#affordance — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #affordance, aggregated by home.social.
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Interesting that the biggest, most contrast button on this page is not the primary button. The primary button (!) is this construct in the middle that looks like a text input.
Thanks Alex Shoykhet for the picture
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Interesting that the biggest, most contrast button on this page is not the primary button. The primary button (!) is this construct in the middle that looks like a text input.
Thanks Alex Shoykhet for the picture
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Interesting that the biggest, most contrast button on this page is not the primary button. The primary button (!) is this construct in the middle that looks like a text input.
Thanks Alex Shoykhet for the picture
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Interesting that the biggest, most contrast button on this page is not the primary button. The primary button (!) is this construct in the middle that looks like a text input.
Thanks Alex Shoykhet for the picture
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Interesting that the biggest, most contrast button on this page is not the primary button. The primary button (!) is this construct in the middle that looks like a text input.
Thanks Alex Shoykhet for the picture
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I was inspired to write about affordances this afternoon.
🐵 https://brywillis634737.substack.com/p/what-gibson-meant-by-an-affordance
Water to a non-swimmer doesn’t afford swimming any more than a tree affords climbing for a fish – and yet does for a chimp.
#philosophy #psychology #cognition #science #affordance #Gibson #environment #salience #attention #blog #substack #podcast
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I was inspired to write about affordances this afternoon.
🐵 https://brywillis634737.substack.com/p/what-gibson-meant-by-an-affordance
Water to a non-swimmer doesn’t afford swimming any more than a tree affords climbing for a fish – and yet does for a chimp.
#philosophy #psychology #cognition #science #affordance #Gibson #environment #salience #attention #blog #substack #podcast
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I was inspired to write about affordances this afternoon.
🐵 https://brywillis634737.substack.com/p/what-gibson-meant-by-an-affordance
Water to a non-swimmer doesn’t afford swimming any more than a tree affords climbing for a fish – and yet does for a chimp.
#philosophy #psychology #cognition #science #affordance #Gibson #environment #salience #attention #blog #substack #podcast
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I was inspired to write about affordances this afternoon.
🐵 https://brywillis634737.substack.com/p/what-gibson-meant-by-an-affordance
Water to a non-swimmer doesn’t afford swimming any more than a tree affords climbing for a fish – and yet does for a chimp.
#philosophy #psychology #cognition #science #affordance #Gibson #environment #salience #attention #blog #substack #podcast
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I was inspired to write about affordances this afternoon.
🐵 https://brywillis634737.substack.com/p/what-gibson-meant-by-an-affordance
Water to a non-swimmer doesn’t afford swimming any more than a tree affords climbing for a fish – and yet does for a chimp.
#philosophy #psychology #cognition #science #affordance #Gibson #environment #salience #attention #blog #substack #podcast
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Архитектура продолжений: как в цифровой среде одни ходы становятся легче других
Интерфейс можно описывать не только через доступные действия, но и через продолжения, которые он делает более лёгкими. В статье предлагается рамка “архитектуры продолжений”: как после действия один следующий ход становится естественным, а другие остаются возможными, но требуют отдельного усилия. Следующий ход
https://habr.com/ru/articles/1057146/
#интерфейсы #UX #usability #цифровая_среда #архитектура_продолжений #следующий_ход #внимание #choice_architecture #affordance #цифровая_грамотность
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Архитектура продолжений: как в цифровой среде одни ходы становятся легче других
Интерфейс можно описывать не только через доступные действия, но и через продолжения, которые он делает более лёгкими. В статье предлагается рамка “архитектуры продолжений”: как после действия один следующий ход становится естественным, а другие остаются возможными, но требуют отдельного усилия. Следующий ход
https://habr.com/ru/articles/1057146/
#интерфейсы #UX #usability #цифровая_среда #архитектура_продолжений #следующий_ход #внимание #choice_architecture #affordance #цифровая_грамотность
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Архитектура продолжений: как в цифровой среде одни ходы становятся легче других
Интерфейс можно описывать не только через доступные действия, но и через продолжения, которые он делает более лёгкими. В статье предлагается рамка “архитектуры продолжений”: как после действия один следующий ход становится естественным, а другие остаются возможными, но требуют отдельного усилия. Следующий ход
https://habr.com/ru/articles/1057146/
#интерфейсы #UX #usability #цифровая_среда #архитектура_продолжений #следующий_ход #внимание #choice_architecture #affordance #цифровая_грамотность
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What do attention, affordance, salience, and valence have to do with meaning, and what is the architecture of encounter?
https://www.youtube.com/watch?v=NHOmNX3MVrk#philosophy #philosophics #attention #psychology #salience #valence #affordance #language #ontology #video #meaning #writing #books #nature #environment #mediation
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What do attention, affordance, salience, and valence have to do with meaning, and what is the architecture of encounter?
https://www.youtube.com/watch?v=NHOmNX3MVrk#philosophy #philosophics #attention #psychology #salience #valence #affordance #language #ontology #video #meaning #writing #books #nature #environment #mediation
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What do attention, affordance, salience, and valence have to do with meaning, and what is the architecture of encounter?
https://www.youtube.com/watch?v=NHOmNX3MVrk#philosophy #philosophics #attention #psychology #salience #valence #affordance #language #ontology #video #meaning #writing #books #nature #environment #mediation
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What do attention, affordance, salience, and valence have to do with meaning, and what is the architecture of encounter?
https://www.youtube.com/watch?v=NHOmNX3MVrk#philosophy #philosophics #attention #psychology #salience #valence #affordance #language #ontology #video #meaning #writing #books #nature #environment #mediation
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What do attention, affordance, salience, and valence have to do with meaning, and what is the architecture of encounter?
https://www.youtube.com/watch?v=NHOmNX3MVrk#philosophy #philosophics #attention #psychology #salience #valence #affordance #language #ontology #video #meaning #writing #books #nature #environment #mediation
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In support of my new book, I'm building a glossary.
This segment is brought to you by the number 42 and…
#Affordance #Salience #Valence #book #video #philosophy #psychology #encounter #mediation #language #ontology #promotion #Elmo #meow #monograph
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In support of my new book, I'm building a glossary.
This segment is brought to you by the number 42 and…
#Affordance #Salience #Valence #book #video #philosophy #psychology #encounter #mediation #language #ontology #promotion #Elmo #meow #monograph
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In support of my new book, I'm building a glossary.
This segment is brought to you by the number 42 and…
#Affordance #Salience #Valence #book #video #philosophy #psychology #encounter #mediation #language #ontology #promotion #Elmo #meow #monograph
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In support of my new book, I'm building a glossary.
This segment is brought to you by the number 42 and…
#Affordance #Salience #Valence #book #video #philosophy #psychology #encounter #mediation #language #ontology #promotion #Elmo #meow #monograph
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In support of my new book, I'm building a glossary.
This segment is brought to you by the number 42 and…
#Affordance #Salience #Valence #book #video #philosophy #psychology #encounter #mediation #language #ontology #promotion #Elmo #meow #monograph
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Affordances are forgotten. Any control can look like any other control.
1 — button
2 — button
3 — text input 🤯How are you supposed to tell?
Thanks @ilyabirman for the picture.
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Affordances are forgotten. Any control can look like any other control.
1 — button
2 — button
3 — text input 🤯How are you supposed to tell?
Thanks @ilyabirman for the picture.
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Affordances are forgotten. Any control can look like any other control.
1 — button
2 — button
3 — text input 🤯How are you supposed to tell?
Thanks @ilyabirman for the picture.
-
Affordances are forgotten. Any control can look like any other control.
1 — button
2 — button
3 — text input 🤯How are you supposed to tell?
Thanks @ilyabirman for the picture.
-
Affordances are forgotten. Any control can look like any other control.
1 — button
2 — button
3 — text input 🤯How are you supposed to tell?
Thanks @ilyabirman for the picture.
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Visible controls? Only cowards need visible controls. Real guys just edit text in a vacuum
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Visible controls? Only cowards need visible controls. Real guys just edit text in a vacuum
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Visible controls? Only cowards need visible controls. Real guys just edit text in a vacuum
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Visible controls? Only cowards need visible controls. Real guys just edit text in a vacuum
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Visible controls? Only cowards need visible controls. Real guys just edit text in a vacuum
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... executes it very well. It works for you, without trying to be clever or sophisticated. Also, it follows system conventions, which also helps you, the user.
I’m not sure whom the bottom interface helps. It’s a puzzle, an art object, but it doesn’t work for you. It’s not here to make your life easier.
Bottom image source: https://x.com/phantomofearth/status/1996660509027062148
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... executes it very well. It works for you, without trying to be clever or sophisticated. Also, it follows system conventions, which also helps you, the user.
I’m not sure whom the bottom interface helps. It’s a puzzle, an art object, but it doesn’t work for you. It’s not here to make your life easier.
Bottom image source: https://x.com/phantomofearth/status/1996660509027062148
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... executes it very well. It works for you, without trying to be clever or sophisticated. Also, it follows system conventions, which also helps you, the user.
I’m not sure whom the bottom interface helps. It’s a puzzle, an art object, but it doesn’t work for you. It’s not here to make your life easier.
Bottom image source: https://x.com/phantomofearth/status/1996660509027062148
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... executes it very well. It works for you, without trying to be clever or sophisticated. Also, it follows system conventions, which also helps you, the user.
I’m not sure whom the bottom interface helps. It’s a puzzle, an art object, but it doesn’t work for you. It’s not here to make your life easier.
Bottom image source: https://x.com/phantomofearth/status/1996660509027062148
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... executes it very well. It works for you, without trying to be clever or sophisticated. Also, it follows system conventions, which also helps you, the user.
I’m not sure whom the bottom interface helps. It’s a puzzle, an art object, but it doesn’t work for you. It’s not here to make your life easier.
Bottom image source: https://x.com/phantomofearth/status/1996660509027062148
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What kind of control is this? Radio group? Buttons? Links?
Minimalism went too far.
Thanks @komarovman for the picture
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What kind of control is this? Radio group? Buttons? Links?
Minimalism went too far.
Thanks @komarovman for the picture
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What kind of control is this? Radio group? Buttons? Links?
Minimalism went too far.
Thanks @komarovman for the picture
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What kind of control is this? Radio group? Buttons? Links?
Minimalism went too far.
Thanks @komarovman for the picture
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What kind of control is this? Radio group? Buttons? Links?
Minimalism went too far.
Thanks @komarovman for the picture
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How do you tell a button from a text input?
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How do you tell a button from a text input?
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How do you tell a button from a text input?
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How do you tell a button from a text input?
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How do you tell a button from a text input?
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Do you think, too, that disclosure widgets (`details` element) need stronger signaling they’re clickable?
Adding `summary { cursor: pointer; }` already makes for better affordance, but I wonder, would there be interest (and what’s the path) to include this in user agent styles?
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Do you think, too, that disclosure widgets (`details` element) need stronger signaling they’re clickable?
Adding `summary { cursor: pointer; }` already makes for better affordance, but I wonder, would there be interest (and what’s the path) to include this in user agent styles?
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Do you think, too, that disclosure widgets (`details` element) need stronger signaling they’re clickable?
Adding `summary { cursor: pointer; }` already makes for better affordance, but I wonder, would there be interest (and what’s the path) to include this in user agent styles?
-
Do you think, too, that disclosure widgets (`details` element) need stronger signaling they’re clickable?
Adding `summary { cursor: pointer; }` already makes for better affordance, but I wonder, would there be interest (and what’s the path) to include this in user agent styles?
-
Do you think, too, that disclosure widgets (`details` element) need stronger signaling they’re clickable?
Adding `summary { cursor: pointer; }` already makes for better affordance, but I wonder, would there be interest (and what’s the path) to include this in user agent styles?
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📖 Liliana Coutinho and Sílvia Pinto Coelho edited the thematic issue of the Journal of Science and Technology of the Arts, under the title "On Techno-Aesthetics and Performance: Movement, Dance, Cinema and Everyday Life".
🔓 Available on #OpenAccess: https://revistas.ucp.pt/index.php/jsta/issue/view/971
#Histodons #Aesthetics #Performance #Dance #Cinema #Affordance #TechnoAesthetics #Estética #Dança #Simondon #Tecnoestética #Arts #Artes
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📖 Liliana Coutinho and Sílvia Pinto Coelho edited the thematic issue of the Journal of Science and Technology of the Arts, under the title "On Techno-Aesthetics and Performance: Movement, Dance, Cinema and Everyday Life".
🔓 Available on #OpenAccess: https://revistas.ucp.pt/index.php/jsta/issue/view/971
#Histodons #Aesthetics #Performance #Dance #Cinema #Affordance #TechnoAesthetics #Estética #Dança #Simondon #Tecnoestética #Arts #Artes
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📖 Liliana Coutinho and Sílvia Pinto Coelho edited the thematic issue of the Journal of Science and Technology of the Arts, under the title "On Techno-Aesthetics and Performance: Movement, Dance, Cinema and Everyday Life".
🔓 Available on #OpenAccess: https://revistas.ucp.pt/index.php/jsta/issue/view/971
#Histodons #Aesthetics #Performance #Dance #Cinema #Affordance #TechnoAesthetics #Estética #Dança #Simondon #Tecnoestética #Arts #Artes
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📖 Liliana Coutinho and Sílvia Pinto Coelho edited the thematic issue of the Journal of Science and Technology of the Arts, under the title "On Techno-Aesthetics and Performance: Movement, Dance, Cinema and Everyday Life".
🔓 Available on #OpenAccess: https://revistas.ucp.pt/index.php/jsta/issue/view/971
#Histodons #Aesthetics #Performance #Dance #Cinema #Affordance #TechnoAesthetics #Estética #Dança #Simondon #Tecnoestética #Arts #Artes
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📖 Liliana Coutinho and Sílvia Pinto Coelho edited the thematic issue of the Journal of Science and Technology of the Arts, under the title "On Techno-Aesthetics and Performance: Movement, Dance, Cinema and Everyday Life".
🔓 Available on #OpenAccess: https://revistas.ucp.pt/index.php/jsta/issue/view/971
#Histodons #Aesthetics #Performance #Dance #Cinema #Affordance #TechnoAesthetics #Estética #Dança #Simondon #Tecnoestética #Arts #Artes
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Left: text field, right: button. Obviously
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Left: text field, right: button. Obviously