#asymmetry — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #asymmetry, aggregated by home.social.
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Richard Gere & Diana Silvers To Star In Edward Zwick’s ‘Asymmetry’ Based On Acclaimed Novel; FilmNation Launching For Cannes Market
#News #Asymmetry #Cannes #CannesMarket #DianaSilvers #EdwardZwick #FilmNation #RichardGerehttps://deadline.com/2026/05/richard-gere-diana-silvers-edward-zwick-asymmetry-film-1236877492/
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Humans have so many #biases that I think #asymmetry is rule rather than the exception. One of the main ones is related to the "fight or flight" instinct and our basic hardwired reactions to pain & pleasure. In our modern <hyper-fast> #media, both sides are used to trigger fast-thought behaviors.
RE: https://bsky.app/profile/did:plc:4jb3re5tvklsvhuc3lkerj5q/post/3mcx7kyodns2p -
Humans have so many #biases that I think #asymmetry is rule rather than the exception. One of the main ones is related to the "fight or flight" instinct and our basic hardwired reactions to pain & pleasure. In our modern <hyper-fast> #media, both sides are used to trigger fast-thought behaviors.
RE: https://bsky.app/profile/did:plc:4jb3re5tvklsvhuc3lkerj5q/post/3mcx7kyodns2p -
Humans have so many #biases that I think #asymmetry is rule rather than the exception. One of the main ones is related to the "fight or flight" instinct and our basic hardwired reactions to pain & pleasure. In our modern <hyper-fast> #media, both sides are used to trigger fast-thought behaviors.
RE: https://bsky.app/profile/did:plc:4jb3re5tvklsvhuc3lkerj5q/post/3mcx7kyodns2p -
Humans have so many #biases that I think #asymmetry is rule rather than the exception. One of the main ones is related to the "fight or flight" instinct and our basic hardwired reactions to pain & pleasure. In our modern <hyper-fast> #media, both sides are used to trigger fast-thought behaviors.
RE: https://bsky.app/profile/did:plc:4jb3re5tvklsvhuc3lkerj5q/post/3mcx7kyodns2p -
Today's Sunday grid is an 11x11 with no symmetry, but don't let that slow you down! Click below for "Sunflower Signature" and dive right in. ;)
#crossword #puzzle #game #sunflower #asymmetry #ShareThis #SundayFunday
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Album Review: Wheel of Time – ‘Asymmetry’
#WheelOfTime #Asymmetry #AlbumReview #NovemberReleases
Link: https://metalinsider.net/reviews/album-review-wheel-of-time-asymmetry
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Conventional web design is constrained by the "digital box" of rigid, symmetrical grids. This Silphium Design post details a new design methodology: the "organic algorithm."
It's a framework for merging the core tenets of biophilic design with the dynamic balance of asymmetrical layouts. The result is a more intuitive, natural-feeling interface that improves UX and, by extension, SEO.
Read the framework: https://silphiumdesign.com/organic-algorithm-biophilic-design-asymmetrical/
#WebDesign #BiophilicDesign #Asymmetry #DesignTheory #UI #UX
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How 2 new Asian and African-focused cultural institutions are decolonising art in London
Last month, the Chinese art collector and patron Yan Du opened a non-profit art space in a magnificen…
#London #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #AAA #Arabspringprotests #Asymmetry #BeauArchitects #BedfordSquare #Bloomsbury #Britain #BritishMuseum #ChinaSea #DecolonisingArtsInstitute #FriezeLondon #GreatBritain #hongkong #Ibraaz #london #YanDu
https://www.europesays.com/uk/566503/ -
https://www.europesays.com/uk/566503/ How 2 new Asian and African-focused cultural institutions are decolonising art in London #AAA #ArabSpringProtests #Asymmetry #BeauArchitects #BedfordSquare #Bloomsbury #Britain #BritishMuseum #ChinaSea #DecolonisingArtsInstitute #England #FriezeLondon #GreatBritain #HongKong #Ibraaz #london #UK #UnitedKingdom #YanDu
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Call: “Valence Asymmetries”
Isidora Stojanovic, Lorenza D’Angelo, Morgan Moyer, and Michelle Stankovic organizing a conference on “Valence Asymmetries,” which will take place at the Universitat Pompeu Fabra from March 19 to 20, 2026.
Abstracts for presentations can be submitted until September 10. The call reads:
The Valence Asymmetries ERC team is happy to announce that it will be organizing the first VALENCE ASYMMETRIES conference on March 19th–20th 2026 at the Pompeu Fabra University in Barcelona, Spain. The event is funded by Isidora Stojanovic’s ERC Advanced Grant “Valence Asymmetries: the positive, the negative, the good and the bad in language, mind and morality” (GA n° 101142133).
This interdisciplinary event will discuss themes which are central to the Valence Asymmetries project, including the role of valence asymmetries in perception, emotion, morality, language, and communication. Discussion will draw upon insights from philosophy, psychology, and linguistics.
There will be invited talks by Hans Alves, Frederique de Vignemont, Saif Mohammad, and Pascale Willemsen. There is also room for 4–6 additional talks, to be selected from open submissions. Each selected talk will be assigned a 50 min slot, including discussion.
We especially encourage submissions on the relation between value, valence, and polarity; theoretical and empirical accounts of valence asymmetries in language, including in negative strengthening, scalar inferences, and irony; the asymmetry between virtue and vice, and between praise and blame, in normative and applied ethics; as well as other discussions of valence asymmetries in linguistics, cognitive science, moral psychology, and cognate areas.
If you are interested in presenting your work at this venue, please submit a 2-page abstract to [email protected] by Sep 30th, with the subject line “valence asymmetries submission.”
#Asymmetry #Blame #CognitiveScience #Linguistics #MoralPsychology #Polarity #Praise #Valence #Values #Vice #Virtue
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Final night snailing 🐌in the mountains and we got there early enough to take photos. Fabulous field site (in daylight 😄); some scares but no bears 🐻
#chirality #asymmetry #snails #japan #maimai -
Genius improvised snail drying device by my Japanese colleagues - a Y100 shop clothes line!
Heading out for another night in the mountains and it's finally raining 👏 🤞
#chirality #asymmetry #snails #nobearswehope #japan #maimai #hidarimakimaimai
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Night snailing in the Niigata mountains, Japan. Looking for lefties! #genomics #chirality #asymmetry #snails #nobears 🐻 🤞#japan #maimai #hidarimakimaimai
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here's another demovideo of the STOCHASTIC ASYMMETRY + ECHOBLENDER (combo-can)
More info here: https://metsn.tumblr.com
#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE #noisegear -
here's another demovideo of the STOCHASTIC ASYMMETRY + ECHOBLENDER (combo-can)
More info here: https://metsn.tumblr.com
#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE #noisegear -
here's another demovideo of the STOCHASTIC ASYMMETRY + ECHOBLENDER (combo-can)
More info here: https://metsn.tumblr.com
#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE #noisegear -
here's another demovideo of the STOCHASTIC ASYMMETRY + ECHOBLENDER (combo-can)
More info here: https://metsn.tumblr.com
#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE #noisegear -
here's another demovideo of the STOCHASTIC ASYMMETRY + ECHOBLENDER (combo-can)
More info here: https://metsn.tumblr.com
#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE #noisegear -
STOCHASTIC ASYMMETRY - for eruptive harsh noise assault patterns
The STOCHASTIC ASYMMETRY is a machine to generate glitched-out eruptive noise assault patterns. it is a signal generator for those who are interested in exploring the harsher spectrum of experimental noise making. STOCHASTIC ASYMMETRY can be the base battery for any anti-fascist noise resistance set-up and running it through a chain of manipulating EFX will lead to massive sonic results. Simply put… 5 square wave oscillators of which 2 are LFOs generate complex waveforms which are getting further effected by a starve control, a distortion and a resonant low pass filter.
Of course nothing really is simple, so here are more details:
WAVING:
Each of the 3 square wave oscillators has a FREQUENCY potentiometer for controling pitch, a RANGE toggle switch to select 2 different frequency ranges, a MODE toggle switch that enables latch or trigger mode and a TRIGGER button switch, as well as a orange indicator LED. In trigger mode, the oscillator is mixed into the signal only momentary as long as the trigger is depressed. But be aware, the machine has a non-linear response in the trigger section and sometimes an oscillator raises it’s voice even when you did not engage it with the trigger, that is part of the fun and it can get less out of control depending on the starve setting. when the oscillator’s LED is on it’s LED is on and it might or might not switch off when you repress the trigger, but as said, this function is highly stochastic and i have not been able to predict it (a lesson for control freaks!). All three oscillators have different ranges, higher on the left and lowering towards the right. A MIX toggle switch selects linear or non linear mixing, the non-linear mixing is a bit more uneven and noisy.MODULATING:
Each of the 2 LFOs has a SPEED control and similar to the other oscillators a MODE toggle switch and when in trigger mode the LFO can be activated temporally, which is most interesting when running in higher speeds for tremolo-like effects or high pitch noise assaults in the highest setting.SOUNDSHAPING:
the signal generated with oscillators with or without LFOs is shaped by two more controls, which are highly depending on other setting on the machine, so they as well, do not have a fully linear response. the EDGE control works like a distortion, that adds more sharp edges to the waveform, resulting in ‘higher harmonics’, while the CURVE control acts like a resonant low pass filter that rounds off the already very 'edgy’ squarewave forms and it has slight self-resonance. Both of these controls are as such not affected by the power-starve function, but works differently the more the oscillator section is starved. With very much starving (STARVE counterclockwise) the CURVE control can generate almost electro-acoustic sounding crunch and hiss for example (see demovideo). Of course there is also a VOLUME control that lets you tame the output level.STARVING:
The STARVE control regulates the power that is accessible to the IC that is used for the 5 oscillators and when one turns it down (CCW) the different oscillators start to get more stochastic in their functions so the generated waveform becomes more noisy. Turning STARVE counterclockwise also has a global scale effect, it lowers the pitch of the three oscillators and the speed of the LFOs, but at the same time it also introduces high pitched noises and clicks. Similar to the other trigger functions on this machine there is also a POWER toggle switch, that is either in latch mode or activates the power trigger mode, which interacts with the STARVE function. When starve is up (CW) the decay time of the oscillators using up the available power is faster, while when STARVE is low the decay is longer, while the oscillators get less power in total.CONNECTING:
STOCHASTIC ASYMMETRY runs on 12V DC (positive inside/negative outside, 2.1mm standard socket) and unless otherwise communicated it ships with a suitable recycled PSU with euro-plug. The audio output is a standard 6.3mm mono instrument jack socket, but beware that due to the special enclosures it might not work with angled plugs.The first batch of STOCHASTIC ASYMMETRY is build into enclosures found in an abandoned car repair shop in turku. Originally they were some kind of 'black box’ engine data-read-out ports and are now painted with the 'industrial burn-out’ camo pattern in chrome and black. Handmade by GRM for METSÄÄN.
https://metsn.tumblr.com/post/745561561886851072
#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE -
STOCHASTIC ASYMMETRY - for eruptive harsh noise assault patterns
The STOCHASTIC ASYMMETRY is a machine to generate glitched-out eruptive noise assault patterns. it is a signal generator for those who are interested in exploring the harsher spectrum of experimental noise making. STOCHASTIC ASYMMETRY can be the base battery for any anti-fascist noise resistance set-up and running it through a chain of manipulating EFX will lead to massive sonic results. Simply put… 5 square wave oscillators of which 2 are LFOs generate complex waveforms which are getting further effected by a starve control, a distortion and a resonant low pass filter.
Of course nothing really is simple, so here are more details:
WAVING:
Each of the 3 square wave oscillators has a FREQUENCY potentiometer for controling pitch, a RANGE toggle switch to select 2 different frequency ranges, a MODE toggle switch that enables latch or trigger mode and a TRIGGER button switch, as well as a orange indicator LED. In trigger mode, the oscillator is mixed into the signal only momentary as long as the trigger is depressed. But be aware, the machine has a non-linear response in the trigger section and sometimes an oscillator raises it’s voice even when you did not engage it with the trigger, that is part of the fun and it can get less out of control depending on the starve setting. when the oscillator’s LED is on it’s LED is on and it might or might not switch off when you repress the trigger, but as said, this function is highly stochastic and i have not been able to predict it (a lesson for control freaks!). All three oscillators have different ranges, higher on the left and lowering towards the right. A MIX toggle switch selects linear or non linear mixing, the non-linear mixing is a bit more uneven and noisy.MODULATING:
Each of the 2 LFOs has a SPEED control and similar to the other oscillators a MODE toggle switch and when in trigger mode the LFO can be activated temporally, which is most interesting when running in higher speeds for tremolo-like effects or high pitch noise assaults in the highest setting.SOUNDSHAPING:
the signal generated with oscillators with or without LFOs is shaped by two more controls, which are highly depending on other setting on the machine, so they as well, do not have a fully linear response. the EDGE control works like a distortion, that adds more sharp edges to the waveform, resulting in ‘higher harmonics’, while the CURVE control acts like a resonant low pass filter that rounds off the already very 'edgy’ squarewave forms and it has slight self-resonance. Both of these controls are as such not affected by the power-starve function, but works differently the more the oscillator section is starved. With very much starving (STARVE counterclockwise) the CURVE control can generate almost electro-acoustic sounding crunch and hiss for example (see demovideo). Of course there is also a VOLUME control that lets you tame the output level.STARVING:
The STARVE control regulates the power that is accessible to the IC that is used for the 5 oscillators and when one turns it down (CCW) the different oscillators start to get more stochastic in their functions so the generated waveform becomes more noisy. Turning STARVE counterclockwise also has a global scale effect, it lowers the pitch of the three oscillators and the speed of the LFOs, but at the same time it also introduces high pitched noises and clicks. Similar to the other trigger functions on this machine there is also a POWER toggle switch, that is either in latch mode or activates the power trigger mode, which interacts with the STARVE function. When starve is up (CW) the decay time of the oscillators using up the available power is faster, while when STARVE is low the decay is longer, while the oscillators get less power in total.CONNECTING:
STOCHASTIC ASYMMETRY runs on 12V DC (positive inside/negative outside, 2.1mm standard socket) and unless otherwise communicated it ships with a suitable recycled PSU with euro-plug. The audio output is a standard 6.3mm mono instrument jack socket, but beware that due to the special enclosures it might not work with angled plugs.The first batch of STOCHASTIC ASYMMETRY is build into enclosures found in an abandoned car repair shop in turku. Originally they were some kind of 'black box’ engine data-read-out ports and are now painted with the 'industrial burn-out’ camo pattern in chrome and black. Handmade by GRM for METSÄÄN.
https://metsn.tumblr.com/post/745561561886851072
#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE -
STOCHASTIC ASYMMETRY - for eruptive harsh noise assault patterns
The STOCHASTIC ASYMMETRY is a machine to generate glitched-out eruptive noise assault patterns. it is a signal generator for those who are interested in exploring the harsher spectrum of experimental noise making. STOCHASTIC ASYMMETRY can be the base battery for any anti-fascist noise resistance set-up and running it through a chain of manipulating EFX will lead to massive sonic results. Simply put… 5 square wave oscillators of which 2 are LFOs generate complex waveforms which are getting further effected by a starve control, a distortion and a resonant low pass filter.
Of course nothing really is simple, so here are more details:
WAVING:
Each of the 3 square wave oscillators has a FREQUENCY potentiometer for controling pitch, a RANGE toggle switch to select 2 different frequency ranges, a MODE toggle switch that enables latch or trigger mode and a TRIGGER button switch, as well as a orange indicator LED. In trigger mode, the oscillator is mixed into the signal only momentary as long as the trigger is depressed. But be aware, the machine has a non-linear response in the trigger section and sometimes an oscillator raises it’s voice even when you did not engage it with the trigger, that is part of the fun and it can get less out of control depending on the starve setting. when the oscillator’s LED is on it’s LED is on and it might or might not switch off when you repress the trigger, but as said, this function is highly stochastic and i have not been able to predict it (a lesson for control freaks!). All three oscillators have different ranges, higher on the left and lowering towards the right. A MIX toggle switch selects linear or non linear mixing, the non-linear mixing is a bit more uneven and noisy.MODULATING:
Each of the 2 LFOs has a SPEED control and similar to the other oscillators a MODE toggle switch and when in trigger mode the LFO can be activated temporally, which is most interesting when running in higher speeds for tremolo-like effects or high pitch noise assaults in the highest setting.SOUNDSHAPING:
the signal generated with oscillators with or without LFOs is shaped by two more controls, which are highly depending on other setting on the machine, so they as well, do not have a fully linear response. the EDGE control works like a distortion, that adds more sharp edges to the waveform, resulting in ‘higher harmonics’, while the CURVE control acts like a resonant low pass filter that rounds off the already very 'edgy’ squarewave forms and it has slight self-resonance. Both of these controls are as such not affected by the power-starve function, but works differently the more the oscillator section is starved. With very much starving (STARVE counterclockwise) the CURVE control can generate almost electro-acoustic sounding crunch and hiss for example (see demovideo). Of course there is also a VOLUME control that lets you tame the output level.STARVING:
The STARVE control regulates the power that is accessible to the IC that is used for the 5 oscillators and when one turns it down (CCW) the different oscillators start to get more stochastic in their functions so the generated waveform becomes more noisy. Turning STARVE counterclockwise also has a global scale effect, it lowers the pitch of the three oscillators and the speed of the LFOs, but at the same time it also introduces high pitched noises and clicks. Similar to the other trigger functions on this machine there is also a POWER toggle switch, that is either in latch mode or activates the power trigger mode, which interacts with the STARVE function. When starve is up (CW) the decay time of the oscillators using up the available power is faster, while when STARVE is low the decay is longer, while the oscillators get less power in total.CONNECTING:
STOCHASTIC ASYMMETRY runs on 12V DC (positive inside/negative outside, 2.1mm standard socket) and unless otherwise communicated it ships with a suitable recycled PSU with euro-plug. The audio output is a standard 6.3mm mono instrument jack socket, but beware that due to the special enclosures it might not work with angled plugs.The first batch of STOCHASTIC ASYMMETRY is build into enclosures found in an abandoned car repair shop in turku. Originally they were some kind of 'black box’ engine data-read-out ports and are now painted with the 'industrial burn-out’ camo pattern in chrome and black. Handmade by GRM for METSÄÄN.
https://metsn.tumblr.com/post/745561561886851072
#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE -
STOCHASTIC ASYMMETRY - for eruptive harsh noise assault patterns
The STOCHASTIC ASYMMETRY is a machine to generate glitched-out eruptive noise assault patterns. it is a signal generator for those who are interested in exploring the harsher spectrum of experimental noise making. STOCHASTIC ASYMMETRY can be the base battery for any anti-fascist noise resistance set-up and running it through a chain of manipulating EFX will lead to massive sonic results. Simply put… 5 square wave oscillators of which 2 are LFOs generate complex waveforms which are getting further effected by a starve control, a distortion and a resonant low pass filter.
Of course nothing really is simple, so here are more details:
WAVING:
Each of the 3 square wave oscillators has a FREQUENCY potentiometer for controling pitch, a RANGE toggle switch to select 2 different frequency ranges, a MODE toggle switch that enables latch or trigger mode and a TRIGGER button switch, as well as a orange indicator LED. In trigger mode, the oscillator is mixed into the signal only momentary as long as the trigger is depressed. But be aware, the machine has a non-linear response in the trigger section and sometimes an oscillator raises it’s voice even when you did not engage it with the trigger, that is part of the fun and it can get less out of control depending on the starve setting. when the oscillator’s LED is on it’s LED is on and it might or might not switch off when you repress the trigger, but as said, this function is highly stochastic and i have not been able to predict it (a lesson for control freaks!). All three oscillators have different ranges, higher on the left and lowering towards the right. A MIX toggle switch selects linear or non linear mixing, the non-linear mixing is a bit more uneven and noisy.MODULATING:
Each of the 2 LFOs has a SPEED control and similar to the other oscillators a MODE toggle switch and when in trigger mode the LFO can be activated temporally, which is most interesting when running in higher speeds for tremolo-like effects or high pitch noise assaults in the highest setting.SOUNDSHAPING:
the signal generated with oscillators with or without LFOs is shaped by two more controls, which are highly depending on other setting on the machine, so they as well, do not have a fully linear response. the EDGE control works like a distortion, that adds more sharp edges to the waveform, resulting in ‘higher harmonics’, while the CURVE control acts like a resonant low pass filter that rounds off the already very 'edgy’ squarewave forms and it has slight self-resonance. Both of these controls are as such not affected by the power-starve function, but works differently the more the oscillator section is starved. With very much starving (STARVE counterclockwise) the CURVE control can generate almost electro-acoustic sounding crunch and hiss for example (see demovideo). Of course there is also a VOLUME control that lets you tame the output level.STARVING:
The STARVE control regulates the power that is accessible to the IC that is used for the 5 oscillators and when one turns it down (CCW) the different oscillators start to get more stochastic in their functions so the generated waveform becomes more noisy. Turning STARVE counterclockwise also has a global scale effect, it lowers the pitch of the three oscillators and the speed of the LFOs, but at the same time it also introduces high pitched noises and clicks. Similar to the other trigger functions on this machine there is also a POWER toggle switch, that is either in latch mode or activates the power trigger mode, which interacts with the STARVE function. When starve is up (CW) the decay time of the oscillators using up the available power is faster, while when STARVE is low the decay is longer, while the oscillators get less power in total.CONNECTING:
STOCHASTIC ASYMMETRY runs on 12V DC (positive inside/negative outside, 2.1mm standard socket) and unless otherwise communicated it ships with a suitable recycled PSU with euro-plug. The audio output is a standard 6.3mm mono instrument jack socket, but beware that due to the special enclosures it might not work with angled plugs.The first batch of STOCHASTIC ASYMMETRY is build into enclosures found in an abandoned car repair shop in turku. Originally they were some kind of 'black box’ engine data-read-out ports and are now painted with the 'industrial burn-out’ camo pattern in chrome and black. Handmade by GRM for METSÄÄN.
https://metsn.tumblr.com/post/745561561886851072
#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE -
STOCHASTIC ASYMMETRY - for eruptive harsh noise assault patterns
The STOCHASTIC ASYMMETRY is a machine to generate glitched-out eruptive noise assault patterns. it is a signal generator for those who are interested in exploring the harsher spectrum of experimental noise making. STOCHASTIC ASYMMETRY can be the base battery for any anti-fascist noise resistance set-up and running it through a chain of manipulating EFX will lead to massive sonic results. Simply put… 5 square wave oscillators of which 2 are LFOs generate complex waveforms which are getting further effected by a starve control, a distortion and a resonant low pass filter.
Of course nothing really is simple, so here are more details:
WAVING:
Each of the 3 square wave oscillators has a FREQUENCY potentiometer for controling pitch, a RANGE toggle switch to select 2 different frequency ranges, a MODE toggle switch that enables latch or trigger mode and a TRIGGER button switch, as well as a orange indicator LED. In trigger mode, the oscillator is mixed into the signal only momentary as long as the trigger is depressed. But be aware, the machine has a non-linear response in the trigger section and sometimes an oscillator raises it’s voice even when you did not engage it with the trigger, that is part of the fun and it can get less out of control depending on the starve setting. when the oscillator’s LED is on it’s LED is on and it might or might not switch off when you repress the trigger, but as said, this function is highly stochastic and i have not been able to predict it (a lesson for control freaks!). All three oscillators have different ranges, higher on the left and lowering towards the right. A MIX toggle switch selects linear or non linear mixing, the non-linear mixing is a bit more uneven and noisy.MODULATING:
Each of the 2 LFOs has a SPEED control and similar to the other oscillators a MODE toggle switch and when in trigger mode the LFO can be activated temporally, which is most interesting when running in higher speeds for tremolo-like effects or high pitch noise assaults in the highest setting.SOUNDSHAPING:
the signal generated with oscillators with or without LFOs is shaped by two more controls, which are highly depending on other setting on the machine, so they as well, do not have a fully linear response. the EDGE control works like a distortion, that adds more sharp edges to the waveform, resulting in ‘higher harmonics’, while the CURVE control acts like a resonant low pass filter that rounds off the already very 'edgy’ squarewave forms and it has slight self-resonance. Both of these controls are as such not affected by the power-starve function, but works differently the more the oscillator section is starved. With very much starving (STARVE counterclockwise) the CURVE control can generate almost electro-acoustic sounding crunch and hiss for example (see demovideo). Of course there is also a VOLUME control that lets you tame the output level.STARVING:
The STARVE control regulates the power that is accessible to the IC that is used for the 5 oscillators and when one turns it down (CCW) the different oscillators start to get more stochastic in their functions so the generated waveform becomes more noisy. Turning STARVE counterclockwise also has a global scale effect, it lowers the pitch of the three oscillators and the speed of the LFOs, but at the same time it also introduces high pitched noises and clicks. Similar to the other trigger functions on this machine there is also a POWER toggle switch, that is either in latch mode or activates the power trigger mode, which interacts with the STARVE function. When starve is up (CW) the decay time of the oscillators using up the available power is faster, while when STARVE is low the decay is longer, while the oscillators get less power in total.CONNECTING:
STOCHASTIC ASYMMETRY runs on 12V DC (positive inside/negative outside, 2.1mm standard socket) and unless otherwise communicated it ships with a suitable recycled PSU with euro-plug. The audio output is a standard 6.3mm mono instrument jack socket, but beware that due to the special enclosures it might not work with angled plugs.The first batch of STOCHASTIC ASYMMETRY is build into enclosures found in an abandoned car repair shop in turku. Originally they were some kind of 'black box’ engine data-read-out ports and are now painted with the 'industrial burn-out’ camo pattern in chrome and black. Handmade by GRM for METSÄÄN.
https://metsn.tumblr.com/post/745561561886851072
#METSÄÄN #STOCHASTICASYMMETRY #HARSHNOISE #GLITCH #SOUNDART #NOISEBOX #experimentalmusicalinstrument #sounddesign #powerelectronics #thismachinekillsfascists #makenoisesmashfascism #asymmetry
#asymmeteicwarfare #GLITCH #harshnoise #noisemusic #noisebox #noisepedal #harshnoisewall #industrial #anarXnoise #ANTIFANOISE -
We were looking for a name and a mate for the left-coiling Cepaea. Introducing "Coily Minogue" ... now we just need a mate! https://www.instagram.com/reel/CzrILrQCvy4/?igshid=MzRlODBiNWFlZA== #snails #asymmetry #kylie #padam
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#DavidAlbert - Setting #Time Aright
https://www.youtube.com/watch?v=UHcsE3rZgDM
#Philosophy #PhilosophyOfScience #Science #Physics #Causality #Entropy #SecondLaw #2ndLaw #Thermodynamics #TimeReversalSymmetry #Symmetry #Asymmetry #Motion #EquationsOfMotion #Boltzmann #Probability #CloserToTruth #RobertKuhn
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#RobinLePoidevin - What's #Real About #Time?
https://www.youtube.com/watch?v=zzXL65c8js0&ab_channel=CloserToTruth
#Philosophy #PhilosophyOfTime #PhilosophyOfScience #Science #Future #Past #Present #Now #Time #TimesArrow #Entropy #Laws #LawsOfNature #LawsOfPhysics #SpaceTime #Determinism #Causation #Freedom #FreeWill #Asymmetry #BlockUniverse #GR #GeneralRelativity #CloserToTruth #RobertKuhn
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https://elijax.bandcamp.com/album/loops
Release coming in May. Listen to the full track on the following link.
LOOPS by @elijax
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Helicopter trip into West Maui mountains to collect chirally variable Lymnaeid snails 🐌, funded by BBSRC International Collaboration award with Ken Hayes and Norine Yeung at Bishop Museum, Honolulu. Think I am rocking the rebel fighters from Star Wars look?
#chirality #snails #snail #sinstral #genomics #asymmetry #LRasymmetry #BBSRC #BishopMuseum
#StarWars #Maui #Oahu -
Helicopter trip into West Maui mountains to collect chirally variable Lymnaeid snails 🐌, funded by BBSRC International Collaboration award with Ken Hayes and Norine Yeung at Bishop Museum, Honolulu. Think I am rocking the rebel fighters from Star Wars look?
#chirality #snails #snail #sinstral #genomics #asymmetry #LRasymmetry #BBSRC #BishopMuseum
#StarWars #Maui #Oahu -
Helicopter trip into West Maui mountains to collect chirally variable Lymnaeid snails 🐌, funded by BBSRC International Collaboration award with Ken Hayes and Norine Yeung at Bishop Museum, Honolulu. Think I am rocking the rebel fighters from Star Wars look?
#chirality #snails #snail #sinstral #genomics #asymmetry #LRasymmetry #BBSRC #BishopMuseum
#StarWars #Maui #Oahu -
Helicopter trip into West Maui mountains to collect chirally variable Lymnaeid snails 🐌, funded by BBSRC International Collaboration award with Ken Hayes and Norine Yeung at Bishop Museum, Honolulu. Think I am rocking the rebel fighters from Star Wars look?
#chirality #snails #snail #sinstral #genomics #asymmetry #LRasymmetry #BBSRC #BishopMuseum
#StarWars #Maui #Oahu -
Helicopter trip into West Maui mountains to collect chirally variable Lymnaeid snails 🐌, funded by BBSRC International Collaboration award with Ken Hayes and Norine Yeung at Bishop Museum, Honolulu. Think I am rocking the rebel fighters from Star Wars look?
#chirality #snails #snail #sinstral #genomics #asymmetry #LRasymmetry #BBSRC #BishopMuseum
#StarWars #Maui #Oahu -
Not at #popgroup56, because needed family time prior to am heading out soon for first foreign field work since 2019. And its a good one: Hawaii working with collaborators at the Bishop Museum on chirally variable snails 🐌, funded by BBSRC. Beyond excited! Slightly cheesy 🧀 video highlights previous trip.
#chirality #snails #snail #sinstral #genomics #asymmetry #LRasymmetry #pgg56 #BBSRC -
Not at #popgroup56, because needed family time prior to am heading out soon for first foreign field work since 2019. And its a good one: Hawaii working with collaborators at the Bishop Museum on chirally variable snails 🐌, funded by BBSRC. Beyond excited! Slightly cheesy 🧀 video highlights previous trip.
#chirality #snails #snail #sinstral #genomics #asymmetry #LRasymmetry #pgg56 #BBSRC -
Not at #popgroup56, because needed family time prior to am heading out soon for first foreign field work since 2019. And its a good one: Hawaii working with collaborators at the Bishop Museum on chirally variable snails 🐌, funded by BBSRC. Beyond excited! Slightly cheesy 🧀 video highlights previous trip.
#chirality #snails #snail #sinstral #genomics #asymmetry #LRasymmetry #pgg56 #BBSRC -
Not at #popgroup56, because needed family time prior to am heading out soon for first foreign field work since 2019. And its a good one: Hawaii working with collaborators at the Bishop Museum on chirally variable snails 🐌, funded by BBSRC. Beyond excited! Slightly cheesy 🧀 video highlights previous trip.
#chirality #snails #snail #sinstral #genomics #asymmetry #LRasymmetry #pgg56 #BBSRC -
Not at #popgroup56, because needed family time prior to am heading out soon for first foreign field work since 2019. And its a good one: Hawaii working with collaborators at the Bishop Museum on chirally variable snails 🐌, funded by BBSRC. Beyond excited! Slightly cheesy 🧀 video highlights previous trip.
#chirality #snails #snail #sinstral #genomics #asymmetry #LRasymmetry #pgg56 #BBSRC -
Sinistral garden snails mating in the lab today. #asymmetry #chirality #snails #cornu #leftysnail #snaillove
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Some six or so years since "Jeremy" aka "shellebrity snail" 🐌, I might finally have a line of left-coiling or sinistral garden snails!! Hoping these 3 virgins just emerging from hibernation, 🤞🤞will produce lefty babies. Then can finally get doing the #genomics #asymmetry #chirality #snails #cornu #leftysnail #snaillove
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I am an evolutionary geneticist at the University of Nottingham, researching the evolution and genetics of colour and chirality (left-right asymmetry) in snails 🐌. I'm here for the science. Cross your fingers 🤞and there might be a graphic novel in it!
#evolution #snails #genomics #colour #LeftySnail#cepaea #UoN #UoNLifeSci #SciCom #Nottingham #genetics #chirality #asymmetry
