#asmustietchens — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #asmustietchens, aggregated by home.social.
-
New #review today: "Die Regeninsel is #DirkSerries’ sixth collaboration with #AsmusTietchens, thrice previously as #VidnaObmana (Untitled, Motives for Recylings, and The Shift Recyclings) and twice previously as Dirk Serries (Air and Die Hofner Akten); on this latest release Serries’ layered guitar abstractions meet Tietchens’ treatments and effects, pushing the limits of the possibilities of sound." #ExposeOnline #ElectronicMusic #AmbientMusic #ExperimentalMusic http://expose.org/index.php/articles/display/dirk-serries-asmus-tietchens-die-regeninsel-3.html
-
New #review today: "Die Regeninsel is #DirkSerries’ sixth collaboration with #AsmusTietchens, thrice previously as #VidnaObmana (Untitled, Motives for Recylings, and The Shift Recyclings) and twice previously as Dirk Serries (Air and Die Hofner Akten); on this latest release Serries’ layered guitar abstractions meet Tietchens’ treatments and effects, pushing the limits of the possibilities of sound." #ExposeOnline #ElectronicMusic #AmbientMusic #ExperimentalMusic http://expose.org/index.php/articles/display/dirk-serries-asmus-tietchens-die-regeninsel-3.html
-
New #review today: "Die Regeninsel is #DirkSerries’ sixth collaboration with #AsmusTietchens, thrice previously as #VidnaObmana (Untitled, Motives for Recylings, and The Shift Recyclings) and twice previously as Dirk Serries (Air and Die Hofner Akten); on this latest release Serries’ layered guitar abstractions meet Tietchens’ treatments and effects, pushing the limits of the possibilities of sound." #ExposeOnline #ElectronicMusic #AmbientMusic #ExperimentalMusic http://expose.org/index.php/articles/display/dirk-serries-asmus-tietchens-die-regeninsel-3.html
-
New #review today: "Die Regeninsel is #DirkSerries’ sixth collaboration with #AsmusTietchens, thrice previously as #VidnaObmana (Untitled, Motives for Recylings, and The Shift Recyclings) and twice previously as Dirk Serries (Air and Die Hofner Akten); on this latest release Serries’ layered guitar abstractions meet Tietchens’ treatments and effects, pushing the limits of the possibilities of sound." #ExposeOnline #ElectronicMusic #AmbientMusic #ExperimentalMusic http://expose.org/index.php/articles/display/dirk-serries-asmus-tietchens-die-regeninsel-3.html
-
New #review today: "Die Regeninsel is #DirkSerries’ sixth collaboration with #AsmusTietchens, thrice previously as #VidnaObmana (Untitled, Motives for Recylings, and The Shift Recyclings) and twice previously as Dirk Serries (Air and Die Hofner Akten); on this latest release Serries’ layered guitar abstractions meet Tietchens’ treatments and effects, pushing the limits of the possibilities of sound." #ExposeOnline #ElectronicMusic #AmbientMusic #ExperimentalMusic http://expose.org/index.php/articles/display/dirk-serries-asmus-tietchens-die-regeninsel-3.html
-
Asmus Tietchens – Soirée Fantastique – Von just because I can
https://www.youtube.com/watch?v=rCjGkV5PjL4
#AsmusTietchens #Electronica #justBecauseICan #MUSIK #SoiréeFantastique -
Asmus Tietchens – Eisgang / Dämmerattacke
https://www.youtube.com/watch?v=MEuKVhqMrxs
cover text: Am allerletzten Ende wird von allen Idealen des Menschen nur er selbst, der nackte Mensch übrig bleiben. Längst wird er das Absolute, nicht aber sich selbst ausgemerzt haben. Erst dann werden die Ideale zerbröckeln und der Mensch mit sich selbst allein bleiben – von Angesicht zu Angesicht. – E.M. Cioran “Das Buch der Täuschungen”
#AsmusTietchens #EMCioran #EisgangDämmerattacke #Electronica #Mensch #MUSIK #Zitat -
Asmus Tietchens – Rede vor Konzert 2016, Düsseldorf
https://www.youtube.com/watch?v=ik3StlsE35E
#2016 #AsmusTietchens #Electronica #Hören #MUSIK #Vortrag
Bild / Video ist zweitrangig, bitte nicht böse sein – nur für Freunde hochgeladen, weil mir die Rede und Aussagen gefallen haben. -
Die Regeninsel
von Dirk Serries | Asmus Tietchens
Dirk Serries: Electric Guitar, Outboard Effects – dirkserries.com
Asmus Tietchens: Processings – tietchens.dewird veröffentlicht am 22. Mai 2026
https://emerge.bandcamp.com/album/die-regeninsel
#AsmusTietchens #bandcamp #DieRegeninsel #DirkSerries #Hören #MUSIK -
sieben harmoniaturen
sieben harmoniaturen / asmus tietchens. 2017
slowforward.net/2026/01/16/sie… -
erstes nachtstück / asmus tietchens
Erstes Nachtstück by Asmus Tietchens from the album Nachtstücke
on Bureau B#AsmusTietchens #BureauB #ErstesNachtstück #music #musica #musicaContemporanea #Nachtstücke
-
erstes nachtstück / asmus tietchens
Erstes Nachtstück by Asmus Tietchens from the album Nachtstücke
on Bureau B#AsmusTietchens #BureauB #ErstesNachtstück #music #musica #musicaContemporanea #Nachtstücke
-
seuchengebiete / asmus tietchens. 1985
| 00:00:00 | Hydrophonie 2
| 00:24:42 | Hydrophonie 5
| 00:45:34 | Hydrophonie 4NOTES:
Tracks 1 & 2 originally released on Seuchengebiete LP (A-Mission Records PRO 18:4, 1985).CREDITS:
Liner Notes – Asmus Tietchens
Producer – Okko BekkerASMUS TIETCHENS
German experimental musician (born 3 February 1947, Hamburg).
He began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. In the 1970s he met producer Okko Bekker who has been credited as producer on Tietchens’ releases ever since.
Although some of his better-known recordings from the early 80s are what he refers to as “electronic pseudo-pop”, most of Tietchen’s works are much more experimental in nature, drawing on influences as diverse as Industrial, Electro-Acoustic, Ambient, and Musique Concrète, moving toward more abstract sound collages.
The sleeves on his albums often quote philosopher Emil Cioran.#abstract #abstractSoundCollages #Ambient #AsmusTietchens #AsmusTietchensProducer #collage #electronicMusic #electronicPseudoPop #EmilCioran #experimental #experimentalMusic #musicaElettronica #musicaSperimentale #OkkoBekker #pseudoPop #Seuchengebiete #soundCollages #synthesizer #tapeLoops
-
seuchengebiete / asmus tietchens. 1985
| 00:00:00 | Hydrophonie 2
| 00:24:42 | Hydrophonie 5
| 00:45:34 | Hydrophonie 4NOTES:
Tracks 1 & 2 originally released on Seuchengebiete LP (A-Mission Records PRO 18:4, 1985).CREDITS:
Liner Notes – Asmus Tietchens
Producer – Okko BekkerASMUS TIETCHENS
German experimental musician (born 3 February 1947, Hamburg).
He began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. In the 1970s he met producer Okko Bekker who has been credited as producer on Tietchens’ releases ever since.
Although some of his better-known recordings from the early 80s are what he refers to as “electronic pseudo-pop”, most of Tietchen’s works are much more experimental in nature, drawing on influences as diverse as Industrial, Electro-Acoustic, Ambient, and Musique Concrète, moving toward more abstract sound collages.
The sleeves on his albums often quote philosopher Emil Cioran.#abstract #abstractSoundCollages #Ambient #AsmusTietchens #AsmusTietchensProducer #collage #electronicMusic #electronicPseudoPop #EmilCioran #experimental #experimentalMusic #musicaElettronica #musicaSperimentale #OkkoBekker #pseudoPop #Seuchengebiete #soundCollages #synthesizer #tapeLoops
-
#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks
-
#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks
-
#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks
-
#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks
-
#NowPlaying #Toukaseibunshi Iwata Hironari began as 透過性分子(Transparent Molecules) in 1985. He was active until 1988, collaborating with #Merzbow and #Agencent, and running #Angakok curating tapes by #CementWoman, #TheHaters, #PGR / #Thessalonians, and an impressive compilation called Angelic Technology 1 with #HNAS, #AsmusTietchens, #P16D4, #DDAA, etc. #PSF reissued an edited version of his first tape in 2009. This tape was published just before he died in 2018. https://vlzprodukt.bandcamp.com/album/stratosphere-sound-last-tracks