#acheron — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #acheron, aggregated by home.social.
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ACHERON (Austràlia) presenta nou recopilatori: "Deprived of Afterlife" #Acheron #DeathMetal #Juliol2026 #Austràlia #NouRecopilatori #Metall #Metal #MúsicaMetal #MetalMusic
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Black Swan/Acheron #HonkaiStarRail #hsr #blackswan #acheron
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A dybbuk box is like the black box in an airplane it can hold a soul... they keep the boxes at military airbases. #demmink #dybbuk #epstein #blackcube #acheron
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ICYMI: Ambition and Complexity in Acheron Grim Punk Tabletop RPG https://popgeeks.com/dark-world-studios-acheron-ttrpg-review/?utm_source=dlvr.it&utm_medium=mastodon #TabletopRPG #GrimPunk #CosmicHorror #Acheron #RolePlayingGames
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ICYMI: An Overview of the Horror-infused Acheron TTRPG Core Rulebook https://popgeeks.com/acheron-ttrpg-core-rulebook-overview/?utm_source=dlvr.it&utm_medium=mastodon #TTRPG #Acheron #DarkWorldStudios #TabletopGames #HorrorRPG
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ICYMI: An Overview of the Horror-infused Acheron TTRPG Core Rulebook https://popgeeks.com/acheron-ttrpg-core-rulebook-overview/?utm_source=dlvr.it&utm_medium=mastodon #TTRPG #Acheron #DarkWorldStudios #TabletopGames #HorrorRPG
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ICYMI: An Overview of the Horror-infused Acheron TTRPG Core Rulebook https://popgeeks.com/acheron-ttrpg-core-rulebook-overview/?utm_source=dlvr.it&utm_medium=mastodon #TTRPG #Acheron #DarkWorldStudios #TabletopGames #HorrorRPG
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Der Fluss der Seelen. Ihr wisst schon, die Sache mit dem Fährmann und der Silbermünze unter der Zunge…. #camping #vanlife #griechenland #acheron
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Ok, so I know this is a long shot, but like... Do I happen to know someone who might know someone with a working knowledge of WebMidi? anyone? Probably not, but I have to give it a shot... I could really use some assistance with a new Acheron feature I'm trying to implement... #midi #WebMidi #acheron #Node #electron
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also made a new album with it! https://hellvalleyskytrees.bandcamp.com/album/voidscapes-vol-16 #ambient #midi #acheron
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I made a tutorial video for my favorite freakish midi sequencer! https://youtu.be/We5PVgwhN7g #midi #acheron #ambient
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currently setting up my #opensuse tumbleweed! I’ve been on #ubuntu for some time now and was curious for a #kde environment. Still very WIP but I love the customisation options!
I wanted to go with a magical girl theme but my eyes couldn’t handle the pastel on white so here we go: #acheron #honkaistarrail is our theme for today.
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currently setting up my #opensuse tumbleweed! I’ve been on #ubuntu for some time now and was curious for a #kde environment. Still very WIP but I love the customisation options!
I wanted to go with a magical girl theme but my eyes couldn’t handle the pastel on white so here we go: #acheron #honkaistarrail is our theme for today.
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Sathanas – Into the Nocturne Review
By Mark Z.
They always said consistency and hard work pay off. I’m starting to think they fucking lied. Pennsylvania quartet Sathanas have been peddling their witch’s brew of black, death, and thrash metal since 1988, yet the poor saps still have less than 1,000 monthly listeners on Spotify at the time of this review. That’s not for lack of trying, either. Over the years the group have released eleven full-length albums, along with a shitload of splits and even a few EPs. After listening to their back catalog, I’ve started to think that the group’s unwavering devotion to the old school makes them their own biggest enemy. Since their formation, the band have been practically militant in their refusal to progress beyond crunchy mid-paced songs that sound a bit like Hellhammer with whiffs of 90s black and death metal mixed in. Other than improvements in production, there is virtually no development throughout their discography, let alone many hooks or standout riffs. A lack of highlights was certainly my main gripe when I reviewed the band’s tenth album Necrohymns in 2018, but has the group finally upped their game with their twelfth record Into the Nocturne?
Opener “Beyond the Witch” certainly offers something slightly different. While the band’s typical primitive riffs and mid-paced rhythms are still here in full force, the track also features frosty chords that carry a more prominent than usual influence from 90s black metal. “Raise the Chalice” kicks off the record’s second half in similar fashion, with chilly and reflective progressions that are augmented by a catchy half-time thrash break and anthemic snarls of the track title. A slightly different strain of black metal appears on “There Will Be Demons,” with the song marching forward on stomping riffs that sound like a devolution of Bathory’s Hammerheart era. The vocals, which are presumably once again performed by guitarist Paul Tucker, consist of a biting and evil rasp that perfectly captures the wicked spirit of these songs.
Sadly, other than the aforementioned tracks, Into the Nocturne is largely business as usual for Sathanas. As before, many of these songs simply coast along on languid riffs that sound like transitional moments between better ideas that never actually come. “Reaperlord,” for example, is full of stock progressions that haven’t excited anyone since 1985, and the song’s shouts of the track title are hardly enough to redeem it. Much of the album also becomes monotonous, with many of these tracks featuring overly similar vocal patterns, riffs, and tempos.
While some attempts at diversity work, often they don’t go far enough. On songs like “To Bring the Sabbat,” drummer James Strauss (ex-Acheron) throws in a few brief blast beats, but doing so adds little energy to the proceedings and instead just feels like a halfhearted attempt to add variety. Closer “Where Death and Darkness Entwine” is more successful in this regard, with its peppier beats offering a sense of urgency and inspiration that’s lacking elsewhere. The album’s production also works well, with a sharp guitar tone, a clear overall sound, and a wide dynamic range that gives everything plenty of space. And, with the album moving through its ten tracks in just 33 minutes, neither any song nor the record as a whole feels too long.
This is exactly the kind of review I hate to write. Sathanas seem like a devoted bunch of dudes, and I can’t imagine they’re playing this music for any reason other than their love of it. They’re also competent musicians, and Paul’s raspy voice sounds more venomous and evil than many of his peers. Unfortunately, I just don’t find myself particularly excited about this record. If I want to experience this type of primitive extreme metal, I’d much rather listen to Gravewürm, who have a similar style but with far more catchy material in their spellbook. Though Sathanas have certainly put in the work over the years, it seems their steadfast devotion to a very specific sound has become their undoing. Into the Nocturne is, unfortunately, simply the latest example of this. Thus, despite a few decent moments, this album is ultimately not something I can heartily recommend.
Rating: 2.0/5.0
DR: 10 | Format Reviewed: 192 kbps mp3
Label: Moribund Records
Websites: sathanas666.bandcamp.com | facebook.com/sathanasmetal
Releases Worldwide: September 27th, 2024#20 #2024 #Acheron #AmericanMetal #Bathory #BlackMetal #DeathMetal #Gravewürm #Hellhammer #IntoTheNocturne #MoribundRecords #Review #Reviews #Sathanas #Sep24 #ThrashMetal
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Sathanas – Into the Nocturne Review
By Mark Z.
They always said consistency and hard work pay off. I’m starting to think they fucking lied. Pennsylvania quartet Sathanas have been peddling their witch’s brew of black, death, and thrash metal since 1988, yet the poor saps still have less than 1,000 monthly listeners on Spotify at the time of this review. That’s not for lack of trying, either. Over the years the group have released eleven full-length albums, along with a shitload of splits and even a few EPs. After listening to their back catalog, I’ve started to think that the group’s unwavering devotion to the old school makes them their own biggest enemy. Since their formation, the band have been practically militant in their refusal to progress beyond crunchy mid-paced songs that sound a bit like Hellhammer with whiffs of 90s black and death metal mixed in. Other than improvements in production, there is virtually no development throughout their discography, let alone many hooks or standout riffs. A lack of highlights was certainly my main gripe when I reviewed the band’s tenth album Necrohymns in 2018, but has the group finally upped their game with their twelfth record Into the Nocturne?
Opener “Beyond the Witch” certainly offers something slightly different. While the band’s typical primitive riffs and mid-paced rhythms are still here in full force, the track also features frosty chords that carry a more prominent than usual influence from 90s black metal. “Raise the Chalice” kicks off the record’s second half in similar fashion, with chilly and reflective progressions that are augmented by a catchy half-time thrash break and anthemic snarls of the track title. A slightly different strain of black metal appears on “There Will Be Demons,” with the song marching forward on stomping riffs that sound like a devolution of Bathory’s Hammerheart era. The vocals, which are presumably once again performed by guitarist Paul Tucker, consist of a biting and evil rasp that perfectly captures the wicked spirit of these songs.
Sadly, other than the aforementioned tracks, Into the Nocturne is largely business as usual for Sathanas. As before, many of these songs simply coast along on languid riffs that sound like transitional moments between better ideas that never actually come. “Reaperlord,” for example, is full of stock progressions that haven’t excited anyone since 1985, and the song’s shouts of the track title are hardly enough to redeem it. Much of the album also becomes monotonous, with many of these tracks featuring overly similar vocal patterns, riffs, and tempos.
While some attempts at diversity work, often they don’t go far enough. On songs like “To Bring the Sabbat,” drummer James Strauss (ex-Acheron) throws in a few brief blast beats, but doing so adds little energy to the proceedings and instead just feels like a halfhearted attempt to add variety. Closer “Where Death and Darkness Entwine” is more successful in this regard, with its peppier beats offering a sense of urgency and inspiration that’s lacking elsewhere. The album’s production also works well, with a sharp guitar tone, a clear overall sound, and a wide dynamic range that gives everything plenty of space. And, with the album moving through its ten tracks in just 33 minutes, neither any song nor the record as a whole feels too long.
This is exactly the kind of review I hate to write. Sathanas seem like a devoted bunch of dudes, and I can’t imagine they’re playing this music for any reason other than their love of it. They’re also competent musicians, and Paul’s raspy voice sounds more venomous and evil than many of his peers. Unfortunately, I just don’t find myself particularly excited about this record. If I want to experience this type of primitive extreme metal, I’d much rather listen to Gravewürm, who have a similar style but with far more catchy material in their spellbook. Though Sathanas have certainly put in the work over the years, it seems their steadfast devotion to a very specific sound has become their undoing. Into the Nocturne is, unfortunately, simply the latest example of this. Thus, despite a few decent moments, this album is ultimately not something I can heartily recommend.
Rating: 2.0/5.0
DR: 10 | Format Reviewed: 192 kbps mp3
Label: Moribund Records
Websites: sathanas666.bandcamp.com | facebook.com/sathanasmetal
Releases Worldwide: September 27th, 2024#20 #2024 #Acheron #AmericanMetal #Bathory #BlackMetal #DeathMetal #Gravewürm #Hellhammer #IntoTheNocturne #MoribundRecords #Review #Reviews #Sathanas #Sep24 #ThrashMetal
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Sathanas – Into the Nocturne Review
By Mark Z.
They always said consistency and hard work pay off. I’m starting to think they fucking lied. Pennsylvania quartet Sathanas have been peddling their witch’s brew of black, death, and thrash metal since 1988, yet the poor saps still have less than 1,000 monthly listeners on Spotify at the time of this review. That’s not for lack of trying, either. Over the years the group have released eleven full-length albums, along with a shitload of splits and even a few EPs. After listening to their back catalog, I’ve started to think that the group’s unwavering devotion to the old school makes them their own biggest enemy. Since their formation, the band have been practically militant in their refusal to progress beyond crunchy mid-paced songs that sound a bit like Hellhammer with whiffs of 90s black and death metal mixed in. Other than improvements in production, there is virtually no development throughout their discography, let alone many hooks or standout riffs. A lack of highlights was certainly my main gripe when I reviewed the band’s tenth album Necrohymns in 2018, but has the group finally upped their game with their twelfth record Into the Nocturne?
Opener “Beyond the Witch” certainly offers something slightly different. While the band’s typical primitive riffs and mid-paced rhythms are still here in full force, the track also features frosty chords that carry a more prominent than usual influence from 90s black metal. “Raise the Chalice” kicks off the record’s second half in similar fashion, with chilly and reflective progressions that are augmented by a catchy half-time thrash break and anthemic snarls of the track title. A slightly different strain of black metal appears on “There Will Be Demons,” with the song marching forward on stomping riffs that sound like a devolution of Bathory’s Hammerheart era. The vocals, which are presumably once again performed by guitarist Paul Tucker, consist of a biting and evil rasp that perfectly captures the wicked spirit of these songs.
Sadly, other than the aforementioned tracks, Into the Nocturne is largely business as usual for Sathanas. As before, many of these songs simply coast along on languid riffs that sound like transitional moments between better ideas that never actually come. “Reaperlord,” for example, is full of stock progressions that haven’t excited anyone since 1985, and the song’s shouts of the track title are hardly enough to redeem it. Much of the album also becomes monotonous, with many of these tracks featuring overly similar vocal patterns, riffs, and tempos.
While some attempts at diversity work, often they don’t go far enough. On songs like “To Bring the Sabbat,” drummer James Strauss (ex-Acheron) throws in a few brief blast beats, but doing so adds little energy to the proceedings and instead just feels like a halfhearted attempt to add variety. Closer “Where Death and Darkness Entwine” is more successful in this regard, with its peppier beats offering a sense of urgency and inspiration that’s lacking elsewhere. The album’s production also works well, with a sharp guitar tone, a clear overall sound, and a wide dynamic range that gives everything plenty of space. And, with the album moving through its ten tracks in just 33 minutes, neither any song nor the record as a whole feels too long.
This is exactly the kind of review I hate to write. Sathanas seem like a devoted bunch of dudes, and I can’t imagine they’re playing this music for any reason other than their love of it. They’re also competent musicians, and Paul’s raspy voice sounds more venomous and evil than many of his peers. Unfortunately, I just don’t find myself particularly excited about this record. If I want to experience this type of primitive extreme metal, I’d much rather listen to Gravewürm, who have a similar style but with far more catchy material in their spellbook. Though Sathanas have certainly put in the work over the years, it seems their steadfast devotion to a very specific sound has become their undoing. Into the Nocturne is, unfortunately, simply the latest example of this. Thus, despite a few decent moments, this album is ultimately not something I can heartily recommend.
Rating: 2.0/5.0
DR: 10 | Format Reviewed: 192 kbps mp3
Label: Moribund Records
Websites: sathanas666.bandcamp.com | facebook.com/sathanasmetal
Releases Worldwide: September 27th, 2024#20 #2024 #Acheron #AmericanMetal #Bathory #BlackMetal #DeathMetal #Gravewürm #Hellhammer #IntoTheNocturne #MoribundRecords #Review #Reviews #Sathanas #Sep24 #ThrashMetal
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finished acheron!!!! im not giving this a background im tired lol
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finished acheron!!!! im not giving this a background im tired lol
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CW: Spoilers Honkai Star Rail
Lo de este juego me está volando la cabeza con el despliegue de lore y narrativa. Ahora bien, lo que se fuman los guionistas harían sonrojar hasta el mismísimo Kojima.
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Hellish update sneak peak 👀
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Office lady Acheron
#pixiv今日のお題 #PixivDaily #AIart #AIイラスト #ネクタイ #necktie #StableDiffusion #aiartcommunity #AI #黄泉 #Acheron #HonkaiStarRail #R18 #NSFW
If you like my AI-generated art, follow me on pixiv, deviantart and twitter for more
私のAIアートが気に入ったら、pixiv、deviantart、twitterでフォローしてほしい。 -
some of my ambient acheron stuff, released exactly two years ago today! #music #ambient #generativemusic #midi #acheron #musodon https://hellvalleyskytrees.bandcamp.com/album/voidscapes-vol-6
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Ramper Design anuncia Acheron’s Fall, un nuevo juego de mesa de batallas espaciales basado en el universo Infinity
#Juegosdemesa #Noticias #Acheron’sFall #CorvusBelli #Infinity #juegodemesa #RamperDesign
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For this week's #SwampSunday I'm telling you about the river #Acheron, a real river in #Greece as well as one of the rivers of the #ancientGreek Underworld. In #GreekMythology the Acheron marks the threshold to the #Underworld. The souls of the dead must wait on its shore to be ferried across by #Charon for the fee of one obol, a coin of low monetary value that was placed under the tongue at a proper burial. Without the fee, they have to wait on the shore for 100 years or even forever.
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For this week's #SwampSunday I'm telling you about the river #Acheron, a real river in #Greece as well as one of the rivers of the #ancientGreek Underworld. In #GreekMythology the Acheron marks the threshold to the #Underworld. The souls of the dead must wait on its shore to be ferried across by #Charon for the fee of one obol, a coin of low monetary value that was placed under the tongue at a proper burial. Without the fee, they have to wait on the shore for 100 years or even forever.
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Across the Black Spur to the #Acheron valley under Cathedral Mountain - granted to the first peoples by #CharlesGavanDuffy in 1859 - grabbed back by colonial ‘squatters’ within a year, forcing the people off good land with sacred associations
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#Acheron Games, #StudioAgate und der #Uhrwerk Verlag gründen die European RPG Studios Union (#RPGESU): https://www.uhrwerk-verlag.de/die-european-rpg-studios-union/
"Die erste Aktion der RPG ESU ist die volle Unterstützung der #OpenDnD-Bewegung. Wir sind bereit, mit den Akteuren dieser Bewegung zusammenzuarbeiten, um Rollenspiele offener und zugänglicher zu machen, sowohl für die Öffentlichkeit als auch für die Ersteller von Inhalten"
