#arthistorians — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #arthistorians, aggregated by home.social.
-
📍A unicum of Attic pottery.
This Attic red-figure chous (Greek: xoυς) (wine jug), attributed to the Eretria Painter (5th century BC), shows a special scene: a man, crowned with an olive wreath, places his child on an aiora during the Aiora ritual associated with the ancient Athenian Anthesteria festival.
National Archaeological Museum, Athens, Greece (Inventory No. ΒΣ 319/VS 319)
#Art #ArtHistorians #ArtHistory #Pottery #Antiquity #Museums #Anthesteria #artists #Archaeology #Athens #Greece
-
📍A unicum of Attic pottery.
This Attic red-figure chous (Greek: xoυς) (wine jug), attributed to the Eretria Painter (5th century BC), shows a special scene: a man, crowned with an olive wreath, places his child on an aiora during the Aiora ritual associated with the ancient Athenian Anthesteria festival.
National Archaeological Museum, Athens, Greece (Inventory No. ΒΣ 319/VS 319)
#Art #ArtHistorians #ArtHistory #Pottery #Antiquity #Museums #Anthesteria #artists #Archaeology #Athens #Greece
-
📍A unicum of Attic pottery.
This Attic red-figure chous (Greek: xoυς) (wine jug), attributed to the Eretria Painter (5th century BC), shows a special scene: a man, crowned with an olive wreath, places his child on an aiora during the Aiora ritual associated with the ancient Athenian Anthesteria festival.
National Archaeological Museum, Athens, Greece (Inventory No. ΒΣ 319/VS 319)
#Art #ArtHistorians #ArtHistory #Pottery #Antiquity #Museums #Anthesteria #artists #Archaeology #Athens #Greece
-
📍A unicum of Attic pottery.
This Attic red-figure chous (Greek: xoυς) (wine jug), attributed to the Eretria Painter (5th century BC), shows a special scene: a man, crowned with an olive wreath, places his child on an aiora during the Aiora ritual associated with the ancient Athenian Anthesteria festival.
National Archaeological Museum, Athens, Greece (Inventory No. ΒΣ 319/VS 319)
#Art #ArtHistorians #ArtHistory #Pottery #Antiquity #Museums #Anthesteria #artists #Archaeology #Athens #Greece
-
📍A unicum of Attic pottery.
This Attic red-figure chous (Greek: xoυς) (wine jug), attributed to the Eretria Painter (5th century BC), shows a special scene: a man, crowned with an olive wreath, places his child on an aiora during the Aiora ritual associated with the ancient Athenian Anthesteria festival.
National Archaeological Museum, Athens, Greece (Inventory No. ΒΣ 319/VS 319)
#Art #ArtHistorians #ArtHistory #Pottery #Antiquity #Museums #Anthesteria #artists #Archaeology #Athens #Greece
-
#CfA for our 2027 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: September 30, 2026
➡️ https://leibniz-ios.de/en/knowledge-transfer/news/newsdetail/augustin-hirschvogel-fellowship-at-the-ios-2027 -
#CfA for our 2027 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: September 30, 2026
➡️ https://leibniz-ios.de/en/knowledge-transfer/news/newsdetail/augustin-hirschvogel-fellowship-at-the-ios-2027 -
#CfA for our 2027 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: September 30, 2026
➡️ https://leibniz-ios.de/en/knowledge-transfer/news/newsdetail/augustin-hirschvogel-fellowship-at-the-ios-2027 -
#CfA for our 2027 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: September 30, 2026
➡️ https://leibniz-ios.de/en/knowledge-transfer/news/newsdetail/augustin-hirschvogel-fellowship-at-the-ios-2027 -
#CfA for our 2027 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: September 30, 2026
➡️ https://leibniz-ios.de/en/knowledge-transfer/news/newsdetail/augustin-hirschvogel-fellowship-at-the-ios-2027 -
50 #ClassicalPaintings turned into hilarious memes by “Art Memes Central” (New pics): https://zorz.it/VNSKh
#Hidrėlėy #ArtMemesCentral #ClassicalArtworks #Milan #OldPaintings #ArtHistorians #ContemporaryThemes #pictures #hilarious
-
50 #ClassicalPaintings turned into hilarious memes by “Art Memes Central” (New pics): https://zorz.it/VNSKh
#Hidrėlėy #ArtMemesCentral #ClassicalArtworks #Milan #OldPaintings #ArtHistorians #ContemporaryThemes #pictures #hilarious
-
50 #ClassicalPaintings turned into hilarious memes by “Art Memes Central” (New pics): https://zorz.it/VNSKh
#Hidrėlėy #ArtMemesCentral #ClassicalArtworks #Milan #OldPaintings #ArtHistorians #ContemporaryThemes #pictures #hilarious
-
#Pissarro’s first major U.S. #retrospective in 40+ years to open soon https://zorz.it/hdCnt | #EvaBaron #CamillePissarro #artist #FirstImpressionist #DenverArtMuseum #exhibition #ArtHistorians #Impressionism
-
#Pissarro’s first major U.S. #retrospective in 40+ years to open soon https://zorz.it/hdCnt | #EvaBaron #CamillePissarro #artist #FirstImpressionist #DenverArtMuseum #exhibition #ArtHistorians #Impressionism
-
#Pissarro’s first major U.S. #retrospective in 40+ years to open soon https://zorz.it/hdCnt | #EvaBaron #CamillePissarro #artist #FirstImpressionist #DenverArtMuseum #exhibition #ArtHistorians #Impressionism
-
#Pissarro’s first major U.S. #retrospective in 40+ years to open soon https://zorz.it/hdCnt | #EvaBaron #CamillePissarro #artist #FirstImpressionist #DenverArtMuseum #exhibition #ArtHistorians #Impressionism
-
#CfA for our 2026 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: 30 Sept 2025
➡️ https://leibniz-ios.de/en/institute/about-the-institute/fellowships -
#CfA for our 2026 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: 30 Sept 2025
➡️ https://leibniz-ios.de/en/institute/about-the-institute/fellowships -
#CfA for our 2026 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: 30 Sept 2025
➡️ https://leibniz-ios.de/en/institute/about-the-institute/fellowships -
#CfA for our 2026 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: 30 Sept 2025
➡️ https://leibniz-ios.de/en/institute/about-the-institute/fellowships -
#CfA for our 2026 Augustin Hirschvogel #Fellowship. We invite #historians, #geographers, #cartographers, #arthistorians and scholars in related fields w/ focus on Eastern or #SoutheastEurope to apply. Research stay of up to 4 weeks.
🗓️ Deadline: 30 Sept 2025
➡️ https://leibniz-ios.de/en/institute/about-the-institute/fellowships -
The Right’s Most Influential Art Historian Helped Shape Project 2025
"one of many efforts complementing the Heritage Foundation’s Project 2025...Project Esther is designed to take over US higher education and target progressive organizations that might support Palestinians and oppose extreme Christian nationalism; it is being run by the art historian Victoria Coates."
https://www.artnews.com/art-in-america/columns/the-right-influential-art-historian-victoria-coates-project-esther-1234748703/
#ArtHistorians #Academia #FascismInTheUSA -
The Right’s Most Influential Art Historian Helped Shape Project 2025
"one of many efforts complementing the Heritage Foundation’s Project 2025...Project Esther is designed to take over US higher education and target progressive organizations that might support Palestinians and oppose extreme Christian nationalism; it is being run by the art historian Victoria Coates."
https://www.artnews.com/art-in-america/columns/the-right-influential-art-historian-victoria-coates-project-esther-1234748703/
#ArtHistorians #Academia #FascismInTheUSA -
The Right’s Most Influential Art Historian Helped Shape Project 2025
"one of many efforts complementing the Heritage Foundation’s Project 2025...Project Esther is designed to take over US higher education and target progressive organizations that might support Palestinians and oppose extreme Christian nationalism; it is being run by the art historian Victoria Coates."
https://www.artnews.com/art-in-america/columns/the-right-influential-art-historian-victoria-coates-project-esther-1234748703/
#ArtHistorians #Academia #FascismInTheUSA -
The Right’s Most Influential Art Historian Helped Shape Project 2025
"one of many efforts complementing the Heritage Foundation’s Project 2025...Project Esther is designed to take over US higher education and target progressive organizations that might support Palestinians and oppose extreme Christian nationalism; it is being run by the art historian Victoria Coates."
https://www.artnews.com/art-in-america/columns/the-right-influential-art-historian-victoria-coates-project-esther-1234748703/
#ArtHistorians #Academia #FascismInTheUSA -
Did you know, it's super easy, using ChatGPT-4, to link the names in this #WIkidarta #Sparql Query to provenance texts from museums?
I don't know how many people (#arthistorians #datascience nerds #provenance Researchers #AI or #semanticweb people) might be interested in this, but if you are, give me a shout out.
It's crazy powerful and pretty easy.
I tested the method on paintings in the #Harvard #Art #museums Results not bad at all.
#ideas Breaking #data #silos -
Did you know, it's super easy, using ChatGPT-4, to link the names in this #WIkidarta #Sparql Query to provenance texts from museums?
I don't know how many people (#arthistorians #datascience nerds #provenance Researchers #AI or #semanticweb people) might be interested in this, but if you are, give me a shout out.
It's crazy powerful and pretty easy.
I tested the method on paintings in the #Harvard #Art #museums Results not bad at all.
#ideas Breaking #data #silos -
Did you know, it's super easy, using ChatGPT-4, to link the names in this #WIkidarta #Sparql Query to provenance texts from museums?
I don't know how many people (#arthistorians #datascience nerds #provenance Researchers #AI or #semanticweb people) might be interested in this, but if you are, give me a shout out.
It's crazy powerful and pretty easy.
I tested the method on paintings in the #Harvard #Art #museums Results not bad at all.
#ideas Breaking #data #silos -
Did you know, it's super easy, using ChatGPT-4, to link the names in this #WIkidarta #Sparql Query to provenance texts from museums?
I don't know how many people (#arthistorians #datascience nerds #provenance Researchers #AI or #semanticweb people) might be interested in this, but if you are, give me a shout out.
It's crazy powerful and pretty easy.
I tested the method on paintings in the #Harvard #Art #museums Results not bad at all.
#ideas Breaking #data #silos -
Did you know, it's super easy, using ChatGPT-4, to link the names in this #WIkidarta #Sparql Query to provenance texts from museums?
I don't know how many people (#arthistorians #datascience nerds #provenance Researchers #AI or #semanticweb people) might be interested in this, but if you are, give me a shout out.
It's crazy powerful and pretty easy.
I tested the method on paintings in the #Harvard #Art #museums Results not bad at all.
#ideas Breaking #data #silos -
No dia 28 de Novembro, a Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa vai acolher um encontro com três eventos #IN2PAST:
a primeira sessão do Ciclo Doutoral de Conversas, o lançamento do website oficial do laboratório associado e um debate sobre património cultural e usos do passado.
ℹ️ https://ihc.fcsh.unl.pt/events/encontro-in2past-2023/
#Histodons #ArtHistorians #Archaeodons #Heritage #CulturalHeritage #AppliedChemistry #UsesOfThePast #Património #PatrimónioCultural #UsosDoPassado #Química
-
No dia 28 de Novembro, a Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa vai acolher um encontro com três eventos #IN2PAST:
a primeira sessão do Ciclo Doutoral de Conversas, o lançamento do website oficial do laboratório associado e um debate sobre património cultural e usos do passado.
ℹ️ https://ihc.fcsh.unl.pt/events/encontro-in2past-2023/
#Histodons #ArtHistorians #Archaeodons #Heritage #CulturalHeritage #AppliedChemistry #UsesOfThePast #Património #PatrimónioCultural #UsosDoPassado #Química
-
No dia 28 de Novembro, a Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa vai acolher um encontro com três eventos #IN2PAST:
a primeira sessão do Ciclo Doutoral de Conversas, o lançamento do website oficial do laboratório associado e um debate sobre património cultural e usos do passado.
ℹ️ https://ihc.fcsh.unl.pt/events/encontro-in2past-2023/
#Histodons #ArtHistorians #Archaeodons #Heritage #CulturalHeritage #AppliedChemistry #UsesOfThePast #Património #PatrimónioCultural #UsosDoPassado #Química
-
Visiting #Rijksmuseum, marvelling at "Fabrieksmeisjes in een regenbui" by Alexander Ver Huell. Each brush stroke adds life to the factory girls under the rain. Thoughts on their story?
#ArtHistorians #Rijksmuseum #VerHuell #DutchArt
https://www.rijksmuseum.nl/nl/collectie/BI-1924-384-3-2 -
Visiting #Rijksmuseum, marvelling at "Fabrieksmeisjes in een regenbui" by Alexander Ver Huell. Each brush stroke adds life to the factory girls under the rain. Thoughts on their story?
#ArtHistorians #Rijksmuseum #VerHuell #DutchArt
https://www.rijksmuseum.nl/nl/collectie/BI-1924-384-3-2 -
What do #arthistorians think of the provenance of this 18th century decorative figure?
"about 1920 - 1988
Private Collection (Paris, France)
[offered for sale but withdrawn, Nouveau Drouot, Paris, April 2, 1981, no. 61]1988
Jean-Luc Chalmin (Paris, France)
sold to the J. Paul Getty Museum, 1988."#MastoArt #glam #tracing the #past
#Sculpture #Decorative #Arts -
What do #arthistorians think of the provenance of this 18th century decorative figure?
"about 1920 - 1988
Private Collection (Paris, France)
[offered for sale but withdrawn, Nouveau Drouot, Paris, April 2, 1981, no. 61]1988
Jean-Luc Chalmin (Paris, France)
sold to the J. Paul Getty Museum, 1988."#MastoArt #glam #tracing the #past
#Sculpture #Decorative #Arts -
What do #arthistorians think of the provenance of this 18th century decorative figure?
"about 1920 - 1988
Private Collection (Paris, France)
[offered for sale but withdrawn, Nouveau Drouot, Paris, April 2, 1981, no. 61]1988
Jean-Luc Chalmin (Paris, France)
sold to the J. Paul Getty Museum, 1988."#MastoArt #glam #tracing the #past
#Sculpture #Decorative #Arts -
What do #arthistorians think of the provenance of this 18th century decorative figure?
"about 1920 - 1988
Private Collection (Paris, France)
[offered for sale but withdrawn, Nouveau Drouot, Paris, April 2, 1981, no. 61]1988
Jean-Luc Chalmin (Paris, France)
sold to the J. Paul Getty Museum, 1988."#MastoArt #glam #tracing the #past
#Sculpture #Decorative #Arts -
What do #arthistorians think of the provenance of this 18th century decorative figure?
"about 1920 - 1988
Private Collection (Paris, France)
[offered for sale but withdrawn, Nouveau Drouot, Paris, April 2, 1981, no. 61]1988
Jean-Luc Chalmin (Paris, France)
sold to the J. Paul Getty Museum, 1988."#MastoArt #glam #tracing the #past
#Sculpture #Decorative #Arts -
Any #ArtHistory folks know much about the history of color #gradients in art/painting?
There's a very short wikipedia entry on "gradiation (art)," but I don't know where to look to learn more.
In my experience, #painting a really smooth #gradient is a pretty tough process without digital tools. Was it thought of as a skillful act? Do I uniquely find it hard? Did it depend on scale?#ArtHistorians, please tell me what you know about gradients! 🙇🏼
-
Any #ArtHistory folks know much about the history of color #gradients in art/painting?
There's a very short wikipedia entry on "gradiation (art)," but I don't know where to look to learn more.
In my experience, #painting a really smooth #gradient is a pretty tough process without digital tools. Was it thought of as a skillful act? Do I uniquely find it hard? Did it depend on scale?#ArtHistorians, please tell me what you know about gradients! 🙇🏼
-
Any #ArtHistory folks know much about the history of color #gradients in art/painting?
There's a very short wikipedia entry on "gradiation (art)," but I don't know where to look to learn more.
In my experience, #painting a really smooth #gradient is a pretty tough process without digital tools. Was it thought of as a skillful act? Do I uniquely find it hard? Did it depend on scale?#ArtHistorians, please tell me what you know about gradients! 🙇🏼
-
Any #ArtHistory folks know much about the history of color #gradients in art/painting?
There's a very short wikipedia entry on "gradiation (art)," but I don't know where to look to learn more.
In my experience, #painting a really smooth #gradient is a pretty tough process without digital tools. Was it thought of as a skillful act? Do I uniquely find it hard? Did it depend on scale?#ArtHistorians, please tell me what you know about gradients! 🙇🏼
-
Any #ArtHistory folks know much about the history of color #gradients in art/painting?
There's a very short wikipedia entry on "gradiation (art)," but I don't know where to look to learn more.
In my experience, #painting a really smooth #gradient is a pretty tough process without digital tools. Was it thought of as a skillful act? Do I uniquely find it hard? Did it depend on scale?#ArtHistorians, please tell me what you know about gradients! 🙇🏼
-
@baroquepawel So, interestingly, Elkins point as I see it (& I do like Elkins books) is that #arthistorians are always looking for new 'puzzles' to solve & so make the work(s) complex in their (very) interpretation;
this, in a sense, intellectualises away a more visceral response (seeing such a response as naive or unthinking); but of course, if we take seriously (which I do) that art is the result of a conversation between #artist & beholder, then there can be no final 'meaning' only meaningS! -
@baroquepawel So, interestingly, Elkins point as I see it (& I do like Elkins books) is that #arthistorians are always looking for new 'puzzles' to solve & so make the work(s) complex in their (very) interpretation;
this, in a sense, intellectualises away a more visceral response (seeing such a response as naive or unthinking); but of course, if we take seriously (which I do) that art is the result of a conversation between #artist & beholder, then there can be no final 'meaning' only meaningS! -
@baroquepawel So, interestingly, Elkins point as I see it (& I do like Elkins books) is that #arthistorians are always looking for new 'puzzles' to solve & so make the work(s) complex in their (very) interpretation;
this, in a sense, intellectualises away a more visceral response (seeing such a response as naive or unthinking); but of course, if we take seriously (which I do) that art is the result of a conversation between #artist & beholder, then there can be no final 'meaning' only meaningS! -
@baroquepawel So, interestingly, Elkins point as I see it (& I do like Elkins books) is that #arthistorians are always looking for new 'puzzles' to solve & so make the work(s) complex in their (very) interpretation;
this, in a sense, intellectualises away a more visceral response (seeing such a response as naive or unthinking); but of course, if we take seriously (which I do) that art is the result of a conversation between #artist & beholder, then there can be no final 'meaning' only meaningS! -
@baroquepawel So, interestingly, Elkins point as I see it (& I do like Elkins books) is that #arthistorians are always looking for new 'puzzles' to solve & so make the work(s) complex in their (very) interpretation;
this, in a sense, intellectualises away a more visceral response (seeing such a response as naive or unthinking); but of course, if we take seriously (which I do) that art is the result of a conversation between #artist & beholder, then there can be no final 'meaning' only meaningS! -
Novel research of the day: Flammability of painted canvasses in the late 1800s. Also, how were they stored (flat or rolled up)?
I am hoping they were quite flammable.
I sent my questions to the local art museum. If any art history experts here have answers, I have questions.#HistoricalFiction
#Research
#Art
#ArtHistory
#ArtHistorians
#Painting
#AmWriting
