#arthistorians — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #arthistorians, aggregated by home.social.
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#CfA for our 2027 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: September 30, 2026
➡️ https://leibniz-ios.de/en/knowledge-transfer/news/newsdetail/augustin-hirschvogel-fellowship-at-the-ios-2027 -
#CfA for our 2027 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: September 30, 2026
➡️ https://leibniz-ios.de/en/knowledge-transfer/news/newsdetail/augustin-hirschvogel-fellowship-at-the-ios-2027 -
50 #ClassicalPaintings turned into hilarious memes by “Art Memes Central” (New pics): https://zorz.it/VNSKh
#Hidrėlėy #ArtMemesCentral #ClassicalArtworks #Milan #OldPaintings #ArtHistorians #ContemporaryThemes #pictures #hilarious
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#Pissarro’s first major U.S. #retrospective in 40+ years to open soon https://zorz.it/hdCnt | #EvaBaron #CamillePissarro #artist #FirstImpressionist #DenverArtMuseum #exhibition #ArtHistorians #Impressionism
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#CfA for our 2026 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: 30 Sept 2025
➡️ https://leibniz-ios.de/en/institute/about-the-institute/fellowships -
#CfA for our 2026 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: 30 Sept 2025
➡️ https://leibniz-ios.de/en/institute/about-the-institute/fellowships -
The Right’s Most Influential Art Historian Helped Shape Project 2025
"one of many efforts complementing the Heritage Foundation’s Project 2025...Project Esther is designed to take over US higher education and target progressive organizations that might support Palestinians and oppose extreme Christian nationalism; it is being run by the art historian Victoria Coates."
https://www.artnews.com/art-in-america/columns/the-right-influential-art-historian-victoria-coates-project-esther-1234748703/
#ArtHistorians #Academia #FascismInTheUSA -
Did you know, it's super easy, using ChatGPT-4, to link the names in this #WIkidarta #Sparql Query to provenance texts from museums?
I don't know how many people (#arthistorians #datascience nerds #provenance Researchers #AI or #semanticweb people) might be interested in this, but if you are, give me a shout out.
It's crazy powerful and pretty easy.
I tested the method on paintings in the #Harvard #Art #museums Results not bad at all.
#ideas Breaking #data #silos -
Did you know, it's super easy, using ChatGPT-4, to link the names in this #WIkidarta #Sparql Query to provenance texts from museums?
I don't know how many people (#arthistorians #datascience nerds #provenance Researchers #AI or #semanticweb people) might be interested in this, but if you are, give me a shout out.
It's crazy powerful and pretty easy.
I tested the method on paintings in the #Harvard #Art #museums Results not bad at all.
#ideas Breaking #data #silos -
No dia 28 de Novembro, a Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa vai acolher um encontro com três eventos #IN2PAST:
a primeira sessão do Ciclo Doutoral de Conversas, o lançamento do website oficial do laboratório associado e um debate sobre património cultural e usos do passado.
ℹ️ https://ihc.fcsh.unl.pt/events/encontro-in2past-2023/
#Histodons #ArtHistorians #Archaeodons #Heritage #CulturalHeritage #AppliedChemistry #UsesOfThePast #Património #PatrimónioCultural #UsosDoPassado #Química
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Visiting #Rijksmuseum, marvelling at "Fabrieksmeisjes in een regenbui" by Alexander Ver Huell. Each brush stroke adds life to the factory girls under the rain. Thoughts on their story?
#ArtHistorians #Rijksmuseum #VerHuell #DutchArt
https://www.rijksmuseum.nl/nl/collectie/BI-1924-384-3-2 -
What do #arthistorians think of the provenance of this 18th century decorative figure?
"about 1920 - 1988
Private Collection (Paris, France)
[offered for sale but withdrawn, Nouveau Drouot, Paris, April 2, 1981, no. 61]1988
Jean-Luc Chalmin (Paris, France)
sold to the J. Paul Getty Museum, 1988."#MastoArt #glam #tracing the #past
#Sculpture #Decorative #Arts -
What do #arthistorians think of the provenance of this 18th century decorative figure?
"about 1920 - 1988
Private Collection (Paris, France)
[offered for sale but withdrawn, Nouveau Drouot, Paris, April 2, 1981, no. 61]1988
Jean-Luc Chalmin (Paris, France)
sold to the J. Paul Getty Museum, 1988."#MastoArt #glam #tracing the #past
#Sculpture #Decorative #Arts -
Any #ArtHistory folks know much about the history of color #gradients in art/painting?
There's a very short wikipedia entry on "gradiation (art)," but I don't know where to look to learn more.
In my experience, #painting a really smooth #gradient is a pretty tough process without digital tools. Was it thought of as a skillful act? Do I uniquely find it hard? Did it depend on scale?#ArtHistorians, please tell me what you know about gradients! 🙇🏼
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Any #ArtHistory folks know much about the history of color #gradients in art/painting?
There's a very short wikipedia entry on "gradiation (art)," but I don't know where to look to learn more.
In my experience, #painting a really smooth #gradient is a pretty tough process without digital tools. Was it thought of as a skillful act? Do I uniquely find it hard? Did it depend on scale?#ArtHistorians, please tell me what you know about gradients! 🙇🏼
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@baroquepawel So, interestingly, Elkins point as I see it (& I do like Elkins books) is that #arthistorians are always looking for new 'puzzles' to solve & so make the work(s) complex in their (very) interpretation;
this, in a sense, intellectualises away a more visceral response (seeing such a response as naive or unthinking); but of course, if we take seriously (which I do) that art is the result of a conversation between #artist & beholder, then there can be no final 'meaning' only meaningS! -
@baroquepawel So, interestingly, Elkins point as I see it (& I do like Elkins books) is that #arthistorians are always looking for new 'puzzles' to solve & so make the work(s) complex in their (very) interpretation;
this, in a sense, intellectualises away a more visceral response (seeing such a response as naive or unthinking); but of course, if we take seriously (which I do) that art is the result of a conversation between #artist & beholder, then there can be no final 'meaning' only meaningS! -
Novel research of the day: Flammability of painted canvasses in the late 1800s. Also, how were they stored (flat or rolled up)?
I am hoping they were quite flammable.
I sent my questions to the local art museum. If any art history experts here have answers, I have questions.#HistoricalFiction
#Research
#Art
#ArtHistory
#ArtHistorians
#Painting
#AmWriting -
Novel research of the day: Flammability of painted canvasses in the late 1800s. Also, how were they stored (flat or rolled up)?
I am hoping they were quite flammable.
I sent my questions to the local art museum. If any art history experts here have answers, I have questions.#HistoricalFiction
#Research
#Art
#ArtHistory
#ArtHistorians
#Painting
#AmWriting -
Good morning, #paleography and #arthistory Mammutidae. I spend a lot of time thinking about how to teach the history of script to audiences diverse in background and preparation. One thing I really have not solved, except through trial and mostly error, is how best to serve students who are not by nature or training good visual memorizers.
I have the feeling #arthistorians might have thought and written about this, but I haven't found much practical about the #pedagogy of art history.
In teaching paleography, I follow Albert Derolez's methodology in describing script so that one can use the schemata of classification, dating, etc., without having an oculus paleographicus. I teach students constantly to move between the view of the page from across the room and the minute examination of letterforms, using one to check the other. I employ a teachable narrative of the history of script that gives students real-world contexts and sequences for visual and material detail. (more toots...)
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#arthistorians #Holocaust #scholars
An important new #database of #art market #archives in #Düsseldorf for 1933-1945 has just been announced on #lootedart.com!link to search: https://www.archive.nrw.de/archivsuche
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Questions to #histodons #arthistorians. Have you ever tried to get to the buyer / seller of an archival document that has been subject to an #auction? I tried to contact the auction house through the website where I saw an archival document sold for private rather than public use but was never put in touch with the seller. It'd be very interesting to know where the document came from and whether there are others, and possibly to put them to public rather than private use. Any suggestions as to how to approach the auction house effectively? I honestly doubt that they have ever passed my query on to the original seller. Or am i missing the point and should just give up on tracking down the initiator of a private transaction? In case it's relevant: it was a handwritten note by the former #QueenOfHaiti to borrow some money. Date: 1847.
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A throwback (tootback?!) to a recent archival hunt in Paris. This is (the copy of) a #1791 #passport issued by the #enslaved insurgents during the #HaitianRevolution. They swore an oath of allegiance to Spain through the Archbishop of #SantoDomingo. The heart with a flame presumably represented the Heart of Mary, but maybe some #arthistorians out there can chime in? I also think that “MDM” may possibly stand for “Maria Dei Mater”, and “MN” for “Mater Nostra”. No certainties, though. The sketch is included in an eye-witness testimony to give the French information on the insurgents.
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I've used an excellent list for #historians in the #fediverse, found several #arthistorians and imported the (few) #twitter contacts I have that are already here.
Now, can anyone point me toward a ready-made list of #economists in the #fediverse and those with interests (research or practise) in #KnowledgeExchange, #research and #researchengagement?
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That should’ve been #arthistorians / #arthistory!
