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#aidscrisis — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #aidscrisis, aggregated by home.social.

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  1. Tomorrow at Kings Place, London: A unique window into New York's art scene in the midst of the #AIDSCrisis, as Zubin Kanga performs Philip Venables' "Answer Machine Tape, 1987".

    Artist David Wojnarowicz's answering machine messages from the days before his friend Peter Hujar's death are central, but the #piano's #transcription cracks and fails — a poignant metaphor for the crisis that devastated a generation.

    Tickets: tinyurl.com/kp20251205

    #QueerHistory #MusicTechnology #MusicTech

  2. Worlds Aids Day
    .
    In 1987, the
    Silence = Death poster was created by a New York-based group of artists to protest the U.S. government's inaction on the AIDS epidemic, which they saw as a result of government and societal silence.
    .
    #AIDSActivism #SilenceEqualsDeath #PinkTriangle #LGBTQHistory #AIDSCrisis #ActivistPoster #1980sDesign #VisualProtest #PublicHealthAdvocacy #PoliticalArt #QueerHistory #GraphicDesignHistory #SocialJusticeArt #HistoricalPoster #worldaidsday

  3. Worlds Aids Day
    .
    In 1987, the
    Silence = Death poster was created by a New York-based group of artists to protest the U.S. government's inaction on the AIDS epidemic, which they saw as a result of government and societal silence.
    .
    #AIDSActivism #SilenceEqualsDeath #PinkTriangle #LGBTQHistory #AIDSCrisis #ActivistPoster #1980sDesign #VisualProtest #PublicHealthAdvocacy #PoliticalArt #QueerHistory #GraphicDesignHistory #SocialJusticeArt #HistoricalPoster #worldaidsday

  4. Worlds Aids Day
    .
    In 1987, the
    Silence = Death poster was created by a New York-based group of artists to protest the U.S. government's inaction on the AIDS epidemic, which they saw as a result of government and societal silence.
    .
    #AIDSActivism #SilenceEqualsDeath #PinkTriangle #LGBTQHistory #AIDSCrisis #ActivistPoster #1980sDesign #VisualProtest #PublicHealthAdvocacy #PoliticalArt #QueerHistory #GraphicDesignHistory #SocialJusticeArt #HistoricalPoster #worldaidsday

  5. Worlds Aids Day
    .
    In 1987, the
    Silence = Death poster was created by a New York-based group of artists to protest the U.S. government's inaction on the AIDS epidemic, which they saw as a result of government and societal silence.
    .
    #AIDSActivism #SilenceEqualsDeath #PinkTriangle #LGBTQHistory #AIDSCrisis #ActivistPoster #1980sDesign #VisualProtest #PublicHealthAdvocacy #PoliticalArt #QueerHistory #GraphicDesignHistory #SocialJusticeArt #HistoricalPoster #worldaidsday

  6. Worlds Aids Day
    .
    In 1987, the
    Silence = Death poster was created by a New York-based group of artists to protest the U.S. government's inaction on the AIDS epidemic, which they saw as a result of government and societal silence.
    .
    #AIDSActivism #SilenceEqualsDeath #PinkTriangle #LGBTQHistory #AIDSCrisis #ActivistPoster #1980sDesign #VisualProtest #PublicHealthAdvocacy #PoliticalArt #QueerHistory #GraphicDesignHistory #SocialJusticeArt #HistoricalPoster #worldaidsday

  7. 𝗧𝗶𝗹𝗱𝗮 𝗦𝘄𝗶𝗻𝘁𝗼𝗻 𝗯𝗲𝘇𝗼𝗰𝗵𝘁 𝗶𝗻 𝗮𝗶𝗱𝘀𝗰𝗿𝗶𝘀𝗶𝘀 43 𝗯𝗲𝗴𝗿𝗮𝗳𝗲𝗻𝗶𝘀𝘀𝗲𝗻 𝗶𝗻 éé𝗻 𝗷𝗮𝗮𝗿

    Tilda Swinton bezocht in de aidscrisis begin jaren negentig "43 begrafenissen in één jaar". Dat vertelt de Oscarwinnares in een podcast van de BBC. Swinton praatte onder meer over deze tijd omdat zij in haar expositie Ongoing in EYE in Amsterdam aandacht besteedt aan regisseur Derek Jarman,...

    rtl.nl/boulevard/artikel/55351

    #TildaSwinton #aidscrisis #begrafenissen

  8. 𝗧𝗶𝗹𝗱𝗮 𝗦𝘄𝗶𝗻𝘁𝗼𝗻 𝗯𝗲𝘇𝗼𝗰𝗵𝘁 𝗶𝗻 𝗮𝗶𝗱𝘀𝗰𝗿𝗶𝘀𝗶𝘀 43 𝗯𝗲𝗴𝗿𝗮𝗳𝗲𝗻𝗶𝘀𝘀𝗲𝗻 𝗶𝗻 éé𝗻 𝗷𝗮𝗮𝗿

    Tilda Swinton bezocht in de aidscrisis begin jaren negentig "43 begrafenissen in één jaar". Dat vertelt de Oscarwinnares in een podcast van de BBC. Swinton praatte onder meer over deze tijd omdat zij in haar expositie Ongoing in EYE in Amsterdam aandacht besteedt aan regisseur Derek Jarman,...

    rtl.nl/boulevard/artikel/55351

    #TildaSwinton #aidscrisis #begrafenissen

  9. 𝗧𝗶𝗹𝗱𝗮 𝗦𝘄𝗶𝗻𝘁𝗼𝗻 𝗯𝗲𝘇𝗼𝗰𝗵𝘁 𝗶𝗻 𝗮𝗶𝗱𝘀𝗰𝗿𝗶𝘀𝗶𝘀 43 𝗯𝗲𝗴𝗿𝗮𝗳𝗲𝗻𝗶𝘀𝘀𝗲𝗻 𝗶𝗻 éé𝗻 𝗷𝗮𝗮𝗿

    Tilda Swinton bezocht in de aidscrisis begin jaren negentig "43 begrafenissen in één jaar". Dat vertelt de Oscarwinnares in een podcast van de BBC. Swinton praatte onder meer over deze tijd omdat zij in haar expositie Ongoing in EYE in Amsterdam aandacht besteedt aan regisseur Derek Jarman,...

    rtl.nl/boulevard/artikel/55351

    #TildaSwinton #aidscrisis #begrafenissen

  10. 𝗧𝗶𝗹𝗱𝗮 𝗦𝘄𝗶𝗻𝘁𝗼𝗻 𝗯𝗲𝘇𝗼𝗰𝗵𝘁 𝗶𝗻 𝗮𝗶𝗱𝘀𝗰𝗿𝗶𝘀𝗶𝘀 43 𝗯𝗲𝗴𝗿𝗮𝗳𝗲𝗻𝗶𝘀𝘀𝗲𝗻 𝗶𝗻 éé𝗻 𝗷𝗮𝗮𝗿

    Tilda Swinton bezocht in de aidscrisis begin jaren negentig "43 begrafenissen in één jaar". Dat vertelt de Oscarwinnares in een podcast van de BBC. Swinton praatte onder meer over deze tijd omdat zij in haar expositie Ongoing in EYE in Amsterdam aandacht besteedt aan regisseur Derek Jarman,...

    rtl.nl/boulevard/artikel/55351

    #TildaSwinton #aidscrisis #begrafenissen

  11. 𝗧𝗶𝗹𝗱𝗮 𝗦𝘄𝗶𝗻𝘁𝗼𝗻 𝗯𝗲𝘇𝗼𝗰𝗵𝘁 𝗶𝗻 𝗮𝗶𝗱𝘀𝗰𝗿𝗶𝘀𝗶𝘀 43 𝗯𝗲𝗴𝗿𝗮𝗳𝗲𝗻𝗶𝘀𝘀𝗲𝗻 𝗶𝗻 éé𝗻 𝗷𝗮𝗮𝗿

    Tilda Swinton bezocht in de aidscrisis begin jaren negentig "43 begrafenissen in één jaar". Dat vertelt de Oscarwinnares in een podcast van de BBC. Swinton praatte onder meer over deze tijd omdat zij in haar expositie Ongoing in EYE in Amsterdam aandacht besteedt aan regisseur Derek Jarman,...

    rtl.nl/boulevard/artikel/55351

    #TildaSwinton #aidscrisis #begrafenissen

  12. "26,000 people died before (Reagan) even bothered to utter the word 'AIDS,'" Tim Sweeney, former executive director of Gay Men's Health Crisis (GMHC) said in an interview for the GMHC Stories Oral History Project. @TheConversationUS takes a look at how organizations like GMHC advocated for and cared for each other when institutions failed them — and what we should learn from them now.

    flip.it/565NYQ

    #USHistory #USNews #AIDSCrisis #AIDS #HIV #History #LGBTQ @histodons #Advocacy #Activism

  13. "26,000 people died before (Reagan) even bothered to utter the word 'AIDS,'" Tim Sweeney, former executive director of Gay Men's Health Crisis (GMHC) said in an interview for the GMHC Stories Oral History Project. @TheConversationUS takes a look at how organizations like GMHC advocated for and cared for each other when institutions failed them — and what we should learn from them now.

    flip.it/565NYQ

    #USHistory #USNews #AIDSCrisis #AIDS #HIV #History #LGBTQ @histodons #Advocacy #Activism

  14. "26,000 people died before (Reagan) even bothered to utter the word 'AIDS,'" Tim Sweeney, former executive director of Gay Men's Health Crisis (GMHC) said in an interview for the GMHC Stories Oral History Project. @TheConversationUS takes a look at how organizations like GMHC advocated for and cared for each other when institutions failed them — and what we should learn from them now.

    flip.it/565NYQ

    #USHistory #USNews #AIDSCrisis #AIDS #HIV #History #LGBTQ @histodons #Advocacy #Activism

  15. "26,000 people died before (Reagan) even bothered to utter the word 'AIDS,'" Tim Sweeney, former executive director of Gay Men's Health Crisis (GMHC) said in an interview for the GMHC Stories Oral History Project. @TheConversationUS takes a look at how organizations like GMHC advocated for and cared for each other when institutions failed them — and what we should learn from them now.

    flip.it/565NYQ

    #USHistory #USNews #AIDSCrisis #AIDS #HIV #History #LGBTQ @histodons #Advocacy #Activism

  16. "26,000 people died before (Reagan) even bothered to utter the word 'AIDS,'" Tim Sweeney, former executive director of Gay Men's Health Crisis (GMHC) said in an interview for the GMHC Stories Oral History Project. @TheConversationUS takes a look at how organizations like GMHC advocated for and cared for each other when institutions failed them — and what we should learn from them now.

    flip.it/565NYQ

    #USHistory #USNews #AIDSCrisis #AIDS #HIV #History #LGBTQ @histodons #Advocacy #Activism

  17. "I recently flew to Washington D.C., to view a retrospective of Felix's work titled "Always to Return," showing at the Smithsonian's National Portrait Gallery until July 6.

    My worries began when the exhibition's introductory sign omitted Felix's connection to the AIDS crisis, highlighting instead the "multiple dynamic meanings of his work." My fears turned into outrage when I read the museum label for "Untitled" (Portrait of Ross in L.A.), which, instead of explaining the installation's title and meaning, refers to "175 pounds as ideal weight," not specifically Ross's.

    Also, the museum displays the candy on a narrow path along the floor instead of in a pile, expressing on a separate label that it is entitled to "decide the size and configuration for this installation as well as to whether to replenish the candy." Be that as it may, the Smithsonian's chosen set-up destroys the monumental allegorical and emotional impact of seeing Felix's candy pile diminish."

    #art #queer #AIDSCrisis #HIV

    out.com/gay-news/felix-gonzale

  18. "I recently flew to Washington D.C., to view a retrospective of Felix's work titled "Always to Return," showing at the Smithsonian's National Portrait Gallery until July 6.

    My worries began when the exhibition's introductory sign omitted Felix's connection to the AIDS crisis, highlighting instead the "multiple dynamic meanings of his work." My fears turned into outrage when I read the museum label for "Untitled" (Portrait of Ross in L.A.), which, instead of explaining the installation's title and meaning, refers to "175 pounds as ideal weight," not specifically Ross's.

    Also, the museum displays the candy on a narrow path along the floor instead of in a pile, expressing on a separate label that it is entitled to "decide the size and configuration for this installation as well as to whether to replenish the candy." Be that as it may, the Smithsonian's chosen set-up destroys the monumental allegorical and emotional impact of seeing Felix's candy pile diminish."

    #art #queer #AIDSCrisis #HIV

    out.com/gay-news/felix-gonzale

  19. "I recently flew to Washington D.C., to view a retrospective of Felix's work titled "Always to Return," showing at the Smithsonian's National Portrait Gallery until July 6.

    My worries began when the exhibition's introductory sign omitted Felix's connection to the AIDS crisis, highlighting instead the "multiple dynamic meanings of his work." My fears turned into outrage when I read the museum label for "Untitled" (Portrait of Ross in L.A.), which, instead of explaining the installation's title and meaning, refers to "175 pounds as ideal weight," not specifically Ross's.

    Also, the museum displays the candy on a narrow path along the floor instead of in a pile, expressing on a separate label that it is entitled to "decide the size and configuration for this installation as well as to whether to replenish the candy." Be that as it may, the Smithsonian's chosen set-up destroys the monumental allegorical and emotional impact of seeing Felix's candy pile diminish."

    #art #queer #AIDSCrisis #HIV

    out.com/gay-news/felix-gonzale

  20. "I recently flew to Washington D.C., to view a retrospective of Felix's work titled "Always to Return," showing at the Smithsonian's National Portrait Gallery until July 6.

    My worries began when the exhibition's introductory sign omitted Felix's connection to the AIDS crisis, highlighting instead the "multiple dynamic meanings of his work." My fears turned into outrage when I read the museum label for "Untitled" (Portrait of Ross in L.A.), which, instead of explaining the installation's title and meaning, refers to "175 pounds as ideal weight," not specifically Ross's.

    Also, the museum displays the candy on a narrow path along the floor instead of in a pile, expressing on a separate label that it is entitled to "decide the size and configuration for this installation as well as to whether to replenish the candy." Be that as it may, the Smithsonian's chosen set-up destroys the monumental allegorical and emotional impact of seeing Felix's candy pile diminish."

    #art #queer #AIDSCrisis #HIV

    out.com/gay-news/felix-gonzale

  21. "I recently flew to Washington D.C., to view a retrospective of Felix's work titled "Always to Return," showing at the Smithsonian's National Portrait Gallery until July 6.

    My worries began when the exhibition's introductory sign omitted Felix's connection to the AIDS crisis, highlighting instead the "multiple dynamic meanings of his work." My fears turned into outrage when I read the museum label for "Untitled" (Portrait of Ross in L.A.), which, instead of explaining the installation's title and meaning, refers to "175 pounds as ideal weight," not specifically Ross's.

    Also, the museum displays the candy on a narrow path along the floor instead of in a pile, expressing on a separate label that it is entitled to "decide the size and configuration for this installation as well as to whether to replenish the candy." Be that as it may, the Smithsonian's chosen set-up destroys the monumental allegorical and emotional impact of seeing Felix's candy pile diminish."

    #art #queer #AIDSCrisis #HIV

    out.com/gay-news/felix-gonzale