#25years — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #25years, aggregated by home.social.
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Picture Post: This feels like an appropriate coffee cup to be using today. #25years #gobystreetcar https://fhnwrk.com/2026/07/20/picture-post-this-feels-like-an-appropriate-coffee-cup-to-be-using-today-25years-gobystreetcar/
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Picture Post: This feels like an appropriate coffee cup to be using today. #25years #gobystreetcar https://fhnwrk.com/2026/07/20/picture-post-this-feels-like-an-appropriate-coffee-cup-to-be-using-today-25years-gobystreetcar/
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Picture Post: This feels like an appropriate coffee cup to be using today. #25years #gobystreetcar https://fhnwrk.com/2026/07/20/picture-post-this-feels-like-an-appropriate-coffee-cup-to-be-using-today-25years-gobystreetcar/
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Every Conversation Matters- 25 Years of Timeless Music
This 2026 World Music Day, there was another occasion to celebrate—the 25th anniversary of Lagaan. I sat down to listen to the conversation between the maestro A.R. Rahman, lyricist Javed Akhtar, director Ashutosh Gowariker, and producer Aamir Khan. They spoke about how the songs came into being in a time with no internet, no cell phones, no advanced technology, and no Dolby sound.
There was one discussion about Ghanan Ghanan, the first song that sets the storyline of the film. More often than not, it is interpreted as a call to the rain gods, filled with hope and a longing to rid the people of despair. Twenty-five years later, the song holds so much more meaning than just the wait for rain.
As I listened to the 6-minute-11-second composition, I was reminded of another song created by the same duo of A.R. Rahman and Javed Akhtar—Yeh Tara Wo Tara, which runs for 7 minutes and 11 seconds. Two iconic films by the same director, yet what stands out in both is the genius of composer A.R. Rahman and lyricist Javed Akhtar.
In the celebratory video marking 25 years of Lagaan, Javed Akhtar points out that what makes A.R. Rahman’s compositions special is their unpredictability. He uses Ghanan Ghanan as an example. In the same breath, I would also mention Yeh Tara Wo Tara.
Compositions like Yeh Tara Wo Tara stand apart because of the earthy feeling they evoke. Yeh Tara Wo Tara changes the chorus as the same was done with Ghanan Ghanan in Lagaan. This made me realise the magic of the music I grew up with, which focuses heavily on rhythm and a chorus that a regular listener can hum.
The song has been reprised over the years and arranged in different styles. But believe it or not, the majority of Hindi music lovers still go back to the original soundtrack.
It isn’t because they want to pay homage to A.R. Rahman or Javed Akhtar. The song, through its lyrics and melody, does exactly what its music video shows—it brings a community together. As listeners, we begin to realise the depth of its lyrics.
It definitely isn’t the Shah Rukh Khan fan in me speaking. Many people don’t like either film but absolutely love the music albums of both.
This celebration made me realise what A.R. Rahman and Javed Akhtar have been creating for us over the last 25 years. Five years after Lagaan, Swades was released. At the time, the film wasn’t fully understood. But what has remained timeless is its music.
Another aspect about the duo that remains special is that they didn’t dumb down or underestimate the listeners when it came to music. They flowed against the stream; they gave us song styles that are used to date, when it comes to composition.
Music Albums like these don’t just come one day. They have grown over many years of training, work, and well, staying honest to its core.
I am sharing the lyrics here of both the songs Ghanan Ghanan and Yeh Tara Wo Tara to understand what Javed Akhtar tries to say in this video.
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghir Ghir Aaye Badra
Ghane Ghan Ghor Kaare Chhaye Badra
Dhamak Dhamak Goonje Badra Ke Danke
Chamak Chamak Dekho Bijuriya ChamkeMann Dhadkaaye Badarwa
Mann Dhadkaaye BadarwaMann Mann Dhadkaaye Badarwa
Kaale Megha, Kaale Megha Paani To BarsaaoYeh Tara Woh Tara
e taara woh taara har taara
Ye taara woh taara har taara
Dekho jise bhi lage pyaara
Ye taara woh taara har taara
Ye sab saath me jo hai raat me
Toh jagmagaya aasmaan saara
Ye sab saath me jo hai raat me
Toh jagmagaya aasmaan saara
Jagmag taare, do taare, nau taare, sau taare
Jagmag saare, har taara hai sharaarahis post is a part of ‘Mixtape Mood Blog Hop’ hosted by Manali Desai and Sukaina Majeed under #EveryConversationMatters blog hop series
#25Years #art #blog #blog2026 #bloggersOfIndia #blogging #bloggingCommunity #blogwriter #bollywood #bookBlogger #cinema #cohost #culture #enternainment #EveryConversationMatters #ghanan #javedAkhtar #June2026 #JuneBlogPost #lagaan #loveForCinema #loveForMusic #mixtapeMoodBlogHop #music #musicLovers #musical #sukainaMajeed #sukainawrites #swades #thenightreader #timelessMusic #worldMusicDay #writing #yehTaraWohTara -
Every Conversation Matters- 25 Years of Timeless Music
This 2026 World Music Day, there was another occasion to celebrate—the 25th anniversary of Lagaan. I sat down to listen to the conversation between the maestro A.R. Rahman, lyricist Javed Akhtar, director Ashutosh Gowariker, and producer Aamir Khan. They spoke about how the songs came into being in a time with no internet, no cell phones, no advanced technology, and no Dolby sound.
There was one discussion about Ghanan Ghanan, the first song that sets the storyline of the film. More often than not, it is interpreted as a call to the rain gods, filled with hope and a longing to rid the people of despair. Twenty-five years later, the song holds so much more meaning than just the wait for rain.
As I listened to the 6-minute-11-second composition, I was reminded of another song created by the same duo of A.R. Rahman and Javed Akhtar—Yeh Tara Wo Tara, which runs for 7 minutes and 11 seconds. Two iconic films by the same director, yet what stands out in both is the genius of composer A.R. Rahman and lyricist Javed Akhtar.
In the celebratory video marking 25 years of Lagaan, Javed Akhtar points out that what makes A.R. Rahman’s compositions special is their unpredictability. He uses Ghanan Ghanan as an example. In the same breath, I would also mention Yeh Tara Wo Tara.
Compositions like Yeh Tara Wo Tara stand apart because of the earthy feeling they evoke. Yeh Tara Wo Tara changes the chorus as the same was done with Ghanan Ghanan in Lagaan. This made me realise the magic of the music I grew up with, which focuses heavily on rhythm and a chorus that a regular listener can hum.
The song has been reprised over the years and arranged in different styles. But believe it or not, the majority of Hindi music lovers still go back to the original soundtrack.
It isn’t because they want to pay homage to A.R. Rahman or Javed Akhtar. The song, through its lyrics and melody, does exactly what its music video shows—it brings a community together. As listeners, we begin to realise the depth of its lyrics.
It definitely isn’t the Shah Rukh Khan fan in me speaking. Many people don’t like either film but absolutely love the music albums of both.
This celebration made me realise what A.R. Rahman and Javed Akhtar have been creating for us over the last 25 years. Five years after Lagaan, Swades was released. At the time, the film wasn’t fully understood. But what has remained timeless is its music.
Another aspect about the duo that remains special is that they didn’t dumb down or underestimate the listeners when it came to music. They flowed against the stream; they gave us song styles that are used to date, when it comes to composition.
Music Albums like these don’t just come one day. They have grown over many years of training, work, and well, staying honest to its core.
I am sharing the lyrics here of both the songs Ghanan Ghanan and Yeh Tara Wo Tara to understand what Javed Akhtar tries to say in this video.
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghir Ghir Aaye Badra
Ghane Ghan Ghor Kaare Chhaye Badra
Dhamak Dhamak Goonje Badra Ke Danke
Chamak Chamak Dekho Bijuriya ChamkeMann Dhadkaaye Badarwa
Mann Dhadkaaye BadarwaMann Mann Dhadkaaye Badarwa
Kaale Megha, Kaale Megha Paani To BarsaaoYeh Tara Woh Tara
e taara woh taara har taara
Ye taara woh taara har taara
Dekho jise bhi lage pyaara
Ye taara woh taara har taara
Ye sab saath me jo hai raat me
Toh jagmagaya aasmaan saara
Ye sab saath me jo hai raat me
Toh jagmagaya aasmaan saara
Jagmag taare, do taare, nau taare, sau taare
Jagmag saare, har taara hai sharaarahis post is a part of ‘Mixtape Mood Blog Hop’ hosted by Manali Desai and Sukaina Majeed under #EveryConversationMatters blog hop series
#25Years #art #blog #blog2026 #bloggersOfIndia #blogging #bloggingCommunity #blogwriter #bollywood #bookBlogger #cinema #cohost #culture #enternainment #EveryConversationMatters #ghanan #javedAkhtar #June2026 #JuneBlogPost #lagaan #loveForCinema #loveForMusic #mixtapeMoodBlogHop #music #musicLovers #musical #sukainaMajeed #sukainawrites #swades #thenightreader #timelessMusic #worldMusicDay #writing #yehTaraWohTara -
Every Conversation Matters- 25 Years of Timeless Music
This 2026 World Music Day, there was another occasion to celebrate—the 25th anniversary of Lagaan. I sat down to listen to the conversation between the maestro A.R. Rahman, lyricist Javed Akhtar, director Ashutosh Gowariker, and producer Aamir Khan. They spoke about how the songs came into being in a time with no internet, no cell phones, no advanced technology, and no Dolby sound.
There was one discussion about Ghanan Ghanan, the first song that sets the storyline of the film. More often than not, it is interpreted as a call to the rain gods, filled with hope and a longing to rid the people of despair. Twenty-five years later, the song holds so much more meaning than just the wait for rain.
As I listened to the 6-minute-11-second composition, I was reminded of another song created by the same duo of A.R. Rahman and Javed Akhtar—Yeh Tara Wo Tara, which runs for 7 minutes and 11 seconds. Two iconic films by the same director, yet what stands out in both is the genius of composer A.R. Rahman and lyricist Javed Akhtar.
In the celebratory video marking 25 years of Lagaan, Javed Akhtar points out that what makes A.R. Rahman’s compositions special is their unpredictability. He uses Ghanan Ghanan as an example. In the same breath, I would also mention Yeh Tara Wo Tara.
Compositions like Yeh Tara Wo Tara stand apart because of the earthy feeling they evoke. Yeh Tara Wo Tara changes the chorus as the same was done with Ghanan Ghanan in Lagaan. This made me realise the magic of the music I grew up with, which focuses heavily on rhythm and a chorus that a regular listener can hum.
The song has been reprised over the years and arranged in different styles. But believe it or not, the majority of Hindi music lovers still go back to the original soundtrack.
It isn’t because they want to pay homage to A.R. Rahman or Javed Akhtar. The song, through its lyrics and melody, does exactly what its music video shows—it brings a community together. As listeners, we begin to realise the depth of its lyrics.
It definitely isn’t the Shah Rukh Khan fan in me speaking. Many people don’t like either film but absolutely love the music albums of both.
This celebration made me realise what A.R. Rahman and Javed Akhtar have been creating for us over the last 25 years. Five years after Lagaan, Swades was released. At the time, the film wasn’t fully understood. But what has remained timeless is its music.
Another aspect about the duo that remains special is that they didn’t dumb down or underestimate the listeners when it came to music. They flowed against the stream; they gave us song styles that are used to date, when it comes to composition.
Music Albums like these don’t just come one day. They have grown over many years of training, work, and well, staying honest to its core.
I am sharing the lyrics here of both the songs Ghanan Ghanan and Yeh Tara Wo Tara to understand what Javed Akhtar tries to say in this video.
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghir Ghir Aaye Badra
Ghane Ghan Ghor Kaare Chhaye Badra
Dhamak Dhamak Goonje Badra Ke Danke
Chamak Chamak Dekho Bijuriya ChamkeMann Dhadkaaye Badarwa
Mann Dhadkaaye BadarwaMann Mann Dhadkaaye Badarwa
Kaale Megha, Kaale Megha Paani To BarsaaoYeh Tara Woh Tara
e taara woh taara har taara
Ye taara woh taara har taara
Dekho jise bhi lage pyaara
Ye taara woh taara har taara
Ye sab saath me jo hai raat me
Toh jagmagaya aasmaan saara
Ye sab saath me jo hai raat me
Toh jagmagaya aasmaan saara
Jagmag taare, do taare, nau taare, sau taare
Jagmag saare, har taara hai sharaarahis post is a part of ‘Mixtape Mood Blog Hop’ hosted by Manali Desai and Sukaina Majeed under #EveryConversationMatters blog hop series
#25Years #art #blog #blog2026 #bloggersOfIndia #blogging #bloggingCommunity #blogwriter #bollywood #bookBlogger #cinema #cohost #culture #enternainment #EveryConversationMatters #ghanan #javedAkhtar #June2026 #JuneBlogPost #lagaan #loveForCinema #loveForMusic #mixtapeMoodBlogHop #music #musicLovers #musical #sukainaMajeed #sukainawrites #swades #thenightreader #timelessMusic #worldMusicDay #writing #yehTaraWohTara -
Every Conversation Matters- 25 Years of Timeless Music
This 2026 World Music Day, there was another occasion to celebrate—the 25th anniversary of Lagaan. I sat down to listen to the conversation between the maestro A.R. Rahman, lyricist Javed Akhtar, director Ashutosh Gowariker, and producer Aamir Khan. They spoke about how the songs came into being in a time with no internet, no cell phones, no advanced technology, and no Dolby sound.
There was one discussion about Ghanan Ghanan, the first song that sets the storyline of the film. More often than not, it is interpreted as a call to the rain gods, filled with hope and a longing to rid the people of despair. Twenty-five years later, the song holds so much more meaning than just the wait for rain.
As I listened to the 6-minute-11-second composition, I was reminded of another song created by the same duo of A.R. Rahman and Javed Akhtar—Yeh Tara Wo Tara, which runs for 7 minutes and 11 seconds. Two iconic films by the same director, yet what stands out in both is the genius of composer A.R. Rahman and lyricist Javed Akhtar.
In the celebratory video marking 25 years of Lagaan, Javed Akhtar points out that what makes A.R. Rahman’s compositions special is their unpredictability. He uses Ghanan Ghanan as an example. In the same breath, I would also mention Yeh Tara Wo Tara.
Compositions like Yeh Tara Wo Tara stand apart because of the earthy feeling they evoke. Yeh Tara Wo Tara changes the chorus as the same was done with Ghanan Ghanan in Lagaan. This made me realise the magic of the music I grew up with, which focuses heavily on rhythm and a chorus that a regular listener can hum.
The song has been reprised over the years and arranged in different styles. But believe it or not, the majority of Hindi music lovers still go back to the original soundtrack.
It isn’t because they want to pay homage to A.R. Rahman or Javed Akhtar. The song, through its lyrics and melody, does exactly what its music video shows—it brings a community together. As listeners, we begin to realise the depth of its lyrics.
It definitely isn’t the Shah Rukh Khan fan in me speaking. Many people don’t like either film but absolutely love the music albums of both.
This celebration made me realise what A.R. Rahman and Javed Akhtar have been creating for us over the last 25 years. Five years after Lagaan, Swades was released. At the time, the film wasn’t fully understood. But what has remained timeless is its music.
Another aspect about the duo that remains special is that they didn’t dumb down or underestimate the listeners when it came to music. They flowed against the stream; they gave us song styles that are used to date, when it comes to composition.
Music Albums like these don’t just come one day. They have grown over many years of training, work, and well, staying honest to its core.
I am sharing the lyrics here of both the songs Ghanan Ghanan and Yeh Tara Wo Tara to understand what Javed Akhtar tries to say in this video.
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghir Ghir Aaye Badra
Ghane Ghan Ghor Kaare Chhaye Badra
Dhamak Dhamak Goonje Badra Ke Danke
Chamak Chamak Dekho Bijuriya ChamkeMann Dhadkaaye Badarwa
Mann Dhadkaaye BadarwaMann Mann Dhadkaaye Badarwa
Kaale Megha, Kaale Megha Paani To BarsaaoYeh Tara Woh Tara
e taara woh taara har taara
Ye taara woh taara har taara
Dekho jise bhi lage pyaara
Ye taara woh taara har taara
Ye sab saath me jo hai raat me
Toh jagmagaya aasmaan saara
Ye sab saath me jo hai raat me
Toh jagmagaya aasmaan saara
Jagmag taare, do taare, nau taare, sau taare
Jagmag saare, har taara hai sharaarahis post is a part of ‘Mixtape Mood Blog Hop’ hosted by Manali Desai and Sukaina Majeed under #EveryConversationMatters blog hop series
#25Years #art #blog #blog2026 #bloggersOfIndia #blogging #bloggingCommunity #blogwriter #bollywood #bookBlogger #cinema #cohost #culture #enternainment #EveryConversationMatters #ghanan #javedAkhtar #June2026 #JuneBlogPost #lagaan #loveForCinema #loveForMusic #mixtapeMoodBlogHop #music #musicLovers #musical #sukainaMajeed #sukainawrites #swades #thenightreader #timelessMusic #worldMusicDay #writing #yehTaraWohTara -
Every Conversation Matters- 25 Years of Timeless Music
This 2026 World Music Day, there was another occasion to celebrate—the 25th anniversary of Lagaan. I sat down to listen to the conversation between the maestro A.R. Rahman, lyricist Javed Akhtar, director Ashutosh Gowariker, and producer Aamir Khan. They spoke about how the songs came into being in a time with no internet, no cell phones, no advanced technology, and no Dolby sound.
There was one discussion about Ghanan Ghanan, the first song that sets the storyline of the film. More often than not, it is interpreted as a call to the rain gods, filled with hope and a longing to rid the people of despair. Twenty-five years later, the song holds so much more meaning than just the wait for rain.
As I listened to the 6-minute-11-second composition, I was reminded of another song created by the same duo of A.R. Rahman and Javed Akhtar—Yeh Tara Wo Tara, which runs for 7 minutes and 11 seconds. Two iconic films by the same director, yet what stands out in both is the genius of composer A.R. Rahman and lyricist Javed Akhtar.
In the celebratory video marking 25 years of Lagaan, Javed Akhtar points out that what makes A.R. Rahman’s compositions special is their unpredictability. He uses Ghanan Ghanan as an example. In the same breath, I would also mention Yeh Tara Wo Tara.
Compositions like Yeh Tara Wo Tara stand apart because of the earthy feeling they evoke. Yeh Tara Wo Tara changes the chorus as the same was done with Ghanan Ghanan in Lagaan. This made me realise the magic of the music I grew up with, which focuses heavily on rhythm and a chorus that a regular listener can hum.
The song has been reprised over the years and arranged in different styles. But believe it or not, the majority of Hindi music lovers still go back to the original soundtrack.
It isn’t because they want to pay homage to A.R. Rahman or Javed Akhtar. The song, through its lyrics and melody, does exactly what its music video shows—it brings a community together. As listeners, we begin to realise the depth of its lyrics.
It definitely isn’t the Shah Rukh Khan fan in me speaking. Many people don’t like either film but absolutely love the music albums of both.
This celebration made me realise what A.R. Rahman and Javed Akhtar have been creating for us over the last 25 years. Five years after Lagaan, Swades was released. At the time, the film wasn’t fully understood. But what has remained timeless is its music.
Another aspect about the duo that remains special is that they didn’t dumb down or underestimate the listeners when it came to music. They flowed against the stream; they gave us song styles that are used to date, when it comes to composition.
Music Albums like these don’t just come one day. They have grown over many years of training, work, and well, staying honest to its core.
I am sharing the lyrics here of both the songs Ghanan Ghanan and Yeh Tara Wo Tara to understand what Javed Akhtar tries to say in this video.
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghanan
Ghanan Ghanan Ghir Ghir Aaye Badra
Ghane Ghan Ghor Kaare Chhaye Badra
Dhamak Dhamak Goonje Badra Ke Danke
Chamak Chamak Dekho Bijuriya ChamkeMann Dhadkaaye Badarwa
Mann Dhadkaaye BadarwaMann Mann Dhadkaaye Badarwa
Kaale Megha, Kaale Megha Paani To BarsaaoYeh Tara Woh Tara
e taara woh taara har taara
Ye taara woh taara har taara
Dekho jise bhi lage pyaara
Ye taara woh taara har taara
Ye sab saath me jo hai raat me
Toh jagmagaya aasmaan saara
Ye sab saath me jo hai raat me
Toh jagmagaya aasmaan saara
Jagmag taare, do taare, nau taare, sau taare
Jagmag saare, har taara hai sharaarahis post is a part of ‘Mixtape Mood Blog Hop’ hosted by Manali Desai and Sukaina Majeed under #EveryConversationMatters blog hop series
#25Years #art #blog #blog2026 #bloggersOfIndia #blogging #bloggingCommunity #blogwriter #bollywood #bookBlogger #cinema #cohost #culture #enternainment #EveryConversationMatters #ghanan #javedAkhtar #June2026 #JuneBlogPost #lagaan #loveForCinema #loveForMusic #mixtapeMoodBlogHop #music #musicLovers #musical #sukainaMajeed #sukainawrites #swades #thenightreader #timelessMusic #worldMusicDay #writing #yehTaraWohTara -
🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
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🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
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🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
-
🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
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🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
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25 Jahre? Die mussten wir natürlich feiern.
Ein Rückblick auf unsere Jubiläumsfeier am 05.05.2026:
https://blog.aditsystems.de/2026/05/25-jahre-ad-it-systems/
Vielen Dank an alle, die uns an dem Tag begleitet haben!
-
25 Jahre? Die mussten wir natürlich feiern.
Ein Rückblick auf unsere Jubiläumsfeier am 05.05.2026:
https://blog.aditsystems.de/2026/05/25-jahre-ad-it-systems/
Vielen Dank an alle, die uns an dem Tag begleitet haben!
-
25 Jahre? Die mussten wir natürlich feiern.
Ein Rückblick auf unsere Jubiläumsfeier am 05.05.2026:
https://blog.aditsystems.de/2026/05/25-jahre-ad-it-systems/
Vielen Dank an alle, die uns an dem Tag begleitet haben!
-
25 Jahre? Die mussten wir natürlich feiern.
Ein Rückblick auf unsere Jubiläumsfeier am 05.05.2026:
https://blog.aditsystems.de/2026/05/25-jahre-ad-it-systems/
Vielen Dank an alle, die uns an dem Tag begleitet haben!
-
🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
-
🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
-
🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
-
🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
-
🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
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🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
-
🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
-
🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
-
🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
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🚨We are still looking for a few great volunteers to assist us at the Global AppSec EU Conference next month! If you are looking for ways to get involved and earn a free conference ticket 🎟️, sign up today!
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25 years from that shameful event, beyond the horrors of turture and police violence, even a worst outcome has come to pass, which the author clearly spells out:
"Ma quel che è peggio: quasi nessuno ricorda più perché eravamo lì."
("Even worst: almost nobody remembers why we were there")The back-then Italian PM Silvio Berlusconi, to me the precursor to Trump and the Epstein class, set the tone of the new millenium clear and straight:
2/
-
25 years from that shameful event, beyond the horrors of turture and police violence, even a worst outcome has come to pass, which the author clearly spells out:
"Ma quel che è peggio: quasi nessuno ricorda più perché eravamo lì."
("Even worst: almost nobody remembers why we were there")The back-then Italian PM Silvio Berlusconi, to me the precursor to Trump and the Epstein class, set the tone of the new millenium clear and straight:
2/
-
25 years from that shameful event, beyond the horrors of turture and police violence, even a worst outcome has come to pass, which the author clearly spells out:
"Ma quel che è peggio: quasi nessuno ricorda più perché eravamo lì."
("Even worst: almost nobody remembers why we were there")The back-then Italian PM Silvio Berlusconi, to me the precursor to Trump and the Epstein class, set the tone of the new millenium clear and straight:
2/
-
25 years from that shameful event, beyond the horrors of turture and police violence, even a worst outcome has come to pass, which the author clearly spells out:
"Ma quel che è peggio: quasi nessuno ricorda più perché eravamo lì."
("Even worst: almost nobody remembers why we were there")The back-then Italian PM Silvio Berlusconi, to me the precursor to Trump and the Epstein class, set the tone of the new millenium clear and straight:
2/
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25 years from that shameful event, beyond the horrors of turture and police violence, even a worst outcome has come to pass, which the author clearly spells out:
"Ma quel che è peggio: quasi nessuno ricorda più perché eravamo lì."
("Even worst: almost nobody remembers why we were there")The back-then Italian PM Silvio Berlusconi, to me the precursor to Trump and the Epstein class, set the tone of the new millenium clear and straight:
2/
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Italian comic artist Christian Mirra is making his comic "Quella notta alla Diaz" ("That night, at Diaz") open for everyone to read.
https://www.christianmirra.com/diaz-project
In Italian (for now), the comic originally published in 2010 recount the night raid at the Armando Diaz in Genova during the G8 2001.
https://en.wikipedia.org/wiki/2001_raid_on_Armando_Diaz
a short 🧵
1/
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Italian comic artist Christian Mirra is making his comic "Quella notta alla Diaz" ("That night, at Diaz") open for everyone to read.
https://www.christianmirra.com/diaz-project
In Italian (for now), the comic originally published in 2010 recount the night raid at the Armando Diaz in Genova during the G8 2001.
https://en.wikipedia.org/wiki/2001_raid_on_Armando_Diaz
a short 🧵
1/
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Italian comic artist Christian Mirra is making his comic "Quella notta alla Diaz" ("That night, at Diaz") open for everyone to read.
https://www.christianmirra.com/diaz-project
In Italian (for now), the comic originally published in 2010 recount the night raid at the Armando Diaz in Genova during the G8 2001.
https://en.wikipedia.org/wiki/2001_raid_on_Armando_Diaz
a short 🧵
1/
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Italian comic artist Christian Mirra is making his comic "Quella notta alla Diaz" ("That night, at Diaz") open for everyone to read.
https://www.christianmirra.com/diaz-project
In Italian (for now), the comic originally published in 2010 recount the night raid at the Armando Diaz in Genova during the G8 2001.
https://en.wikipedia.org/wiki/2001_raid_on_Armando_Diaz
a short 🧵
1/
-
Italian comic artist Christian Mirra is making his comic "Quella notta alla Diaz" ("That night, at Diaz") open for everyone to read.
https://www.christianmirra.com/diaz-project
In Italian (for now), the comic originally published in 2010 recount the night raid at the Armando Diaz in Genova during the G8 2001.
https://en.wikipedia.org/wiki/2001_raid_on_Armando_Diaz
a short 🧵
1/
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"I may not have gone where I intended to go, but I think I have ended up where I needed to be"
Don't Panic
"The story so far:
In the beginning the Universe was created.
This has made a lot of people very angry and been widely regarded as a bad move."25 years today, since we lost Douglas Adams
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"I may not have gone where I intended to go, but I think I have ended up where I needed to be"
Don't Panic
"The story so far:
In the beginning the Universe was created.
This has made a lot of people very angry and been widely regarded as a bad move."25 years today, since we lost Douglas Adams
-
"I may not have gone where I intended to go, but I think I have ended up where I needed to be"
Don't Panic
"The story so far:
In the beginning the Universe was created.
This has made a lot of people very angry and been widely regarded as a bad move."25 years today, since we lost Douglas Adams
-
"I may not have gone where I intended to go, but I think I have ended up where I needed to be"
Don't Panic
"The story so far:
In the beginning the Universe was created.
This has made a lot of people very angry and been widely regarded as a bad move."25 years today, since we lost Douglas Adams
-
"I may not have gone where I intended to go, but I think I have ended up where I needed to be"
Don't Panic
"The story so far:
In the beginning the Universe was created.
This has made a lot of people very angry and been widely regarded as a bad move."25 years today, since we lost Douglas Adams
-
Twenty-five years ago today, on 28 April 2001, we tested our TCP/IP over avian carriers (RFC1149) implementation.
See "The implementation of the Carrier Pigeon Internet Protocol, RFC1149, 25 years later",
https://nxdomain.no/~peter/rfc1149_implementation_25_years_later.html -
Twenty-five years ago today, on 28 April 2001, we tested our TCP/IP over avian carriers (RFC1149) implementation.
See "The implementation of the Carrier Pigeon Internet Protocol, RFC1149, 25 years later",
https://nxdomain.no/~peter/rfc1149_implementation_25_years_later.html -
Twenty-five years ago today, on 28 April 2001, we tested our TCP/IP over avian carriers (RFC1149) implementation.
See "The implementation of the Carrier Pigeon Internet Protocol, RFC1149, 25 years later",
https://nxdomain.no/~peter/rfc1149_implementation_25_years_later.html -
Twenty-five years ago today, on 28 April 2001, we tested our TCP/IP over avian carriers (RFC1149) implementation.
See "The implementation of the Carrier Pigeon Internet Protocol, RFC1149, 25 years later",
https://nxdomain.no/~peter/rfc1149_implementation_25_years_later.html -
Twenty-five years ago today, on 28 April 2001, we tested our TCP/IP over avian carriers (RFC1149) implementation.
See "The implementation of the Carrier Pigeon Internet Protocol, RFC1149, 25 years later",
https://nxdomain.no/~peter/rfc1149_implementation_25_years_later.html -
Our Call for Volunteers is LIVE!
OWASP Global AppSec EU is coming, and it’s our 25th Anniversary! 🎉
Join us behind the scenes, connect with the community, and help make this milestone event unforgettable. 🙌
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Our Call for Volunteers is LIVE!
OWASP Global AppSec EU is coming, and it’s our 25th Anniversary! 🎉
Join us behind the scenes, connect with the community, and help make this milestone event unforgettable. 🙌
-
Our Call for Volunteers is LIVE!
OWASP Global AppSec EU is coming, and it’s our 25th Anniversary! 🎉
Join us behind the scenes, connect with the community, and help make this milestone event unforgettable. 🙌
-
Our Call for Volunteers is LIVE!
OWASP Global AppSec EU is coming, and it’s our 25th Anniversary! 🎉
Join us behind the scenes, connect with the community, and help make this milestone event unforgettable. 🙌
-
Our Call for Volunteers is LIVE!
OWASP Global AppSec EU is coming, and it’s our 25th Anniversary! 🎉
Join us behind the scenes, connect with the community, and help make this milestone event unforgettable. 🙌
-
#SeriousSam #25years
Решил взять Realm Of Thoth (маппак от наших), и запустить с высоким разрешением...
А неплохо так. -
#SeriousSam #25years
Решил взять Realm Of Thoth (маппак от наших), и запустить с высоким разрешением...
А неплохо так. -
#SeriousSam #25years
Решил взять Realm Of Thoth (маппак от наших), и запустить с высоким разрешением...
А неплохо так. -
Rafa returns to the Australian Open with Kia, marking 25 years as our major partner #Kia #MovementThatInspires #AO26 #25Years
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Rafa returns to the Australian Open with Kia, marking 25 years as our major partner #Kia #MovementThatInspires #AO26 #25Years
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Inspiring every drive. Empowering every player since 2002.
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Inspiring every drive. Empowering every player since 2002.
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Across generations, countries, and tens of thousands of matches, Kia has proudly supported the ballkids who keep the game moving.