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28 results for “shadowdancer”
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#OmniOS is a really nice server oriented #Unix in my experience. I've never put it into production, but have it running on some decommed machines at work. It was surprisingly straightforward to expose ZFS datasets as #FibreChannel LUNS using COMSTAR. Havn't played much with Zones yet, but that seems cool too
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Mercurial Heart and Re:Collection boxes are now available in stores. I picked up Tristan this weekend. Here is the deck list
#grandarchive #tcg #indietcg #tristan #recollection #deck #starterdeck #gaming #tabletop #blog #blogger #anime
https://churapereviews.com/2024/05/20/grand-archive-tcg-recollection-shadowdancer-card-list/
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Mercurial Heart and Re:Collection boxes are now available in stores. I picked up Tristan this weekend. Here is the deck list
#grandarchive #tcg #indietcg #tristan #recollection #deck #starterdeck #gaming #tabletop #blog #blogger #anime
https://churapereviews.com/2024/05/20/grand-archive-tcg-recollection-shadowdancer-card-list/
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Mercurial Heart and Re:Collection boxes are now available in stores. I picked up Tristan this weekend. Here is the deck list
#grandarchive #tcg #indietcg #tristan #recollection #deck #starterdeck #gaming #tabletop #blog #blogger #anime
https://churapereviews.com/2024/05/20/grand-archive-tcg-recollection-shadowdancer-card-list/
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Mercurial Heart and Re:Collection boxes are now available in stores. I picked up Tristan this weekend. Here is the deck list
#grandarchive #tcg #indietcg #tristan #recollection #deck #starterdeck #gaming #tabletop #blog #blogger #anime
https://churapereviews.com/2024/05/20/grand-archive-tcg-recollection-shadowdancer-card-list/
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This week, the players continued their exploration of the Observatory. Met some nice but haughty salt dryads. Their opium addled companion, the cursed wizard Von der Linth, got eaten by a giant. They sought protection from the dryads in exchange for a promise to find a stolen heart, and were granted a night of rest. On their way up they were followed by the giant, and the Shadowdancer fell during their fighting retreat. #DCO, #DeepCarbonObservatory, #sessionReport #whitehack
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I just learned that the last telco still operating a commercial landline service here in 🇫🇮 will decommission the network on the 30th of June. It marks the end of 140 years of landline telephone in 🇫🇮.
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I just learned that the last telco still operating a commercial landline service here in 🇫🇮 will decommission the network on the 30th of June. It marks the end of 140 years of landline telephone in 🇫🇮.
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Shadowmancer in flight
( 🎨 - @mocheccino.bsky.social ) #Neopets #NeopetsArt #Furry #FurryArt #Avian
#Neopets #NeopetsArt #Furry #FurryArt #Avian -
Shadowmancer in flight
( 🎨 - @mocheccino.bsky.social ) #Neopets #NeopetsArt #Furry #FurryArt #Avian
#Neopets #NeopetsArt #Furry #FurryArt #Avian -
On #MasterSystemMonday here’s “Shadow Dancer: The Secret of Shinobi”. This is a 1991 action platform game developed by Sega R&D 1 & published by #Sega. It’s the first sequel to Shinobi & was released in Europe, Australia, Brazil, Mexico & Korea only.
#Retrogaming #MasterSystem -
On #MasterSystemMonday here’s “Shadow Dancer: The Secret of Shinobi”. This is a 1991 action platform game developed by Sega R&D 1 & published by #Sega. It’s the first sequel to Shinobi & was released in Europe, Australia, Brazil, Mexico & Korea only.
#Retrogaming #MasterSystem -
Omari Hardwick, Tavon Olds-Sample, Reggie Lochard & Anika Noni Rose Attached To Coming-Of-Age Drama ‘Shadow Dance’
#News #OmariHardwick #ShadowDancehttps://deadline.com/2025/10/omari-hardwick-tavon-olds-sample-shadow-dance-film-1236574279/
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Omari Hardwick, Tavon Olds-Sample, Reggie Lochard & Anika Noni Rose Attached To Coming-Of-Age Drama ‘Shadow Dance’
#News #OmariHardwick #ShadowDancehttps://deadline.com/2025/10/omari-hardwick-tavon-olds-sample-shadow-dance-film-1236574279/
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Behölder – In the Temple of the Tyrant Review
By Steel Druhm
When members of various obscure power and prog metal bands like Shadowdance and Chaos Frame managed to recruit Judicator’s John Yelland for an epic doom project heavily inspired by Dungeons & Dragons, Steel was unable to resist hearing the results. So he took a flyer on Behölder and their In the Temple of the Tyrant debut and hoped for good doom things. Would it be utter cheese and need a high-level necromancer to save it? Would it be a rousing, sword-swinging platter or Iron Age heroics? As it turns out, In the Temple of the Tyrant is more like Crypt Sermon mixed with a modest dose of Hammerfall-esque power and seasoned with the muscular machismo of Eternal Champion. Does the sound of that meaty broth get your sword rising? Me too. Let’s fight!
The best way to open an epic doom album is with some hefty epic doom, and Behölder does just that with “A Pale Blood Sky.” It’s very Crypt Sermon / Candlemassive, with big, crunchy doom riffs and slick melodic trills. Yellen’s powerful and enthusiastic delivery rounds out the doom enchilada excellently, taking us on a trip through dark crypts and creepy vistas. It’s the kind of doom I eat up like candied bacon, and I love this tune muchly. It’s powerful, but oh so accessible and entertaining, and shows that these cats know their chosen genre very well. “Eyes of the Deep” is another killer, with a strong Eternal Champion vibe. Tomi Joutsen of Amorphis shows up on the back end to drop immense death roars that take the song to the next level and everything is slick and compelling as fook. “For Those Who Fell” is like the glorious Hammerfall power ballads of old (their first 2 albums) and it sucks you in and keeps you hanging on. “Draconian (Slave or Master)” is a ridiculously hooky cut elevated to glorious heights by Yellan’s epical vocals. You will not forget the chorus, and it will haunt you onto death. This one has Song o’ the Year written all over it, folks.
While the highs on the album are very high, there are a few tracks that can’t scale the same summit. “Dungeon Master” is just okay and overly tongue-in-cheek as it takes the perspective of those master nerd game planners a bit too seriously. It doesn’t vibe well with the huge epic doom flavor of the surrounding tracks and takes you out of that headspace. Closer “I Magus” is also a bit underbaked. It’s plenty riffy with a Sanctuary / Nevermore vibe, but it never gets rolling into high gear. Likewise, “Summoned & Bound” trods on the path to greatness laid out by classic Candlemass, but it never completes the journey, becoming somewhat unsatisfying by the end. No song is completely unworthy, however, and as a cohesive album, this thing is a whole lotta fun from start to finish.
John Yellan is the star of the show here, with his vocals elevating the material several notches. On the best stuff, he takes it to the house, bringing poise and grace to the doom show. He manages to keep his performance restrained and doesn’t overdo things, nor does he rely on high-pitched wailing to emphasize the dramatic bits. He gives the songs just the right amount of power and poise and does a great job throughout. Founder and band mastermind Carlos Alvarez, along with Matt Hodson of Chaos Frame, bring a healthy selection of large doom leads and stirring solos, while dabbling in plenty of traditional and power metal spaces along the way. I like their work best when they stay in the Candlemass / Crypt Sermon vein, but I can’t argue one bit with departures like “Draconian (Slave or Master).”
Behölder have chops across the board, and when their writing comes together, you get great tunes full of nods to genre masters. If the writing was a touch more consistent, this would be my first 4.0 of 2025, but In the Temple of the Tyrant falls a bit short of those lofty heights. Yet there are several songs that could end up as my Song o’ the Year, and that’s saying something about the strength of this googly-eyed floating beast. Roll the dice, hear this, find the moments that thrill your inner warrior. Swords up for Behölder!
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Black Lion
Websites: beholderblacklion.bandcamp.com | facebook.com/beholderdoom
Releases Worldwide: April 25th, 2025#2025 #35 #AmericanMetal #Apr25 #Behölder #BlackLionRecords #Candlemass #CryptSermon #EpicDoomMetal #EternalChampion #Hammerfall #HeavyMetal #InTheTempleOfTheTyrant #Judicator #Review #Reviews #Sorcerer
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Behölder – In the Temple of the Tyrant Review
By Steel Druhm
When members of various obscure power and prog metal bands like Shadowdance and Chaos Frame managed to recruit Judicator’s John Yelland for an epic doom project heavily inspired by Dungeons & Dragons, Steel was unable to resist hearing the results. So he took a flyer on Behölder and their In the Temple of the Tyrant debut and hoped for good doom things. Would it be utter cheese and need a high-level necromancer to save it? Would it be a rousing, sword-swinging platter or Iron Age heroics? As it turns out, In the Temple of the Tyrant is more like Crypt Sermon mixed with a modest dose of Hammerfall-esque power and seasoned with the muscular machismo of Eternal Champion. Does the sound of that meaty broth get your sword rising? Me too. Let’s fight!
The best way to open an epic doom album is with some hefty epic doom, and Behölder does just that with “A Pale Blood Sky.” It’s very Crypt Sermon / Candlemassive, with big, crunchy doom riffs and slick melodic trills. Yellen’s powerful and enthusiastic delivery rounds out the doom enchilada excellently, taking us on a trip through dark crypts and creepy vistas. It’s the kind of doom I eat up like candied bacon, and I love this tune muchly. It’s powerful, but oh so accessible and entertaining, and shows that these cats know their chosen genre very well. “Eyes of the Deep” is another killer, with a strong Eternal Champion vibe. Tomi Joutsen of Amorphis shows up on the back end to drop immense death roars that take the song to the next level and everything is slick and compelling as fook. “For Those Who Fell” is like the glorious Hammerfall power ballads of old (their first 2 albums) and it sucks you in and keeps you hanging on. “Draconian (Slave or Master)” is a ridiculously hooky cut elevated to glorious heights by Yellan’s epical vocals. You will not forget the chorus, and it will haunt you onto death. This one has Song o’ the Year written all over it, folks.
While the highs on the album are very high, there are a few tracks that can’t scale the same summit. “Dungeon Master” is just okay and overly tongue-in-cheek as it takes the perspective of those master nerd game planners a bit too seriously. It doesn’t vibe well with the huge epic doom flavor of the surrounding tracks and takes you out of that headspace. Closer “I Magus” is also a bit underbaked. It’s plenty riffy with a Sanctuary / Nevermore vibe, but it never gets rolling into high gear. Likewise, “Summoned & Bound” trods on the path to greatness laid out by classic Candlemass, but it never completes the journey, becoming somewhat unsatisfying by the end. No song is completely unworthy, however, and as a cohesive album, this thing is a whole lotta fun from start to finish.
John Yellan is the star of the show here, with his vocals elevating the material several notches. On the best stuff, he takes it to the house, bringing poise and grace to the doom show. He manages to keep his performance restrained and doesn’t overdo things, nor does he rely on high-pitched wailing to emphasize the dramatic bits. He gives the songs just the right amount of power and poise and does a great job throughout. Founder and band mastermind Carlos Alvarez, along with Matt Hodson of Chaos Frame, bring a healthy selection of large doom leads and stirring solos, while dabbling in plenty of traditional and power metal spaces along the way. I like their work best when they stay in the Candlemass / Crypt Sermon vein, but I can’t argue one bit with departures like “Draconian (Slave or Master).”
Behölder have chops across the board, and when their writing comes together, you get great tunes full of nods to genre masters. If the writing was a touch more consistent, this would be my first 4.0 of 2025, but In the Temple of the Tyrant falls a bit short of those lofty heights. Yet there are several songs that could end up as my Song o’ the Year, and that’s saying something about the strength of this googly-eyed floating beast. Roll the dice, hear this, find the moments that thrill your inner warrior. Swords up for Behölder!
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Black Lion
Websites: beholderblacklion.bandcamp.com | facebook.com/beholderdoom
Releases Worldwide: April 25th, 2025#2025 #35 #AmericanMetal #Apr25 #Behölder #BlackLionRecords #Candlemass #CryptSermon #EpicDoomMetal #EternalChampion #Hammerfall #HeavyMetal #InTheTempleOfTheTyrant #Judicator #Review #Reviews #Sorcerer
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Behölder – In the Temple of the Tyrant Review
By Steel Druhm
When members of various obscure power and prog metal bands like Shadowdance and Chaos Frame managed to recruit Judicator’s John Yelland for an epic doom project heavily inspired by Dungeons & Dragons, Steel was unable to resist hearing the results. So he took a flyer on Behölder and their In the Temple of the Tyrant debut and hoped for good doom things. Would it be utter cheese and need a high-level necromancer to save it? Would it be a rousing, sword-swinging platter or Iron Age heroics? As it turns out, In the Temple of the Tyrant is more like Crypt Sermon mixed with a modest dose of Hammerfall-esque power and seasoned with the muscular machismo of Eternal Champion. Does the sound of that meaty broth get your sword rising? Me too. Let’s fight!
The best way to open an epic doom album is with some hefty epic doom, and Behölder does just that with “A Pale Blood Sky.” It’s very Crypt Sermon / Candlemassive, with big, crunchy doom riffs and slick melodic trills. Yellen’s powerful and enthusiastic delivery rounds out the doom enchilada excellently, taking us on a trip through dark crypts and creepy vistas. It’s the kind of doom I eat up like candied bacon, and I love this tune muchly. It’s powerful, but oh so accessible and entertaining, and shows that these cats know their chosen genre very well. “Eyes of the Deep” is another killer, with a strong Eternal Champion vibe. Tomi Joutsen of Amorphis shows up on the back end to drop immense death roars that take the song to the next level and everything is slick and compelling as fook. “For Those Who Fell” is like the glorious Hammerfall power ballads of old (their first 2 albums) and it sucks you in and keeps you hanging on. “Draconian (Slave or Master)” is a ridiculously hooky cut elevated to glorious heights by Yellan’s epical vocals. You will not forget the chorus, and it will haunt you onto death. This one has Song o’ the Year written all over it, folks.
While the highs on the album are very high, there are a few tracks that can’t scale the same summit. “Dungeon Master” is just okay and overly tongue-in-cheek as it takes the perspective of those master nerd game planners a bit too seriously. It doesn’t vibe well with the huge epic doom flavor of the surrounding tracks and takes you out of that headspace. Closer “I Magus” is also a bit underbaked. It’s plenty riffy with a Sanctuary / Nevermore vibe, but it never gets rolling into high gear. Likewise, “Summoned & Bound” trods on the path to greatness laid out by classic Candlemass, but it never completes the journey, becoming somewhat unsatisfying by the end. No song is completely unworthy, however, and as a cohesive album, this thing is a whole lotta fun from start to finish.
John Yellan is the star of the show here, with his vocals elevating the material several notches. On the best stuff, he takes it to the house, bringing poise and grace to the doom show. He manages to keep his performance restrained and doesn’t overdo things, nor does he rely on high-pitched wailing to emphasize the dramatic bits. He gives the songs just the right amount of power and poise and does a great job throughout. Founder and band mastermind Carlos Alvarez, along with Matt Hodson of Chaos Frame, bring a healthy selection of large doom leads and stirring solos, while dabbling in plenty of traditional and power metal spaces along the way. I like their work best when they stay in the Candlemass / Crypt Sermon vein, but I can’t argue one bit with departures like “Draconian (Slave or Master).”
Behölder have chops across the board, and when their writing comes together, you get great tunes full of nods to genre masters. If the writing was a touch more consistent, this would be my first 4.0 of 2025, but In the Temple of the Tyrant falls a bit short of those lofty heights. Yet there are several songs that could end up as my Song o’ the Year, and that’s saying something about the strength of this googly-eyed floating beast. Roll the dice, hear this, find the moments that thrill your inner warrior. Swords up for Behölder!
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Black Lion
Websites: beholderblacklion.bandcamp.com | facebook.com/beholderdoom
Releases Worldwide: April 25th, 2025#2025 #35 #AmericanMetal #Apr25 #Behölder #BlackLionRecords #Candlemass #CryptSermon #EpicDoomMetal #EternalChampion #Hammerfall #HeavyMetal #InTheTempleOfTheTyrant #Judicator #Review #Reviews #Sorcerer
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New video out! Here's my look at the Sega Genesis version of Shadow Dancer. This is the complete game with commentary and there's a little mini-comparison with the arcade version at the end of the video. Check it out!
Link: https://youtu.be/VMmo5A_R6eI
#retrogaming #segagenesis #megadrive #16bit #arcade #system18 #classicgame #sega #classicgaming -
Explosion damages tanker in Russian port, marking 6th mysterious blast this year
An #explosion aboard the Eco Wizard #tanker in #Russia's #Ust-Luga port caused an ammonia leak and is under investigation, the #Russian Transportation Ministry announced on July 6.
#Explosions have damaged five #tankers at Russian ports since the beginning of the year.
https://kyivindependent.com/explosion-on-tanker-in-russian-port-sparks-investigation-06-2025/
#RussiaInvadedUkraine #ships #maritime #shipping #ShadowTankers
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Explosion damages tanker in Russian port, marking 6th mysterious blast this year
An #explosion aboard the Eco Wizard #tanker in #Russia's #Ust-Luga port caused an ammonia leak and is under investigation, the #Russian Transportation Ministry announced on July 6.
#Explosions have damaged five #tankers at Russian ports since the beginning of the year.
https://kyivindependent.com/explosion-on-tanker-in-russian-port-sparks-investigation-06-2025/
#RussiaInvadedUkraine #ships #maritime #shipping #ShadowTankers
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"(Our Love) Don't Throw It All Away" is a song penned by #BarryGibb and #BlueWeaver and recorded by the Bee Gees in 1977 on the #SaturdayNightFever sessions but was not released until #BeeGeesGreatest (1979). A different version was released in September 1978 by #RSORecords as the third single by #AndyGibb from his second studio album #ShadowDancing. His version was produced by #GibbGalutenRichardson.
https://www.youtube.com/watch?v=eH686Dyy16w -
"(Our Love) Don't Throw It All Away" is a song penned by #BarryGibb and #BlueWeaver and recorded by the Bee Gees in 1977 on the #SaturdayNightFever sessions but was not released until #BeeGeesGreatest (1979). A different version was released in September 1978 by #RSORecords as the third single by #AndyGibb from his second studio album #ShadowDancing. His version was produced by #GibbGalutenRichardson.
https://www.youtube.com/watch?v=eH686Dyy16w -
"(Our Love) Don't Throw It All Away" is a song penned by #BarryGibb and #BlueWeaver and recorded by the Bee Gees in 1977 on the #SaturdayNightFever sessions but was not released until #BeeGeesGreatest (1979). A different version was released in September 1978 by #RSORecords as the third single by #AndyGibb from his second studio album #ShadowDancing. His version was produced by #GibbGalutenRichardson.
https://www.youtube.com/watch?v=-XKPU1MHASU -
"(Our Love) Don't Throw It All Away" is a song penned by #BarryGibb and #BlueWeaver and recorded by the Bee Gees in 1977 on the #SaturdayNightFever sessions but was not released until #BeeGeesGreatest (1979). A different version was released in September 1978 by #RSORecords as the third single by #AndyGibb from his second studio album #ShadowDancing. His version was produced by #GibbGalutenRichardson.
https://www.youtube.com/watch?v=-XKPU1MHASU
