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1000 results for “real_landru”
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“Black, a Bidjara and Ghungalu man, is here most afternoons, enthusiastically telling tourists about the area’s Aboriginal history. He shows them artefacts he’s found in the mountains: axe heads, grinding stones, crude but effective knives chipped from stone – all rattling around in a Coles shopping basket on the back seat of his LandCruiser.
“I’ll tell you the real story – the one that’s not in the history books,” he says.”Another #TruthTelling from the Guardian’s The Descendants Series.
“Cullin-la-ringo was a turning point in Queensland’s history, paving the way for “warfare” between First Nations peoples and the settlers over control of the state’s north. It would claim the lives of tens of thousands of Indigenous people over the decades that followed. Some groups, including the Gayiri, never recovered.”
Nothing I can type here will do justice to history and the need to get it out in the open. Best you read the article(s) in this series yourself and bear witness to thie Continent’s recent past.
Read more:
#Makaratta #IVotedYes #FirstNationsHistory #NativePolice #NorhtQLD #1890s
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The #Army #ROTC program at #CUBoulder was quite good, if I say so myself. https://youtu.be/tnq-iu0lYx4?si=_100_WPLUtKpo9_q
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Ahoy, landlubbers! Prepare to set sail on a high-seas adventure through the annals of gaming history, as we dive into the depths of the 1992 Game Boy classic, Popeye 2. This episode we’ve got a special guest aboard – Matt Storm from the podcasts “Fun” and Games and Screen Snark. They’re a veritable treasure trove of knowledge when it comes to all things retro gaming, so batten down the hatches and get ready for a wild ride!
In this episode we’ll explore the pixelated world of Popeye, the legendary sailor man who’s always ready to dish out a can of spinach-fueled justice. From navigating treacherous levels to battling Bluto’s dastardly schemes, we’ll uncover the secrets behind this beloved game that captured the hearts of gamers and comic book fans alike.
But that’s not all, me hearties! We’ll also delve into the rich history of the Popeye comics, tracing their roots back to the early 20th century and exploring how they’ve influenced pop culture over the decades. Prepare to be regaled with tales of Olive Oyl’s escapades, Wimpy’s insatiable hunger for hamburgers, and Popeye’s iconic catchphrases that have become part of the cultural lexicon.
So grab your Game Boy, load up on spinach, and get ready to set sail on an adventure that will have you laughing, reminiscing, and maybe even singing a few sea shanties along the way. Anchors aweigh, mateys!
Learn such things as:
- Why is it spinach anyway?
- Is Olive Oyl really that great?
- Who’s the real villain in the Popeye mythos?
- And so much more!
You can find Matt @dj_stormageddon on Twitter, Instagram, and Twitch, @djstormageddon on BlueSky, and to check out all of the shows they do check out DJStormageddon.com for “Fun” and Games, Screen Snark, and eventually a mystery third podcast that I’m trying to will into existence.
If you want to be a guest on the show please check out the Be a A Guest on the Show page and let me know what you’re interested in.
If you want to help support the show check out the Play Comics Patreon page or head over to the Support page if you want to go another route. You can also check out the Play Comics Merch Store.
Play Comics is part of the Gonna Geek Network, which is a wonderful collection of geeky podcasts. Be sure to check out the other shows on Gonna Geek if you need more of a nerd fix.
You can find Play Comics @playcomics.bsky.social on Bluesky, @playcomicscast on Twitter and in the Play Comics Podcast Fan Group on Facebook.
A big thanks to Crossplay Conversations and Film Rage for the promos today.
Intro/Outro Music by Best Day, who prefers kale.
https://playcomics.com/popeye-2-with-matt-storm-fun-and-games-screen-snark/
#Activision #CharltonComics #CopyaSystem #DellComics #GameBoy #GoldKeyComics #KingComics #KingFeaturesSyndicate #MattStorm #newspaper #Popeye
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@evshift I admit to being conflicted about IH Scout being bought/used by #VW and I'm a VW / #Audi fan.
I still have #International #Scout parts lying around... the rear axle in my #Jeep #Cherokee #XJ is from an IH Scout.
I don't dislike the styling shown. A #plugin #hybrid like the new #Toyota #LandCruiser #TLC could be interesting. So complex... Chances of getting a modern 345cid IH engine? Ha.
Real axle(s)?
Will probably be modern junk like the new #GrandWagoneer
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Ist das real? Ist das nur eine Illusion? Ist das aus einem Cyberpunk Universum? Wie groß ist das? Es leuchtet blau und zeigt ZTL an. Was bedeuten die Zahlen? Was macht das eigentlich? Wieso sind die Farben so harmonisch? Was ist dieser Post? Fragen über Fragen. Wir haben die Antworten? Willst Du's erfahren? Antworte in den Kommentaren, komm mal vorbei. Wohin? Na ins #ZTL nach #LandauInDerPfalz, dem besten #Makerspace in der #pfalz. Denn #InLandauIstImmerWasLos! Bis bald im #ZTLSpace
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It's Christmas Day and #whamageddon did not defeat me, for the very first time!
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Congratulations to the 🇪🇺 @eudelegationtur on their 🌲🌳 "Plant Trees for Our Planet" event!
Together, we can join forces to help restore and protect nature, and make a real difference #ForOurPlanet
RT @eudelegationtur: AB Türkiye Delegasyonu Başkanı Büyükelçi Nikolaus Meyer-Landrut "Gezegenimiz İçin Ağaç Dikin" etkinliği sonrasında gençlerle ve basın mensupları ile biraraya geldi, #iklim ve #sürdürülebilirlik ile ilgili güncel konularda… -
Peoria may have to spend more on purchase of Expo Gardens https://www.allforgardening.com/1452297/peoria-may-have-to-spend-more-on-purchase-of-expo-gardens/ #AI #auctions #construction #ConstructionU0026Maintenance #Enabled #Estate #garden #Government #Highlights #Housing #IL #Land #LandAuctions #local #LocalNews #maintenance #Neutral #news #Overall #OverallNeutral #peoria #Real #RealEstate #story #StoryHighlightsAIEnabled #u0026
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I'm ready to start planning for an #OctoberSurprise. My vote: POTUS announces the end of Daylight Saving Time. #EndDST
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Though, the interview of SPACECOM vs Space Force #pewpew was more fun ... https://warroom.armywarcollege.edu/podcasts/u-s-space-force/
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Do you ever think that you're the only person at your #KingSoopers buying #scrapple?
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#Fachkräftemangel! Landauf, Landab, überall das gleiche Gejammere aus #Wirtschaft und Politik.
Gleichzeitig schiebt #Deutschland hoch qualifizierte Fachkräfte ab!
#Ärztin und #IT Experte abgeschoben nach #Kasachstan.Was, wenn die Jammerei einem anderen Zweck dient?
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Wyatt E. – Zamāru Ultu Qereb Ziqquratu Part 1 Review
By Killjoy
With so many bands vying for attention in this digital age, sometimes it takes something truly original to catch a listener’s eye. This is what fixed my attention on Zamāru Ultu Qereb Ziqquratu Part 1 as it poked out of the fertile soil in the promo pit. Wyatt E.1 was originally founded in Belgium as an instrumental drone/doom group by guitarists Sébastien von Landau and Stéphane Rondia to portray the captured people of Jerusalem during the Babylonian Exile in 587 BCE. They made some bold alterations on this latest record to expand their sonic footprint, namely the addition of two drummers recorded simultaneously and collaborations with vocalists Nina Saeidi (Lowen) and Tomer Damsky. Did these creative shakeups succeed in enriching Wyatt E.’s sound?
A few of Wyatt E.’s more unconventional résumé entries have visibly impacted the development of Zamāru. Traces of the synth-heavy soundtrack they wrote for the 2022 film Bowling Saturne are scattered throughout, and the album has a distinct cinematic flair. They also teamed up with Tomer Damsky and Five the Hierophant for a specially commissioned performance at the 2022 Roadburn Festival titled Atonia.2 Five the Hierophant is a convenient starting point for comparison with Wyatt E., as they both rely on continuous repetition of key melodies embellished by a rich assortment of instruments. However, while the former favors wild saxophone passages, the latter prefers to lean on Middle Eastern instruments like the saz and sitar in a manner similar to last year’s Black Aleph release. With these accomplishments under its belt, Wyatt E. was primed to continue where the last album Āl Bēlūti Dārû left off with the intensity now cranked up to 11.
If we liken Zamāru’s structure to a sandwich, the 10-12 minute drone-laden treks bookending the album are the reliable bread that holds everything together. Opener “Qaqqari la târi Part I” begins with a single recurring note forming a rhythmic pattern underpinning the song as subtle fills are gradually layered on and the music suddenly erupts with sitar and percussion. It can’t be overstated how much drummers Jonas Sanders and Gil Chevigné boost the power and scope of the music. They sound positively thunderous when they play the same rhythm and in the finale of closer “Ahanu Ersetum” one anchors the steady beat while the other focuses on complex fills and dramatic crashes. If I had to nitpick, I’d say that a minute or so from the beginning of each of these two longer tracks could have been shortened, but it’s hard to complain much when the buildup and subsequent payoff are so compelling.
Of course, a good sandwich needs delectable filling, and the three middle tracks of Zamāru add tons of piquancy. Much of this comes from the stellar guest vocalists. Tomer Damsky’s singing in “Im Lelya” is nothing short of captivating, especially her vocal undulations at key moments. Likewise, Nina Saeidi’s hypnotic voice rises and falls like gigantic sand dunes in “The Diviner’s Prayer to the Gods of the Night” as she sings an ancient Akkadian poem. The guests don’t do all the heavy lifting, though. “Kerretu Mahrû” is a fascinating whirlwind of Middle Eastern instrumentation underscored by an elaborate drumming dance that all ends much too soon. In fact, this is my only real disappointment with Zamāru as a whole—it feels a bit incomplete. This isn’t exactly surprising, given that it’s titled Part 1, but I still can’t help but crave more after the 35 minutes are over.
It’s barely January, but I’d wager that Wyatt E. has fashioned one of the most unique records of 2025. The novelty factor may be what prompted me to investigate, but Zamāru more than stands on its own merits. Wyatt E. has mastered the tricky art of balancing the repetitive nature of drone with exotic exploration, making good use of the new resources available to hit several creative stretch goals with ease. This is a thoroughly engrossing experience that has earned my attention and rapt anticipation for Part 2.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Heavy Psych Sounds Records
Websites: wyattdoom.bandcamp.com | facebook.com/Wyattdoom
Releases Worldwide: January 10th, 2025#2025 #40 #BelgianMetal #BlackAleph #DoomMetal #DroneMetal #FiveTheHierophant #FolkMetal #HeavyPsychSoundsRecords #Jan25 #Lowen #Review #Reviews #WyattE_ #ZamaruUltuQerebZiqquratuPart1
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Wyatt E. – Zamāru Ultu Qereb Ziqquratu Part 1 Review
By Killjoy
With so many bands vying for attention in this digital age, sometimes it takes something truly original to catch a listener’s eye. This is what fixed my attention on Zamāru Ultu Qereb Ziqquratu Part 1 as it poked out of the fertile soil in the promo pit. Wyatt E.1 was originally founded in Belgium as an instrumental drone/doom group by guitarists Sébastien von Landau and Stéphane Rondia to portray the captured people of Jerusalem during the Babylonian Exile in 587 BCE. They made some bold alterations on this latest record to expand their sonic footprint, namely the addition of two drummers recorded simultaneously and collaborations with vocalists Nina Saeidi (Lowen) and Tomer Damsky. Did these creative shakeups succeed in enriching Wyatt E.’s sound?
A few of Wyatt E.’s more unconventional résumé entries have visibly impacted the development of Zamāru. Traces of the synth-heavy soundtrack they wrote for the 2022 film Bowling Saturne are scattered throughout, and the album has a distinct cinematic flair. They also teamed up with Tomer Damsky and Five the Hierophant for a specially commissioned performance at the 2022 Roadburn Festival titled Atonia.2 Five the Hierophant is a convenient starting point for comparison with Wyatt E., as they both rely on continuous repetition of key melodies embellished by a rich assortment of instruments. However, while the former favors wild saxophone passages, the latter prefers to lean on Middle Eastern instruments like the saz and sitar in a manner similar to last year’s Black Aleph release. With these accomplishments under its belt, Wyatt E. was primed to continue where the last album Āl Bēlūti Dārû left off with the intensity now cranked up to 11.
If we liken Zamāru’s structure to a sandwich, the 10-12 minute drone-laden treks bookending the album are the reliable bread that holds everything together. Opener “Qaqqari la târi Part I” begins with a single recurring note forming a rhythmic pattern underpinning the song as subtle fills are gradually layered on and the music suddenly erupts with sitar and percussion. It can’t be overstated how much drummers Jonas Sanders and Gil Chevigné boost the power and scope of the music. They sound positively thunderous when they play the same rhythm and in the finale of closer “Ahanu Ersetum” one anchors the steady beat while the other focuses on complex fills and dramatic crashes. If I had to nitpick, I’d say that a minute or so from the beginning of each of these two longer tracks could have been shortened, but it’s hard to complain much when the buildup and subsequent payoff are so compelling.
Of course, a good sandwich needs delectable filling, and the three middle tracks of Zamāru add tons of piquancy. Much of this comes from the stellar guest vocalists. Tomer Damsky’s singing in “Im Lelya” is nothing short of captivating, especially her vocal undulations at key moments. Likewise, Nina Saeidi’s hypnotic voice rises and falls like gigantic sand dunes in “The Diviner’s Prayer to the Gods of the Night” as she sings an ancient Akkadian poem. The guests don’t do all the heavy lifting, though. “Kerretu Mahrû” is a fascinating whirlwind of Middle Eastern instrumentation underscored by an elaborate drumming dance that all ends much too soon. In fact, this is my only real disappointment with Zamāru as a whole—it feels a bit incomplete. This isn’t exactly surprising, given that it’s titled Part 1, but I still can’t help but crave more after the 35 minutes are over.
It’s barely January, but I’d wager that Wyatt E. has fashioned one of the most unique records of 2025. The novelty factor may be what prompted me to investigate, but Zamāru more than stands on its own merits. Wyatt E. has mastered the tricky art of balancing the repetitive nature of drone with exotic exploration, making good use of the new resources available to hit several creative stretch goals with ease. This is a thoroughly engrossing experience that has earned my attention and rapt anticipation for Part 2.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Heavy Psych Sounds Records
Websites: wyattdoom.bandcamp.com | facebook.com/Wyattdoom
Releases Worldwide: January 10th, 2025#2025 #40 #BelgianMetal #BlackAleph #DoomMetal #DroneMetal #FiveTheHierophant #FolkMetal #HeavyPsychSoundsRecords #Jan25 #Lowen #Review #Reviews #WyattE_ #ZamaruUltuQerebZiqquratuPart1
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Wyatt E. – Zamāru Ultu Qereb Ziqquratu Part 1 Review
By Killjoy
With so many bands vying for attention in this digital age, sometimes it takes something truly original to catch a listener’s eye. This is what fixed my attention on Zamāru Ultu Qereb Ziqquratu Part 1 as it poked out of the fertile soil in the promo pit. Wyatt E.1 was originally founded in Belgium as an instrumental drone/doom group by guitarists Sébastien von Landau and Stéphane Rondia to portray the captured people of Jerusalem during the Babylonian Exile in 587 BCE. They made some bold alterations on this latest record to expand their sonic footprint, namely the addition of two drummers recorded simultaneously and collaborations with vocalists Nina Saeidi (Lowen) and Tomer Damsky. Did these creative shakeups succeed in enriching Wyatt E.’s sound?
A few of Wyatt E.’s more unconventional résumé entries have visibly impacted the development of Zamāru. Traces of the synth-heavy soundtrack they wrote for the 2022 film Bowling Saturne are scattered throughout, and the album has a distinct cinematic flair. They also teamed up with Tomer Damsky and Five the Hierophant for a specially commissioned performance at the 2022 Roadburn Festival titled Atonia.2 Five the Hierophant is a convenient starting point for comparison with Wyatt E., as they both rely on continuous repetition of key melodies embellished by a rich assortment of instruments. However, while the former favors wild saxophone passages, the latter prefers to lean on Middle Eastern instruments like the saz and sitar in a manner similar to last year’s Black Aleph release. With these accomplishments under its belt, Wyatt E. was primed to continue where the last album Āl Bēlūti Dārû left off with the intensity now cranked up to 11.
If we liken Zamāru’s structure to a sandwich, the 10-12 minute drone-laden treks bookending the album are the reliable bread that holds everything together. Opener “Qaqqari la târi Part I” begins with a single recurring note forming a rhythmic pattern underpinning the song as subtle fills are gradually layered on and the music suddenly erupts with sitar and percussion. It can’t be overstated how much drummers Jonas Sanders and Gil Chevigné boost the power and scope of the music. They sound positively thunderous when they play the same rhythm and in the finale of closer “Ahanu Ersetum” one anchors the steady beat while the other focuses on complex fills and dramatic crashes. If I had to nitpick, I’d say that a minute or so from the beginning of each of these two longer tracks could have been shortened, but it’s hard to complain much when the buildup and subsequent payoff are so compelling.
Of course, a good sandwich needs delectable filling, and the three middle tracks of Zamāru add tons of piquancy. Much of this comes from the stellar guest vocalists. Tomer Damsky’s singing in “Im Lelya” is nothing short of captivating, especially her vocal undulations at key moments. Likewise, Nina Saeidi’s hypnotic voice rises and falls like gigantic sand dunes in “The Diviner’s Prayer to the Gods of the Night” as she sings an ancient Akkadian poem. The guests don’t do all the heavy lifting, though. “Kerretu Mahrû” is a fascinating whirlwind of Middle Eastern instrumentation underscored by an elaborate drumming dance that all ends much too soon. In fact, this is my only real disappointment with Zamāru as a whole—it feels a bit incomplete. This isn’t exactly surprising, given that it’s titled Part 1, but I still can’t help but crave more after the 35 minutes are over.
It’s barely January, but I’d wager that Wyatt E. has fashioned one of the most unique records of 2025. The novelty factor may be what prompted me to investigate, but Zamāru more than stands on its own merits. Wyatt E. has mastered the tricky art of balancing the repetitive nature of drone with exotic exploration, making good use of the new resources available to hit several creative stretch goals with ease. This is a thoroughly engrossing experience that has earned my attention and rapt anticipation for Part 2.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Heavy Psych Sounds Records
Websites: wyattdoom.bandcamp.com | facebook.com/Wyattdoom
Releases Worldwide: January 10th, 2025#2025 #40 #BelgianMetal #BlackAleph #DoomMetal #DroneMetal #FiveTheHierophant #FolkMetal #HeavyPsychSoundsRecords #Jan25 #Lowen #Review #Reviews #WyattE_ #ZamaruUltuQerebZiqquratuPart1
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Wyatt E. – Zamāru Ultu Qereb Ziqquratu Part 1 Review
By Killjoy
With so many bands vying for attention in this digital age, sometimes it takes something truly original to catch a listener’s eye. This is what fixed my attention on Zamāru Ultu Qereb Ziqquratu Part 1 as it poked out of the fertile soil in the promo pit. Wyatt E.1 was originally founded in Belgium as an instrumental drone/doom group by guitarists Sébastien von Landau and Stéphane Rondia to portray the captured people of Jerusalem during the Babylonian Exile in 587 BCE. They made some bold alterations on this latest record to expand their sonic footprint, namely the addition of two drummers recorded simultaneously and collaborations with vocalists Nina Saeidi (Lowen) and Tomer Damsky. Did these creative shakeups succeed in enriching Wyatt E.’s sound?
A few of Wyatt E.’s more unconventional résumé entries have visibly impacted the development of Zamāru. Traces of the synth-heavy soundtrack they wrote for the 2022 film Bowling Saturne are scattered throughout, and the album has a distinct cinematic flair. They also teamed up with Tomer Damsky and Five the Hierophant for a specially commissioned performance at the 2022 Roadburn Festival titled Atonia.2 Five the Hierophant is a convenient starting point for comparison with Wyatt E., as they both rely on continuous repetition of key melodies embellished by a rich assortment of instruments. However, while the former favors wild saxophone passages, the latter prefers to lean on Middle Eastern instruments like the saz and sitar in a manner similar to last year’s Black Aleph release. With these accomplishments under its belt, Wyatt E. was primed to continue where the last album Āl Bēlūti Dārû left off with the intensity now cranked up to 11.
If we liken Zamāru’s structure to a sandwich, the 10-12 minute drone-laden treks bookending the album are the reliable bread that holds everything together. Opener “Qaqqari la târi Part I” begins with a single recurring note forming a rhythmic pattern underpinning the song as subtle fills are gradually layered on and the music suddenly erupts with sitar and percussion. It can’t be overstated how much drummers Jonas Sanders and Gil Chevigné boost the power and scope of the music. They sound positively thunderous when they play the same rhythm and in the finale of closer “Ahanu Ersetum” one anchors the steady beat while the other focuses on complex fills and dramatic crashes. If I had to nitpick, I’d say that a minute or so from the beginning of each of these two longer tracks could have been shortened, but it’s hard to complain much when the buildup and subsequent payoff are so compelling.
Of course, a good sandwich needs delectable filling, and the three middle tracks of Zamāru add tons of piquancy. Much of this comes from the stellar guest vocalists. Tomer Damsky’s singing in “Im Lelya” is nothing short of captivating, especially her vocal undulations at key moments. Likewise, Nina Saeidi’s hypnotic voice rises and falls like gigantic sand dunes in “The Diviner’s Prayer to the Gods of the Night” as she sings an ancient Akkadian poem. The guests don’t do all the heavy lifting, though. “Kerretu Mahrû” is a fascinating whirlwind of Middle Eastern instrumentation underscored by an elaborate drumming dance that all ends much too soon. In fact, this is my only real disappointment with Zamāru as a whole—it feels a bit incomplete. This isn’t exactly surprising, given that it’s titled Part 1, but I still can’t help but crave more after the 35 minutes are over.
It’s barely January, but I’d wager that Wyatt E. has fashioned one of the most unique records of 2025. The novelty factor may be what prompted me to investigate, but Zamāru more than stands on its own merits. Wyatt E. has mastered the tricky art of balancing the repetitive nature of drone with exotic exploration, making good use of the new resources available to hit several creative stretch goals with ease. This is a thoroughly engrossing experience that has earned my attention and rapt anticipation for Part 2.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Heavy Psych Sounds Records
Websites: wyattdoom.bandcamp.com | facebook.com/Wyattdoom
Releases Worldwide: January 10th, 2025Show 2 footnotes
- Surprisingly, not the band I’ve reviewed with the most unusual name during my short tenure thus far as an AMG writer. ↩
- Recordings of the performance can be found here and here. ↩
#2025 #40 #BelgianMetal #BlackAleph #DoomMetal #DroneMetal #FiveTheHierophant #FolkMetal #HeavyPsychSoundsRecords #Jan25 #Lowen #Review #Reviews #WyattE_ #ZamaruUltuQerebZiqquratuPart1
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🌳 Prime Investment: Land Auction in Marlow, Buckinghamshire 🌳
Guide Price: £3,000
This 275.52 sqm plot offers exceptional potential with “hope value” for long-term investors seeking future development opportunities in the growing Buckinghamshire real estate market. A unique chance for savvy buyers!
For auction details, contact Edward Swindells at 07971 033 276 (Call/Text/WhatsApp). 📲
#LandAuction #Marlow #InvestmentOpportunity #WorldOfAuctions #RealEstateInvestment
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Today is #Juneteenth: an American holiday to celebrate when the Union Army told the slaves in Galveston, TX, they were, in fact, free.
I'm thrilled that every year we can remember just how far we'll go to do the right thing. #GoArmy
Tom Krannawitter's article on it: https://open.substack.com/pub/tkrannawitter/p/juneteenth-2025
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I spent half an hour getting #gaphor installed, then realized it didn't support sysML 2.0 yet. This is on me.
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I'm ready to start planning for an #OctoberSurprise. My vote: POTUS announces the end of Daylight Saving Time. #EndDST
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📕️ Neuerwerbung der Gustav-Landauer-Bibliothek Witten:
Kim Posster (@[email protected]):
Männlichkeit verraten!
Über das Elend der „Kritischen Männlichkeit“ und eine Alternative zum heutigen Profeminismus
Wie lässt sich „die Männerfrage“ emanzipatorisch beantworten?
Das Verhältnis von Männlichkeit, Männern und Feminismus wird so intensiv diskutiert, wie seit fast 20 Jahren nicht mehr. Konzepte wie ‚Profeminismus‘ und die Geschichte der antisexistischen Männerbewegung werden wiederentdeckt und sollen neu belebt werden. Besonders das Schlagwort ‚kritische Männlichkeit‘ versammelt neue Ansätze und Gruppen, die das Verhältnis von Männlichkeit und feministischer Kritik bestimmen und praktisch angehen wollen. Was eigentlich Grund zur Hoffnung geben sollte, stellt sich bei genauerem Hinsehen aber oft als bloße Fortsetzung der Katastrophe heraus.
Denn die neu entflammte Debatte und Praxis zur Kritik an Männlichkeit wird von popfeministischer Lebensberatung, dem innerlichen Moralismus des Privilegiencheckens und dem verzweifelten Versuch dominiert, cis Männern feministische Kritik irgendwie schmackhaft zu machen. Vor allem das, was unter dem Label ‚kritische Männlichkeit‘ geschieht, ist nicht viel mehr als ein hoch individualisiertes Programm zur Resouveränisierung verunsicherter (cis) Männer. Feministische Kritik wird sich dafür im schlechtestmöglichen Sinne einverleibt, damit ihre Konsequenzen weiter ausgesessen und unterlaufen werden können – nur diesmal mit dem ‚korrekten‘ Vokabular und einer profeministischen Pseudo-Praxis.
Männlichkeit verraten! bricht mit allen Versuchen der einhegenden Versöhnlichkeit und geht in die Konfrontation. Der provokante Essay ist das Ergebnis von über fünf Jahren Frust, Enttäuschung und analytischer Wut über (eigene) Männlichkeit; darüber, wie sie in der Linken herrscht und wie gerade der neue Profeminismus auf sie eingeht. Er verbindet dafür Beobachtung und Polemik, Analyse und Intervention, Theorie und Praxis – in der Hoffnung auf eine organisierte Männlichkeitskritik, die Männlichkeit weder erkunden noch stärken will. Stattdessen soll sie organisiert und institutionalisiert zum konkreten Problem gemacht werden, zu dem die real existierenden Männer ein bewusstes und politisches Verhältnis einnehmen müssen.
(Quelle: Neofelis Verlag)
#Witten #GLBibW #Profeminismus #Männlichkeitskritik
(comment on Männlichkeit verraten!)
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📕️ Neuerwerbung der Gustav-Landauer-Bibliothek Witten:
Kim Posster (@[email protected]):
Männlichkeit verraten!
Über das Elend der „Kritischen Männlichkeit“ und eine Alternative zum heutigen Profeminismus
Wie lässt sich „die Männerfrage“ emanzipatorisch beantworten?
Das Verhältnis von Männlichkeit, Männern und Feminismus wird so intensiv diskutiert, wie seit fast 20 Jahren nicht mehr. Konzepte wie ‚Profeminismus‘ und die Geschichte der antisexistischen Männerbewegung werden wiederentdeckt und sollen neu belebt werden. Besonders das Schlagwort ‚kritische Männlichkeit‘ versammelt neue Ansätze und Gruppen, die das Verhältnis von Männlichkeit und feministischer Kritik bestimmen und praktisch angehen wollen. Was eigentlich Grund zur Hoffnung geben sollte, stellt sich bei genauerem Hinsehen aber oft als bloße Fortsetzung der Katastrophe heraus.
Denn die neu entflammte Debatte und Praxis zur Kritik an Männlichkeit wird von popfeministischer Lebensberatung, dem innerlichen Moralismus des Privilegiencheckens und dem verzweifelten Versuch dominiert, cis Männern feministische Kritik irgendwie schmackhaft zu machen. Vor allem das, was unter dem Label ‚kritische Männlichkeit‘ geschieht, ist nicht viel mehr als ein hoch individualisiertes Programm zur Resouveränisierung verunsicherter (cis) Männer. Feministische Kritik wird sich dafür im schlechtestmöglichen Sinne einverleibt, damit ihre Konsequenzen weiter ausgesessen und unterlaufen werden können – nur diesmal mit dem ‚korrekten‘ Vokabular und einer profeministischen Pseudo-Praxis.
Männlichkeit verraten! bricht mit allen Versuchen der einhegenden Versöhnlichkeit und geht in die Konfrontation. Der provokante Essay ist das Ergebnis von über fünf Jahren Frust, Enttäuschung und analytischer Wut über (eigene) Männlichkeit; darüber, wie sie in der Linken herrscht und wie gerade der neue Profeminismus auf sie eingeht. Er verbindet dafür Beobachtung und Polemik, Analyse und Intervention, Theorie und Praxis – in der Hoffnung auf eine organisierte Männlichkeitskritik, die Männlichkeit weder erkunden noch stärken will. Stattdessen soll sie organisiert und institutionalisiert zum konkreten Problem gemacht werden, zu dem die real existierenden Männer ein bewusstes und politisches Verhältnis einnehmen müssen.
(Quelle: Neofelis Verlag)
#Witten #GLBibW #Profeminismus #Männlichkeitskritik
(comment on Männlichkeit verraten!)
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Ist das real? Ist das nur eine Illusion? Ist das aus einem Cyberpunk Universum? Wie groß ist das? Es leuchtet blau und zeigt ZTL an. Was bedeuten die Zahlen? Was macht das eigentlich? Wieso sind die Farben so harmonisch? Was ist dieser Post? Fragen über Fragen. Wir haben die Antworten? Willst Du's erfahren? Antworte in den Kommentaren, komm mal vorbei. Wohin? Na ins #ZTL nach #LandauInDerPfalz, dem besten #Makerspace in der #pfalz. Denn #InLandauIstImmerWasLos! Bis bald im #ZTLSpace
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Ist das real? Ist das nur eine Illusion? Ist das aus einem Cyberpunk Universum? Wie groß ist das? Es leuchtet blau und zeigt ZTL an. Was bedeuten die Zahlen? Was macht das eigentlich? Wieso sind die Farben so harmonisch? Was ist dieser Post? Fragen über Fragen. Wir haben die Antworten? Willst Du's erfahren? Antworte in den Kommentaren, komm mal vorbei. Wohin? Na ins #ZTL nach #LandauInDerPfalz, dem besten #Makerspace in der #pfalz. Denn #InLandauIstImmerWasLos! Bis bald im #ZTLSpace
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Ist das real? Ist das nur eine Illusion? Ist das aus einem Cyberpunk Universum? Wie groß ist das? Es leuchtet blau und zeigt ZTL an. Was bedeuten die Zahlen? Was macht das eigentlich? Wieso sind die Farben so harmonisch? Was ist dieser Post? Fragen über Fragen. Wir haben die Antworten? Willst Du's erfahren? Antworte in den Kommentaren, komm mal vorbei. Wohin? Na ins #ZTL nach #LandauInDerPfalz, dem besten #Makerspace in der #pfalz. Denn #InLandauIstImmerWasLos! Bis bald im #ZTLSpace
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Ist das real? Ist das nur eine Illusion? Ist das aus einem Cyberpunk Universum? Wie groß ist das? Es leuchtet blau und zeigt ZTL an. Was bedeuten die Zahlen? Was macht das eigentlich? Wieso sind die Farben so harmonisch? Was ist dieser Post? Fragen über Fragen. Wir haben die Antworten? Willst Du's erfahren? Antworte in den Kommentaren, komm mal vorbei. Wohin? Na ins #ZTL nach #LandauInDerPfalz, dem besten #Makerspace in der #pfalz. Denn #InLandauIstImmerWasLos! Bis bald im #ZTLSpace
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The #Army #ROTC program at #CUBoulder was quite good, if I say so myself. https://youtu.be/tnq-iu0lYx4?si=_100_WPLUtKpo9_q
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The #Army #ROTC program at #CUBoulder was quite good, if I say so myself. https://youtu.be/tnq-iu0lYx4?si=_100_WPLUtKpo9_q