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#albanberg — Public Fediverse posts

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  1. “Whereof one cannot speak, thereof one must be silent”*…

    Ludwig Wittgenstein wrote a 75 page book in his twenties, Tractatus Logico-Philosophicus, that he thought solved philosophy, then stepped away from the field. Years later, he came back and spent the rest of his life dismantling and reconstructing many of his own ideas (as reflected in his second book, Philosophical Investigations).

    Marco Giancotti has created a new way to read the famously-difficult Tractatus…

    Ludwig Wittgenstein wrote most of the Tractatus Logico-Philosophicus while fighting in World War I. When he was done, he believed this book made philosophy obsolete, so he found a job as an elementary school teacher. While he would later change his mind on its finality, the Tractatus remains one of the most important works of philosophy to this day.

    The Tractatus has an unusual shape: it is not a sequence of chapters but a tree of statements and sub-statements and sub-sub-statements. At its root, it is made of only seven brief statements. In other words, it is not a linear read but a branching set of rabbit-holes.

    This page is an attempt at making that tree maximally traversable and interactive. Use the tools available to explore, make cross-sections, annotate, fold and sculpt the book the way you prefer. Save any set of pins as a named thread in the control panel, or bookmark the page in your browser. Export the result as a Markdown or PDF file to keep, or share a special link that reopens your annotated version of the book in someone else’s browser...

    A new way into Wittgenstein: “The Foldable Tractatus,” from @marcogiancotti.mastodon.social.ap.brid.gy.

    Read (Wittgenstein’s mentor, then later, antagonist) Bertrand Russell‘s introduction to the Tractatus on Project Gutenberg.

    * Ludwig Wittgenstein, Tractatus Logico-Philosophicus

    ###

    As we fumble with philosophy, we might send thoughtful birthday greetings to Theodor Adorno; he was born on this date in 1903. A philosopher, cultural, and music critic, he was a leading member of the Frankfurt School of critical theory. As a critic of both fascism and what he called the culture industry, he authored numerous works—such as Dialectic of Enlightenment, Minima Moralia, and Negative Dialectics—that strongly influenced the European New Left.

    A classically-trained musician (who studied composition with Alban Berg), Adorno devoted his final (and posthumously-published) book, Aesthetic Theory, which he had planned to dedicate to Samuel Beckett, to arguing against the “fatal separation” of feeling and understanding long demanded by the history of philosophy and to exploding the privilege aesthetics accords to content over form and contemplation over immersion.

    Adorno critiqued all forms of positivism as responsible for technocracy and disenchantment and sought to produce a theory that both rejected positivism and avoided reinstating traditional metaphysics. He has been criticized for over-applying the term “positivism,” especially in his interpretations of Wittgenstein (and Karl Popper) as positivist.

    source

    #Adorno #AlbanBerg #BertrandRussell #culture #FrankfurtSchool #history #logic #LudwigWittgenstein #PhilosophicalInvestigations #philosophy #philosophyOfLanguage #philosophyOfMind #TheodorAdorno #TractatusLogicoPhilosophicus #Wittgenstein
  2. “Whereof one cannot speak, thereof one must be silent”*…

    Ludwig Wittgenstein wrote a 75 page book in his twenties, Tractatus Logico-Philosophicus, that he thought solved philosophy, then stepped away from the field. Years later, he came back and spent the rest of his life dismantling and reconstructing many of his own ideas (as reflected in his second book, Philosophical Investigations).

    Marco Giancotti has created a new way to read the famously-difficult Tractatus…

    Ludwig Wittgenstein wrote most of the Tractatus Logico-Philosophicus while fighting in World War I. When he was done, he believed this book made philosophy obsolete, so he found a job as an elementary school teacher. While he would later change his mind on its finality, the Tractatus remains one of the most important works of philosophy to this day.

    The Tractatus has an unusual shape: it is not a sequence of chapters but a tree of statements and sub-statements and sub-sub-statements. At its root, it is made of only seven brief statements. In other words, it is not a linear read but a branching set of rabbit-holes.

    This page is an attempt at making that tree maximally traversable and interactive. Use the tools available to explore, make cross-sections, annotate, fold and sculpt the book the way you prefer. Save any set of pins as a named thread in the control panel, or bookmark the page in your browser. Export the result as a Markdown or PDF file to keep, or share a special link that reopens your annotated version of the book in someone else’s browser...

    A new way into Wittgenstein: “The Foldable Tractatus,” from @marcogiancotti.mastodon.social.ap.brid.gy.

    Read (Wittgenstein’s mentor, then later, antagonist) Bertrand Russell‘s introduction to the Tractatus on Project Gutenberg.

    * Ludwig Wittgenstein, Tractatus Logico-Philosophicus

    ###

    As we fumble with philosophy, we might send thoughtful birthday greetings to Theodor Adorno; he was born on this date in 1903. A philosopher, cultural, and music critic, he was a leading member of the Frankfurt School of critical theory. As a critic of both fascism and what he called the culture industry, he authored numerous works—such as Dialectic of Enlightenment, Minima Moralia, and Negative Dialectics—that strongly influenced the European New Left.

    A classically-trained musician (who studied composition with Alban Berg), Adorno devoted his final (and posthumously-published) book, Aesthetic Theory, which he had planned to dedicate to Samuel Beckett, to arguing against the “fatal separation” of feeling and understanding long demanded by the history of philosophy and to exploding the privilege aesthetics accords to content over form and contemplation over immersion.

    Adorno critiqued all forms of positivism as responsible for technocracy and disenchantment and sought to produce a theory that both rejected positivism and avoided reinstating traditional metaphysics. He has been criticized for over-applying the term “positivism,” especially in his interpretations of Wittgenstein (and Karl Popper) as positivist.

    source

    #Adorno #AlbanBerg #BertrandRussell #culture #FrankfurtSchool #history #logic #LudwigWittgenstein #PhilosophicalInvestigations #philosophy #philosophyOfLanguage #philosophyOfMind #TheodorAdorno #TractatusLogicoPhilosophicus #Wittgenstein
  3. “Whereof one cannot speak, thereof one must be silent”*…

    Ludwig Wittgenstein wrote a 75 page book in his twenties, Tractatus Logico-Philosophicus, that he thought solved philosophy, then stepped away from the field. Years later, he came back and spent the rest of his life dismantling and reconstructing many of his own ideas (as reflected in his second book, Philosophical Investigations).

    Marco Giancotti has created a new way to read the famously-difficult Tractatus…

    Ludwig Wittgenstein wrote most of the Tractatus Logico-Philosophicus while fighting in World War I. When he was done, he believed this book made philosophy obsolete, so he found a job as an elementary school teacher. While he would later change his mind on its finality, the Tractatus remains one of the most important works of philosophy to this day.

    The Tractatus has an unusual shape: it is not a sequence of chapters but a tree of statements and sub-statements and sub-sub-statements. At its root, it is made of only seven brief statements. In other words, it is not a linear read but a branching set of rabbit-holes.

    This page is an attempt at making that tree maximally traversable and interactive. Use the tools available to explore, make cross-sections, annotate, fold and sculpt the book the way you prefer. Save any set of pins as a named thread in the control panel, or bookmark the page in your browser. Export the result as a Markdown or PDF file to keep, or share a special link that reopens your annotated version of the book in someone else’s browser...

    A new way into Wittgenstein: “The Foldable Tractatus,” from @marcogiancotti.mastodon.social.ap.brid.gy.

    Read (Wittgenstein’s mentor, then later, antagonist) Bertrand Russell‘s introduction to the Tractatus on Project Gutenberg.

    * Ludwig Wittgenstein, Tractatus Logico-Philosophicus

    ###

    As we fumble with philosophy, we might send thoughtful birthday greetings to Theodor Adorno; he was born on this date in 1903. A philosopher, cultural, and music critic, he was a leading member of the Frankfurt School of critical theory. As a critic of both fascism and what he called the culture industry, he authored numerous works—such as Dialectic of Enlightenment, Minima Moralia, and Negative Dialectics—that strongly influenced the European New Left.

    A classically-trained musician (who studied composition with Alban Berg), Adorno devoted his final (and posthumously-published) book, Aesthetic Theory, which he had planned to dedicate to Samuel Beckett, to arguing against the “fatal separation” of feeling and understanding long demanded by the history of philosophy and to exploding the privilege aesthetics accords to content over form and contemplation over immersion.

    Adorno critiqued all forms of positivism as responsible for technocracy and disenchantment and sought to produce a theory that both rejected positivism and avoided reinstating traditional metaphysics. He has been criticized for over-applying the term “positivism,” especially in his interpretations of Wittgenstein (and Karl Popper) as positivist.

    source

    #Adorno #AlbanBerg #BertrandRussell #culture #FrankfurtSchool #history #logic #LudwigWittgenstein #PhilosophicalInvestigations #philosophy #philosophyOfLanguage #philosophyOfMind #TheodorAdorno #TractatusLogicoPhilosophicus #Wittgenstein
  4. “Whereof one cannot speak, thereof one must be silent”*…

    Ludwig Wittgenstein wrote a 75 page book in his twenties, Tractatus Logico-Philosophicus, that he thought solved philosophy, then stepped away from the field. Years later, he came back and spent the rest of his life dismantling and reconstructing many of his own ideas (as reflected in his second book, Philosophical Investigations).

    Marco Giancotti has created a new way to read the famously-difficult Tractatus…

    Ludwig Wittgenstein wrote most of the Tractatus Logico-Philosophicus while fighting in World War I. When he was done, he believed this book made philosophy obsolete, so he found a job as an elementary school teacher. While he would later change his mind on its finality, the Tractatus remains one of the most important works of philosophy to this day.

    The Tractatus has an unusual shape: it is not a sequence of chapters but a tree of statements and sub-statements and sub-sub-statements. At its root, it is made of only seven brief statements. In other words, it is not a linear read but a branching set of rabbit-holes.

    This page is an attempt at making that tree maximally traversable and interactive. Use the tools available to explore, make cross-sections, annotate, fold and sculpt the book the way you prefer. Save any set of pins as a named thread in the control panel, or bookmark the page in your browser. Export the result as a Markdown or PDF file to keep, or share a special link that reopens your annotated version of the book in someone else’s browser...

    A new way into Wittgenstein: “The Foldable Tractatus,” from @marcogiancotti.mastodon.social.ap.brid.gy.

    Read (Wittgenstein’s mentor, then later, antagonist) Bertrand Russell‘s introduction to the Tractatus on Project Gutenberg.

    * Ludwig Wittgenstein, Tractatus Logico-Philosophicus

    ###

    As we fumble with philosophy, we might send thoughtful birthday greetings to Theodor Adorno; he was born on this date in 1903. A philosopher, cultural, and music critic, he was a leading member of the Frankfurt School of critical theory. As a critic of both fascism and what he called the culture industry, he authored numerous works—such as Dialectic of Enlightenment, Minima Moralia, and Negative Dialectics—that strongly influenced the European New Left.

    A classically-trained musician (who studied composition with Alban Berg), Adorno devoted his final (and posthumously-published) book, Aesthetic Theory, which he had planned to dedicate to Samuel Beckett, to arguing against the “fatal separation” of feeling and understanding long demanded by the history of philosophy and to exploding the privilege aesthetics accords to content over form and contemplation over immersion.

    Adorno critiqued all forms of positivism as responsible for technocracy and disenchantment and sought to produce a theory that both rejected positivism and avoided reinstating traditional metaphysics. He has been criticized for over-applying the term “positivism,” especially in his interpretations of Wittgenstein (and Karl Popper) as positivist.

    source

    #Adorno #AlbanBerg #BertrandRussell #culture #FrankfurtSchool #history #logic #LudwigWittgenstein #PhilosophicalInvestigations #philosophy #philosophyOfLanguage #philosophyOfMind #TheodorAdorno #TractatusLogicoPhilosophicus #Wittgenstein
  5. “Whereof one cannot speak, thereof one must be silent”*…

    Ludwig Wittgenstein wrote a 75 page book in his twenties, Tractatus Logico-Philosophicus, that he thought solved philosophy, then stepped away from the field. Years later, he came back and spent the rest of his life dismantling and reconstructing many of his own ideas (as reflected in his second book, Philosophical Investigations).

    Marco Giancotti has created a new way to read the famously-difficult Tractatus…

    Ludwig Wittgenstein wrote most of the Tractatus Logico-Philosophicus while fighting in World War I. When he was done, he believed this book made philosophy obsolete, so he found a job as an elementary school teacher. While he would later change his mind on its finality, the Tractatus remains one of the most important works of philosophy to this day.

    The Tractatus has an unusual shape: it is not a sequence of chapters but a tree of statements and sub-statements and sub-sub-statements. At its root, it is made of only seven brief statements. In other words, it is not a linear read but a branching set of rabbit-holes.

    This page is an attempt at making that tree maximally traversable and interactive. Use the tools available to explore, make cross-sections, annotate, fold and sculpt the book the way you prefer. Save any set of pins as a named thread in the control panel, or bookmark the page in your browser. Export the result as a Markdown or PDF file to keep, or share a special link that reopens your annotated version of the book in someone else’s browser...

    A new way into Wittgenstein: “The Foldable Tractatus,” from @marcogiancotti.mastodon.social.ap.brid.gy.

    Read (Wittgenstein’s mentor, then later, antagonist) Bertrand Russell‘s introduction to the Tractatus on Project Gutenberg.

    * Ludwig Wittgenstein, Tractatus Logico-Philosophicus

    ###

    As we fumble with philosophy, we might send thoughtful birthday greetings to Theodor Adorno; he was born on this date in 1903. A philosopher, cultural, and music critic, he was a leading member of the Frankfurt School of critical theory. As a critic of both fascism and what he called the culture industry, he authored numerous works—such as Dialectic of Enlightenment, Minima Moralia, and Negative Dialectics—that strongly influenced the European New Left.

    A classically-trained musician (who studied composition with Alban Berg), Adorno devoted his final (and posthumously-published) book, Aesthetic Theory, which he had planned to dedicate to Samuel Beckett, to arguing against the “fatal separation” of feeling and understanding long demanded by the history of philosophy and to exploding the privilege aesthetics accords to content over form and contemplation over immersion.

    Adorno critiqued all forms of positivism as responsible for technocracy and disenchantment and sought to produce a theory that both rejected positivism and avoided reinstating traditional metaphysics. He has been criticized for over-applying the term “positivism,” especially in his interpretations of Wittgenstein (and Karl Popper) as positivist.

    source

    #Adorno #AlbanBerg #BertrandRussell #culture #FrankfurtSchool #history #logic #LudwigWittgenstein #PhilosophicalInvestigations #philosophy #philosophyOfLanguage #philosophyOfMind #TheodorAdorno #TractatusLogicoPhilosophicus #Wittgenstein
  6. Une heure avec Alban Berg au «Salon classique», à 16:50 (gmt+1), sur FCE Continuo, webradio Luxembourg

    #ClassicalMusic #AlbanBerg #Salonclassique #NowPlaying #FCEContinuo

  7. Une heure avec Alban Berg au «Salon classique», à 16:50 (gmt+1), sur FCE Continuo, webradio Luxembourg

    #ClassicalMusic #AlbanBerg #Salonclassique #NowPlaying #FCEContinuo

  8. Une heure avec Alban Berg au «Salon classique», à 16:50 (gmt+1), sur FCE Continuo, webradio Luxembourg

    #ClassicalMusic #AlbanBerg #Salonclassique #NowPlaying #FCEContinuo

  9. woyzeck / alban berg

    https://youtu.be/YYqPDINut-0

    Woyzeck, Op. 7, Act 3, Scene 4: Transformation Music · Leipzig Radio Symphony Orchestra & Herbert Kegel

    Berg: Wozzeck

    ℗ Brilliant Classics

    Released on: 2013-09-20

    Conductor: Herbert Kegel
    Orchestra: Leipzig Radio Symphony Orchestra
    Composer: Alban Berg
    Music Publisher: Brilliant Classics

    #AlbanBerg #BrilliantClassics #GeorgBüchner #HerbertKegel #LeipzigRadioSymphonyOrchestra #TransformationMusic #Woyzeck #Wozzeck
  10. woyzeck / alban berg

    https://youtu.be/YYqPDINut-0

    Woyzeck, Op. 7, Act 3, Scene 4: Transformation Music · Leipzig Radio Symphony Orchestra & Herbert Kegel

    Berg: Wozzeck

    ℗ Brilliant Classics

    Released on: 2013-09-20

    Conductor: Herbert Kegel
    Orchestra: Leipzig Radio Symphony Orchestra
    Composer: Alban Berg
    Music Publisher: Brilliant Classics

    #AlbanBerg #BrilliantClassics #GeorgBüchner #HerbertKegel #LeipzigRadioSymphonyOrchestra #TransformationMusic #Woyzeck #Wozzeck
  11. Not sure if I'll make it to any ISO programs this year, as we are further away than now...

    But this October program is VERY tempting:

    Messiaen - L'Ascension; 4 meditations symphoniques

    Berg - Violin Concerto

    Strauss - Death and Transfiguration

    indianapolissymphony.org/event

    #IndianapolisSymphonyOrchestra #Messiaen #AlbanBerg #RichardStrauss #Classical

  12. Not sure if I'll make it to any ISO programs this year, as we are further away than now...

    But this October program is VERY tempting:

    Messiaen - L'Ascension; 4 meditations symphoniques

    Berg - Violin Concerto

    Strauss - Death and Transfiguration

    indianapolissymphony.org/event

    #IndianapolisSymphonyOrchestra #Messiaen #AlbanBerg #RichardStrauss #Classical

  13. Not sure if I'll make it to any ISO programs this year, as we are further away than now...

    But this October program is VERY tempting:

    Messiaen - L'Ascension; 4 meditations symphoniques

    Berg - Violin Concerto

    Strauss - Death and Transfiguration

    indianapolissymphony.org/event

    #IndianapolisSymphonyOrchestra #Messiaen #AlbanBerg #RichardStrauss #Classical

  14. Not sure if I'll make it to any ISO programs this year, as we are further away than now...

    But this October program is VERY tempting:

    Messiaen - L'Ascension; 4 meditations symphoniques

    Berg - Violin Concerto

    Strauss - Death and Transfiguration

    indianapolissymphony.org/event

    #IndianapolisSymphonyOrchestra #Messiaen #AlbanBerg #RichardStrauss #Classical

  15. Not sure if I'll make it to any ISO programs this year, as we are further away than now...

    But this October program is VERY tempting:

    Messiaen - L'Ascension; 4 meditations symphoniques

    Berg - Violin Concerto

    Strauss - Death and Transfiguration

    indianapolissymphony.org/event

  16. @mcmullin @composers @contemporarymusic @classicalmusic

    Talking of Webern, here is a striking photograph of Arnold Shoenberg, Anton Webern and Erwin Stein, at a Dutch beach (Zandvoort) in March 1914. Taken by Alban Berg. Schoenberg Archive PH2225.

    We note the date: just before the old order tumbled.

    The composition feels like a 1920s Walker Evans, and are these perhaps three Jazz dudes on a 1970s record cover?

    archive.schoenberg.at/resource

    #ArnoldSchoenberg #AntonWebern #AlbanBerg #ErwinStein

  17. @mcmullin @composers @contemporarymusic @classicalmusic

    Talking of Webern, here is a striking photograph of Arnold Shoenberg, Anton Webern and Erwin Stein, at a Dutch beach (Zandvoort) in March 1914. Taken by Alban Berg. Schoenberg Archive PH2225.

    We note the date: just before the old order tumbled.

    The composition feels like a 1920s Walker Evans, and are these perhaps three Jazz dudes on a 1970s record cover?

    archive.schoenberg.at/resource

    #ArnoldSchoenberg #AntonWebern #AlbanBerg #ErwinStein

  18. @mcmullin @composers @contemporarymusic @classicalmusic

    Talking of Webern, here is a striking photograph of Arnold Shoenberg, Anton Webern and Erwin Stein, at a Dutch beach (Zandvoort) in March 1914. Taken by Alban Berg. Schoenberg Archive PH2225.

    We note the date: just before the old order tumbled.

    The composition feels like a 1920s Walker Evans, and are these perhaps three Jazz dudes on a 1970s record cover?

    archive.schoenberg.at/resource

    #ArnoldSchoenberg #AntonWebern #AlbanBerg #ErwinStein

  19. @mcmullin @composers @contemporarymusic @classicalmusic

    Talking of Webern, here is a striking photograph of Arnold Shoenberg, Anton Webern and Erwin Stein, at a Dutch beach (Zandvoort) in March 1914. Taken by Alban Berg. Schoenberg Archive PH2225.

    We note the date: just before the old order tumbled.

    The composition feels like a 1920s Walker Evans, and are these perhaps three Jazz dudes on a 1970s record cover?

    archive.schoenberg.at/resource

    #ArnoldSchoenberg #AntonWebern #AlbanBerg #ErwinStein

  20. @mcmullin @composers @contemporarymusic @classicalmusic

    Talking of Webern, here is a striking photograph of Arnold Shoenberg, Anton Webern and Erwin Stein, at a Dutch beach (Zandvoort) in March 1914. Taken by Alban Berg. Schoenberg Archive PH2225.

    We note the date: just before the old order tumbled.

    The composition feels like a 1920s Walker Evans, and are these perhaps three Jazz dudes on a 1970s record cover?

    archive.schoenberg.at/resource

    #ArnoldSchoenberg #AntonWebern #AlbanBerg #ErwinStein

  21. Jägerin und Gejagte – „Lulu“ an der Oper Frankfurt
    Redaktion
    [caption id="attachment_29435" align="alignleft" width="300"] Oper Frankfurt a.M./LULU/Brenda Rae/Foto: Barbara Aumüller[/caption]

    Mit Brenda Rae in der Titelrolle gelingt der Oper Frankfurt in ihrer Produktion von Alban Bergs Lulu ein erneuter Coup und schafft so einen starken Anwärter für die Inszenierung des Jahres. (Besuchte Vorstellung: 17. November 2024) […]

    https://opernmagazin.de/jaegerin-und-gejagte-lulu-an-der-oper-frankfurt/

  22. Jägerin und Gejagte – „Lulu“ an der Oper Frankfurt
    Redaktion
    [caption id="attachment_29435" align="alignleft" width="300"] Oper Frankfurt a.M./LULU/Brenda Rae/Foto: Barbara Aumüller[/caption]

    Mit Brenda Rae in der Titelrolle gelingt der Oper Frankfurt in ihrer Produktion von Alban Bergs Lulu ein erneuter Coup und schafft so einen starken Anwärter für die Inszenierung des Jahres. (Besuchte Vorstellung: 17. November 2024) […]

    https://opernmagazin.de/jaegerin-und-gejagte-lulu-an-der-oper-frankfurt/

  23. [Blog Archive update]
    Music: Alban Berg's Lulu: History, Performances, and Theodor Adorno's commentary
    "The opera Lulu is one of those works that reveals the extent of its quality the longer and more deeply one immerses oneself in it."
    Selected performances of Lulu, with comments by Berg's student, Theodor Adorno.
    Lyric Opera of Chicago, 2008.
    Paris Opera, 24 February, 1979.
    Zurich Opera, c.2012.
    Royal Opera, 2009.
    #CriticalTheory #TheodorAdorno #AlbanBerg #Opera
    node801.blogspot.com/2013/07/m

  24. [Blog Archive update]
    Music: Alban Berg's Lulu: History, Performances, and Theodor Adorno's commentary
    "The opera Lulu is one of those works that reveals the extent of its quality the longer and more deeply one immerses oneself in it."
    Selected performances of Lulu, with comments by Berg's student, Theodor Adorno.
    Lyric Opera of Chicago, 2008.
    Paris Opera, 24 February, 1979.
    Zurich Opera, c.2012.
    Royal Opera, 2009.
    #CriticalTheory #TheodorAdorno #AlbanBerg #Opera
    node801.blogspot.com/2013/07/m

  25. [Blog Archive update]
    Music: Alban Berg's Lulu: History, Performances, and Theodor Adorno's commentary
    "The opera Lulu is one of those works that reveals the extent of its quality the longer and more deeply one immerses oneself in it."
    Selected performances of Lulu, with comments by Berg's student, Theodor Adorno.
    Lyric Opera of Chicago, 2008.
    Paris Opera, 24 February, 1979.
    Zurich Opera, c.2012.
    Royal Opera, 2009.
    #CriticalTheory #TheodorAdorno #AlbanBerg #Opera
    node801.blogspot.com/2013/07/m

  26. [Blog Archive update]
    Music: Alban Berg's Lulu: History, Performances, and Theodor Adorno's commentary
    "The opera Lulu is one of those works that reveals the extent of its quality the longer and more deeply one immerses oneself in it."
    Selected performances of Lulu, with comments by Berg's student, Theodor Adorno.
    Lyric Opera of Chicago, 2008.
    Paris Opera, 24 February, 1979.
    Zurich Opera, c.2012.
    Royal Opera, 2009.
    #CriticalTheory #TheodorAdorno #AlbanBerg #Opera
    node801.blogspot.com/2013/07/m

  27. Aktuell in der #HörBar der #nmz: Igor Levit / Fantasia — Noch einmal Fantasien – wenigstens auf dem Cover dieses Doppelalbums. Denn neben der Chromatischen Fantasie und Fuge von Johann Sebastian Bach und Ferruccio Busonis Fantasia contrappuntistica stehen Franz Liszts monumentale Sonate h-Moll wie a

    hoerbar.nmz.de/2024/01/igor-le

    #Barock #EMusik #Romantik #JohannSebastianBach #AlbanBerg #SonyLabel #FranzLiszt #FerruccioBusoni #Fantasie #FranzSchubert #IgorLevit

  28. Aktuell in der #HörBar der #nmz: Igor Levit / Fantasia — Noch einmal Fantasien – wenigstens auf dem Cover dieses Doppelalbums. Denn neben der Chromatischen Fantasie und Fuge von Johann Sebastian Bach und Ferruccio Busonis Fantasia contrappuntistica stehen Franz Liszts monumentale Sonate h-Moll wie a

    hoerbar.nmz.de/2024/01/igor-le

    #Barock #EMusik #Romantik #JohannSebastianBach #AlbanBerg #SonyLabel #FranzLiszt #FerruccioBusoni #Fantasie #FranzSchubert #IgorLevit

  29. Aktuell in der #HörBar der #nmz: Igor Levit / Fantasia — Noch einmal Fantasien – wenigstens auf dem Cover dieses Doppelalbums. Denn neben der Chromatischen Fantasie und Fuge von Johann Sebastian Bach und Ferruccio Busonis Fantasia contrappuntistica stehen Franz Liszts monumentale Sonate h-Moll wie a

    hoerbar.nmz.de/2024/01/igor-le

    #Barock #EMusik #Romantik #JohannSebastianBach #AlbanBerg #SonyLabel #FranzLiszt #FerruccioBusoni #Fantasie #FranzSchubert #IgorLevit

  30. #AlbanBerg #Tonality #Atonality #TwelveToneTechnique #SecondVienneseSchool

    "I think the origin of all this clamour for tonality is not so much the need to sense a relationship to the tonic, as a need for familiar chords: let us be frank and say "for the triad"; and I believe I have good reason to say that just so long as a certain kind of music contains enough such triads, it causes no offence, even if in other ways it most violently clashes with the sacred laws of tonality." ~ Alban Berg

  31. #AlbanBerg #Tonality #Atonality #TwelveToneTechnique #SecondVienneseSchool

    "I think the origin of all this clamour for tonality is not so much the need to sense a relationship to the tonic, as a need for familiar chords: let us be frank and say "for the triad"; and I believe I have good reason to say that just so long as a certain kind of music contains enough such triads, it causes no offence, even if in other ways it most violently clashes with the sacred laws of tonality." ~ Alban Berg