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180 results for “dhla”
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DH Lawrence mural near birthplace museum
https://www.bbc.co.uk/news/articles/cjwzjen76v9o
#DHLawrence #Nottinghamshire #mural #artwork #publicArt #writers
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DH Lawrence mural near birthplace museum
https://www.bbc.co.uk/news/articles/cjwzjen76v9o
#DHLawrence #Nottinghamshire #mural #artwork #publicArt #writers
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DH Lawrence mural near birthplace museum
https://www.bbc.co.uk/news/articles/cjwzjen76v9o
#DHLawrence #Nottinghamshire #mural #artwork #publicArt #writers
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DH Lawrence mural near birthplace museum
https://www.bbc.co.uk/news/articles/cjwzjen76v9o
#DHLawrence #Nottinghamshire #mural #artwork #publicArt #writers
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Conf: “Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom”
Leibniz Institute of European History (IEG), Mainz, 15-17 April 2026
The conference programme and further information is available at its website: https://ieg-dhr.github.io/techno_optimism/
Because space is limited, we ask that those who are interested in attending register by sending a brief e-mail to [email protected] by 25. March 2026.
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Conf: “Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom”
Leibniz Institute of European History (IEG), Mainz, 15-17 April 2026
The conference programme and further information is available at its website: https://ieg-dhr.github.io/techno_optimism/
Because space is limited, we ask that those who are interested in attending register by sending a brief e-mail to [email protected] by 25. March 2026.
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Conf: “Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom”
Leibniz Institute of European History (IEG), Mainz, 15-17 April 2026
The conference programme and further information is available at its website: https://ieg-dhr.github.io/techno_optimism/
Because space is limited, we ask that those who are interested in attending register by sending a brief e-mail to [email protected] by 25. March 2026.
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Conf: “Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom”
Leibniz Institute of European History (IEG), Mainz, 15-17 April 2026
The conference programme and further information is available at its website: https://ieg-dhr.github.io/techno_optimism/
Because space is limited, we ask that those who are interested in attending register by sending a brief e-mail to [email protected] by 25. March 2026.
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Conf: “Technological Optimism in 1970s and 1980s Popular Culture: Innovation, Creativity, Prosperity, and Freedom”
Leibniz Institute of European History (IEG), Mainz, 15-17 April 2026
The conference programme and further information is available at its website: https://ieg-dhr.github.io/techno_optimism/
Because space is limited, we ask that those who are interested in attending register by sending a brief e-mail to [email protected] by 25. March 2026.
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Sanford and Sons and Lovers
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Job offer: full-time postdoctoral position
– Digitality of Historical Research –
to start on 1st of July 2026.
The contract is fixed-term and limited to a maximum of five years.
Salary: German pay grade TV-L EG 13.Please send your application by 09.03.2026.
#DHLab_IEG
#mainzed
#DigitalHumanities
#digitalhistory
#Histodons -
"Wissenschaftliche Integrität in der Arbeit mit großen Sprachmodellen" - darüber sprechen Cindarella Petz @cprog7 und @SarahOberbichler morgen um 10:00 Uhr in der @NFDI4Memory -Reihe "Von Büchern zu Bytes".
Seid dabei und erfahrt mehr über die Anwendung von #LargeLanguageModels in der geisteswissenschaftlichen Forschung.
📆 Fr. 21.11.25, 10-11:30 Uhr
🌐https://4memory.de/aktuelles/kalender/
📍 https://uni-trier.zoom-x.de/j/69148560192?pwd=ZUVjclY2V1JibXhFYVk1VGgrdE9qdz09#BooksToBytes #NFDI4Memory #DigitalHumanities #AI #KI #LLM #Histodons #DH #DHLab_IEG
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Kurzer Reminder für die heutige Online-Veranstaltung mit @cprog7 im Rahmen des @hermes_datenkompetenzzentrum Netzwerktreffens:
"Buchstabensalat oder Haarknäuel? Zur Anwendbarkeit von Topic Modeling, Text Mining und Netzwerkanalyse"
🗓️ 17. 11.2025 ⏰ 16:00-17:30 Uhr
➡️ Infos / Anmeldung: https://hermes-hub.de/aktuelles/events/netzwerktreffen-2025-11-17.html
https://fedihum.org/@DHLab_IEG/115496585951698396
#DHLab_IEG #HERMES #DigitalHumanities #NLP #TextMining #NetzwerkAnalyse #HNR #Histodons
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Promovierende aufgepasst: Ihr seid euch unsicher, ob Topic Modeling das richtige für eure computergestützten Auswertungen ist? Oder doch lieber (nicht) Netzwerkanalyse? Und welche Alternativen gäbe es? Am 17. 11. (16-17:30 Uhr) habt Ihr die Gelegenheit, euch darüber mit unserer Kollegin Cindarella Petz (@cprog7) im Rahmen des HERMES-Netzwerktreffens (online) auszutauschen.
Infos / Anmeldung: https://hermes-hub.de/aktuelles/events/netzwerktreffen-2025-11-17.html
#DHLab_IEG #HERMES #DigitalHumanities #NLP #TextMining #NetzwerkAnalyse #HNR
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Johanna Mauermann just published a new blog post about her experience at #TPDL2025. She attended the conference to present a joint paper on studying model design biases in LLMs for multilingual historical newspaper extraction.
Read the full post here: https://dhlab.hypotheses.org/7898
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Magic of life
In the dust where we have buried the silent races and their abominations we have buried so much of the delicate magic of life.
~ D.H. Lawrenceslip:4a1560.
#DHLawrence #Quotes #Time -
New blog post: “From ‘So what?’ to ‘What's next?’ Joining the C²DH in Luxembourg as a visiting researcher.”
Reflecting on her time at the #C2DH in #Luxembourg, our #DHLab_IEG colleague @SarahOberbichler illustrates how a research environment can shape a scholar, and emphasises the importance of fostering a collaborative, open and inclusive work environment to improve our research. We couldn't agree more!
https://dhlab.hypotheses.org/7560
#DH #DigitalHumanities #LLMs #History #Histodons #DigitalHistory
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📢 New blog post! In "From Access to Ethics: Data Discussions at the DH2025 Conference in Lisbon", our #DHLab_IEG team members Sofia Baroncini, @ConstanzeBuyken, @JuditGarzon, Ian Marino, @SarahOberbichler and Cindarella Petz @cprog7 share their impressions of the #DH2025.
Take a look at the patterns and trends they identified in the conference topics and at the subjects they explored in more detail:
https://dhlab.hypotheses.org/7355 -
On the last day of the #DH2025 conference, @JuditGarzon and @ConstanzeBuyken present their poster on "Small Grants, Big Opportunities: Enabling Inclusivity and Innovation in Digital Humanities".
Come and join us at at the esplanada to find out more about it and talk to us about the @NFDI4Memory and @hermes_datenkompetenzzentrum grants!
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You are interested in how symbols and meanings vary in the art history hermeneutic discourse? Then don't miss the talk on "An analysis of symbolic associations in the Arts based on open data" by our colleague Sofia Baroncini at the #DH2025!
Discuss the paper with Sofia and her co-authors during the session 'Knowledge Graphs, Open Data and Quantitative Analysis for Art Datasets'.
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#DH2025 Join us for the next session on 'Digital Access and Critical Approaches to Archives, Repositories and Education' and discuss "LLMs as Analysis Tool: A Framework for Implementation, Evaluation and Critical Assessment" with our colleagues @cprog7 and @SarahOberbichler!
We look forward to learning more about the integration of LLMs into critical research workflows, and understanding the associated legal, ethical and methodological challenges.
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At #DH2025, we start the day with a contribution from our colleague, Ian Marino, on the panel 'The global state of digital history: Establishing data culture(s) in uncertain times' organised by @NFDI4Memory.
We are looking forward to an interesting discussion between the panellists! You can find all the names here: https://www.conftool.pro/dh2025/index.php?page=browseSessions&form_session=152#paperID23
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This week, part of the #DHLab_IEG is present at the international #DigitalHumanities Conference of the #ADHO in Lisbon.
Today, we start with a poster presentation on "Innovative Pathways to Data Literacy: Tailored Formats for Humanities and Cultural Studies" by @JuditGarzon and her colleagues from @hermes_datenkompetenzzentrum.
Are you at the #DH2025, too? Come and join us at at the esplanada to find out more, and stay tuned for updates on our other contributions!
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“Having occasion to go to London, he marvelled, as he returned, thinking of naked, lurking savages on an island, how these had built up and created the great mass of Oxford Street or Piccadilly. How had helpless savages, running with their spears on the riverside ... come to rear up this great London ... upon a world of nature! ... Man was terrible, awful in his works. The works of man were more terrible than man himself, almost monstrous.”
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“Having occasion to go to London, he marvelled, as he returned, thinking of naked, lurking savages on an island, how these had built up and created the great mass of Oxford Street or Piccadilly. How had helpless savages, running with their spears on the riverside ... come to rear up this great London ... upon a world of nature! ... Man was terrible, awful in his works. The works of man were more terrible than man himself, almost monstrous.”
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Today's poem:
Afternoon in School: The Last Lesson
- by D.H. Lawrencehttps://www.tumblr.com/ukdamo/787128044669337600/afternoon-in-school-the-last-lesson?source=share
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Today's poem:
Afternoon in School: The Last Lesson
- by D.H. Lawrencehttps://www.tumblr.com/ukdamo/787128044669337600/afternoon-in-school-the-last-lesson?source=share
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I want to grapple more with D.H. Lawrence, in particular "The Rainbow" and "Women in Love".
I've read both but came away puzzled and dissatisfied. What did I miss? I've been nagged by a feeling for years that my inadequacies as a reader have obscured important themes from me. I don't have much time to do unrelated to work rereading, but I do have a hunch that understanding these two works will better my understanding of both my country and myself past and present.
Lawrence's reputation has never fully recovered from the attack mounted on his work by Kate Millett in the 1970 "Sexual Politics". Feminist scholarship following Millett contributed to the supersession of the Leavisite criticism that had championed Lawrence as the heir to the "Great Tradition" of moral seriousness in English literature, and that critical approach withered not only intellectually, but also institutionally as British literature and humanities departments came more and more under the sway of US academia's priorities and values; what place for Lawrence's rainswept reflections on the burdens of class in Britain on a sunny, tech infused Californian campus? Pointing to Lawrence in New Mexico or Australia just feels desperate...
My reading, however, is informed but not determined by what's in favor (note the spelling) in departments of literature. Kate Millett might have hated "Lady Chatterley's Lover", but I have found it a rich source not just for thinking about sex and gender but also language, class, technology, and disability in interwar Britain . I hope that a reread of "The Rainbow" and "Women in Love" will prove similarly rewarding.
#DHLawrence #Books #TheRainbow #WomenInLove #LadyChatterleysLover #BritishLiterature #EnglishLiterature
Image: D H Lawrence in 1921 -- Wikimedia Commons -- Public domain.
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I want to grapple more with D.H. Lawrence, in particular "The Rainbow" and "Women in Love".
I've read both but came away puzzled and dissatisfied. What did I miss? I've been nagged by a feeling for years that my inadequacies as a reader have obscured important themes from me. I don't have much time to do unrelated to work rereading, but I do have a hunch that understanding these two works will better my understanding of both my country and myself past and present.
Lawrence's reputation has never fully recovered from the attack mounted on his work by Kate Millett in the 1970 "Sexual Politics". Feminist scholarship following Millett contributed to the supersession of the Leavisite criticism that had championed Lawrence as the heir to the "Great Tradition" of moral seriousness in English literature, and that critical approach withered not only intellectually, but also institutionally as British literature and humanities departments came more and more under the sway of US academia's priorities and values; what place for Lawrence's rainswept reflections on the burdens of class in Britain on a sunny, tech infused Californian campus? Pointing to Lawrence in New Mexico or Australia just feels desperate...
My reading, however, is informed but not determined by what's in favor (note the spelling) in departments of literature. Kate Millett might have hated "Lady Chatterley's Lover", but I have found it a rich source not just for thinking about sex and gender but also language, class, technology, and disability in interwar Britain . I hope that a reread of "The Rainbow" and "Women in Love" will prove similarly rewarding.
#DHLawrence #Books #TheRainbow #WomenInLove #LadyChatterleysLover #BritishLiterature #EnglishLiterature
Image: D H Lawrence in 1921 -- Wikimedia Commons -- Public domain.
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Neuer Blogbeitrag! In „Durch Projektkoordination Räume der Zusammenarbeit schaffen – Erfahrungen aus der „Digitalen Kartenwerkstatt Altes Reich“ (DigiKAR)“ blickt @ConstanzeBuyken auf drei Jahre @DigiKAR zurück.