Below are some essential facts from the help file.

"***Important Notes
1. This program was made with Windows Forms and was written in C#. It was created with Perplexity. I myself am not a programmer and know nothing about code. However, I tested each and every feature before releasing this to you. So I know that it works and that it is safe.
2. This is a portable program. It will not be installed on your machine. Simply run Otello.exe and it will start. If you delete the folder, it's gone. However, it does require Microsoft .Net Framework 4.8, which can be downloaded from their site.
3. While this program was created with artificial intelligence, it is not used in the processing of the files. Otello is simply an equaliser. At best, it can help reveal features that exist in recordings which may be difficult to hear due to the original recording technology. It does not technically add anything to them. Therefore, it may work better on some types of recordings than others i.e. electric versus acoustic.***
===
System Requirements
This program works on Windows 7 and later, on both 32-bit and 64-bit systems. However, it was specifically made for Windows 7.
===
General Purpose
Otello is a simple, screen reader-accessible audio equaliser. It is designed so that anyone, including those with no knowledge of technical terms and frequency numbers (I'm among them), can use it to change the sound of recordings. If you've used the sliders on a stereo or the knobs on a mixer, this should be easy. If you're used to controling the sound on an original acoustic machine, you're a genius and this should be very easy!"

Downloads (if the link doesn't work, I will re-upload it)

Otello Light (program only)
https://wormhole.app/kAjKrW#svJ-YnuqYF4B0NFg9OabYg

Otello Full (program and source code)
https://wormhole.app/AyDX4b#2ce1rUnF8I15zUkoC5RxUA

#accessibility #AudioRecording #blind #C# #music #opera #programming #technology #ViveProgramming #Windows #Windows7

Gizmodo: You Don’t Want Smart Glasses That Record Everything You Say—Trust Me. “The $399 MemoMind One are camera-less smart glasses with a monochrome display, microphones, and speakers. On paper, they’re a lot like the Even G2 made by Even Realities, which are also camera-less and focus more on productivity and notifications than entertainment, but there’s one major difference.”

Gizmodo: You Don’t Want Smart Glasses That Record Everything You Say—Trust Me. “The $399 MemoMind One are camera-less smart glasses with a monochrome display, microphones, and speakers. On paper, they’re a lot like the Even G2 made by Even Realities, which are also camera-less and focus more on productivity and notifications than entertainment, but there’s one major difference.”

Gizmodo: You Don’t Want Smart Glasses That Record Everything You Say—Trust Me. “The $399 MemoMind One are camera-less smart glasses with a monochrome display, microphones, and speakers. On paper, they’re a lot like the Even G2 made by Even Realities, which are also camera-less and focus more on productivity and notifications than entertainment, but there’s one major difference.”

Gizmodo: You Don’t Want Smart Glasses That Record Everything You Say—Trust Me. “The $399 MemoMind One are camera-less smart glasses with a monochrome display, microphones, and speakers. On paper, they’re a lot like the Even G2 made by Even Realities, which are also camera-less and focus more on productivity and notifications than entertainment, but there’s one major difference.”

Gizmodo: You Don’t Want Smart Glasses That Record Everything You Say—Trust Me. “The $399 MemoMind One are camera-less smart glasses with a monochrome display, microphones, and speakers. On paper, they’re a lot like the Even G2 made by Even Realities, which are also camera-less and focus more on productivity and notifications than entertainment, but there’s one major difference.”

@elementary Hi! I recently installed your OS on an old A1224 model iMac for the purposes of audio recording. I'm typing from it right now, and it's working well so far, but I have a couple questions. The two big ones are as follows:

• The external drives I use for saving project files and holding media don't mount automatically when the computer boots, and aren't even detected unless I unplug them and plug them back in, after which I still have to open them in Files to mount them properly. I have a feeling this is due to the external USB hub I'm using, which is large enough to require it's own power source. If detection of the SSDs is based around them powering on alongside the computer, that'd be an issue since the drives are constantly powered from the wall. I'll plug them in directly and restart the computer to test this if that works, but if I quit out now I'll lose what I've typed. lol

• I use a Behringer U-phoria UMC1820 interface for recording, and that causes issues that aren't unique to Elementary, but are harder to troubleshoot on it. Due to the way it informs Linux (PulseAudio or PipeWire, whichever part of the chain it directly talks to) of it's inputs and outputs, it causes oddly specific issues. I think it's best if I detail how this issue behaved on Linux Mint, the previous distro I used for recording, and then how Elementary differs slightly.
  Mint succeeds in detecting the UMC1820 and lets it be selected in it's sound settings. However, due to the interface itself labeling all of it's ins and outs as "auxiliary" something, the computer has no clear "left" and "right" channels to use as defaults. Mint assumes that the first two "aux" outs are the default left and right, which is correct, and aside from a couple bugs I couldn't get around in specific software, it still works as normal.
  Elementary detects the interface but doesn't list it as an option in it's sound settings, I can only imagine because there are technically no default outputs to… list. I was only able to make it output through the device by installing PulseAudio Volume Control and selecting it there, resulting in NO options being selected in the dedicated sound settings, and the options in the upper right corner of the screen incorrectly stating I was outputting through the built-in speakers.
  I was worried it would switch back once I rebooted, and thankfully this isn't the case, but I thought you should be made aware of this issue so that maybe, if nothing else, the weird interface could at least be shown under sound settings proper. I've given up on trying to "label" the correct outputs as "left" and "right" instead of aux 0 or 1 or whatever, that's likely a PulseAudio issue and a lost cause.

Daunting as that second one is to explain, I promise it's not a huge deal and I AM able to record and play back sound regardless. It just would have been really confused and concerned if I hadn't had prior experience with Mint, and knew that I could likely fix the issue by using other Pulse tools.

Thank you for making software that's ethical and anti-LLM. I thought the whole FOSS scene would be more against AI slop, but it's hard to find an OS that stands against that tech-bro garbage, let alone software to use on it. I appreciate it so very much.

@elementary Hi! I recently installed your OS on an old A1224 model iMac for the purposes of audio recording. I'm typing from it right now, and it's working well so far, but I have a couple questions. The two big ones are as follows:

• The external drives I use for saving project files and holding media don't mount automatically when the computer boots, and aren't even detected unless I unplug them and plug them back in, after which I still have to open them in Files to mount them properly. I have a feeling this is due to the external USB hub I'm using, which is large enough to require it's own power source. If detection of the SSDs is based around them powering on alongside the computer, that'd be an issue since the drives are constantly powered from the wall. I'll plug them in directly and restart the computer to test this if that works, but if I quit out now I'll lose what I've typed. lol

• I use a Behringer U-phoria UMC1820 interface for recording, and that causes issues that aren't unique to Elementary, but are harder to troubleshoot on it. Due to the way it informs Linux (PulseAudio or PipeWire, whichever part of the chain it directly talks to) of it's inputs and outputs, it causes oddly specific issues. I think it's best if I detail how this issue behaved on Linux Mint, the previous distro I used for recording, and then how Elementary differs slightly.
  Mint succeeds in detecting the UMC1820 and lets it be selected in it's sound settings. However, due to the interface itself labeling all of it's ins and outs as "auxiliary" something, the computer has no clear "left" and "right" channels to use as defaults. Mint assumes that the first two "aux" outs are the default left and right, which is correct, and aside from a couple bugs I couldn't get around in specific software, it still works as normal.
  Elementary detects the interface but doesn't list it as an option in it's sound settings, I can only imagine because there are technically no default outputs to… list. I was only able to make it output through the device by installing PulseAudio Volume Control and selecting it there, resulting in NO options being selected in the dedicated sound settings, and the options in the upper right corner of the screen incorrectly stating I was outputting through the built-in speakers.
  I was worried it would switch back once I rebooted, and thankfully this isn't the case, but I thought you should be made aware of this issue so that maybe, if nothing else, the weird interface could at least be shown under sound settings proper. I've given up on trying to "label" the correct outputs as "left" and "right" instead of aux 0 or 1 or whatever, that's likely a PulseAudio issue and a lost cause.

Daunting as that second one is to explain, I promise it's not a huge deal and I AM able to record and play back sound regardless. It just would have been really confused and concerned if I hadn't had prior experience with Mint, and knew that I could likely fix the issue by using other Pulse tools.

Thank you for making software that's ethical and anti-LLM. I thought the whole FOSS scene would be more against AI slop, but it's hard to find an OS that stands against that tech-bro garbage, let alone software to use on it. I appreciate it so very much.

@elementary Hi! I recently installed your OS on an old A1224 model iMac for the purposes of audio recording. I'm typing from it right now, and it's working well so far, but I have a couple questions. The two big ones are as follows:

• The external drives I use for saving project files and holding media don't mount automatically when the computer boots, and aren't even detected unless I unplug them and plug them back in, after which I still have to open them in Files to mount them properly. I have a feeling this is due to the external USB hub I'm using, which is large enough to require it's own power source. If detection of the SSDs is based around them powering on alongside the computer, that'd be an issue since the drives are constantly powered from the wall. I'll plug them in directly and restart the computer to test this if that works, but if I quit out now I'll lose what I've typed. lol

• I use a Behringer U-phoria UMC1820 interface for recording, and that causes issues that aren't unique to Elementary, but are harder to troubleshoot on it. Due to the way it informs Linux (PulseAudio or PipeWire, whichever part of the chain it directly talks to) of it's inputs and outputs, it causes oddly specific issues. I think it's best if I detail how this issue behaved on Linux Mint, the previous distro I used for recording, and then how Elementary differs slightly.
  Mint succeeds in detecting the UMC1820 and lets it be selected in it's sound settings. However, due to the interface itself labeling all of it's ins and outs as "auxiliary" something, the computer has no clear "left" and "right" channels to use as defaults. Mint assumes that the first two "aux" outs are the default left and right, which is correct, and aside from a couple bugs I couldn't get around in specific software, it still works as normal.
  Elementary detects the interface but doesn't list it as an option in it's sound settings, I can only imagine because there are technically no default outputs to… list. I was only able to make it output through the device by installing PulseAudio Volume Control and selecting it there, resulting in NO options being selected in the dedicated sound settings, and the options in the upper right corner of the screen incorrectly stating I was outputting through the built-in speakers.
  I was worried it would switch back once I rebooted, and thankfully this isn't the case, but I thought you should be made aware of this issue so that maybe, if nothing else, the weird interface could at least be shown under sound settings proper. I've given up on trying to "label" the correct outputs as "left" and "right" instead of aux 0 or 1 or whatever, that's likely a PulseAudio issue and a lost cause.

Daunting as that second one is to explain, I promise it's not a huge deal and I AM able to record and play back sound regardless. It just would have been really confused and concerned if I hadn't had prior experience with Mint, and knew that I could likely fix the issue by using other Pulse tools.

Thank you for making software that's ethical and anti-LLM. I thought the whole FOSS scene would be more against AI slop, but it's hard to find an OS that stands against that tech-bro garbage, let alone software to use on it. I appreciate it so very much.

«A Studio Is Just A Cube: How to record a good audio at home»
Level Up series: Workshops for sex workers and friends

🗓 Saturday August 1
🏙️ Pittsburgh / 💻 Online (Zoom)
🕠 17:30 UTC / 🕜 13:30 EST
📍 East Liberty Library
(130 South Whitfield Street)
🆓💵 $15 donation suggested
🎯 Open to SWers and allies ☂️
✍️ RSVP: https://us06web.zoom.us/meeting/register/AI5apxq-TlmqjWXCB2purA#/registration

> Recording audio from home is daunting. How do I soundproof? Do I need an expensive mic? What kind of software?

> Professional audiobook narrator Michael Lesley will walk us through how to address things sound like 💩.

> This is part of our "LEVEL UP" series, donation-based workshops for sex workers and friends. We focus on safety topics and transferable business skills. We don’t teach folks how to enter the industry, but we do teach how to stay safe, work sustainably, and plan for the future.

#Workshop #AudioRecording #SexWork #SWOONAlliance #LevelUpSWOON #SWEvents #USA #Online #Pittsburgh #2026W31

«A Studio Is Just A Cube: How to record a good audio at home»
Level Up series: Workshops for sex workers and friends

🗓 Saturday August 1
🏙️ Pittsburgh / 💻 Online (Zoom)
🕠 17:30 UTC / 🕜 13:30 EST
📍 East Liberty Library
(130 South Whitfield Street)
🆓💵 $15 donation suggested
🎯 Open to SWers and allies ☂️
✍️ RSVP: https://us06web.zoom.us/meeting/register/AI5apxq-TlmqjWXCB2purA#/registration

> Recording audio from home is daunting. How do I soundproof? Do I need an expensive mic? What kind of software?

> Professional audiobook narrator Michael Lesley will walk us through how to address things sound like 💩.

> This is part of our "LEVEL UP" series, donation-based workshops for sex workers and friends. We focus on safety topics and transferable business skills. We don’t teach folks how to enter the industry, but we do teach how to stay safe, work sustainably, and plan for the future.

#Workshop #AudioRecording #SexWork #SWOONAlliance #LevelUpSWOON #SWEvents #USA #Online #Pittsburgh #2026W31

Going through some of my music related stuff and found my textbook copy of The Recording Studio Handbook. I can't bring myself to part with it. It was such a fun course. I never found a job in a recording studio but I can still wind a cable like a pro and recall random things like the Haas Effect, speaker placement, and this very important law of correct microphone usage. 😆

#AudioRecording #Nostalgia

Going through some of my music related stuff and found my textbook copy of The Recording Studio Handbook. I can't bring myself to part with it. It was such a fun course. I never found a job in a recording studio but I can still wind a cable like a pro and recall random things like the Haas Effect, speaker placement, and this very important law of correct microphone usage. 😆

#AudioRecording #Nostalgia

Going through some of my music related stuff and found my textbook copy of The Recording Studio Handbook. I can't bring myself to part with it. It was such a fun course. I never found a job in a recording studio but I can still wind a cable like a pro and recall random things like the Haas Effect, speaker placement, and this very important law of correct microphone usage. 😆

#AudioRecording #Nostalgia

Going through some of my music related stuff and found my textbook copy of The Recording Studio Handbook. I can't bring myself to part with it. It was such a fun course. I never found a job in a recording studio but I can still wind a cable like a pro and recall random things like the Haas Effect, speaker placement, and this very important law of correct microphone usage. 😆

#AudioRecording #Nostalgia

Going through some of my music related stuff and found my textbook copy of The Recording Studio Handbook. I can't bring myself to part with it. It was such a fun course. I never found a job in a recording studio but I can still wind a cable like a pro and recall random things like the Haas Effect, speaker placement, and this very important law of correct microphone usage. 😆

#AudioRecording #Nostalgia

https://www.europesays.com/ie/582585/ Maono launches P Series Hybrid Audio Interface for creators across mobile, streaming and recording workflows #AudioRecording #ContentCreators #CreatorTechnology #Éire #HybridAudioInterface #IE #Ireland #livestreaming #Maono #MaonoPSeries #Podcasting #StreamingGear #Technology #USBAudioInterface

ADOR alleges ex-CEO Min Hee-jin orchestrated NewJeans split in new court evidence

SEOUL, July 6 — K-pop agency ADOR has submitted new evidence alleging former CEO Min Hee-jin orchestrated efforts…
#EuropeSays #Korea #KR #Ador #audiorecording #courtinjunction #Danielle #K-Pop #Min #NewJeans
https://www.europesays.com/korea/75859/

Oh no Jim Lill has done a video about microphone pre-amps. So it might be time for me to finally sell my "Golden Age Pre 73" Neve 1073 clone mic preamp before the prices of them tank! I bought it thinking I needed it but could not for the life of me hear a difference and never bothered with it: https://www.youtube.com/watch?v=K-vIeA7yy6Q #audiorecording #recording #microphone

Oh no Jim Lill has done a video about microphone pre-amps. So it might be time for me to finally sell my "Golden Age Pre 73" Neve 1073 clone mic preamp before the prices of them tank! I bought it thinking I needed it but could not for the life of me hear a difference and never bothered with it: https://www.youtube.com/watch?v=K-vIeA7yy6Q #audiorecording #recording #microphone

Oh no Jim Lill has done a video about microphone pre-amps. So it might be time for me to finally sell my "Golden Age Pre 73" Neve 1073 clone mic preamp before the prices of them tank! I bought it thinking I needed it but could not for the life of me hear a difference and never bothered with it: https://www.youtube.com/watch?v=K-vIeA7yy6Q #audiorecording #recording #microphone

Oh no Jim Lill has done a video about microphone pre-amps. So it might be time for me to finally sell my "Golden Age Pre 73" Neve 1073 clone mic preamp before the prices of them tank! I bought it thinking I needed it but could not for the life of me hear a difference and never bothered with it: https://www.youtube.com/watch?v=K-vIeA7yy6Q #audiorecording #recording #microphone

Oh no Jim Lill has done a video about microphone pre-amps. So it might be time for me to finally sell my "Golden Age Pre 73" Neve 1073 clone mic preamp before the prices of them tank! I bought it thinking I needed it but could not for the life of me hear a difference and never bothered with it: https://www.youtube.com/watch?v=K-vIeA7yy6Q #audiorecording #recording #microphone

Well, we all now know that Fort Wayne's Flock Cameras do use Audio Detection! - I thought audio surveillance was illegal without consent. Hmm 🤔 - "... you are now being recorded."

https://www.wane.com/top-stories/man-dead-after-saturday-morning-shooting/

#Flock #FlockCameras #Privacy #AudioRecording #PoliceState #FortWayne #FWPD #Indiana #Hoosiers #AudioSurveillance

#RainParade was kind enough to allow this #audiorecording of last Saturday's #LiveConcert in #SanFrancisco to be posted on #archive_dot_org
https://archive.org/details/RainParade2026-05-23

#RainParade was kind enough to allow this #audiorecording of last Saturday's #LiveConcert in #SanFrancisco to be posted on #archive_dot_org
https://archive.org/details/RainParade2026-05-23

#RainParade was kind enough to allow this #audiorecording of last Saturday's #LiveConcert in #SanFrancisco to be posted on #archive_dot_org
https://archive.org/details/RainParade2026-05-23

#RainParade was kind enough to allow this #audiorecording of last Saturday's #LiveConcert in #SanFrancisco to be posted on #archive_dot_org
https://archive.org/details/RainParade2026-05-23

Let's just share our most candid, intimate conversations with a pasta sauce company!
What could go wrong?
Nobody would EVER think of putting that device in a bedroom, office, or some other place than the dining room table. Right?

#privacy #audiorecording

https://futurism.com/future-society/prego-pivots-pasta-sauce-microphone

Let's just share our most candid, intimate conversations with a pasta sauce company!
What could go wrong?
Nobody would EVER think of putting that device in a bedroom, office, or some other place than the dining room table. Right?

#privacy #audiorecording

https://futurism.com/future-society/prego-pivots-pasta-sauce-microphone

Let's just share our most candid, intimate conversations with a pasta sauce company!
What could go wrong?
Nobody would EVER think of putting that device in a bedroom, office, or some other place than the dining room table. Right?

#privacy #audiorecording

https://futurism.com/future-society/prego-pivots-pasta-sauce-microphone

Let's just share our most candid, intimate conversations with a pasta sauce company!
What could go wrong?
Nobody would EVER think of putting that device in a bedroom, office, or some other place than the dining room table. Right?

#privacy #audiorecording

https://futurism.com/future-society/prego-pivots-pasta-sauce-microphone

Let's just share our most candid, intimate conversations with a pasta sauce company!
What could go wrong?
Nobody would EVER think of putting that device in a bedroom, office, or some other place than the dining room table. Right?

#privacy #audiorecording

https://futurism.com/future-society/prego-pivots-pasta-sauce-microphone

Does anyone know if you can pair the Zoom H6 audio recorder with a second device and use them in master/slave mode?

#audiorecording #zoom #zoomh6 #handyrecorder

Does anyone know if you can pair the Zoom H6 audio recorder with a second device and use them in master/slave mode?

#audiorecording #zoom #zoomh6 #handyrecorder

Does anyone know if you can pair the Zoom H6 audio recorder with a second device and use them in master/slave mode?

#audiorecording #zoom #zoomh6 #handyrecorder

Does anyone know if you can pair the Zoom H6 audio recorder with a second device and use them in master/slave mode?

#audiorecording #zoom #zoomh6 #handyrecorder

Does anyone know if you can pair the Zoom H6 audio recorder with a second device and use them in master/slave mode?

#audiorecording #zoom #zoomh6 #handyrecorder

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