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507 results for “dhla”

  1. We have good news! Our colleague Sofia Baroncini's doctoral thesis has been published on #arthistoricum today!

    “Diving into Artwork Interpretations through the Lenses of Semantic Data: An Application to Panofsky’s Iconological Studies”

    doi.org/10.11588/arthistoricum

    #DHLab_IEG #DigitalArtHistory #DigitalHumanities #semanticweb

  2. We have good news! Our colleague Sofia Baroncini's doctoral thesis has been published on #arthistoricum today!

    “Diving into Artwork Interpretations through the Lenses of Semantic Data: An Application to Panofsky’s Iconological Studies”

    doi.org/10.11588/arthistoricum

    #DHLab_IEG #DigitalArtHistory #DigitalHumanities #semanticweb

  3. We have good news! Our colleague Sofia Baroncini's doctoral thesis has been published on #arthistoricum today!

    “Diving into Artwork Interpretations through the Lenses of Semantic Data: An Application to Panofsky’s Iconological Studies”

    doi.org/10.11588/arthistoricum

    #DHLab_IEG #DigitalArtHistory #DigitalHumanities #semanticweb

  4. We have good news! Our colleague Sofia Baroncini's doctoral thesis has been published on #arthistoricum today!

    “Diving into Artwork Interpretations through the Lenses of Semantic Data: An Application to Panofsky’s Iconological Studies”

    doi.org/10.11588/arthistoricum

    #DHLab_IEG #DigitalArtHistory #DigitalHumanities #semanticweb

  5. We have good news! Our colleague Sofia Baroncini's doctoral thesis has been published on #arthistoricum today!

    “Diving into Artwork Interpretations through the Lenses of Semantic Data: An Application to Panofsky’s Iconological Studies”

    doi.org/10.11588/arthistoricum

    #DHLab_IEG #DigitalArtHistory #DigitalHumanities #semanticweb

  6. New blog post: “History as a Weapon: Historical Revisionism as a Tool of Russian Psychological Aggression in Social Media” by Olesia Zvezdova.

    As a fellow at the #DHLab_IEG, Olesia investigated methods of psychological aggression in Russia's war against Ukraine. Get an inside look into her research through this contribution on the instrumentalization of collective memory of historical events in the war.

    dhlab.hypotheses.org/8489

    #LivArch #DigitalHumanities #Histodons

  7. New blog post: “History as a Weapon: Historical Revisionism as a Tool of Russian Psychological Aggression in Social Media” by Olesia Zvezdova.

    As a fellow at the #DHLab_IEG, Olesia investigated methods of psychological aggression in Russia's war against Ukraine. Get an inside look into her research through this contribution on the instrumentalization of collective memory of historical events in the war.

    dhlab.hypotheses.org/8489

    #LivArch #DigitalHumanities #Histodons

  8. New blog post: “History as a Weapon: Historical Revisionism as a Tool of Russian Psychological Aggression in Social Media” by Olesia Zvezdova.

    As a fellow at the #DHLab_IEG, Olesia investigated methods of psychological aggression in Russia's war against Ukraine. Get an inside look into her research through this contribution on the instrumentalization of collective memory of historical events in the war.

    dhlab.hypotheses.org/8489

    #LivArch #DigitalHumanities #Histodons

  9. New blog post: “History as a Weapon: Historical Revisionism as a Tool of Russian Psychological Aggression in Social Media” by Olesia Zvezdova.

    As a fellow at the #DHLab_IEG, Olesia investigated methods of psychological aggression in Russia's war against Ukraine. Get an inside look into her research through this contribution on the instrumentalization of collective memory of historical events in the war.

    dhlab.hypotheses.org/8489

    #LivArch #DigitalHumanities #Histodons

  10. New blog post: “History as a Weapon: Historical Revisionism as a Tool of Russian Psychological Aggression in Social Media” by Olesia Zvezdova.

    As a fellow at the #DHLab_IEG, Olesia investigated methods of psychological aggression in Russia's war against Ukraine. Get an inside look into her research through this contribution on the instrumentalization of collective memory of historical events in the war.

    dhlab.hypotheses.org/8489

    #LivArch #DigitalHumanities #Histodons

  11. New blog post!
    The war in Ukraine has made one thing clear: cities are not just battlegrounds; they are living archives of memory, identity and resilience. Read “Sites of Memory VS Cultural Heritage: Urban Violence in Collective Narratives of Odesa Residents in Wartime” by Iuliia Iashchenko.

    dhlab.hypotheses.org/8406

    #DHLab_IEG #LivArch

  12. New blog post!
    The war in Ukraine has made one thing clear: cities are not just battlegrounds; they are living archives of memory, identity and resilience. Read “Sites of Memory VS Cultural Heritage: Urban Violence in Collective Narratives of Odesa Residents in Wartime” by Iuliia Iashchenko.

    dhlab.hypotheses.org/8406

    #DHLab_IEG #LivArch

  13. New blog post!
    The war in Ukraine has made one thing clear: cities are not just battlegrounds; they are living archives of memory, identity and resilience. Read “Sites of Memory VS Cultural Heritage: Urban Violence in Collective Narratives of Odesa Residents in Wartime” by Iuliia Iashchenko.

    dhlab.hypotheses.org/8406

    #DHLab_IEG #LivArch

  14. New blog post!
    The war in Ukraine has made one thing clear: cities are not just battlegrounds; they are living archives of memory, identity and resilience. Read “Sites of Memory VS Cultural Heritage: Urban Violence in Collective Narratives of Odesa Residents in Wartime” by Iuliia Iashchenko.

    dhlab.hypotheses.org/8406

    #DHLab_IEG #LivArch

  15. New blog post!
    The war in Ukraine has made one thing clear: cities are not just battlegrounds; they are living archives of memory, identity and resilience. Read “Sites of Memory VS Cultural Heritage: Urban Violence in Collective Narratives of Odesa Residents in Wartime” by Iuliia Iashchenko.

    dhlab.hypotheses.org/8406

    #DHLab_IEG #LivArch

  16. Conf: “Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom”

    Leibniz Institute of European History (IEG), Mainz, 15-17 April 2026

    The conference programme and further information is available at its website: ieg-dhr.github.io/techno_optim

    Because space is limited, we ask that those who are interested in attending register by sending a brief e-mail to [email protected] by 25. March 2026.

    #DHLab_IEG #Histodons #TechnoOptimism

  17. Conf: “Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom”

    Leibniz Institute of European History (IEG), Mainz, 15-17 April 2026

    The conference programme and further information is available at its website: ieg-dhr.github.io/techno_optim

    Because space is limited, we ask that those who are interested in attending register by sending a brief e-mail to [email protected] by 25. March 2026.

    #DHLab_IEG #Histodons #TechnoOptimism

  18. Conf: “Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom”

    Leibniz Institute of European History (IEG), Mainz, 15-17 April 2026

    The conference programme and further information is available at its website: ieg-dhr.github.io/techno_optim

    Because space is limited, we ask that those who are interested in attending register by sending a brief e-mail to [email protected] by 25. March 2026.

    #DHLab_IEG #Histodons #TechnoOptimism

  19. Conf: “Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom”

    Leibniz Institute of European History (IEG), Mainz, 15-17 April 2026

    The conference programme and further information is available at its website: ieg-dhr.github.io/techno_optim

    Because space is limited, we ask that those who are interested in attending register by sending a brief e-mail to [email protected] by 25. March 2026.

    #DHLab_IEG #Histodons #TechnoOptimism

  20. Conf: “Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom”

    Leibniz Institute of European History (IEG), Mainz, 15-17 April 2026

    The conference programme and further information is available at its website: ieg-dhr.github.io/techno_optim

    Because space is limited, we ask that those who are interested in attending register by sending a brief e-mail to [email protected] by 25. March 2026.

    #DHLab_IEG #Histodons #TechnoOptimism

  21. New blog post!
    Moritz Schepp and @ThWuebbena about an effective approach to sustainable research: “‘The last one leaves the light on’. Static service as a key to sustainable data provision”
    ConedaKOR, an open-source database system for cultural artefacts, now includes a built-in static mode that enables “graceful degradation”—transforming a dynamic database into lightweight, long-term static website.

    dhlab.hypotheses.org/8265

    #DHLab_IEG #DigitalHumanities #NFDI4Culture

  22. New blog post!
    Moritz Schepp and @ThWuebbena about an effective approach to sustainable research: “‘The last one leaves the light on’. Static service as a key to sustainable data provision”
    ConedaKOR, an open-source database system for cultural artefacts, now includes a built-in static mode that enables “graceful degradation”—transforming a dynamic database into lightweight, long-term static website.

    dhlab.hypotheses.org/8265

    #DHLab_IEG #DigitalHumanities #NFDI4Culture

  23. New blog post!
    Moritz Schepp and @ThWuebbena about an effective approach to sustainable research: “‘The last one leaves the light on’. Static service as a key to sustainable data provision”
    ConedaKOR, an open-source database system for cultural artefacts, now includes a built-in static mode that enables “graceful degradation”—transforming a dynamic database into lightweight, long-term static website.

    dhlab.hypotheses.org/8265

    #DHLab_IEG #DigitalHumanities #NFDI4Culture

  24. New blog post!
    Moritz Schepp and @ThWuebbena about an effective approach to sustainable research: “‘The last one leaves the light on’. Static service as a key to sustainable data provision”
    ConedaKOR, an open-source database system for cultural artefacts, now includes a built-in static mode that enables “graceful degradation”—transforming a dynamic database into lightweight, long-term static website.

    dhlab.hypotheses.org/8265

    #DHLab_IEG #DigitalHumanities #NFDI4Culture

  25. New blog post!
    Moritz Schepp and @ThWuebbena about an effective approach to sustainable research: “‘The last one leaves the light on’. Static service as a key to sustainable data provision”
    ConedaKOR, an open-source database system for cultural artefacts, now includes a built-in static mode that enables “graceful degradation”—transforming a dynamic database into lightweight, long-term static website.

    dhlab.hypotheses.org/8265

    #DHLab_IEG #DigitalHumanities #NFDI4Culture