#arieldorfman — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #arieldorfman, aggregated by home.social.
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NYTimes: Pinochet Is Smiling in His Grave
Pinochet Is Smiling in His Grave https://www.nytimes.com/2025/12/17/opinion/chile-election-kast-pinochet.html?smid=nytcore-android-share
##ArielDorfman -
NYTimes: Pinochet Is Smiling in His Grave
Pinochet Is Smiling in His Grave https://www.nytimes.com/2025/12/17/opinion/chile-election-kast-pinochet.html?smid=nytcore-android-share
##ArielDorfman -
NYTimes: Pinochet Is Smiling in His Grave
Pinochet Is Smiling in His Grave https://www.nytimes.com/2025/12/17/opinion/chile-election-kast-pinochet.html?smid=nytcore-android-share
##ArielDorfman -
NYTimes: Pinochet Is Smiling in His Grave
Pinochet Is Smiling in His Grave https://www.nytimes.com/2025/12/17/opinion/chile-election-kast-pinochet.html?smid=nytcore-android-share
##ArielDorfman -
NYTimes: Pinochet Is Smiling in His Grave
Pinochet Is Smiling in His Grave https://www.nytimes.com/2025/12/17/opinion/chile-election-kast-pinochet.html?smid=nytcore-android-share
##ArielDorfman -
https://www.europesays.com/lv/63589/ Aktieris Niklāvs Kurpnieks debitē režijā ar dramatisko iestudējumu “Nāve un meitene” — Lente.lv #ArielDorfman #DailesTeātris #Entertainment #Izklaide #Latvia #Latvian #Latviešu #LatviešuValoda #LatviešuValoda #Latvija #LV #NāveUnMeitene #NiklāvsKurpnieks #TeātraRežija
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https://www.europesays.com/lv/62534/ Aktieris Niklāvs Kurpnieks debitē teātra režijā ar psiholoģisko trilleri «Nāve un meitene» — Lente.lv #ArielDorfman #DailesTeātris #Entertainment #Izklaide #Latvia #Latvian #Latviešu #LatviešuValoda #LatviešuValoda #Latvija #LV #NāveUnMeitene #NiklāvsKurpnieks #TeātraRežija
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https://www.europesays.com/lv/62094/ Niklāvs Kurpnieks Dailes teātrī debitē režijā ar psiholoģisko trilleri “Nāve un meitene” — Lente.lv #ArielDorfman #DailesTeātris #Entertainment #Izklaide #Latvia #Latvian #Latviešu #LatviešuValoda #LatviešuValoda #Latvija #LV #NāveUnMeitene #NiklāvsKurpnieks #RežijasDebija
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https://www.youtube.com/watch?v=PsfXRpj_JuQ
#DemocracyNow 2023
The other 9/2: #ArielDorfman on 50th Anniversar of U.S.-Backed Coup in #Chile
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https://www.youtube.com/watch?v=PsfXRpj_JuQ
#DemocracyNow 2023
The other 9/2: #ArielDorfman on 50th Anniversar of U.S.-Backed Coup in #Chile
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https://www.youtube.com/watch?v=PsfXRpj_JuQ
#DemocracyNow 2023
The other 9/2: #ArielDorfman on 50th Anniversar of U.S.-Backed Coup in #Chile
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https://www.youtube.com/watch?v=PsfXRpj_JuQ
#DemocracyNow 2023
The other 9/2: #ArielDorfman on 50th Anniversar of U.S.-Backed Coup in #Chile
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https://www.youtube.com/watch?v=PsfXRpj_JuQ
#DemocracyNow 2023
The other 9/2: #ArielDorfman on 50th Anniversar of U.S.-Backed Coup in #Chile
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.> 1971: Santiago de Chile
- 139. Dorfman, Ariel, and Armand Mattelart. Para leer al Pato Donald. Mexico City: Siglo XXI, 1978.
.> ?Donald Duck and his nephews spread the virtues of consumer civilization among the savages of an underdeveloped country with picture-postcard landscapes. Donald’s nephews offer soap bubbles to the stupid natives in exchange for nuggets of pure gold, while Uncle Donald fights outlaw revolutionaries who disturb order.
From Chile, Walt Disney’s comic strips are distributed throughout South America and enter the souls of millions of children. Donald Duck does not come out against Allende and his red friends; he doesn’t need to. The world of Disney is already the lovable zoo of capitalism: Ducks, mice, dogs, wolves, and piglets do business, buy, sell, respond to advertising, get credit, pay dues, collect dividends, dream of bequests, and compete among themselves to have more and get more. (139 and 287)
- 287. Mattelart, Armand. La cultura como empresa multinacional. Mexico City: Era, 1974.
#Galeano #EduardoGaleano #Disney #WaltDisney #DonaldDuck #Dorfman #ArielDorfman #CommercialCulture #CommercialCivilization #ZooOfCapitalism #Chile #SantiagoDeChile #Comics #ComicStrips
#HowToReadDonaldDuck -
.> 1971: Santiago de Chile
- 139. Dorfman, Ariel, and Armand Mattelart. Para leer al Pato Donald. Mexico City: Siglo XXI, 1978.
.> ?Donald Duck and his nephews spread the virtues of consumer civilization among the savages of an underdeveloped country with picture-postcard landscapes. Donald’s nephews offer soap bubbles to the stupid natives in exchange for nuggets of pure gold, while Uncle Donald fights outlaw revolutionaries who disturb order.
From Chile, Walt Disney’s comic strips are distributed throughout South America and enter the souls of millions of children. Donald Duck does not come out against Allende and his red friends; he doesn’t need to. The world of Disney is already the lovable zoo of capitalism: Ducks, mice, dogs, wolves, and piglets do business, buy, sell, respond to advertising, get credit, pay dues, collect dividends, dream of bequests, and compete among themselves to have more and get more. (139 and 287)
- 287. Mattelart, Armand. La cultura como empresa multinacional. Mexico City: Era, 1974.
#Galeano #EduardoGaleano #Disney #WaltDisney #DonaldDuck #Dorfman #ArielDorfman #CommercialCulture #CommercialCivilization #ZooOfCapitalism #Chile #SantiagoDeChile #Comics #ComicStrips
#HowToReadDonaldDuck -
.> 1971: Santiago de Chile
- 139. Dorfman, Ariel, and Armand Mattelart. Para leer al Pato Donald. Mexico City: Siglo XXI, 1978.
.> ?Donald Duck and his nephews spread the virtues of consumer civilization among the savages of an underdeveloped country with picture-postcard landscapes. Donald’s nephews offer soap bubbles to the stupid natives in exchange for nuggets of pure gold, while Uncle Donald fights outlaw revolutionaries who disturb order.
From Chile, Walt Disney’s comic strips are distributed throughout South America and enter the souls of millions of children. Donald Duck does not come out against Allende and his red friends; he doesn’t need to. The world of Disney is already the lovable zoo of capitalism: Ducks, mice, dogs, wolves, and piglets do business, buy, sell, respond to advertising, get credit, pay dues, collect dividends, dream of bequests, and compete among themselves to have more and get more. (139 and 287)
- 287. Mattelart, Armand. La cultura como empresa multinacional. Mexico City: Era, 1974.
#Galeano #EduardoGaleano #Disney #WaltDisney #DonaldDuck #Dorfman #ArielDorfman #CommercialCulture #CommercialCivilization #ZooOfCapitalism #Chile #SantiagoDeChile #Comics #ComicStrips
#HowToReadDonaldDuck -
.> 1971: Santiago de Chile
- 139. Dorfman, Ariel, and Armand Mattelart. Para leer al Pato Donald. Mexico City: Siglo XXI, 1978.
.> ?Donald Duck and his nephews spread the virtues of consumer civilization among the savages of an underdeveloped country with picture-postcard landscapes. Donald’s nephews offer soap bubbles to the stupid natives in exchange for nuggets of pure gold, while Uncle Donald fights outlaw revolutionaries who disturb order.
From Chile, Walt Disney’s comic strips are distributed throughout South America and enter the souls of millions of children. Donald Duck does not come out against Allende and his red friends; he doesn’t need to. The world of Disney is already the lovable zoo of capitalism: Ducks, mice, dogs, wolves, and piglets do business, buy, sell, respond to advertising, get credit, pay dues, collect dividends, dream of bequests, and compete among themselves to have more and get more. (139 and 287)
- 287. Mattelart, Armand. La cultura como empresa multinacional. Mexico City: Era, 1974.
#Galeano #EduardoGaleano #Disney #WaltDisney #DonaldDuck #Dorfman #ArielDorfman #CommercialCulture #CommercialCivilization #ZooOfCapitalism #Chile #SantiagoDeChile #Comics #ComicStrips
#HowToReadDonaldDuck -
Also, this!
"That is when millions of American men and women who have mobilized in unprecedented numbers over the last months will be faced with the real dilemma of their times: Are they to pack up and go home to the old apathy and submissiveness, or do they deeply understand that, no matter who wins or loses the election, it depends on them, one by one by one and all together, that their country never turn into even a semblance of the Chile of Pinochet?"
#ArielDorfman, 2004
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Also, this!
"That is when millions of American men and women who have mobilized in unprecedented numbers over the last months will be faced with the real dilemma of their times: Are they to pack up and go home to the old apathy and submissiveness, or do they deeply understand that, no matter who wins or loses the election, it depends on them, one by one by one and all together, that their country never turn into even a semblance of the Chile of Pinochet?"
#ArielDorfman, 2004
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Also, this!
"That is when millions of American men and women who have mobilized in unprecedented numbers over the last months will be faced with the real dilemma of their times: Are they to pack up and go home to the old apathy and submissiveness, or do they deeply understand that, no matter who wins or loses the election, it depends on them, one by one by one and all together, that their country never turn into even a semblance of the Chile of Pinochet?"
#ArielDorfman, 2004
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Το Σάββατο 23 Ιουλίου, στις 21:30, η ομάδα #Ανάμεσα_στο_φως_και_την_σκιά
παρουσιαζει για μια ακόμα φορά το ψυχολογικό θρίλερ
#Ο_Θάνατος_κι_η_Κόρη του #ArielDorfman
Ο Θάνατος επιστρέφει….
Στα Πλαίσιο της Έκθεσης #Ματωμένα #Πορτρέτα του Δημήτρη #Αστερίου, στην #Κατάληψη #RosaNera