#agnescallard — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #agnescallard, aggregated by home.social.
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Quote by philosopher #AgnesCallard talking, in part, about the internet's tendency toward negativity:
"… goodness is more context-dependent than badness. There isn’t really anything that’s good all the time for everyone independent of context. There isn’t anything that will always make a person happy. But there are reliable ways to make people unhappy.
"… we should predict that what we see on the internet, insofar as people are trying to be legible to large groups, is that they focus their attention on things that show up to everyone. Take two strangers on the internet trying to talk to each other. What are they going to coordinate on as a topic they can both care about? It’s likely going to be something bad."
https://www.derekthompson.org/p/a-philosophers-one-word-theory-to
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“I believe that we can forecast the ‘changing landscape of context,’ and thus get insight into when we are entering the danger zone”*…
Derek Thompson shares his interview with philosopher Agnes Callard…
Here are some questions that I consider self-evidently compelling about the modern world:
- Why is the news media so interested in telling you how much the world sucks all the time?
- Why are so many of us obsessed with distraction and managing our attention?
- Why is it so hard to stop comparing ourselves to others?
- And why does everything in art and design seem the same these days?
A week ago, I didn’t think these questions were related. I’m not sure I would have told you I had a good answer to most of them. And I certainly wouldn’t have made the audacious and borderline bonkers claim that one single theory could begin to explain all of them, at once.
But then I had the pleasure of speaking to Agnes Callard, the University of Chicago professor, about her new theory called “the uni-context.” It’s easily one of them most interesting conversations I’ve had all year. And once you’ve heard or read it, I think you might find it hard to think about anything else.
One way to prepare your mind for Callard’s theory of the uni-context is to think about the better-known concept of “context collapse.” If you post something to social media, it will be simultaneously visible to your boss, your parents, your ex, and total strangers. So, while your offline life might be distinct with each of these groups—you might be differential to your boss, childish with your parents, and bawdy with your friends—all of those distinctions are flattened on the internet. That’s context collapse, and you can think of it as the answer to a question: How do informational norms change when we’re all living in the same universal room?
Callard takes the idea significantly further. She asks: How do all other norms—our morals, our ethics, our sense of what is good for us and for others—change when we continually imagine ourselves to be living in a universal room with everybody else? The connections that Callard makes are consistently surprising, often quite funny, and ultimately mind-exploding…
A small sample…
… Thompson: Tell me if this is a fair recapitulation of our conversation so far.
For most of human history, people judged norms based on local context. A home had its own rules, a cathedral its own rules, and a classroom or bar or funeral parlor had its own rules. But now it is almost like we are constantly living in universal rooms, and the universal room we occupy is assumed to have universal values and universal norms. That has specific implications. First, rather than talk about what is good, which is context-dependent, we tend to focus about universal truths, and it’s easier to talk about universal bads than goods, so people focus on negativity. Two, character is context-dependent, so we talk less about character and more about its universalist equivalent, which is identity.
There’s a third implication that we should discuss. If everyone is on the same comparable plane, the same evaluative field, then comparison itself becomes a more inextricable part of life.
Callard: Exactly.
Thompson: Tell me how the uni-context leads to a world of more comparison and competition.
Callard: Imagine two school districts with two high schools that do things slightly differently. If you’re in district A, you go to school A, and if you’re in district B, you go to school B. There might be a lot of information about what they do, but people treat it as: I’m in this district, so I go to this school. Then they change the rule: You can go to either school no matter where you live. Suddenly there is motivation to compare. You had the information before, but no motivation to compare, because the schools were not in the same space of choice, the same evaluative field.
Now they are, so you find ways to compare them: graduation rates, what colleges people get into, how many AP classes they teach. And that affects the schools. Suppose one gets less popular because it doesn’t teach many AP classes. They were offering an individualized curriculum, but now everyone’s going to the other school, so they say, “We’ve got to teach AP classes too.” The process homogenizes the two schools, so they can compete. That’s not the only possible result. They could specialize, with one becoming the school for freshman and sophomore years, the other becoming the school for junior and senior years. But if they don’t recreate a normative barrier, you get homogenization from comparison.
As more things enter the same evaluative field, you make comparisons you never used to be able to make.
Thompson: There are three pieces I’m trying to keep straight.
One, the upstream phenomenon of the uni-context. Two, the downstream phenomenon of more fields of comparison. Three, the further downstream phenomenon of homogenization.
This is where the theory really starts to sing for me, because I think about sports. As the analytics revolution came for baseball, you had all these teams in possession of the same statistics by which they could compare players. Previously, you had 30 teams using their own private scouts, so their analysis was more context-dependent. But when an easily calculable statistic like on-base percentage or WAR becomes the conventional way to evaluate whether a player is good, all the players become part of the same comparative set. You can rank them one-to-250 easily on a spreadsheet.
But analytics didn’t just lead to more math, or more comparison. It led to more homogenization of strategy. One of the great critiques of baseball has been that every team essentially does the exact same thing: it’s the same strategies for pitchers; the same strategies for hitters; the three true outcomes; all the batters swinging for the fences. So you have the uni-context creating a comparative field, in this case analytics, which leads to homogenization.
Callard: What you said reminded me that I have a theory of the inflection point for the uni-context. I don’t think it started five or ten years ago. The moment it really showed up was around 1910.
One century ago, there were a bunch of people looking around at the world, thinking: What the hell is happening? Did culture break? A lot of those people were novelists, and they wrote a new kind of novel called the modernist novel, which is a novel about how to live in a world in which the uni-context is just coming into existence. Theorists of the time—such as Georg Simmel, Max Weber, and Martin Heidegger—they noticed something weird was going on. They tended to describe it in terms that sound almost like the opposite of the uni-context. They described it as the fragmentation of everything. All of a sudden, they said, everything is breaking apart. That was my first clue.
The reason I thought of this is that you said everything is becoming homogenous, and I thought, “in a way, yes, but that’s a later effect.” The first thing that happens when a bunch of stuff is unified in a single evaluative field is that you feel overwhelmed by your choices. It feels like stuff is fragmented, because you don’t know how to compare these things, because you haven’t yet developed technologies of comparing them.
So, the early feeling of the uni-context was a feeling of the world being fragmented. If you were a medieval peasant doing art, you were in art’s normative world. If you were in the church, you were in the church’s normative world. But in the 20th century, around World War I, you start to think: How do we reconcile the schoolteacher turned murderer, the soldier? How do we think about the relationship between art and religion? We’re suddenly trying to compare all these different values inside a single context, and the world feels dis-unified. Eventually we get technologies of commensurability. What fragmentation really means—and that part was invisible to these writers—is that suddenly everything is part of the same evaluative field. That’s why you experience a multiplicity where you used to experience one thing at a time…
There’s much more, all of it provocative. Here, the conclusion…
Thompson: I want to know what we should do about this.
A simple answer might be: When you’re having dinner with your family, you can be present with your family, or you can be on your phone, which is a universal room that makes you everywhere at once. So put away the phone. But that feels like a cheap and predictable answer. Do you have something prescriptive that isn’t just “put away the phone at family dinner?”
Callard: The question of whether the uni-context is good or bad is loaded, because the uni-context struggles to see good things. It’s better at seeing bad things. Pretty much everyone who hears me talk about the uni-context immediately responds that it’s bad. I’ve never had anyone say, “The uni-context sounds great!”But the thing is that this supposedly bad thing is a thing we’re creating. We’re choosing it over and over again. Even me talking to you from far away about an abstract thing [is the uni-context.]
The uni-context is a space of unruliness. It’s a space in which a certain thing about humanity gets expressed, namely our deep aversion to “world closure.” For almost all of human history, we have lived in closed little worlds, and those worlds presented themselves as the only world. A series of contexts presented the person with direction—here’s what you should do. What we are moving toward is a “world openness” that we hunger after, where I’m not just going to do things a certain way because that’s how we do things or where I was born.
Antonio Gramsci famously said, “the old world is dying, and the new world struggles to be born: now is the time of monsters.” So, how do we use openness, as Callard describes it, as space in which to create a world in which we want to live? How do we recover the wisdom imbedded in context– the accreted shell of our shared history– without context’s reactionary trappings? How do we build anew a better world?
In any case, once you learn what the “uni-context” is, you won’t stop seeing it everywhere: “A Philosopher’s One-Word Theory to Explain Why the World Feels So Weird,” from @dkthomp.bsky.social and @agcallard.bsky.social.
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As we muse on milieu, we might recall that it was on this date in 1963 that The Essex (a singing group composed of four active-duty Marines) reached #1 on Billboard R&B chart with their first release “Easier Said Than Done” (which had been intended as the B-Side of the record); it went on to top Billboard‘s Hot 100, and was the biggest hit of their career.
https://youtu.be/wHB6muY-6WI?si=Ws_wdGcfVwHhvI-P
#AgnesCallard #character #context #culture #DerekThompson #EasierSaidThanDone #history #identity #philosophy #politics #society #Technology #TheEssex #uniContext -
“I believe that we can forecast the ‘changing landscape of context,’ and thus get insight into when we are entering the danger zone”*…
Derek Thompson shares his interview with philosopher Agnes Callard…
Here are some questions that I consider self-evidently compelling about the modern world:
- Why is the news media so interested in telling you how much the world sucks all the time?
- Why are so many of us obsessed with distraction and managing our attention?
- Why is it so hard to stop comparing ourselves to others?
- And why does everything in art and design seem the same these days?
A week ago, I didn’t think these questions were related. I’m not sure I would have told you I had a good answer to most of them. And I certainly wouldn’t have made the audacious and borderline bonkers claim that one single theory could begin to explain all of them, at once.
But then I had the pleasure of speaking to Agnes Callard, the University of Chicago professor, about her new theory called “the uni-context.” It’s easily one of them most interesting conversations I’ve had all year. And once you’ve heard or read it, I think you might find it hard to think about anything else.
One way to prepare your mind for Callard’s theory of the uni-context is to think about the better-known concept of “context collapse.” If you post something to social media, it will be simultaneously visible to your boss, your parents, your ex, and total strangers. So, while your offline life might be distinct with each of these groups—you might be differential to your boss, childish with your parents, and bawdy with your friends—all of those distinctions are flattened on the internet. That’s context collapse, and you can think of it as the answer to a question: How do informational norms change when we’re all living in the same universal room?
Callard takes the idea significantly further. She asks: How do all other norms—our morals, our ethics, our sense of what is good for us and for others—change when we continually imagine ourselves to be living in a universal room with everybody else? The connections that Callard makes are consistently surprising, often quite funny, and ultimately mind-exploding…
A small sample…
… Thompson: Tell me if this is a fair recapitulation of our conversation so far.
For most of human history, people judged norms based on local context. A home had its own rules, a cathedral its own rules, and a classroom or bar or funeral parlor had its own rules. But now it is almost like we are constantly living in universal rooms, and the universal room we occupy is assumed to have universal values and universal norms. That has specific implications. First, rather than talk about what is good, which is context-dependent, we tend to focus about universal truths, and it’s easier to talk about universal bads than goods, so people focus on negativity. Two, character is context-dependent, so we talk less about character and more about its universalist equivalent, which is identity.
There’s a third implication that we should discuss. If everyone is on the same comparable plane, the same evaluative field, then comparison itself becomes a more inextricable part of life.
Callard: Exactly.
Thompson: Tell me how the uni-context leads to a world of more comparison and competition.
Callard: Imagine two school districts with two high schools that do things slightly differently. If you’re in district A, you go to school A, and if you’re in district B, you go to school B. There might be a lot of information about what they do, but people treat it as: I’m in this district, so I go to this school. Then they change the rule: You can go to either school no matter where you live. Suddenly there is motivation to compare. You had the information before, but no motivation to compare, because the schools were not in the same space of choice, the same evaluative field.
Now they are, so you find ways to compare them: graduation rates, what colleges people get into, how many AP classes they teach. And that affects the schools. Suppose one gets less popular because it doesn’t teach many AP classes. They were offering an individualized curriculum, but now everyone’s going to the other school, so they say, “We’ve got to teach AP classes too.” The process homogenizes the two schools, so they can compete. That’s not the only possible result. They could specialize, with one becoming the school for freshman and sophomore years, the other becoming the school for junior and senior years. But if they don’t recreate a normative barrier, you get homogenization from comparison.
As more things enter the same evaluative field, you make comparisons you never used to be able to make.
Thompson: There are three pieces I’m trying to keep straight.
One, the upstream phenomenon of the uni-context. Two, the downstream phenomenon of more fields of comparison. Three, the further downstream phenomenon of homogenization.
This is where the theory really starts to sing for me, because I think about sports. As the analytics revolution came for baseball, you had all these teams in possession of the same statistics by which they could compare players. Previously, you had 30 teams using their own private scouts, so their analysis was more context-dependent. But when an easily calculable statistic like on-base percentage or WAR becomes the conventional way to evaluate whether a player is good, all the players become part of the same comparative set. You can rank them one-to-250 easily on a spreadsheet.
But analytics didn’t just lead to more math, or more comparison. It led to more homogenization of strategy. One of the great critiques of baseball has been that every team essentially does the exact same thing: it’s the same strategies for pitchers; the same strategies for hitters; the three true outcomes; all the batters swinging for the fences. So you have the uni-context creating a comparative field, in this case analytics, which leads to homogenization.
Callard: What you said reminded me that I have a theory of the inflection point for the uni-context. I don’t think it started five or ten years ago. The moment it really showed up was around 1910.
One century ago, there were a bunch of people looking around at the world, thinking: What the hell is happening? Did culture break? A lot of those people were novelists, and they wrote a new kind of novel called the modernist novel, which is a novel about how to live in a world in which the uni-context is just coming into existence. Theorists of the time—such as Georg Simmel, Max Weber, and Martin Heidegger—they noticed something weird was going on. They tended to describe it in terms that sound almost like the opposite of the uni-context. They described it as the fragmentation of everything. All of a sudden, they said, everything is breaking apart. That was my first clue.
The reason I thought of this is that you said everything is becoming homogenous, and I thought, “in a way, yes, but that’s a later effect.” The first thing that happens when a bunch of stuff is unified in a single evaluative field is that you feel overwhelmed by your choices. It feels like stuff is fragmented, because you don’t know how to compare these things, because you haven’t yet developed technologies of comparing them.
So, the early feeling of the uni-context was a feeling of the world being fragmented. If you were a medieval peasant doing art, you were in art’s normative world. If you were in the church, you were in the church’s normative world. But in the 20th century, around World War I, you start to think: How do we reconcile the schoolteacher turned murderer, the soldier? How do we think about the relationship between art and religion? We’re suddenly trying to compare all these different values inside a single context, and the world feels dis-unified. Eventually we get technologies of commensurability. What fragmentation really means—and that part was invisible to these writers—is that suddenly everything is part of the same evaluative field. That’s why you experience a multiplicity where you used to experience one thing at a time…
There’s much more, all of it provocative. Here, the conclusion…
Thompson: I want to know what we should do about this.
A simple answer might be: When you’re having dinner with your family, you can be present with your family, or you can be on your phone, which is a universal room that makes you everywhere at once. So put away the phone. But that feels like a cheap and predictable answer. Do you have something prescriptive that isn’t just “put away the phone at family dinner?”
Callard: The question of whether the uni-context is good or bad is loaded, because the uni-context struggles to see good things. It’s better at seeing bad things. Pretty much everyone who hears me talk about the uni-context immediately responds that it’s bad. I’ve never had anyone say, “The uni-context sounds great!”But the thing is that this supposedly bad thing is a thing we’re creating. We’re choosing it over and over again. Even me talking to you from far away about an abstract thing [is the uni-context.]
The uni-context is a space of unruliness. It’s a space in which a certain thing about humanity gets expressed, namely our deep aversion to “world closure.” For almost all of human history, we have lived in closed little worlds, and those worlds presented themselves as the only world. A series of contexts presented the person with direction—here’s what you should do. What we are moving toward is a “world openness” that we hunger after, where I’m not just going to do things a certain way because that’s how we do things or where I was born.
Antonio Gramsci famously said, “the old world is dying, and the new world struggles to be born: now is the time of monsters.” So, how do we use openness, as Callard describes it, as space in which to create a world in which we want to live? How do we recover the wisdom imbedded in context– the accreted shell of our shared history– without context’s reactionary trappings? How do we build anew a better world?
In any case, once you learn what the “uni-context” is, you won’t stop seeing it everywhere: “A Philosopher’s One-Word Theory to Explain Why the World Feels So Weird,” from @dkthomp.bsky.social and @agcallard.bsky.social.
###
As we muse on milieu, we might recall that it was on this date in 1963 that The Essex (a singing group composed of four active-duty Marines) reached #1 on Billboard R&B chart with their first release “Easier Said Than Done” (which had been intended as the B-Side of the record); it went on to top Billboard‘s Hot 100, and was the biggest hit of their career.
https://youtu.be/wHB6muY-6WI?si=Ws_wdGcfVwHhvI-P
#AgnesCallard #character #context #culture #DerekThompson #EasierSaidThanDone #history #identity #philosophy #politics #society #Technology #TheEssex #uniContext -
And here is Waleed Aly and Scott Stevens chatting with Agnes Callard about that article. #AgnesCallard #TheMineField #ScottStevens #WaleedAly
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And here is Waleed Aly and Scott Stevens chatting with Agnes Callard about that article. #AgnesCallard #TheMineField #ScottStevens #WaleedAly
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Problems are Places, Questions are Spaces
Last year, while regrouping myself and rebuilding my old curious ways, I had a thought. The common words “spaces” and “places” pass through our minds, fingers, and lips but they deserve a second thought. Unsurprisingly, I wasn’t the first one to consider this and the wealth of reading material helped me write We Need Homes in the Delta Quadrant. Spaces and places have been an enjoyable lens to look through.
Recently, through Agnes Callard’s Open Socrates, I was introduced to the Socratic concepts of questions and problems. Initially I thought of it as a newish way to look at things, but I’m converging toward the idea that problems are places and questions are spaces. A quick exploration below as to why.
Vintage pattern illustration. Digitally enhanced from our own 19th Century Grammar of Ornament book by Owen Jones.Problems impede your quest and solving them makes them disappear. There are established ways of solving problems—recipes, algorithms, or rituals that nudge the obstacle aside so the original activity may continue unabated. Essentially, problems are tractable.
Places are tractable too as “an ordered worlds of meaning.” Place-making, like problem-solving, begins by drawing a boundary and then treating that encapsulation as a building black, whatever its inner workings. The moment you can stand somewhere and say “here” you have marked out a place; the moment you can name a difficulty and say “do this” you have packaged a problem.
The Socratic question, by contrast, is a quest. It is a hunt whose solution is unknown. Questions do not disappear when solved, instead they are additive and leave you with something, i.e. the solution. A real question insists on orientation before action: you must find north in the wilderness before plotting any march. And yet, along the path to an answer, you inevitably solve problems. Those problems are the markers that help you orient and keep you moving. A previous “solution” to a question can be used as a new place to further explore and prod at the question. In that sense, a question is like the horizon you constantly seek.
Spaces feel exactly like that horizon. Spaces are pure potential to be explored by the places that demarcate the space. Identity, orientation, and even memory of a space are created by and stored in the places that surround it. To explore a space you must create stable places around it
While the new way of thinking about Questions and Problems is great, I still prefer the lens of Spaces and Places. Q&P seem too narrow a set of lenses limited to the human mind. S&P expand that stage and allow us to think of more in that context. What I like even more is that spaces can also be places assuming we allow a boundary to be drawn around the fuzzy nature of a space. As a scientist, this feels a bit more satisfying because it allows you to explore and experiment even when the knowledge isn’t properly tied down by facts.
#AgnesCallard #cognitiveFrameworks #conceptualMetaphors #curiosity #epistemology #knowledgeExploration #philosophy #placeTheory #placemaking #questionsAndProblems #scientificInquiry #socraticMethod #spaceAndPlace #systemsThinking #yiFuTuan
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The Mind as Semi-Solid Smoke
This post continues the series on Socratic Thinking, turning the space-and-place lens inward to examine the mind itself. Human minds can be thought of as an imperfect place with the ability to create their own insta-places to navigate ambiguity.
On the Trail (1889) by Winslow Homer. Original from The National Gallery of Art. Digitally enhanced by rawpixel.Exploration in any real or conceptual space needs navigational markers with sufficient meaning. Humans are biologically predisposed to seek out and use navigational markers. This tendency is rooted in our neural architecture, emerges early in life, and is shared with other animals, reflecting its deep evolutionary origins 1,2 . Even the simplest of life performing chemotaxis uses the signal-field of food to navigate.
When you’re microscopic, the territory is the map; at human scale, we externalise those cues as landmarks—then mirror the process inside our heads. Just as cells follow chemical gradients, our thoughts follow self-made landmarks, yet these landmarks are vaporous.
From the outside our mind is a single place, it is our identity. Probe closer and our identity is nebulous and dissolves the way a city dissolves into smaller and smaller places the closer you look. We use our identity to create the first stable place in the world and then use other places to navigate life. However, these places come from unreliable sources, our internal and external environments. How do we know the places are even real, and do we have the knowledge to trust their reality? Well, we don’t. We can’t judge our mental landmarks false. Callard calls this normative self-blindness: the built-in refusal to saw off the branch we stand on.
Normative self-blindness is a trick to gloss over details and keep moving. Insta-places are conjured from our experience and are treated as solid no matter how poorly they are tied down by actual knowledge. We can accept that a place was loosely formed in the past, an error, or is not yet well defined in the future, is unknown. However, in the moment, the places exist and we use them to see.
Understanding and accepting that our minds work this way is a key tenet of Socratic Thinking. It makes adopting the posture of inquiry much easier. Socratic inquiry begins by admitting that everyone’s guiding landmarks may be made of semi-solid smoke.
1Chan, Edgar, Oliver Baumann, Mark A. Bellgrove, and Jason B. Mattingley. “From Objects to Landmarks: The Function of Visual Location Information in Spatial Navigation.” Frontiers in Psychology 3 (2012). https://doi.org/10.3389/fpsyg.2012.00304
2Freas, Cody A., and Ken Cheng. “The Basis of Navigation Across Species.” Annual Review of Psychology 73, no. 1 (January 4, 2022): 217–41. https://doi.org/10.1146/annurev-psych-020821-111311.
#AgnesCallard #cognitiveBiases #cognitiveScience #criticalThinking #decisionMaking #epistemology #evolutionaryPsychology #humanPsychology #identity #introspection #mentalModels #metacognition #mindset #navigation #neuroscience #normativeSelfBlindness #personalDevelopment #philosophy #sensemaking #socraticThinking #spaceAndPlace