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14 results for “BassCan”
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ANTONELLA BASSANI conta tudo: PRESSÃO na Porsche Cup e BASTIDORES da F1 ... https://youtu.be/9ShMikzwBwc?si=I8F97D1aJKVNPgLO via @YouTube #assistindoagora #streamingnow
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🌎🌍 Northern gannet (Morus bassanus) #NorthAtlanticBirds #EuropeanBirds #NorthAmericanBirds #AfricanBirds | #NorthernGannet | #Gannets #GannetFamily #BoobyFamily 📷: Photo by ElliottDay🦜 #birdsoftheworld #birds
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#DailyBird 🤖
Northern Gannet (Morus bassanus), 2nd November 2024
es: Alcatraz Atlántico, fr: Fou de Bassan
Stellwagen Bank NMS, Gloucester, Massachusetts
Canon EOS R5, Canon RF 200-800mm f/6.3-9 + 1.4x teleconverter @ 280mm, 20% crop, 1/2000s, f/10, ISO 1250
#Birds #NorthernGannet #NOGA #HopeIsTheThingWithFeathers #DescribeYourImages -
In This Episode You'll Learn
・Why low frequencies are essential to Angine de Poitrine's sound
・How Khn combines guitar and bass on one double-neck instrument
・Why bass can make microtonal music easier to physically follow
#AngineDePoitrine
#MicrotonalMusic
#Bass
youtu.be/cad9CaQ2k-o
The Bass That Makes Angine de ... -
By Dolphin Whisperer
Who needs two guitar players when you could have two master bass players at the helm? Quadvium seeks to answer this question with the fiery fingerwork of metal legends Steve DiGiorgio and Jeroen Paul Thesseling. DiGiorgio revolutionized bass playing in the metalsphere through radical death works with Autopsy, Death,1 and his own band, Sadus. Even if you don’t know his name, you may recognize these hallmarks of percussive and frenetic bass engineering, or any number of the thrashy, deathly, or progressive albums to which he has lent a wild, throbbing pulse. Likewise, Thesseling has weaved his way around celebrated releases, designing a style equally tricky but heavier in jazz-indebted fusion. Both Pestilence’s Spheres and Obscura’s breakout albums Cosmogenesis and Omnivium would not have seen the same light without his buttery and bleeping presence.
In the collision of these two thick-stringed giants, Tetradōm weaves and wobbles in delectable harmony. The role of bass in rock and metal arrangements rarely settles into that of the lead. But with conductors of this caliber on fretless, and extended-range bass devices,2 nasally slides, flatulent thumps, and snarling shuffles rumble about this airy but grounded soundstage. Despite the low-end firepower at play, each accompanying performer brings flair and experience to their respective lanes. Guitarist (and engineer for Tetradōm) Eve (Kaathe) brings a flowing touch and additional melodic guide—opener “Moksha” even leads with her crystalline phrasing—that borrows from her tenure with instrumental progressive outlet Myth of I. And kitmeister Yuma van Eekelen has a storied rhythmic history with understated bands Our Oceans and Exivious that allows his textural phrasing to embolden the space between flying frequencies. No shortage of talent befalls Quadvium’s calculated stride.
Though a tag of supergroup may follow Quadvium, Tetradōm leads with an ear for the tasteful and impactful rather than one deafened by excess. All members of Quadvium possess an overwhelming prowess and creativity that edges toward the funky fresh technicality of a fusion act like Tribal Tech. Yet, with a djent-like groove, Quadvium reclaims the sterile nature of scooped drop-F chugging against glitchy electronic backings with panned wide, warm bass massaging (“Apophis,” “Adhyasa”). Popping harmonics blare3 in a glory as flighty interruptions amongst Animals as Leaders-knotted riffage, all while capturing the exploratory jazz feel of the iconic and influential Jaco Pastorius (“Náströnd”). Howling and whinnying melodies signal a path around which Eve and van Eekelen can prance in touch-and-go solo flutters and cymbal-savvy atmosphere (“Sarab,” “Eidolon”). The breadth of techniques and tones on display requires an open and engaged mind to enjoy. But Quadvium’s resonant, interwoven throughput tied fast to ever-unfolding refrains never drifts into solo-laden, wandering note tedium.
Such a bass-forward presentation—and not in the subwoofer booming way that modern hip-hop or electronic music can be—requires a listening setup with an extra oomph through the low and mid range. I remember the first time I listened to Gordian Knot’s “Arsis,” a subtle solo bass intro to 2003’s classic, Emergent, I could have sworn nothing emerged from my crackling Logitech speakers, its subtle hum nary an auditory blip. Quadvium doesn’t render their instrumental dialogue quite as soft-spoken, with performers’ metal edges and jazzy chatter (and Eve’s cybersynth sound design) filling the room with bright, up-front, persistent movement. But to hear the nuances, and fall into a fuller love with Tetradōm, you may have to reach for your richest listening mode so that you lose neither the delicate drum teasing intro to “Ghardus”—and the bass duo’s subsequent descent to the lowest range of the experience—nor the delicate floor-scraping harmonies of “Apophis.” Of course, you could just crank that volume knob, lay out on the floor, and let the braying call-and-response bends of “Sarab” or the modulated stacked-track bliss of “Eidolon” vibrate your being to a higher existence.
Without a single word, Quadvium manages to conjure the esoteric nature that Tetradōm and its philosophy-inspired titles promise. Its strike, though, takes full shape, eschewing the potential for amorphous free jazz tone flexing that fusion music can embody. DiGiorgio and Thesseling have a vision of what bass can be in a rock and metal context, and Tetradōm realizes that with every squeaking slide, pattering finger roll, cascading chord. Masters don’t always produce hungry music, but Quadvium has shown their appetite remains growling.
Rating: 4.0/5.0
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Agonia Records | Bandcamp
Website: facebook.com/quadviumofficial
Releases Worldwide: May 30th, 2025Show 3 footnotes
- Session bass for Autopsy’s Severed Survival and member of Death for Human and Individual Thought Patterns. ↩
- DiGiorgio has been known to rock a 3-string bass too! ↩
- Reminding me of Atheist’s claim to the coolest bass harmonic in all of metal. ↩
#2025 #40 #AgoniaRecords #AnimalsAsLeaders #Atheist #Autopsy #Death #Exivious #GordianKnot #InstrumentalMetal #InternationalMetal #JacoPastorius #JazzFusion #May25 #MythOfI #Obscura #OurOceans #Pestilence #ProgressiveMetal #Quadvium #Review #Reviews #Sadist #Sadus #Tetradōm #TribalTech
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'Thus, here we asked whether B. bassiana could damage the Drosophila brain via Toll-1, Wek and Sarm. We show that exposure to B. bassiana reduced fly lifespan and impaired locomotion. B. bassiana entered the brain and induced the up-regulation of AMPs, as well as wek and sarm, within the brain. Exposure to B. bassiana caused neuronal and glial loss in the adult Drosophilabrain. Importantly, RNAi knockdown of Toll-1, wek or sarm concomitantly with infection prevented B. bassiana induced cell loss.'
#Immunology #InnateImmunity
#Preprint
https://www.biorxiv.org/content/10.1101/2024.04.29.591341v1 -
Carte de l’Amérique du Nord (1847)
Publiée aujourd’hui sur Gallica / BnF
https://gallica.bnf.fr/ark:/12148/btv1b10063110b
#carte #cartographie #maps #cartography #AmériqueDuNord #géographie #histoire #patrimoine #BasCanada #USA #Mexique #Gallica #BnF #Amérique #Antilles -
𝗔𝘁𝗹𝗲𝘁𝗲 𝗞𝗹𝗮𝘃𝗲𝗿 𝗱𝗲𝗿𝗱𝗲 𝗼𝗽 400 𝗺𝗲𝘁𝗲𝗿 𝗯𝗶𝗷 𝗙𝗕𝗞 𝗚𝗮𝗺𝗲𝘀
Lieke Klaver is bij de FBK Games in Hengelo als derde geëindigd op de 400 meter. De Nederlandse sprinttroef moest de Egyptische Bassant Hemida en de Ierse Sharlene Mawdsley voor laten gaan. Klaver noteerde 50,60 seconden en slaagde er opnieuw niet in onder de grens van 50 seconden te duiken. Hemida won in 50,10, Mawdsley liep...
https://www.rtl.nl/nieuws/sport/artikel/5619353/atlete-klaver-derde-op-400-meter-bij-fbk-games
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AUDIOPHILE MAN - HiFi NEWS
Stack Audio’s AUVA SW is here: particle damping, silicone LF absorber, solid-aluminium shell — all purpose-built to tame sub-bass vibration. Serious isolation for serious subs.
£324/4.
🔗 https://theaudiophileman.com/auva-sw-from-stack-audio/
#audio #hifi #audiophile #Subwoofer #BassControl #VibrationIsolation #StackAudio #AUVA #HomeAudio #HiFiGear #HiFiUpgrade #AudioEngineering #Loudspeakers #HiFiCommunity #SoundQuality -
CF Signals: K-H1 – Chatka [Illegal Alien Records]
Cult Mexican imprint Illegal Alien Records presents the third volume of its acclaimed summer compilation, Between Lands & Oceans III—a digital annual showcase bringing together twenty exclusive tracks from established figures and emerging talents aligned with uncompromising underground techno philosophy. Championing absolute creative freedom, this release spans from hypnotic grooves to raw energy, striking a seamless balance between physical dancefloor impact and deep mental immersion.
https://clubfuries.com.mx/2026/07/08/cfs-aregone-svara-iar399/
The peak point of sophistication and dynamism within this release reveals itself on Chatka, our exclusive Premiere signed by Berlin-based producer and DJ K-H1 (whose bold output has resonated across strongholds like Berghain, RSO, and Bassiani). The piece deploys a sound originating from mystery and future times, where sonic layers progressively agglomerate in a subtle yet surgically effective manner.
https://soundcloud.com/clubfuriess/cfs-k-h1-chatka-iarblo003
The composition’s architecture warps the club’s temporality by emerging at dusk for the eternalization of sound, infusing the floor with flashes of precise nostalgia and an unreachable drive. Traversing through valleys and mountains, the sonic narrative constructs a complex texture rich in versatility that turns out exceptional, proving why K-H1 stands out as one of current European techno’s most promising voices.
With Between Lands & Oceans III, K-H1 and Illegal Alien Records sign a sharp sonic manifesto: proving that contemporary cult techno reaches its highest peak when rhythmic power pays homage to mystery and conceptual design.
Label: Illegal Alien Records
Artist: 500MA, A.Paul, Alexi Delano, Aphazia, Black Hypnotist, Chich, Colomboi, Ehmarj, Esteban Miranda, Jen Cruz, K-H1, Ket Robinson, Kevin Villa, Marco Ramos, MSDMNR, Perpetual Black Second, Procombo, Ricardo Garduno, Sarf, Sola Contagio, Vanina Buniak, and Xris Vavrzhina.
Title: Between Lands & Oceans III
Genre: Techno
Format: Digital WAV/MP3
Catalogue: IARBLO003
Mastering by The Programnaitor
Artwork design by RommuloRelease Date: August 28, 2026
Support & Buy: BandcampK-H1
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Club Furies
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#Berlin #BetweenLandsOceans #BetweenLandsOceansIII #CFPremiere #Cinematic #clubFuries #ClubFuriesPremiere #Electrónica #Electronic #Electronica #Germany #HypnoticTechno #IllegalAlienRecords #KH1 #Premiere #premiereCF #PremiereClubFuries #RawTechno #techno #VA -
CW: Porn
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CW: Porn
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CW: Porn
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CW: Porn
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