#acebooks — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #acebooks, aggregated by home.social.
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FOUR DAY PLANET (1978)
Acrylic on Masonite - 30" x 20"With science fiction covers, I’m more interested in having a painting be about the figures in the composition, so the technology almost always takes a back seat to whatever else is going on. 1/3
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FOUR DAY PLANET (1978)
Acrylic on Masonite - 30" x 20"With science fiction covers, I’m more interested in having a painting be about the figures in the composition, so the technology almost always takes a back seat to whatever else is going on. 1/3
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FOUR DAY PLANET (1978)
Acrylic on Masonite - 30" x 20"With science fiction covers, I’m more interested in having a painting be about the figures in the composition, so the technology almost always takes a back seat to whatever else is going on. 1/3
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FOUR DAY PLANET (1978)
Acrylic on Masonite - 30" x 20"With science fiction covers, I’m more interested in having a painting be about the figures in the composition, so the technology almost always takes a back seat to whatever else is going on. 1/3
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Titelbild von John Schoenherr für
"Time And Again" von Clifford D. Simak
Ace Books 81000, (not dated)
(AmeS) -
Titelbild von John Schoenherr für
"Time And Again" von Clifford D. Simak
Ace Books 81000, (not dated)
(AmeS) -
Titelbild von Robert E. Schulz für
"Ring Around the Sun" von Clifford D. Simak
Ace Books D-339, 1959
(AmeS) -
Titelbild von Robert E. Schulz für
"Ring Around the Sun" von Clifford D. Simak
Ace Books D-339, 1959
(AmeS) -
THE NIGHT FACE (1977)
Acrylic on Illustration BoardEarly in my career, Ace commissioned me to reimagine covers for reissued novels by Poul Anderson, including a book previously titled LET THE SPACEMEN BEWARE! 1/3
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THE NIGHT FACE (1977)
Acrylic on Illustration BoardEarly in my career, Ace commissioned me to reimagine covers for reissued novels by Poul Anderson, including a book previously titled LET THE SPACEMEN BEWARE! 1/3
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THE NIGHT FACE (1977)
Acrylic on Illustration BoardEarly in my career, Ace commissioned me to reimagine covers for reissued novels by Poul Anderson, including a book previously titled LET THE SPACEMEN BEWARE! 1/3
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THE NIGHT FACE (1977)
Acrylic on Illustration BoardEarly in my career, Ace commissioned me to reimagine covers for reissued novels by Poul Anderson, including a book previously titled LET THE SPACEMEN BEWARE! 1/3
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FUZZY FEDERATION (1979)
AcrylicA decade after his death, Ace acquired rights to H. Beam Piper’s catalogue and began republishing classic paperbacks originally released years earlier. 1/3
#sciencefiction #illustration #hbeampiper #acebooks #fuzzies
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FUZZY FEDERATION (1979)
AcrylicA decade after his death, Ace acquired rights to H. Beam Piper’s catalogue and began republishing classic paperbacks originally released years earlier. 1/3
#sciencefiction #illustration #hbeampiper #acebooks #fuzzies
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FUZZY FEDERATION (1979)
AcrylicA decade after his death, Ace acquired rights to H. Beam Piper’s catalogue and began republishing classic paperbacks originally released years earlier. 1/3
#sciencefiction #illustration #hbeampiper #acebooks #fuzzies
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FUZZY FEDERATION (1979)
AcrylicA decade after his death, Ace acquired rights to H. Beam Piper’s catalogue and began republishing classic paperbacks originally released years earlier. 1/3
#sciencefiction #illustration #hbeampiper #acebooks #fuzzies
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Titelbild von Jack Gaughan für
"Soft Come the Dragons" von Dean R. Koontz
Ace Books 13793, November 1970
(AmeS) -
Titelbild von Jack Gaughan für
"Soft Come the Dragons" von Dean R. Koontz
Ace Books 13793, November 1970
(AmeS) -
Titelbild von Jeff Jones für
"Dark of the Woods" von Dean R. Koontz
Ace Books 13793, November 1970
(AmeS) -
Titelbild von Jeff Jones für
"Dark of the Woods" von Dean R. Koontz
Ace Books 13793, November 1970
(AmeS) -
FUZZY FIRE (1983)
Acrylic on watercolor board - 25" x 31"I never heard the rumors of a missing H. Beam Piper manuscript, which ended up being this story. I was doing all sorts of covers for DAW as well. I took each commission in turn as a separate project, and didn’t know that there were going to be as many Fuzzy books as there turned out to be. 1/6
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FUZZY FIRE (1983)
Acrylic on watercolor board - 25" x 31"I never heard the rumors of a missing H. Beam Piper manuscript, which ended up being this story. I was doing all sorts of covers for DAW as well. I took each commission in turn as a separate project, and didn’t know that there were going to be as many Fuzzy books as there turned out to be. 1/6
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FUZZY FIRE (1983)
Acrylic on watercolor board - 25" x 31"I never heard the rumors of a missing H. Beam Piper manuscript, which ended up being this story. I was doing all sorts of covers for DAW as well. I took each commission in turn as a separate project, and didn’t know that there were going to be as many Fuzzy books as there turned out to be. 1/6
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FUZZY FIRE (1983)
Acrylic on watercolor board - 25" x 31"I never heard the rumors of a missing H. Beam Piper manuscript, which ended up being this story. I was doing all sorts of covers for DAW as well. I took each commission in turn as a separate project, and didn’t know that there were going to be as many Fuzzy books as there turned out to be. 1/6
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Titelbild von Gray Morrow für
"The Planet of the Double Sun" von Neil R. Jones
Ace Books F-420, 1967
(AmeS) -
Titelbild von Gray Morrow für
"The Planet of the Double Sun" von Neil R. Jones
Ace Books F-420, 1967
(AmeS) -
Titelbild von Ed Valigursky für
"A Touch of Infinity" von Harlan Ellison
Ace Books D-413, 1960
(AmeS) -
Titelbild von Ed Valigursky für
"A Touch of Infinity" von Harlan Ellison
Ace Books D-413, 1960
(AmeS) -
Titelbild von Ed Emshwiller für
"The Man With Nine Lives" von Harlan Ellison
Ace Books D-413, 1960
(AmeS)#sciencefiction #AceBooks #HarlanEllison #EdEmshwiller #Emsh
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Titelbild von Ed Emshwiller für
"The Man With Nine Lives" von Harlan Ellison
Ace Books D-413, 1960
(AmeS)#sciencefiction #AceBooks #HarlanEllison #EdEmshwiller #Emsh
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TIME AND AGAIN (1975)
Acrylic on Illustration Board - 22” x 18”A great story, too complex to represent faithfully in a single narrative illustration. 1/3
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TIME AND AGAIN (1975)
Acrylic on Illustration Board - 22” x 18”A great story, too complex to represent faithfully in a single narrative illustration. 1/3
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TIME AND AGAIN (1975)
Acrylic on Illustration Board - 22” x 18”A great story, too complex to represent faithfully in a single narrative illustration. 1/3
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TIME AND AGAIN (1975)
Acrylic on Illustration Board - 22” x 18”A great story, too complex to represent faithfully in a single narrative illustration. 1/3
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Titelbild von Frank Frazetta für
"Warrior of Llarn" von Gardner F. Fox
Ace Books F-307, 1964
(AmeS)#sciencefiction #fantasy #AceBooks #GardnerFFox #FrankFrazetta
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Titelbild von Frank Frazetta für
"Warrior of Llarn" von Gardner F. Fox
Ace Books F-307, 1964
(AmeS)#sciencefiction #fantasy #AceBooks #GardnerFFox #FrankFrazetta
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Titelbild von Jerome Podwil für
"The Water of Thought" von Fred Saberhagen
Ace Books M-127, 1965
(AmeS) -
Titelbild von Jerome Podwil für
"The Water of Thought" von Fred Saberhagen
Ace Books M-127, 1965
(AmeS) -
Titelbild von Basil Gogos für
"Sanctuary in the Sky" von John Brunner
Ace Books D-471 November 1960
(AmeS) -
Titelbild von Basil Gogos für
"Sanctuary in the Sky" von John Brunner
Ace Books D-471 November 1960
(AmeS) -
Titelbild von Ed Valigursky für
"The Secret Martians" von Jack Sharkey
Ace Books D-471 November 1960
(AmeS) -
Titelbild von Ed Valigursky für
"The Secret Martians" von Jack Sharkey
Ace Books D-471 November 1960
(AmeS) -
Titelbild von Jack Gaughan für
"The Duplicators" von Murray Leinster
Ace Books D-275 1964
(AmeS) -
Titelbild von Jack Gaughan für
"The Duplicators" von Murray Leinster
Ace Books D-275 1964
(AmeS) -
Titelbild von Ed Emshwiller für
"No Truce With Terra" von Philip E. High
Ace Books D-275 1964
(AmeS) -
Titelbild von Ed Emshwiller für
"No Truce With Terra" von Philip E. High
Ace Books D-275 1964
(AmeS) -
Titelbild von Ed Valigursky für
"Three Faces of Time" von Sam Merwin jr.
Ace Books D-121 1955
(AmeS) -
Titelbild von Ed Valigursky für
"Three Faces of Time" von Sam Merwin jr.
Ace Books D-121 1955
(AmeS) -
Titelbild von Ed Emshwiller für
"Space Station 1" von Frank Belknap Long
Ace Books D-242, 1957
(flickr)
#sciencefiction #AceBooks #FrankBelknapLong #EdEmshwiller #Emsh -
Titelbild von Ed Emshwiller für
"Space Station 1" von Frank Belknap Long
Ace Books D-242, 1957
(flickr)
#sciencefiction #AceBooks #FrankBelknapLong #EdEmshwiller #Emsh -
THE LONG WAY HOME (1978)
Acrylic - 24” x 16”The pose of the man on the floor looks somewhat clumsy to me. In retrospect, I feel like I should have used a model. 1/2
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THE LONG WAY HOME (1978)
Acrylic - 24” x 16”The pose of the man on the floor looks somewhat clumsy to me. In retrospect, I feel like I should have used a model. 1/2
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THE LONG WAY HOME (1978)
Acrylic - 24” x 16”The pose of the man on the floor looks somewhat clumsy to me. In retrospect, I feel like I should have used a model. 1/2
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THE LONG WAY HOME (1978)
Acrylic - 24” x 16”The pose of the man on the floor looks somewhat clumsy to me. In retrospect, I feel like I should have used a model. 1/2
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Titelbild von Jack Gaughan für
"Alpha Yes, Terra No!" von Emil Petaja
Ace Books M-121 1965
(AmeS) -
Titelbild von Jack Gaughan für
"Alpha Yes, Terra No!" von Emil Petaja
Ace Books M-121 1965
(AmeS) -
EMPIRE (1980)
Acrylic - 28” x 18”H. Beam Piper is perhaps not as widely read these days as later 20th Century Grandmasters like Isaac Asimov, Arthur C. Clarke, and Robert Heinlein, but his contributions to science fiction are undeniable. 1/3
#sciencefiction #illustration #hbeampiper #federation #acebooks
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EMPIRE (1980)
Acrylic - 28” x 18”H. Beam Piper is perhaps not as widely read these days as later 20th Century Grandmasters like Isaac Asimov, Arthur C. Clarke, and Robert Heinlein, but his contributions to science fiction are undeniable. 1/3
#sciencefiction #illustration #hbeampiper #federation #acebooks
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EMPIRE (1980)
Acrylic - 28” x 18”H. Beam Piper is perhaps not as widely read these days as later 20th Century Grandmasters like Isaac Asimov, Arthur C. Clarke, and Robert Heinlein, but his contributions to science fiction are undeniable. 1/3
#sciencefiction #illustration #hbeampiper #federation #acebooks
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EMPIRE (1980)
Acrylic - 28” x 18”H. Beam Piper is perhaps not as widely read these days as later 20th Century Grandmasters like Isaac Asimov, Arthur C. Clarke, and Robert Heinlein, but his contributions to science fiction are undeniable. 1/3
#sciencefiction #illustration #hbeampiper #federation #acebooks