home.social

#aksioma โ€” Public Fediverse posts

Live and recent posts from across the Fediverse tagged #aksioma, aggregated by home.social.

fetched live
  1. Through the practices of ๐—ฆ๐—ถ๐—บ๐—ผ๐—ป๐—ฒ ๐—–. ๐—ก๐—ถ๐—พ๐˜‚๐—ถ๐—น๐—น๐—ฒ, ๐—•๐—ฎ๐˜€๐˜€๐—ฎ๐—บ ๐—œ๐˜€๐˜€๐—ฎ ๐—”๐—น-๐—ฆ๐—ฎ๐—ฏ๐—ฎ๐—ต & ๐—๐—ฒ๐—ป๐—ป๐—ถ๐—ณ๐—ฒ๐—ฟ ๐— ๐—ฒ๐—ต๐—ถ๐—ด๐—ฎ๐—ป, & ๐—”๐˜†๐—ผ๐˜‚๐—ป๐—ด ๐—ž๐—ถ๐—บ, #Nรณraร“Murchรบ traces how images increasingly operate as systems, atmospheres and worlds, shaped by computational vision, platform aesthetics, simulation, logistics and affective performance.

    PostScriptUM#55: ๐‘พ๐’‰๐’†๐’ ๐‘ฐ๐’Ž๐’‚๐’ˆ๐’†๐’” ๐‘ฉ๐’†๐’„๐’๐’Ž๐’† ๐‘บ๐’š๐’”๐’•๐’†๐’Ž๐’” looks at ๐‘‘๐‘ข๐‘๐‘˜๐‘Ÿ๐‘Ž๐‘๐‘๐‘–๐‘ก.๐‘ก๐‘ฃ, ๐‘ˆ๐‘›๐‘๐‘’๐‘›๐‘ ๐‘œ๐‘Ÿ๐‘’๐‘‘ ๐ฟ๐‘–๐‘™๐‘Ž๐‘, and ๐ท๐‘’๐‘™๐‘–๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ ๐ท๐‘Ž๐‘›๐‘๐‘’๐‘Ÿโ€™๐‘  ๐‘†๐‘โ„Ž๐‘’๐‘Ÿ๐‘’ โ€” all three previously presented at #Aksioma

    aksioma.org/when-images-become

  2. A group of goddesses and their assembly of familiars, pets, servants, and technologies are lounging. Separated from one another, they share a land but not a common ground. They have been invaded. They are pretty, hot, bothered, and bored. They are ready to destroy each other. They look deep into the camera and recite their deepest wishes, hopes, dreams, and fantasies.

    Now screening ๐‘ˆ๐‘›๐‘๐‘’๐‘›๐‘ ๐‘œ๐‘Ÿ๐‘’๐‘‘ ๐ฟ๐‘–๐‘™๐‘Ž๐‘ by ๐—•๐—ฎ๐˜€๐˜€๐—ฎ๐—บ ๐—œ๐˜€๐˜€๐—ฎ ๐—”๐—น-๐—ฆ๐—ฎ๐—ฏ๐—ฎ๐—ต and ๐—๐—ฒ๐—ป๐—ป๐—ถ๐—ณ๐—ฒ๐—ฟ ๐— ๐—ฒ๐—ต๐—ถ๐—ด๐—ฎ๐—ป at #Aksioma ๐Ÿ•ฏ๏ธ๐Ÿซง๐Ÿชžโœจ๐ŸŒ™ ๐Ÿ‘„

    โƒ aksioma.org/uncensored-lilac

  3. Join us for the screening of ๐‘ˆ๐‘›๐‘๐‘’๐‘›๐‘ ๐‘œ๐‘Ÿ๐‘’๐‘‘ ๐ฟ๐‘–๐‘™๐‘Ž๐‘ by #BassamIssaAlSabah & #JenniferMehigan tonight at 8 PM at #Aksioma โ€” and continue with #NoraOMurchuโ€™s PostScriptUM#55: ๐‘Šโ„Ž๐‘’๐‘› ๐ผ๐‘š๐‘Ž๐‘”๐‘’๐‘  ๐ต๐‘’๐‘๐‘œ๐‘š๐‘’ ๐‘†๐‘ฆ๐‘ ๐‘ก๐‘’๐‘š๐‘ , exploring how images actively produce the worlds we live in.

    โƒ aksioma.org/when-images-become
    โƒ aksioma.org/uncensored-lilac

    Visuals: Bassam Issa Al-Sabah and Jennifer Mehigan, Uncensored Lilac (details), courtesy of the artists
    Text: excerpt from PostScriptUM#55: When Images Become Systems by Nora Oโ€™ Murchรบ

  4. ๐Ÿ•ฏ๏ธ๐Ÿซง Uncensored Lilac ๐ŸŒ™๐Ÿฆข

    A film about revenge and desire that questions the ways climate change reshapes social and environmental relations.

    Opening this Wednesday at 8 PM at #Aksioma.
    > aksioma.org/uncensored-lilac

    ๐Ÿ‘„๐ŸชฝBy #BassamIssaAlSabah & #JenniferMehigan, whose practices span film, animation, sculpture, installation, painting, CGI, AI, and archival research to explore shifting identities, queerness, femininity, and emotion in contemporary culture.

  5. Screening ๐Ÿงšโ€โ™‚๏ธ ๐‘ผ๐’๐’„๐’†๐’๐’”๐’๐’“๐’†๐’… ๐‘ณ๐’Š๐’๐’‚๐’„
    by #BassamIssaAlSabah & #JenniferMehigan
    5โ€“26 August โƒ #Aksioma | Project Space, #Ljubljana
    ๐Ÿ‘„๐Ÿฆข ๐—ข๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด: WED, 5 August at 8 PM ๐Ÿชฝ๐Ÿ•ฏ๏ธ

    ๐‘ˆ๐‘›๐‘๐‘’๐‘›๐‘ ๐‘œ๐‘Ÿ๐‘’๐‘‘ ๐ฟ๐‘–๐‘™๐‘Ž๐‘ tells a story about revenge and desire. The film follows a group of goddesses and their companions. Their land and ways of communication with each other have been destroyed by climate collapse, and as the temperature rises, strange forms of dissonant and dissident behaviour emerge between them.

    โƒ aksioma.org/uncensored-lilac

  6. Artists of #U30+ season 2026 face reveal ๐Ÿ‘๐Ÿ‘„๐Ÿ‘

    Introducing #BetiFrim, #MatejMihevc and #NevenaAndrejiฤ‡, whose new projects will take over #Aksioma | Project Space this autumn. Curated by #MajaBurja.

    ๐—ฏ๐˜๐˜„โ€ฆ ๐Ÿฅบ ๐—ฎ๐—ฝ๐—ฝ๐—น๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ณ๐—ผ๐—ฟ ๐—จ๐Ÿฏ๐Ÿฌ+ ๐˜€๐—ฒ๐—ฎ๐˜€๐—ผ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿณ ๐—ฎ๐—ฟ๐—ฒ ๐—ผ๐—ฝ๐—ฒ๐—ป ๐˜‚๐—ป๐˜๐—ถ๐—น ๐Ÿฎ ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜. ๐—ฆ๐˜‚๐—ฏ๐—บ๐—ถ๐˜ ๐˜†๐—ผ๐˜‚๐—ฟ๐˜€ <๐Ÿฏ bit.ly/4usZFbf

    Photo: Marijo ลฝupanov

  7. Introducing the curator of #U30+ ๐˜€๐—ฒ๐—ฎ๐˜€๐—ผ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿณ ๐Ÿ˜Š

    #LaraMejaฤ is an independent curator and producer based in #Ljubljana whose work explores digital culture and contemporary technologies. She is the founder and curator of ๐ธ๐‘›๐‘ก๐‘’๐‘Ÿ ๐ป๐‘’๐‘Ÿ๐‘’ at RAVNIKAR Projects, co-founder of ETC. magazine, and has curated exhibitions internationally, including ๐ถโ„Ž๐‘Ÿ๐‘œ๐‘›๐‘–๐‘๐‘Ž๐‘™๐‘™๐‘ฆ ๐‘‚๐‘›๐‘™๐‘–๐‘›๐‘’ on #Kunstsurfer with #Aksioma.

    ๐—”๐—ฝ๐—ฝ๐—น๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ณ๐—ผ๐—ฟ ๐—จ๐Ÿฏ๐Ÿฌ+ ๐˜€๐—ฒ๐—ฎ๐˜€๐—ผ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿณ ๐—ฎ๐—ฟ๐—ฒ ๐˜€๐˜๐—ถ๐—น๐—น ๐—ผ๐—ฝ๐—ฒ๐—ป ๐˜‚๐—ป๐˜๐—ถ๐—น ๐Ÿฎ ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜! Submit yours here ๐Ÿ’Œ bit.ly/4usZFbf

  8. Thanks to everyone who already stepped into ๐‘ซ๐’†๐’๐’Š๐’—๐’†๐’“๐’š ๐‘ซ๐’‚๐’๐’„๐’†๐’“โ€™๐’” ๐‘บ๐’‘๐’‰๐’†๐’“๐’† เผปโ‹†. ยฐ
    Thereโ€™s still time to follow delivery routes into parallel worlds, drift through nocturnal Seoul, and get lost inside #AyoungKimโ€™s speculative maze of algorithms, labour and desire.

    โœถ ๐ท๐‘’๐‘™๐‘–๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ ๐ท๐‘Ž๐‘›๐‘๐‘’๐‘Ÿโ€™๐‘  ๐‘†๐‘โ„Ž๐‘’๐‘Ÿ๐‘’ will keep unfolding ๐˜‚๐—ป๐˜๐—ถ๐—น ๐Ÿฏ๐Ÿฌ ๐—๐˜‚๐—ป๐—ฒ at #Aksioma, #Ljubljana

    > aksioma.org/delivery-dancer%e2

  9. All packed for ๐ˆ๐ง๐ฌ๐ญ๐ข๐ญ๐ฎ๐ญ๐ž ๐จ๐Ÿ ๐๐ž๐ญ๐ฐ๐จ๐ซ๐ค ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž๐ฌ ๐„๐ฑ๐ข๐ญ ๐…๐ž๐ฌ๐ญ in #Amsterdam .แŸ.แŸ โ—ป๏ธ โœด๏ธ โ—ผ๏ธ โ†˜๏ธ

    #Aksiomaโ€™s publications and merch will be available at the
    ///// ๐‘ด๐’Š๐’๐’Š ๐‘ฉ๐’๐’๐’Œ ๐‘ญ๐’‚๐’Š๐’“ /////
    ๐‘‚๐‘‡301 ๐ถ๐‘–๐‘›๐‘’๐‘š๐‘Ž ๐ต๐‘Ž๐‘Ÿ
    ๐น๐‘Ÿ๐‘–๐‘‘๐‘Ž๐‘ฆ, ๐ฝ๐‘ข๐‘›๐‘’ 26, 17.00-23:00

    > Check out the full festival schedule at networkcultures.org/geert/even

  10. Using a single 3D architectural rendering extracted from the visual production of NEOM as an entry point, the lecture-performance excavates one contemporary image that functions as anticipatory infrastructure. Whether it will ever be fully realized becomes almost secondary to the authority of its circulation.
    ๐“บ aksioma.org/a-stratigraphy-of-

    .หณยทห–โœถ ๐‘จ ๐‘บ๐’•๐’“๐’‚๐’•๐’Š๐’ˆ๐’“๐’‚๐’‘๐’‰๐’š ๐’๐’‡ ๐‘ฝ๐’Š๐’”๐’Š๐’๐’ by ๐—ก๐—ผ๐˜‚๐—ฟ๐—ฎ ๐—ง๐—ฎ๐—ณ๐—ฒ๐—ฐ๐—ต๐—ฒ, ๐Ÿญ๐Ÿณ ๐—๐˜‚๐—ป๐—ฒ / ๐Ÿณ ๐—ฃ๐—  at #Aksioma.

    Concept and Script by #NouraTafeche,
    Visual Production and Animation by #ElenaZaghis

  11. The first copies of ๐‘Šโ„Ž๐‘’๐‘› ๐ผ๐‘š๐‘Ž๐‘”๐‘’๐‘  ๐ต๐‘’๐‘๐‘œ๐‘š๐‘’ ๐‘†๐‘ฆ๐‘ ๐‘ก๐‘’๐‘š๐‘  (๐—ฃ๐—ผ๐˜€๐˜๐—ฆ๐—ฐ๐—ฟ๐—ถ๐—ฝ๐˜๐—จ๐— #๐Ÿฑ๐Ÿฑ) are here and will be available next week, ๐Ÿญ๐Ÿณ ๐—๐˜‚๐—ป๐—ฒ, at #Aksioma during our events:
    โœถ ๐‘จ ๐‘บ๐’•๐’“๐’‚๐’•๐’Š๐’ˆ๐’“๐’‚๐’‘๐’‰๐’š ๐’๐’‡ ๐‘ฝ๐’Š๐’”๐’Š๐’๐’
    โœถ โœถ ๐‘ซ๐’†๐’๐’Š๐’—๐’†๐’“๐’š ๐‘ซ๐’‚๐’๐’„๐’†๐’“โ€™๐’” ๐‘บ๐’‘๐’‰๐’†๐’“๐’†

    In this essay, through artworks by ๐—ฆ๐—ถ๐—บ๐—ผ๐—ป๐—ฒ ๐—– ๐—ก๐—ถ๐—พ๐˜‚๐—ถ๐—น๐—น๐—ฒ, ๐—”๐˜†๐—ผ๐˜‚๐—ป๐—ด ๐—ž๐—ถ๐—บ, ๐—•๐—ฎ๐˜€๐˜€๐—ฎ๐—บ ๐—œ๐˜€๐˜€๐—ฎ ๐—”๐—น-๐—ฆ๐—ฎ๐—ฏ๐—ฎ๐—ต & ๐—๐—ฒ๐—ป๐—ป๐—ถ๐—ณ๐—ฒ๐—ฟ ๐— ๐—ฒ๐—ต๐—ถ๐—ด๐—ฎ๐—ป, curator and researcher #NoraOMurchu traces how artists make the conditions of the image visible.

    โœถ โœถ โœถ aksioma.org/when-images-become

  12. The video installation ๐‘‘๐‘ข๐‘๐‘˜๐‘Ÿ๐‘Ž๐‘๐‘๐‘–๐‘ก.๐‘ก๐‘ฃ in #Aksioma by #SimoneCNiquille is on view until ๐˜๐—ต๐—ถ๐˜€ ๐—™๐—ฟ๐—ถ๐—ฑ๐—ฎ๐˜†, ๐Ÿญ๐Ÿฎ ๐—๐˜‚๐—ป๐—ฒ ๐Ÿฐ
    > aksioma.org/duckrabbit.tv

    ๐Ÿฆ† ๐‘‘๐‘ข๐‘๐‘˜๐‘Ÿ๐‘Ž๐‘๐‘๐‘–๐‘ก.๐‘ก๐‘ฃ is also featured in the upcoming ๐—ฃ๐—ผ๐˜€๐˜๐—ฆ๐—ฐ๐—ฟ๐—ถ๐—ฝ๐˜๐—จ๐— #๐Ÿฑ๐Ÿฑ, where #NoraOMurchu examines how contemporary artists reveal the systems shaping what, and how, we see.
    Preview & pre-order > aksioma.org/when-images-become

    โ™ฅ๏ธŽ Curated by ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ผ ๐——๐—ฒ ๐— ๐˜‚๐˜๐—ถ๐—ถ๐˜€, part of ๐˜&๐—ฝ#๐Ÿญ๐Ÿณ: #BecomingImage, in collaboration with V-F-X Ljubljana

  13. Opening duckrabbit.tv 2.0 by #SimoneCNiquille tomorrow at 7 PM at #Aksioma Project Space ๐Ÿฆ†๐Ÿ‡ ๐Ÿฐ

    > aksioma.org/duckrabbit.tv

  14. RE: mastodon.social/@aksioma/11651

    Habe schon bei der freundlichen @Buchhandlung_am_Bruehl angefragt, ob es bestellbar ist.

    Das Thema ist echt genial. Aksioma macht viele kleine und interessante Bรผchlein รผber die Verbindungen zwischen Internet, Kultur und Gesellschaft.

    #aksioma #reading #books #culture #society

  15. Last days to see the exhibition ๐ฟ๐‘Ž๐‘ก๐‘’๐‘›๐‘ก ๐‘†๐‘๐‘Ž๐‘๐‘’ by #FelicityHammond in #Aksioma Project Space โ‡๏ธโ• The #installation is on view until this Thursday, ๐Ÿฏ๐Ÿฌ ๐—”๐—ฝ๐—ฟ๐—ถ๐—น.
    > aksioma.org/becomingimage/exhi

    ึŽ t&p#17 #BecomingImage is curated by ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ผ ๐——๐—ฒ ๐— ๐˜‚๐˜๐—ถ๐—ถ๐˜€.

    Photo: Domen Pal / Aksioma

  16. The theory music performance ๐‘พ๐’† ๐’‰๐’‚๐’—๐’† ๐’‚๐’๐’˜๐’‚๐’š๐’” ๐’ƒ๐’†๐’†๐’ ๐’ƒ๐’“๐’‚๐’Š๐’๐’•๐’“๐’๐’•๐’•๐’†๐’… happened 2 months ago in #Aksioma and #Kinoล iลกka but the #brainrot persisted.
    > aksioma.org/we-have-always-bee

    Now available in its final form: full video file, with playback controls ๐ŸŒ€ youtube.com/watch?v=HsVtOX740-A ๐ŸŒ€

    By #TisaTroha, #LeaSande, #NeลพaKnez, #TommasoCampagna, #GiuliaTimis, #JordiViaderGuerrero, #OskarKandare ๐Ÿธ

  17. Yesterday evening we opened ๐ฟ๐‘Ž๐‘ก๐‘’๐‘›๐‘ก ๐‘†๐‘๐‘Ž๐‘๐‘’ by #FelicityHammond ๐Ÿ’š Tysm everyone for coming.

    Exhibition is on view in #Aksioma Project Space until ๐Ÿฏ๐Ÿฌ ๐—”๐—ฝ๐—ฟ๐—ถ๐—น
    > aksioma.org/becomingimage/exhi

  18. โ—๏ธ๏ธ Last week to visit โ—๏ธ๏ธ
    In her exhibition ๐ผ๐‘š๐‘Ž๐‘”๐‘’ ๐‘†๐‘ฆ๐‘›๐‘๐‘’๐‘Ÿ๐‘ , #NinaDavies dramatizes the breakdown of boundaries between human and machine, reframing the politics of visual representation. In this world, images are not just seen โ€“ they are identities to conform to and realities to adhere to.

    ๐Ÿ”ด The exhibition is on view ๐˜‚๐—ป๐˜๐—ถ๐—น ๐Ÿฎ๐Ÿฑ ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต in #Aksioma.

    > aksioma.org/image-syncers

    Photo: Domen Pal / Aksioma

  19. First node of #BecomingImage kicked off successfully! ๐Ÿ”ด

    Thanks to everyone who filled up the artist talk in #ModernaGalerija, attended the workshop and visited the exhibition opening.
    & of course the biggest thanks to the artist #NinaDavies and curator #MarcoDeMutiis โ—๏ธโค๏ธ

    ๐ผ๐‘š๐‘Ž๐‘”๐‘’ ๐‘†๐‘ฆ๐‘›๐‘๐‘’๐‘Ÿ๐‘  is on view in #Aksioma Project space until 25 March.
    ึŽ aksioma.org/image-syncers ึŽ

    Photo: Domen Pal / Aksioma

  20. โญ‘ THE VOID + band performs tonight in #Aksioma and the day after in #Kinoล iลกka! โญ‘
    Some spots for the Wednesday event are still available, get your free tickets and register here: pretix.eu/aksioma/thevoidband/ ๐Ÿธ

    ๐Ÿ˜ Both performances will also be live streamed > networkcultures.org/void/2023/

    ๐‘‡โ„Ž๐‘’ ๐‘ ๐‘ก๐‘Ÿ๐‘’๐‘Ž๐‘š ๐‘–๐‘  ๐‘ก๐‘Ž๐‘˜๐‘–๐‘›๐‘” ๐‘๐‘™๐‘Ž๐‘๐‘’ ๐‘–๐‘› ๐‘‡โ„Ž๐‘’ ๐ผ๐‘›๐‘๐‘’๐‘ก๐‘ค๐‘’๐‘’๐‘›, ๐‘Ž ๐‘›๐‘’๐‘ค ๐‘œ๐‘›๐‘™๐‘–๐‘›๐‘’ ๐‘ฃ๐‘’๐‘›๐‘ข๐‘’ ๐‘๐‘ฆ ๐‘‡โ„Ž๐‘’ ๐ป๐‘š๐‘š, ๐‘๐‘ข๐‘Ÿ๐‘Ÿ๐‘’๐‘›๐‘ก๐‘™๐‘ฆ ๐‘–๐‘› ๐‘ก๐‘’๐‘ ๐‘ก๐‘–๐‘›๐‘” ๐‘Žโ„Ž๐‘’๐‘Ž๐‘‘ ๐‘œ๐‘“ ๐‘–๐‘ก๐‘  ๐‘œ๐‘“๐‘“๐‘–๐‘๐‘–๐‘Ž๐‘™ ๐‘™๐‘Ž๐‘ข๐‘›๐‘โ„Ž.

  21. ๐“๐‡๐„ ๐•๐Ž๐ˆ๐ƒ +
    ๐‘พ๐’† ๐’‰๐’‚๐’—๐’† ๐’‚๐’๐’˜๐’‚๐’š๐’” ๐’ƒ๐’†๐’†๐’ ๐’ƒ๐’“๐’‚๐’Š๐’๐’“๐’๐’•๐’•๐’†๐’… โ™ฅ๏ธ

    โญ‘ aksioma.org/we-have-always-bee โญ‘

    #Aksioma joins forces with the collective #THEVOID in the transdisciplinary performative essay ๐‘Š๐‘’ โ„Ž๐‘Ž๐‘ฃ๐‘’ ๐‘Ž๐‘™๐‘ค๐‘Ž๐‘ฆ๐‘  ๐‘๐‘’๐‘’๐‘› ๐‘๐‘Ÿ๐‘Ž๐‘–๐‘›๐‘Ÿ๐‘œ๐‘ก๐‘ก๐‘’๐‘‘. The essay, interwoven with audio-visual elements that will be composed on the spot, addresses the prevailing imperative of contemporary social media cultural production, #brainrot which tends towards a form of vertical video defined primarily by unconditional algorithmic curation.

  22. Consider ๐‘š๐‘ข๐‘™๐‘ก๐‘–๐‘กโ„Ž๐‘Ÿ๐‘’๐‘Ž๐‘‘ launched ๐Ÿซก
    Huge thank youuuu to everyone who joined us last night and squeezed into #Aksioma to hear ๐—•๐—ฒ๐—ป๐˜‡๐—ฒ ๐——๐—ฒ ๐—ฅ๐—ฒ๐—ฎ๐—บ and the editors talk about Dutch tomatoes.

    โš˜ โš˜ โš˜ Copies of ๐‘‡โ„Ž๐‘’ ๐ต๐‘™๐‘ข๐‘’ ๐น๐‘™๐‘œ๐‘ค๐‘’๐‘Ÿ ๐‘†๐‘ฆ๐‘›๐‘‘๐‘Ÿ๐‘œ๐‘š๐‘’ are available on our website and in the project space. Secure yours before it becomes lore.
    โ€” aksioma.org/the-blue-flower-sy

    Photos: Urลกa Rahne

  23. Of course we wouldnโ€™t launch ๐‘š๐‘ข๐‘™๐‘ก๐‘–๐‘กโ„Ž๐‘Ÿ๐‘’๐‘Ž๐‘‘ without the author of its first issue โš˜ โš˜ โš˜
    #BenzeDeReam (๐‘‡โ„Ž๐‘’ ๐ต๐‘™๐‘ข๐‘’ ๐น๐‘™๐‘œ๐‘ค๐‘’๐‘Ÿ ๐‘†๐‘ฆ๐‘›๐‘‘๐‘Ÿ๐‘œ๐‘š๐‘’) joins us this Wednesday at #Aksioma to present his work and engage in conversation with editors #LeaSande & #EmaMaznikAntiฤ‡.

    โ‹ aksioma.org/multithread-a-new- โ‹

    ๐—ฃ๐—ต๐—ผ๐˜๐—ผ by Tonda Budszus

  24. We are so back!

    Announcing ๐—Ÿ๐—”๐—จ๐—ก๐—–๐—› ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ป๐—ฒ๐˜„ ๐—ฒ๐—ฑ๐—ถ๐˜๐—ผ๐—ฟ๐—ถ๐—ฎ๐—น ๐˜€๐—ฒ๐—ฟ๐—ถ๐—ฒ๐˜€ by #Aksioma โ€” #multithread โ€” edited by #LeaSande & #EmaMaznikAntiฤ‡, focusing on artistic and creative interventions in the field of online and algorithmic landscapes.

    โ€” issue 01
    #BenzeDeReam: ๐‘‡โ„Ž๐‘’ ๐ต๐‘™๐‘ข๐‘’ ๐น๐‘™๐‘œ๐‘ค๐‘’๐‘Ÿ ๐‘†๐‘ฆ๐‘›๐‘‘๐‘Ÿ๐‘œ๐‘š๐‘’
    + Afterword by #Metahaven

    โ‹ 21 Januaryโ€”19hโ€”Aksioma, Ljubljana โ‹
    aksioma.org/multithread-a-new-

  25. LAST DAYS TO VISIT ๐Ÿฆท the last (duo!) exhibition of 2025 ๐Ÿงค
    ๐˜€๐˜†๐˜€_๐Ÿฒ๐˜…๐Ÿฏ_๐—–๐—”๐—ง & ๐Ÿฐ๐Ÿฒ.๐Ÿฏ๐Ÿฑ๐Ÿฏ๐Ÿฎ๐Ÿญ๐Ÿด๐Ÿฎ, ๐Ÿญ๐Ÿฑ.๐Ÿญ๐Ÿฎ๐Ÿฏ๐Ÿญ๐Ÿฎ๐Ÿฎ๐Ÿฒ in #Aksioma ๐˜‚๐—ป๐˜๐—ถ๐—น ๐˜๐—ต๐—ถ๐˜€ ๐—™๐—ฟ๐—ถ๐—ฑ๐—ฎ๐˜†, ๐Ÿญ๐Ÿต ๐——๐—ฒ๐—ฐ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ.

    by #OskarKandare ๐Ÿค #Laraลฝagar

    ^:. curated by #EmaOgrajenลกek
    & part of #U30+ programme

    Photo: Domen Pal / Aksioma

  26. Duo exhibition by #OskarKandare & #Laraลฝagar โ€” ๐˜€๐˜†๐˜€_๐Ÿฒ๐˜…๐Ÿฏ_๐—–๐—”๐—ง & ๐Ÿฐ๐Ÿฒ.๐Ÿฏ๐Ÿฑ๐Ÿฏ๐Ÿฎ๐Ÿญ๐Ÿด๐Ÿฎ, ๐Ÿญ๐Ÿฑ.๐Ÿญ๐Ÿฎ๐Ÿฏ๐Ÿญ๐Ÿฎ๐Ÿฎ๐Ÿฒ โ€” where #materiality becomes a shared space for speculative thought is still on view in #Aksioma Project Space, #Ljubljana until ๐Ÿญ๐Ÿต ๐——๐—ฒ๐—ฐ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฆท

    > aksioma.org/sys_6x3_cat
    > aksioma.org/46.3532182-15.1231

    ^:. curated by #EmaOgrajenลกek & part of #U30+ programme

  27. Last week's opening of ๐˜€๐˜†๐˜€_๐Ÿฒ๐˜…๐Ÿฏ_๐—–๐—”๐—ง & ๐Ÿฐ๐Ÿฒ.๐Ÿฏ๐Ÿฑ๐Ÿฏ๐Ÿฎ๐Ÿญ๐Ÿด๐Ÿฎ, ๐Ÿญ๐Ÿฑ.๐Ÿญ๐Ÿฎ๐Ÿฏ๐Ÿญ๐Ÿฎ๐Ÿฎ๐Ÿฒ by #OskarKandare & #Laraลฝagar in #Aksioma was a full house!
    Thanks to everyone who came by ^-^ Exhibitions are on view until 19 December.

    ^ curated by #EmaOgrajenลกek
    _ part of #U30+ programme

    Photo: Domen Pal / Aksioma

  28. Duo exhibition ๐˜€๐˜†๐˜€_๐Ÿฒ๐˜…๐Ÿฏ_๐—–๐—”๐—ง x ๐Ÿฐ๐Ÿฒ.๐Ÿฏ๐Ÿฑ๐Ÿฏ๐Ÿฎ๐Ÿญ๐Ÿด๐Ÿฎ, ๐Ÿญ๐Ÿฑ.๐Ÿญ๐Ÿฎ๐Ÿฏ๐Ÿญ๐Ÿฎ๐Ÿฎ๐Ÿฒ is almost set.
    .:*~*:._.:*~*:._.:*~*:._.:*~*
    ๐—ข๐—ฃ๐—˜๐—ก๐—œ๐—ก๐—š tonight at 19h! Come peek in #Aksioma! ๐Ÿซฃ

    > aksioma.org/sys_6x3_cat
    < aksioma.org/46.3532182-15.1231

  29. ๐˜€๐˜†๐˜€_๐Ÿฒ๐˜…๐Ÿฏ_๐—–๐—”๐—ง by #OskarKandare and ๐Ÿฐ๐Ÿฒ.๐Ÿฏ๐Ÿฑ๐Ÿฏ๐Ÿฎ๐Ÿญ๐Ÿด๐Ÿฎ, ๐Ÿญ๐Ÿฑ.๐Ÿญ๐Ÿฎ๐Ÿฏ๐Ÿญ๐Ÿฎ๐Ÿฎ๐Ÿฒ by #Laraลฝagar converge in a duo exhibition where materiality becomes a shared space for speculative thought.

    ๐˜€๐˜†๐˜€_๐Ÿฒ๐˜…๐Ÿฏ_๐—–๐—”๐—ง
    > aksioma.org/sys_6x3_cat
    ๐Ÿฐ๐Ÿฒ.๐Ÿฏ๐Ÿฑ๐Ÿฏ๐Ÿฎ๐Ÿญ๐Ÿด๐Ÿฎ, ๐Ÿญ๐Ÿฑ.๐Ÿญ๐Ÿฎ๐Ÿฏ๐Ÿญ๐Ÿฎ๐Ÿฎ๐Ÿฒ
    > aksioma.org/46.3532182-15.1231

    ^-^ ๐—ข๐—ฃ๐—˜๐—ก๐—œ๐—ก๐—š ๐Ÿฑ ๐—ก๐—ผ๐˜ƒ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ in #Aksioma, #Ljubljana

    ^:. curated by #EmaOgrajenลกek
    _:. part of U30+ programme