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899 results for “horrorlex”
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Monsters abound in the latest issue of Australasian Journal of Popular Culture. Read Karen Macfarlane on how the undead lost their edge in TRUE BLOOD and IN THE FLESH, and Lauren Gilmore + Daniel Rosler on digi-zombies in CAM. #intellectbooks #horror
https://www.intellectbooks.com/the-australasian-journal-of-popular-culture -
Monsters abound in the latest issue of Australasian Journal of Popular Culture. Read Karen Macfarlane on how the undead lost their edge in TRUE BLOOD and IN THE FLESH, and Lauren Gilmore + Daniel Rosler on digi-zombies in CAM. #intellectbooks #horror
https://www.intellectbooks.com/the-australasian-journal-of-popular-culture -
Monsters abound in the latest issue of Australasian Journal of Popular Culture. Read Karen Macfarlane on how the undead lost their edge in TRUE BLOOD and IN THE FLESH, and Lauren Gilmore + Daniel Rosler on digi-zombies in CAM. #intellectbooks #horror
https://www.intellectbooks.com/the-australasian-journal-of-popular-culture -
Monsters abound in the latest issue of Australasian Journal of Popular Culture. Read Karen Macfarlane on how the undead lost their edge in TRUE BLOOD and IN THE FLESH, and Lauren Gilmore + Daniel Rosler on digi-zombies in CAM. #intellectbooks #horror
https://www.intellectbooks.com/the-australasian-journal-of-popular-culture -
All together now: "JAAAAAAMES!" If you're down with the "new weirdness" of Brandon Cronenberg's INFINITY POOL, check out M. Keith Booker & Isra Daraiseh's new essay for Science Fiction Film & TV about global capitalism & clone dystopias. #ProjectMuse #horror
https://doi.org/10.3828/sfftv.2024.3 -
Two girls + one demon vs. the patriarchy. An entire chapter on JENNIFER'S BODY is hiding w/in Katarzyna Paszkiewicz's "Genre, Authorship & Contemporary Women Filmmakers." A reminder that such gems exist as free #JSTOR ebooks! #horror #EdinburghUP
https://www.jstor.org/stable/10.3366/j.ctv7n0b3s -
It's a blood red-letter day when someone writes about THE BROOD (1979). Sarah Manley's new piece for J Lit & Cultural Disability Studies explores Nola's trauma, her rage-babies, and the "eugenic gaze" in Cronenberg's film. Available at #ProjectMuse #horror #davidcronenberg
https://doi.org/10.3828/jlcds.2023.43 -
Two new books from #EdinburghUP from some heavy horror hitters. Gary D Rhodes brings his trademark historical research to "Vampires in Silent Cinema" and SE Asia expert Mary Ainslie introduces the "Contemporary Thai Horror Film." #horror
https://edinburghuniversitypress.com/book-vampires-in-silent-cinema.html
https://edinburghuniversitypress.com/book-contemporary-thai-horror-film.html -
"Mr. Roat, are you looking at me?" David Cosper hears the musical accompaniment to blind terror in a new essay in Music Sound & the Moving Image, "Through Susy’s Eyes: Sight, Sound, & Subjectivity in Mancini’s Wait Until Dark." #ProjectMuse / Liverpool UP #horror
https://muse.jhu.edu/pub/105/article/916829 -
Emma Hamilton & Alistair Rolls give us a blood-tinged vanilla-twist of essays on ASSAULT ON PRECINCT 13 (1974), one on its intertextuality & the other on its reflection of American social order. Read them #ProjectMuse via J Asia-Pacific Pop Culture. #horror
https://muse.jhu.edu/issue/45165 -
If you're not spending your weekend downloading everything you want from #gothicstudies journal, which is normally paywalled, best get on it! Everything is #OpenAccess thru January.
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In horror films like DARK WATER & IT FOLLOWS, "Oozing Walls and Bloody Pools" are water infrastructures bound to women. Read Johanna Isaacson's Marxist-feminist take on the subject in the journal symplokē via #ProjectMuse. #horror
https://muse.jhu.edu/pub/17/article/914652 -
Maybe it's not *technically* an Xmas movie, but there is a Christ figure, a miraculous birth & a fairy tale ethos. Read Michèle Bacholle's new essay "In the Defense of Punks and Monsters: Julia Ducournau & Titane" in The French Review via #ProjectMuse.
https://muse.jhu.edu/pub/1/article/914212 -
"You start to change when I get in!" THE BABADOOK is often interpreted in terms of grief, but Paul Mitchell sees the shadow of Dissociative Identity Disorder in Amelia's plight. Read his new essay in the journal Literature & Medicine via #ProjectMuse. #horror
https://doi.org/10.1353/lm.2023.a911447 -
Hannah Lauren Murray writes about GET OUT (2017) & Robert M. Bird’s Sheppard Lee (1836) in which Black bodies unwillingly "bolster Whiteness" by helping escaping it. "Get In and Get Out..." is #OpenAccess in Humanities from MDPI. #horror #horrorfilms #horrormovies #horroracademia
https://doi.org/10.3390/h12060129 -
You like blood and guts, you sicko?!? No worries, Marius A. Pascale is here to redeem you. Read his new essay "Horror cinema and sadistic spectacle: A further defense of gorefests." Cogent Arts & Humanities #OpenAccess #horror #horroracademia
https://doi.org/10.1080/23311983.2023.2268391 -
Horror fans, grab your smelling salts. Barbara Creed's seminal book "The Monstrous Feminine" is out in a 2nd Edition & now in multiple formats. Expanded w/Creed's thoughts on post-2000 films such as GINGER SNAPS, ATLANTICS, BORDER & TITANE. #horror #horrorfilms #horrormovies #horroracademia
https://www.routledge.com/The-Monstrous-Feminine-Film-Feminism-Psychoanalysis/Creed/p/book/9780367209452 -
Two more new books to cure your candy hangover: "Queer Gothic," tackling everything from wolf-boyz on TV to AIDS art & "Transgressive Art Films," a look at today's extremes in sex and violence on screen. From Edinburgh UP. #horror #horrorfilms #horrormovies #horroracademia
https://tinyurl.com/3re2ntt3
https://tinyurl.com/3j6rbcrf -
🧛Fangs for frosh🧛 "Queering the Vampire Narrative" is new from Brill w/classroom-ready essays on gender, family & identity in VAMP, BUFFY, THE HUNGER, TWILIGHT, Anne Rice + more. Eds Amanda Hobson & U. Melissa Anyiwo. #horror #horrorfilms #horrormovies #horroracademia #vampires
https://brill.com/display/title/69517 -
Tod Browning's LONDON AFTER MIDNIGHT is "Lost, but Not Dead." Gary D. Rhodes walks thru the history of the film's reception in the 1920s and its many reanimations, both legit and fraudulent. #openaccess in Film International. #horror #horrorfilms #horrormovies #horroracademia
https://filmint.nu/london-after-midnight-gary-d-rhodes -
CINEJ journal is all new and #openaccess with thoughts on THE HANDMAIDEN and visual pleasure, THE KILLING OF A SACRED DEER as myth adaptation, & the female gaze of THE BLAIR WITCH PROJECT. Authors Javier Zapata Claveria, Poya Raissi, Morteza Ghaffari, Emily Moeck. #horror #horrorfilms #horrormovies #horroracademia
https://cinej.pitt.edu/ojs/cinej/issue/view/23 -
That Angela, she's a real carpenter's dream. "Sleepaway Camp: Making the Movie & Reigniting the Campfire" is out today from Jeff Hayes and 1984 Publishing. Just $15 for the book or bundle it with soundtrack goodies. #sleepawaycamp #horror #horrorfilms #newbooks
https://www.1984publishing.com/bookstore/sleepaway-camp-book-vinyl-and-cd-plus-bundles -
Studies in the Fantastic is dressed up for Halloween! The new issue has essays on haptics in the ANNABELLE trilogy, patriarchy in THE WITCH & THE LOVE WITCH, plus reviews of Gen Z critique BODIES BODIES BODIES & Lenzi's BLACK DEMONS. Access via @ProjectMuse. #horror #horrorfilms #horrormovies #horroracademia
https://muse.jhu.edu/issue/51732 -
The new Science Fiction Film & Television issue has essays on the kaiju-human connection in SHIN GODZILLA (2016) and the feminist liberation, or lack thereof, in MEDUSA (2020). Timothy S. Murphy, Phillip Zapkin, access via #ProjectMuse. #horror #horrorfilms #horrormovies #horroracademia #kaiju #godzilla
https://www.liverpooluniversitypress.co.uk/toc/sfftv/16/3 -
"For us to have our privilege someone suffers." Jonathan D. Lyonhart looks at what Jordan Peele has to say about a higher power & our moral duties to each other in US, NOPE, & GET OUT. #openaccess from Journal of Religion & Film. #horror #horrorfilms #horrormovies #horroracademia #jordanpeele
https://digitalcommons.unomaha.edu/jrf/vol27/iss2/1/ -
Movie: A Journal of Film Criticism is building Issue #11 with Milo Farragher-Hanks on power shifts in AUDITION and MIDSOMMAR + an audiovisual essay from John Gibbs on the geography of CANDYMAN (1992/2021). #OpenAccess #horror #horrorfilms #horrormovies #horroracademia
https://warwick.ac.uk/fac/arts/scapvc/film/movie/ -
Who's that lurking around the edges? "Playful Frames: Styles of Widescreen Cinema" is new from Steven Rybin and Rutgers UP w/a chapter on John Carpenter's (and Dean Cundy's) Panavision-vision in HALLOWEEN, THE THING, and other big screen horrors. #horror #horrorfilms #horrormovies #horroracademia
https://www.rutgersuniversitypress.org/playful-frames/9781978815940 -
"All bodies are sound bodies." "Listening Deafly & the Rhetoric of Sound" tackles Deaf culture as it relates to the world of voice, silence, and noise via discussion of three films, incl. A QUIET PLACE (2018). By Sarah Mayberry Scott, now out from Lexington Books. #horror #horrorfilms #horrormovies #horroracademia
https://rowman.com/ISBN/9781666911992/Listening-Deafly-and-the-Rhetoric-of-Sound-Voice-Silence-and-Listening-in-Hollywood-Films -
If you've seen THE PERFECTION (2018), "dehumanization" is definitely a word that comes to mind. @fermion91 exposes the monstrousness of classical music in that film as well as NOCTURNE (2020) in a new #OpenAccess piece in journal El oído pensante. #horror #horrorfilms #horrormovies #horroracademia
https://doi.org/10.34096/oidopensante.v11n2.13331 -
A famous Jewish play, and a "harbinger of exile and oblivion." "The Dybbuk Century" is #OpenAccess from U Michigan Press w/a chapter from J Hoberman on dybbuk horror-drama films from THE VOW (1924) to DEMON (2015). Eds. Debra Caplan & Rachel Merrill Moss. #horror #horrorfilms #horrormovies #horroracademia
https://doi.org/10.3998/mpub.11522250