#asmustietchens — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #asmustietchens, aggregated by home.social.
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Die Regeninsel
von Dirk Serries | Asmus Tietchens
Dirk Serries: Electric Guitar, Outboard Effects – dirkserries.com
Asmus Tietchens: Processings – tietchens.dewird veröffentlicht am 22. Mai 2026
https://emerge.bandcamp.com/album/die-regeninsel
#AsmusTietchens #bandcamp #DieRegeninsel #DirkSerries #Hören #MUSIK -
seuchengebiete / asmus tietchens. 1985
| 00:00:00 | Hydrophonie 2
| 00:24:42 | Hydrophonie 5
| 00:45:34 | Hydrophonie 4NOTES:
Tracks 1 & 2 originally released on Seuchengebiete LP (A-Mission Records PRO 18:4, 1985).CREDITS:
Liner Notes – Asmus Tietchens
Producer – Okko BekkerASMUS TIETCHENS
German experimental musician (born 3 February 1947, Hamburg).
He began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. In the 1970s he met producer Okko Bekker who has been credited as producer on Tietchens’ releases ever since.
Although some of his better-known recordings from the early 80s are what he refers to as “electronic pseudo-pop”, most of Tietchen’s works are much more experimental in nature, drawing on influences as diverse as Industrial, Electro-Acoustic, Ambient, and Musique Concrète, moving toward more abstract sound collages.
The sleeves on his albums often quote philosopher Emil Cioran.#abstract #abstractSoundCollages #Ambient #AsmusTietchens #AsmusTietchensProducer #collage #electronicMusic #electronicPseudoPop #EmilCioran #experimental #experimentalMusic #musicaElettronica #musicaSperimentale #OkkoBekker #pseudoPop #Seuchengebiete #soundCollages #synthesizer #tapeLoops
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seuchengebiete / asmus tietchens. 1985
| 00:00:00 | Hydrophonie 2
| 00:24:42 | Hydrophonie 5
| 00:45:34 | Hydrophonie 4NOTES:
Tracks 1 & 2 originally released on Seuchengebiete LP (A-Mission Records PRO 18:4, 1985).CREDITS:
Liner Notes – Asmus Tietchens
Producer – Okko BekkerASMUS TIETCHENS
German experimental musician (born 3 February 1947, Hamburg).
He began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. In the 1970s he met producer Okko Bekker who has been credited as producer on Tietchens’ releases ever since.
Although some of his better-known recordings from the early 80s are what he refers to as “electronic pseudo-pop”, most of Tietchen’s works are much more experimental in nature, drawing on influences as diverse as Industrial, Electro-Acoustic, Ambient, and Musique Concrète, moving toward more abstract sound collages.
The sleeves on his albums often quote philosopher Emil Cioran.#abstract #abstractSoundCollages #Ambient #AsmusTietchens #AsmusTietchensProducer #collage #electronicMusic #electronicPseudoPop #EmilCioran #experimental #experimentalMusic #musicaElettronica #musicaSperimentale #OkkoBekker #pseudoPop #Seuchengebiete #soundCollages #synthesizer #tapeLoops
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#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks
