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#amazigh — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #amazigh, aggregated by home.social.

  1. Les #confréries religieuses marocaines à l’ère du collège berbère d’Azrou (Fonds Roux Akenku)
    phonotheque.hypotheses.org/565
    cahier de Mustapha ben Abdessalam, élève au collège d’Azrou en 1935 ROAK-C36-120-01-008
    #decolonial
    #maroc
    #amazigh
    #berbere

  2. Les #confréries religieuses marocaines à l’ère du collège berbère d’Azrou (Fonds Roux Akenku)
    phonotheque.hypotheses.org/565
    cahier de Mustapha ben Abdessalam, élève au collège d’Azrou en 1935 ROAK-C36-120-01-008
    #decolonial
    #maroc
    #amazigh
    #berbere

  3. Les #confréries religieuses marocaines à l’ère du collège berbère d’Azrou (Fonds Roux Akenku)
    phonotheque.hypotheses.org/565
    cahier de Mustapha ben Abdessalam, élève au collège d’Azrou en 1935 ROAK-C36-120-01-008
    #decolonial
    #maroc
    #amazigh
    #berbere

  4. De Olho nos Ruralistas inaugura com este vídeo uma série sobre futebol e história, Copa do Mundo e questão agrária:

    "Futebol não é só futebol! Adversários na primeira fase da Copa de 2026, Brasil e Marrocos têm em comum a paixão pelo futebol. Possuem uma amizade histórica e compartilham raízes culturais comuns.

    Mas você sabia que o Marrocos também possui um povo originário?

    São os Amazigh, um grupo étnico que se espalha por todo o norte da África, na região do Saara e que luta por visibilidade em meio a pressões econômicas sobre seu território."

    #Marrocos #indigenous #amazigh #Africa #video
    youtube.com/watch?v=dLwcp8MJsd

  5. De Olho nos Ruralistas inaugura com este vídeo uma série sobre futebol e história, Copa do Mundo e questão agrária:

    "Futebol não é só futebol! Adversários na primeira fase da Copa de 2026, Brasil e Marrocos têm em comum a paixão pelo futebol. Possuem uma amizade histórica e compartilham raízes culturais comuns.

    Mas você sabia que o Marrocos também possui um povo originário?

    São os Amazigh, um grupo étnico que se espalha por todo o norte da África, na região do Saara e que luta por visibilidade em meio a pressões econômicas sobre seu território."

    #Marrocos #indigenous #amazigh #Africa #video
    youtube.com/watch?v=dLwcp8MJsd

  6. De Olho nos Ruralistas inaugura com este vídeo uma série sobre futebol e história, Copa do Mundo e questão agrária:

    "Futebol não é só futebol! Adversários na primeira fase da Copa de 2026, Brasil e Marrocos têm em comum a paixão pelo futebol. Possuem uma amizade histórica e compartilham raízes culturais comuns.

    Mas você sabia que o Marrocos também possui um povo originário?

    São os Amazigh, um grupo étnico que se espalha por todo o norte da África, na região do Saara e que luta por visibilidade em meio a pressões econômicas sobre seu território."

    #Marrocos #indigenous #amazigh #Africa #video
    youtube.com/watch?v=dLwcp8MJsd

  7. De Olho nos Ruralistas inaugura com este vídeo uma série sobre futebol e história, Copa do Mundo e questão agrária:

    "Futebol não é só futebol! Adversários na primeira fase da Copa de 2026, Brasil e Marrocos têm em comum a paixão pelo futebol. Possuem uma amizade histórica e compartilham raízes culturais comuns.

    Mas você sabia que o Marrocos também possui um povo originário?

    São os Amazigh, um grupo étnico que se espalha por todo o norte da África, na região do Saara e que luta por visibilidade em meio a pressões econômicas sobre seu território."

    #Marrocos #indigenous #amazigh #Africa #video
    youtube.com/watch?v=dLwcp8MJsd

  8. De Olho nos Ruralistas inaugura com este vídeo uma série sobre futebol e história, Copa do Mundo e questão agrária:

    "Futebol não é só futebol! Adversários na primeira fase da Copa de 2026, Brasil e Marrocos têm em comum a paixão pelo futebol. Possuem uma amizade histórica e compartilham raízes culturais comuns.

    Mas você sabia que o Marrocos também possui um povo originário?

    São os Amazigh, um grupo étnico que se espalha por todo o norte da África, na região do Saara e que luta por visibilidade em meio a pressões econômicas sobre seu território."

    #Marrocos #indigenous #amazigh #Africa #video
    youtube.com/watch?v=dLwcp8MJsd

  9. phonotheque.hypotheses.org/562
    Arsène Roux est un instituteur arabisant et berbérisant s'installe au #Maroc en 1913, où il initie une collecte d’informations sur les peuples #amazigh et #arabe Il mène des enquêtes en utilisant l’outil pédagogique depuis le collège #berbère d’Azrou: il distribue des devoirs d’enquête, différents chaque année Voilà le partage de lecture d’un de ces cahiers d’écoliers amazighs (cote C25-085-02-011) qui appartenait à Qaydi ben Moha #archives

  10. phonotheque.hypotheses.org/562
    Arsène Roux est un instituteur arabisant et berbérisant s'installe au #Maroc en 1913, où il initie une collecte d’informations sur les peuples #amazigh et #arabe Il mène des enquêtes en utilisant l’outil pédagogique depuis le collège #berbère d’Azrou: il distribue des devoirs d’enquête, différents chaque année Voilà le partage de lecture d’un de ces cahiers d’écoliers amazighs (cote C25-085-02-011) qui appartenait à Qaydi ben Moha #archives

  11. phonotheque.hypotheses.org/562
    Arsène Roux est un instituteur arabisant et berbérisant s'installe au #Maroc en 1913, où il initie une collecte d’informations sur les peuples #amazigh et #arabe Il mène des enquêtes en utilisant l’outil pédagogique depuis le collège #berbère d’Azrou: il distribue des devoirs d’enquête, différents chaque année Voilà le partage de lecture d’un de ces cahiers d’écoliers amazighs (cote C25-085-02-011) qui appartenait à Qaydi ben Moha #archives

  12. Decolonizing Minds - Sound of Berberia

    OT301, Saturday, August 1 at 05:00 PM GMT+2

    Genre: Drama, Music, Fiction, Amazigh
    Line up: Tarek Farih, Med Soultana, Aouatef Lahmani.
    Open: 17:00 - 21:00 hrs
    Tickets: € 6,50

    Ventilator Cinema proudly presents a new edition of the Decolonizing Minds series with a special screening of Sound of Berberia (2023), followed by a live Q&A with filmmaker Tarik El Idrissi and our host moderator Khadija Al Mourabit.

    Sound of Berberia is a road movie, musical journey, and cinematic exploration of Amazigh identity across North Africa. The film follows two musicians travelling from the Rif Mountains through the deserts and landscapes of North Africa in search of the "real Amazigh sound."

    Blending fiction, documentary aesthetics, and music, the film reflects on borders, memory, language, migration, and belonging. Along the way, the protagonists encounter musicians, activists, and communities whose stories reveal the rich diversity of Amazigh cultures and traditions.

    Written and directed by acclaimed Moroccan filmmaker Tarik El Idrissi, Sound of Berberia is a unique independent production that took years to complete and features music inspired by Amazigh, Tuareg, and North African musical traditions.

    Following the screening, Tarik El Idrissi will join us in person for a conversation about the making of the film, the search for Amazigh cultural memory, independent filmmaking, and the role of cinema in decolonizing narratives and archives.

    More info about the film and director click here

    Schedule

    17:00 — Doors Open
    17:30 — Introduction
    17:45 — Screening: Sound of Berberia (90 min)
    19:15 — Q&A with Tarik El Idrissi
    20:00 — Drinks & Conversations

    Guests
    • Tarik El Idrissi (Director)
    • Khadija Al Mourabit (Moderator)

    Cinema • Culture • Community

    offbeat.amsterdam/event/decolo

  13. Decolonizing Minds - Sound of Berberia

    OT301, Saturday, August 1 at 05:00 PM GMT+2

    Genre: Drama, Music, Fiction, Amazigh
    Line up: Tarek Farih, Med Soultana, Aouatef Lahmani.
    Open: 17:00 - 21:00 hrs
    Tickets: € 6,50

    Ventilator Cinema proudly presents a new edition of the Decolonizing Minds series with a special screening of Sound of Berberia (2023), followed by a live Q&A with filmmaker Tarik El Idrissi and our host moderator Khadija Al Mourabit.

    Sound of Berberia is a road movie, musical journey, and cinematic exploration of Amazigh identity across North Africa. The film follows two musicians travelling from the Rif Mountains through the deserts and landscapes of North Africa in search of the "real Amazigh sound."

    Blending fiction, documentary aesthetics, and music, the film reflects on borders, memory, language, migration, and belonging. Along the way, the protagonists encounter musicians, activists, and communities whose stories reveal the rich diversity of Amazigh cultures and traditions.

    Written and directed by acclaimed Moroccan filmmaker Tarik El Idrissi, Sound of Berberia is a unique independent production that took years to complete and features music inspired by Amazigh, Tuareg, and North African musical traditions.

    Following the screening, Tarik El Idrissi will join us in person for a conversation about the making of the film, the search for Amazigh cultural memory, independent filmmaking, and the role of cinema in decolonizing narratives and archives.

    More info about the film and director click here

    Schedule

    17:00 — Doors Open
    17:30 — Introduction
    17:45 — Screening: Sound of Berberia (90 min)
    19:15 — Q&A with Tarik El Idrissi
    20:00 — Drinks & Conversations

    Guests
    • Tarik El Idrissi (Director)
    • Khadija Al Mourabit (Moderator)

    Cinema • Culture • Community

    offbeat.amsterdam/event/decolo

  14. "Arénas is a contemporary reimagining of #NorthAfrican #Jewish #music, where traditional #Moroccan textures meet electronics, horns, and sampling.

    Shaped by migration, memory, and the energy of the #diaspora, the #album draws on the #artistic worlds of #NetaElkayam and #AmitHaiCohen, alongside influences from #NewOrleans. Across seven extended tracks, Arénas unfolds as an immersive, trance-like listening experience.

    Echoing her grandmother’s birthplace in #Tinghir, #Morocco #Elkayam developed an intimate dialogue with her ancestral memory, writing #lyrics through cyclic structures and repetition, and choosing her mother tongue—#MoroccanArabic—as the language of her #art. In close collaboration with #musical #producer Amit Hai Cohen, the #music was co-written and composed, taking shape through a blend of electronic and acoustic #instrumentation. Both trace their family roots to #Amazigh villages in Morocco..."

    harlemworldmagazine.com/neta-e

  15. "Arénas is a contemporary reimagining of #NorthAfrican #Jewish #music, where traditional #Moroccan textures meet electronics, horns, and sampling.

    Shaped by migration, memory, and the energy of the #diaspora, the #album draws on the #artistic worlds of #NetaElkayam and #AmitHaiCohen, alongside influences from #NewOrleans. Across seven extended tracks, Arénas unfolds as an immersive, trance-like listening experience.

    Echoing her grandmother’s birthplace in #Tinghir, #Morocco #Elkayam developed an intimate dialogue with her ancestral memory, writing #lyrics through cyclic structures and repetition, and choosing her mother tongue—#MoroccanArabic—as the language of her #art. In close collaboration with #musical #producer Amit Hai Cohen, the #music was co-written and composed, taking shape through a blend of electronic and acoustic #instrumentation. Both trace their family roots to #Amazigh villages in Morocco..."

    harlemworldmagazine.com/neta-e

  16. "Arénas is a contemporary reimagining of #NorthAfrican #Jewish #music, where traditional #Moroccan textures meet electronics, horns, and sampling.

    Shaped by migration, memory, and the energy of the #diaspora, the #album draws on the #artistic worlds of #NetaElkayam and #AmitHaiCohen, alongside influences from #NewOrleans. Across seven extended tracks, Arénas unfolds as an immersive, trance-like listening experience.

    Echoing her grandmother’s birthplace in #Tinghir, #Morocco #Elkayam developed an intimate dialogue with her ancestral memory, writing #lyrics through cyclic structures and repetition, and choosing her mother tongue—#MoroccanArabic—as the language of her #art. In close collaboration with #musical #producer Amit Hai Cohen, the #music was co-written and composed, taking shape through a blend of electronic and acoustic #instrumentation. Both trace their family roots to #Amazigh villages in Morocco..."

    harlemworldmagazine.com/neta-e

  17. "Arénas is a contemporary reimagining of #NorthAfrican #Jewish #music, where traditional #Moroccan textures meet electronics, horns, and sampling.

    Shaped by migration, memory, and the energy of the #diaspora, the #album draws on the #artistic worlds of #NetaElkayam and #AmitHaiCohen, alongside influences from #NewOrleans. Across seven extended tracks, Arénas unfolds as an immersive, trance-like listening experience.

    Echoing her grandmother’s birthplace in #Tinghir, #Morocco #Elkayam developed an intimate dialogue with her ancestral memory, writing #lyrics through cyclic structures and repetition, and choosing her mother tongue—#MoroccanArabic—as the language of her #art. In close collaboration with #musical #producer Amit Hai Cohen, the #music was co-written and composed, taking shape through a blend of electronic and acoustic #instrumentation. Both trace their family roots to #Amazigh villages in Morocco..."

    harlemworldmagazine.com/neta-e

  18. "Arénas is a contemporary reimagining of #NorthAfrican #Jewish #music, where traditional #Moroccan textures meet electronics, horns, and sampling.

    Shaped by migration, memory, and the energy of the #diaspora, the #album draws on the #artistic worlds of #NetaElkayam and #AmitHaiCohen, alongside influences from #NewOrleans. Across seven extended tracks, Arénas unfolds as an immersive, trance-like listening experience.

    Echoing her grandmother’s birthplace in #Tinghir, #Morocco #Elkayam developed an intimate dialogue with her ancestral memory, writing #lyrics through cyclic structures and repetition, and choosing her mother tongue—#MoroccanArabic—as the language of her #art. In close collaboration with #musical #producer Amit Hai Cohen, the #music was co-written and composed, taking shape through a blend of electronic and acoustic #instrumentation. Both trace their family roots to #Amazigh villages in Morocco..."

    harlemworldmagazine.com/neta-e